4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
On this date, 114 years ago, Samuel Fuller was born in Massachusetts. Before he became a filmmaker, Fuller was a crime reporter and a pulp novelist. His films were often melodramatic and unapologetically sordid. They were also often dismissed when they were initially released but almost all of them were subsequently rediscovered by audiences who appreciated Fuller’s striking visuals and the often subversive subtext to be found underneath the surface of his genre films.
Today, we celebrate Fuller’s legacy with….
4 Shots From 4 Sam Fuller Films
Forty Guns (1957, dir by Samuel Fuller, DP: Joseph Biroc)
Shock Corridor (1963, dir by Samuel Fuller, DP: Stanley Cortez
The Naked Kiss (1964, dir by Samuel Fuller, DP: Stanley Cortez)
The Big Red One (1980, dir by Samuel Fuller, DP: Adam Greenberg)
James Woods was recently asked on X if he would have enjoyed starring in a sequel to one of his movies!
His response… “John Carpenter’s VAMPIRES, because it was just so much fun to do!”
As a huge fan of Woods going back to the 80’s, I saw VAMPIRES when it played in the movie theater. I really enjoyed it, and I’ve even written a review for the film for this website. (On a side note, I shared that review with Mr. Woods, and he thanked me for it.) One of the main reasons I like the film is the badass opening sequence. Woods couldn’t have looked any cooler, and Carpenter’s guitar sets the macho mood perfectly. Today I thought it would be fun to share that scene with all of you. It’s a long clip, but it’s still awesome. Enjoy!
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
79 years ago on this date, director Stuart Gordon was born in Chicago, Illinois. Gordon went from experimental theater to feature films and was responsible for some of the most visually memorable horror films of the past century. Perhaps no other American director was a strong interpreter of the work of H.P. Lovecraft than Stuart Gordon.
Today, we honor Stuart Gordon with….
4 Shots From 4 Stuart Gordon Films
Re-Animator (1985, dir by Stuart Gordon, DP: Marc Ahlberg)
Dolls (1987, dir by Stuart Gordon, DP: Marc Ahlberg)
The Pit and the Pendulum (1991, dir by Stuart Gordon. DP: Adolfo Bartoli)
Castle Freak (1994, dir by Stuart Gordon, DP: Mario Vulpiani)
Rest in peace to the great Reggie Bannister. After years of ill health, Bannister passed away on August 9th at the age of 80.
Reggie Bannister will always be remembered for his role as the same-named Reggie, the ice cream man in the Phantasm franchise. For all the attention that was given to how scary Angus Grimm was, Reggie was the heart of the film. Today’s scene that I love comes from 1979’s Phantasm.
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Prime!
This week, CHiPs jumps the proverbial shark.
Episode 6.3 “The Spaceman Made Me Do It”
(Dir by Winrich Kolbe, originally aired on October 24th, 1983)
There’s three storylines in this week’s episode. Let’s start with the two that make sense.
In the episodes comedic storyline, the members of the Highway Patrol all receive a chain letter. Some continue the chain and have good luck. Others — like Ponch — do not continue the chain and wait for their bad luck. Grossie mails his letter and then gets an $800 refund from the IRS. However, at the end of the episode, it’s revealed that the Highway Patrol’s secretary failed to mail the chain letters and the IRS informs Grossie that his refund was a mistake. Everyone laughs at Grossie. Poor guy.
The B-plot features Grossie and new officer Kathy (Tina Gayle) tracking down some thieves who are robbing Japanese tourists. This was a traditional CHiPs story and it was actually kind of nice of the show to acknowledge that Ponch isn’t the only person fighting crime in California.
But then there’s the main plot. Ponch and Bobby have been assigned to night patrol. They catch a preadolescent girl named Jodi (Kyle Richards) breaking into a jewelry store. She says that an E.T. (and yes, she says “E.T.’) ordered her to break into the store because it need the diamonds to fix its spaceship. Ponch and Bobby take Jodi to the station and Ponch volunteers to serve as Jodi’s legal guardian until her parents can be found. Dr. Joyce Brothers appears as herself, talking to Jodi and announcing the Jodi is not crazy.
