I Watched Perry Mason: The Case Of The Telltale Talk Show Host (1993, Dir. by Christian I. Nyby II)

Posted on January 26, 2026 by Dazzling Erin

At the end of this movie… PERRY KISSED DELLA!

On the lips!

I knew they were in love! Obviously, Della (Barbara Hale) was also in love with Paul Drake, Sr. but with Paul gone and Paul Drake, Jr. doing his own thing, she and Perry (Raymond Burr) can finally be together. It was about time, too. Even though Perry comes across like he would be too work-obsessed to really be a good husband or even boyfriend, it has also been obvious that Perry and Della were in love ever since Perry Mason Returns.

As for the mystery itself, it’s a really simple one and I was able to guess who the killer was from the start. I know that Raymond Burr was terminally ill when he shot this film (and it was the last time Perry Mason movie to ai during his life time) and maybe that’s why the plot isn’t as complicated as usual. The guest cast is really good, though. Regis Philbin plays the owner of a talk radio station who is murdered by one of his hosts. Every host is a suspect and they’re all strange enough to be fun to watch. Both Montel Williams and G. Gordon Liddy are in this thing!

Knowing this was the last of the films to air during Burr’s lifetime made watching The Case of the Telltale Talk Show Host feel a little sad. As sick as he was, Raymond Burr still dominated the courtroom. That was one reason why the kiss made me so happy. Perry (and Burr) didn’t have much time left but he made sure we all knew how he felt about Della.

Horror On TV: The Halloween That Almost Wasn’t (dir by Bruce Bilson)

Posted on October 17, 2025 by Lisa Marie Bowman

Oh no! Halloween might be canceled because people just aren’t scared of the old monsters! Dracula (Judd Hirsch) calls all of the classic creatures to a meeting in his castle (where they all happen to be freeloading) and give them an ultimatum. Be more scary! It turns out to be easier said than done.

This originally aired in 1979 but, for people of a certain age, it achieved a certain immortality thanks to regular airings on the Disney Channel. It’s a cute show. It might seem a little bit corny today but that’s a large part of its appeal. It’s a reminder of a more innocent time.

Warren the Werewolf, by the way, was named after Warren “Werewolves of London” Zevon.

Freefall: Flight 174 (1995, directed by Jorge Montesi)

Posted on June 20, 2025 by Jedadiah Leland

During a routine flight from Montreal to Edmonton, the two pilots (played by William Devane and Scott Hylands) discover that they do not have enough fuel to make it to their destination. Their aircraft was one of the first in the fleet to use the metric system but a conversion era led to the ground crew measuring the plane’s fuel in pounds instead of kilograms. With the help of an air traffic controller (Nicholas Turturro), the pilots try to land their plane before it falls out of the sky.

Based on a true story, Freefall is one of the many airflight disaster films that were made for television in the 80s and 90s. (Not surprisingly, the genre became less popular after 9-11.) The emphasis is on the pilots and ground control remaining calm and professional in the face of seemingly insurmountable odds. While Devane and Hylands look for a place to land, flight attendant Shelley Hack keeps the passengers from panicking. In typical disaster movie style, the passengers have their own dramas that are wrapped up as they wait for the plane to either land or crash. It’s a low-budget movie but the cast does a good job. William Devane is one of those actors who just looks credible flying an airplane.

The movie’s main lesson? Don’t use the Metric System unless you absolutely have to,

Bonus Horror On TV: The Halloween That Almost Wasn’t (dir by Bruce Bilson)

Posted on October 29, 2024 by Lisa Marie Bowman

Warren the Werewolf, by the way, was named after Warren “Werewolves of London” Zevon.

Horror On TV: The Halloween That Almost Wasn’t (dir by Bruce Bilson)

Posted on October 30, 2022 by Lisa Marie Bowman

Warren the Werewolf, by the way, was named after Warren “Werewolves of London” Zevon.

Horror On TV: Ghost Story 1.9 “Cry of the Cat” (dir by Arnold Laven)

Posted on October 9, 2022 by Lisa Marie Bowman

On tonight’s episode of Ghost Story, a rodeo is terrorized by a series of cougar attacks. Could it have anything to do with the cat-like wife of rodeo star Doug McClure?

This episode originally aired on November 24th, 1972 and it is kind of silly but …. hey, it’s Doug McClure. It doesn’t get more early 70s than Doug McClure.

Enjoy!

2020 In Review: The Best of Lifetime

Posted on January 31, 2021 by Lisa Marie Bowman

As chaotic as 2020 may have been, one thing remained unchanged! Lifetime provided me with a lot of entertainment! Below, you’ll find my picks for the best Lifetime films and performances of the past year!

(For my previous best of Lifetime picks, click on the links: 2014, 2015, 2016, 2017, 2018, and 2019!)

Best Picture:

Best Director:

Jeff Hare for Beware of Mom
Sam Irvin for Mile High Escorts
David Weaver for Sleeping With Danger
Linden Ashby for Escaping My Stalker
Colin Theys for A Predator’s Obsession: Stalker’s Prey 2
Doug Campbell for Deadly Mile High Club

Best Actress:

Wendie Malick in Deranged Granny
Elisabeth Rohm in Sleeping With Danger
Sydney Myer in Remember Me, Mommy?
Ezmie Garcia in Escaping My Stalker
Anita Brown in Cheer Squad Secrets
Crystal Allen in Beware of Mom

Best Actor:

Houston Stevenson in A Predator’s Obsession: Stalker’s Prey 2
Antonio Cupo in Sleeping With Danger
Panos Vlahos in Psycho Yoga Instructor
Nick Ballard in Psycho Escort
Andrew James Allen in Escaping My Stalker
T.C. Matherne in A Murder to Remember

Best Supporting Actor

Damon K. Sperber in Deadly Mile High Club
Jim Klock in Secrets in the Woods
Gord Rand in Abducted on Air
Brandon Howell in Beware of Mom
Mark Jude Sullivan in Sinfidelity
Jeff Schine in A Mother Knows Worst

Best Supporting Actress

Cristine Prosperi in Killer Competition
Perrey Reeves in Abducted on Air
Mariette Hartley in Escaping My Stalker
Christina Moore in Mile High Escorts
Christie Burson in Ruthless Realtor
Cristina Rosato in No Good Dead Goes Unpunished

Best Screenplay:

Stephen Romano for Escaping My Stalker
Richard Blaney and Gregory Small for Sleeping with Danger
S.L. Heath for Beware of Mom
Barbara Kymlicka for Abducted on Air
Daniel West for Killer Competition
Adam Rockoff and Zachary Valenti for Remember Me Mommy

Best Score:

Andrew Morgan Smith for Sinfidelity
David Findlay for Revenge For Daddy
Christopher Cano for The Pom Pom Murders
Fantom for Mile High Escorts

Best Editing:

Maxime Chalifoux for Abducted on Air
Seth Johnson for The Pom Pom Murders
Bryan Capri for A Predator’s Obsession: Stalker’s Prey 2
Kelly Herron for Sleeping With Danger

Best Cinematography:

Branden James Maxham for A Predator’s Obsession: Stalker’s Prey 2
Nate Spicer for Mile High Escorts
Thomas M. Harting for Sleeping With Danger
David Dolnik for Deadly Mile High Club

Coming up next (tomorrow at the latest — maybe sooner, depending on how much time I can devote to watching 6 movie today): My picks for the best films of 2020! Finally!

TSL Looks Back at 2020:

Marooned (1969, directed by John Sturges)

Posted on July 14, 2020 by Jedadiah Leland

Imagine The Martian or Apollo 13 without any humor or narrative momentum and you’ve got an idea what Marooned is like.