Having watched five seasons of CHiPs, I found myself waiting for the inevitable moment in which it would be revealed that Jodi was being manipulated by a master criminal. When Jodi ran away to meet up with the UFO, I expected that Ponch and Bobby would track her down and arrest the actual villain.
Instead, when Ponch and Bobby tracked down Jodi, I got a scene of a light shining down from the sky, Jodi being pulled towards the unseen UFO, and Ponch grabbing her and yelling that the aliens can’t have her. Ponch’s words apparently have the right effect because the lights disappear as the never-seen UFO returns to its own planet.
“What was that?” Bobby asks.
“Whatever you want it to be,” Ponch replies.
No, guys. I’m sorry. This is CHiPs. It’s a show about cops on motorcycles. It’s not a show about UFOs. You can’t just introduce an alien on this show and then have everyone shrug it off once they hear that Grossie won’t be getting his tax refund. This just isn’t the show to try that sort of thing. (Yes, Force Seven did get pretty weird but that was a backdoor pilot for a different series and Ponch and Jon didn’t actually get involved in any of the mad scientist/karate action.)
I’m going to guess this episode was an attempt to shake things up. Maybe there was a feeling that, since new star Tom Reilly lacked all credibility as a cop, the show should abandon the straight-forward approach that it used during the Larry Wilcox years. I’m sure the show had its reasons but this episode just doesn’t feel right.
Of course, some thing never change. The aliens may have been a surprise but it’s not a surprise that Ponch was the one who (somehow) made them go away. Aliens or not, this is still….
My title may be a little misleading, but I always find it fascinating when certain iconic individuals work together on screen. Tom Laughlin and Charles Bronson crossed paths early in both of their careers, with Laughlin accomplishing something that very few actors would be able to claim later on… he knocked out Bronson!
It all goes back to the pilot episode of Charles Bronson’s T.V. series MAN WITH A CAMERA, titled “Second Avenue Assassin,” which premiered on October 10th, 1958. In that first episode, Mike Kovac (Charles Bronson) wants to get a picture of his old neighborhood pal, Joey Savoyan (Tom Laughlin). Joey has risen in the boxing ranks, and is getting a title shot at the champ, Sal Benning. But it seems that success has changed Joey from the guy Mike knew, and there have been many reports that he’s turned into a jerk who’d rather punch a reporter or photographer than look at them. When Mike goes to Joey’s training camp and proceeds to tell him that his attitude is an embarrassment to the people pulling for him back home, Joey gets pissed and the two men end up in the ring. Apparently, Mike could whip him back in the day, but times have changed and after absorbing a few of Mike’s jabs, Joey lays his ass out cold with one punch. The photograph that makes the papers that night is Mike lying flat on his back with the headline “Joey Savoyan puts ace photographer in darkroom!” There’s more to the story, and Bronson and Laughlin end up working together, but not many characters have knocked Bronson out and got to live to tell about it!
In celebration of Laughlin’s 95th birthday in badass heaven, I decided to share that video with you today. Enjoy!
Hi, everyone! Tonight, on twitter, I will be hosting one of my favorite films for #MondayMania! Join us for Fatal Flip!
You can find the movie on Prime and then you can join us on twitter at 9 pm central time! (That’s 10 pm for you folks on the East Coast.) See you then!
Today would have been the 95th birthday of Tom Laughlin, the independent film pioneer who gave the world Billy Jack.
In honor of the day of his birth, here’s a scene that I love from 1971’s Billy Jack. The townspeople think that they can get away with humiliating the students from the Freedom School. Well, Billy Jack’s got something to say about that.
Who is Billy Jack? He’s just a person who protects children and other living things.
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, we pay tribute to the man who gave us Billy Jack. It’s time for….
4 Shots From 4 Tom Laughlin Films
Born Losers (1967, dir by Tom Laughlin)
Billy Jack (1971, dir by Tom Laughlin)
The Trial of Bully Jack (1974, dir by Tom Laughlin)
Billy Jack Goes To Washington (1977, dir by Tom Laughlin)
Through the Shattered Lens 