Three American astronauts (played by Richard Crenna, Gene Hackman, and James Franciscus) are returning to Earth after serving on an experimental space station when the engine to their spacecraft fails. Now stuck in orbit around the Earth, they only have two days before they run out of oxygen. While flight commander Crenna tries to keep everyone calm and make sure that all the proper procedures are followed, Gene Hackman yells at NASA and demands to be rescued.

Down on Earth, the head of NASA (Gregory Peck) says that there’s nothing that can be done. There’s no way to get a rescue mission set up quickly enough to save the lives of the astronauts. Both the President and David Janssen disagree with him. Janssen demands to be sent into space immediately, regardless of the dangers, so that he can bring America’s astronauts home.

Marooned is a painfully slow movie that went into production at the height of the space race and which was released just a few weeks before the first successful moon mission. Because it was made at a time when there were still many who claimed that NASA was a waste of money, the movie goes out of its way to explain that, even though the astronauts are probably going to die in space, NASA is in no way to blame. Richard Crenna absolves NASA of blame after being told that a rescue mission isn’t feasible. Gregory Peck holds a press conference, where he gives a lengthy speech about why space exploration is still important. The movie is very detailed in showing that NASA is staffed by personality-free professionals, which might have boosted confidence in NASA but which also leads to a dull story. You’ll notice that I haven’t referred to anyone in this film by the names of their characters. That’s because their names don’t matter because, other than Gene Hackman and David Janssen, none of them is really distinguished by any sort of identifiable personality. Hackman chews the scenery while Janssen plays another surly character who seems like he has a permanent hangover. I wouldn’t trust Janssen to pilot a spaceship.

Marooned won an Oscar for its Special Effects, which were probably impressive back in 1969 but which are dull by modern standards. Winning that Oscar meant that Marooned would eventually earn the distinction of being the only Oscar winner to be featured on Mystery Science Theater 3000. On MST 3K, it aired under the title Space Travelers, which is a perfectly generic name for a perfectly generic film.

What Lisa Watched Tonight #204: Escaping My Stalker (dir by Linden Ashby)

Posted on January 1, 2020 by Lisa Marie Bowman

Tonight, I watched the first Lifetime movie of 2020 — Escaping My Stalker!

Why Was I Watching It?

Because it was the first Lifetime film of 2020, of course!

Seriously, though, 2019 was not an easy year for me as a reviewer. I got busy. My time management skills mysteriously fell apart. As a result, I missed a few Lifetime films and I also didn’t always have time to review quite a few of the ones that I did see. One of my resolutions for 2020 is to not let that happen again.

I mean, don’t get me wrong. If I’m not going to be at home when the movie airs, I’m going to set the DVR. But, this year, I’m not going to let movies pile up on my DVR before I watch them and, even more importantly, I’m not going to get behind on my reviews. That’s my 2020 resolution and if I break it, I’m blaming everyone who follows me on social media.

Those are the stakes, my friends.

(For the record, I will be watching and hopefully reviewing the remaining Lifetime films on my DVR this weekend.)

What Was It About?

Up until a year ago, 17 year-old Taylor (Ezmie Garcia) was homeless. Fortunately, she was eventually taken in and adopted by Larry (Linden Ashby) and his wife, Sandy (Alexandra Paul). Now, Taylor has a job at the local skatepark and her life appears to be heading in the right direction. However, Taylor also has a stalker! When that stalker breaks into Taylor’s home and shoots Larry in the leg, Taylor realizes that her new life isn’t as secure as she thought it was.

It’s no spoiler to tell you that Taylor’s stalker is Miles (Andrew James Allen). Miles lives with his grandmother (Mariette Hartley) and it quickly turns out that grandma is actually encouraging Miles! Miles and grandma have got their own reasons for wanting to destroy Taylor’s new family, reasons that only become clear as the film progresses.

What Worked

It all worked!

Seriously, Escaping My Stalker was a perfect way to start the new year. The story was interesting. The film was well-directed by Linden Ashby. Ezmie Garcia did a great job playing a character who was a bit tougher than the average Lifetime teenager. Meanwhile, Mariette Hartley appeared to be having a lot of diabolical fun in the role of the Grandma from Hell. Even though Miles was not necessarily a sympathetic character, it only took one look at Grandma to understand why Miles turned out the way that he did.

Also, Escaping My Stalker featured a Clu Gulager shout-out! When Taylor first meets Clu Dunsten (Pedro Correa), she asks him if he’s named after the great character actor Clu Gulager. They even spend a few minutes talking about Return of the Living Dead! If that isn’t the best way to start off 2020, I don’t know what is.

Finally, this was not just a Lifetime melodrama. It was also a film about the homeless situation, which is getting worse day-by-day (and not just on the West Coast, either). This was a Lifetime film with a conscience.

What Didn’t Work

As I said, it all worked. This was exactly the type of film that one hopes to see while watching the Lifetime Movie Network.

“OH MY GOD! JUST LIKE ME!” Moments

To be honest, I could only hope to be as tough and resourceful as Taylor.

Lessons Learned

There are still people out there who appreciate a good Living Dead film.

Thank You, Mr. Peckinpah: Ride the High Country (1962, directed by Sam Peckinpah)

Posted on November 26, 2015 by Jedadiah Leland

ride It’s the turn of the 20th century and the Old West is fading into legend. When they were younger, Steve Judd (Joel McCrea) and Gil Westrum (Randolph Scott) were tough and respect lawmen but now, time has passed them by. Judd now provides security for shady mining companies while Gil performs at county fairs under the name The Oregon Kid. When Judd is hired to guard a shipment of gold, he enlists his former partner, Gil, to help. Gil brings along his current protegé, Heck Longtree (Ron Starr).

On their way to the mining camp, they spend the night at the farm of Joshua Knudsen (R.G. Armstrong) and his daughter, Elsa (Mariette Hartley). Elsa is eager to escape her domineering father and flirts with Heck. When they leave the next morning, Elsa accompanies them, planning on meeting her fiancée, Billy Hammond (James Drury), at the mining camp.

When they reach the camp, they meet Bill and his four brothers (John Anderson, L.Q. Jones, John Davis Chandler, and the great Warren Oates). Billy is a drunk who is planning on “sharing” Elsa with his brothers. Gil, Judd, and Heck rescue Elsa and prepare for a final confrontation with the Hammond Brothers. At the same time, Gil and Heck are planning on stealing the gold, with or without Judd’s help.

Ride the High Country was actually Sam Peckinpah’s second film but it’s the first of his films to truly feel like a Sam Peckinpah film. (For his first film, The Deadly Companions, Peckinpah was largely a director-for-hire and had no say over the script or the final edit.) Peckinpah rewrote N.B. Stone’s original script and reportedly based the noble Steve Judd on his own father. All of Peckinpah’s usual themes are present in Ride the High Country, with Judd and, eventually, Gil representing the dying nobility of the old west and the Hammond brothers and the greedy mining companies representing the coming of the “modern” age. Ride The High Country‘s final shoot-out and bittersweet ending even serve as a template for Peckinpah’s later work in The Wild Bunch.

Much like the characters they were playing, Randolph Scott and Joel McCrea were two aging veterans on the verge of retirement. For these two aging stars, who had starred in countless westerns before this one, Ride The High Country would provide both fitting farewell and moving tribute. This would be the last chance that either of them would have to appear in a great movie and both of them obviously relish the opportunity. The best moments in the film are the ones where Judd and Gil just talk with the majestic mountains of California in the background.

Among the supporting cast, Ron Starr and Mariette Hartley are well-cast as the young lovers but are never as compelling as Gil or Judd. Future Peckinpah regulars R.G. Armstrong, L.Q. Jones, and Warren Oates all make early appearances. Seven years after playing brothers in Ride the High Country, L.Q. Jones and Warren Oates would both appear in Peckinpah’s most celebrated film, The Wild Bunch.

The elegiac and beautifully-shot Ride The High Country was Sam Peckinpah’s first great film and it might be his best.