Horror Film Review: The Wasp Woman (dir by Roger Corman)


Aging sucks!

I mean, let’s just be honest about that. No one wants to get older. No one wakes up in the morning and thinks to themselves, “Yay! I’m one day closer to death!” People do not celebrate the appearance of a wrinkle or a laugh line. No one is happy when their vision gets blurrier or when they start to ache more and more frequently. No one wants to get old! That’s a simple truth and it’s the truth that is at the heart of the 1958 film, The Wasp Woman.

Directed by B-movie maestro Roger Corman, The Wasp Woman tells the story of Janice Starlin (Susan Cabot). Janice owns a cosmetic company. She’s made a fortune helping people defy their age. Unfortunately, the company’s sales are down because Janice herself cannot defy the passage of time. She’s looking older and apparently, people across the world are saying, “Why would I buy makeup for a mortal? I only buy my makeup from ageless mythological goddesses, who never age.”

So, Janice does what anyone would do. She tries to find a way to stop herself from getting old. When she discovers that a scientist is experimenting with using the enzymes from the royal jelly of a queen wasp to reverse the aging process, she agrees to fund his work. However, she has one condition. She has to be the test subject …. which, now that I think about it, makes absolutely no sense. Surely Janice could hire someone else to be the test subject before undergoing a highly experimental and unproven scientific process herself. I mean, Janice is extremely wealthy! Or maybe Janice could just hire a model to be the new face of her company. Or she could retire and take her millions to Europe and spend the rest of her life living in luxury. My point is that it seems like Janice is acting a bit impulsively here.

Anyway, Dr. Eric Zinthrop (Michael Mark) reluctantly agrees to Janice’s demands. He really needs the money, I guess. And if Janice dies, it’ll just means that he’ll probably go to prison for life. He certainly won’t ever be allowed to experiment with any more wasps. Is anyone in this movie capable of thinking ahead?

At first, the experiments seem to work. After one weekend, Janice looks 20 years younger! However, there is an unfortunate side effect. Janice occasionally transforms into a wasp/human hybrid! Uh-oh! That’s not good….

Clocking in at barely 70 minutes, The Wasp Woman is an entertainingly daft movie. As I’ve already pointed out, this is one of those movies where so much drama could be avoided if people would just consider the possible consequences of their actions. That said, the pace is fast and Susan Cabot is enjoyably bitchy in the role of Janice. The Wasp Woman costume manages to be both ludicrous and effective at the same time. Laugh? Scream? Why not do both!?

In the end, this is a silly but entertaining movie. If nothing else, it proves that sometimes it’s best just to accept that no one stays young forever.

One final note: This film has a great poster, even if it is totally misleading.

Retro Television Review: One World 1.11 “The Thanksgiving Show” and 1.12 “The One Where Sui and Alex Walk”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past!  On Fridays, I will be reviewing One World, which ran on NBC from 1998 to 2001.  The entire show is currently streaming on Tubi!

The Cast of One World

When we last checked in with One World, Jane was dating Ben’s no good brother and Ben was dating a recovering alcoholic named Alex.  How much drama will this all lead to?  Let’s find out.  After all, we’re living in one world….

Episode 1.11 “The Thanksgiving Show”

(Directed by Chuck Vinson, originally aired on November 28th, 1998)

The holidays are approaching and the Blakes are a family divided.

Cray is heading to Disneyland with a previously unmentioned friend, “Bobby DeVito.”  (I assume he’s a mix of Robert De Niro and Danny De Vito.)  Ben and Marci are throwing a charity benefit for the homeless at Miami’s hottest under-21 club, The Warehouse.  Offended that Ben is only using his benefit to promote his music career, Neal is planning on giving out food to the homeless on his own.  Meanwhile, Sui is waiting to hear whether or not she’s gotten a try-out with the U.S. Olympic team and Jane is worrying that the Blakes won’t have the type of big, traditional Thanksgiving that she’s always secretly wanted.

Sui’s an Olympic-class athlete?  Where did that come from?  And Jane is secretly obsessed with turkey and yams?  Again, it kind of comes out of nowhere.  But you know what?  This was actually a pretty effective episode and both Michelle Krusiec (as Sui) and Arroyn Lloyd (as Jane) gave good performances that convinced the viewer that yes, Sui could go to the Olympics and yes, under her tough exterior, Jane actually could be a lover of big family holidays.  And even if the benefit storyline was a bit heavy-handed, it was still heartfelt and sincere.  Sitcoms are kind of notorious for bad holiday episodes but One World did a pretty good job as far as Thanksgiving was concerned.

This episode ended with a cliffhanger as Sui was injured in an auto accident.  How would this effect her Olympics dreams?  The answer was in the very next episode.

Episode 1.12 “The One Where Sui and Alex Walk”

(Directed by Chuck Vinson, originally aired on December 5th, 1998)

Sui returns from the hospital and, saying that rehab hurts too much, she abandons her Olympics dreams.  But then, for some odd reason, Cray decides that he wants to play the harp and Sui figure that if Cray can handle everyone in the world laughing at him, she  can handle the pain.

Actually, I know that sounds like I’m being snarky but this was a pretty good episode and the entire cast really delivered, even when the dialogue got a bit heavy-handed.  Speaking as someone who has broken her ankle more than a few times, this episode did a very good job of capturing the fear and uncertainty that comes from recovering from a major injury.

Meanwhile, Alex left Ben because it was totally obvious that he’s in love with Jane.  And Jane left Bryan because it was totally obvious that Jane only liked Bryan because he shared Ben’s DNA.  Now that they’re both single, will Ben and Jane get together?

We’ll find out next week!

Horror Scenes that I Love: The Gas Station Attack From Alfred Hitchcock’s The Birds


Now, in all honest, it’s not just The Birds that cause chaos in this scene from Alfred Hitchcock’s 1963 film of the same name.  I will never understand why that gentleman decided that he just had to light up a cigar at that particular time.  And if he had used a lighter instead of a match, he could have prevented a lot of trouble.

That said, you do have to respect the Birds for somehow knowing that he would do exactly that and therefore, making sure that the gasoline ended up right around his feet.  Those birds are clever!

Seriously, though, this scene really creeps me out.  I think it’s because there’s so many birds and, as this scene showed, there was absolutely no way the humans on that island were going to be able to win this particular battle.

8 Shots From 8 Horror Films: The Mid 60s


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, I’m going to be doing something a little bit different with my contribution to 4 (or more) Shots From 4 (or more) Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we take a look at the mid-60s!

8 Shots From 8 Horror Films: The Mid 60s

Black Sabbath (1963, dir by Mario Bava DP: Mario Bava)

The Birds (1963, dir by Alfred Hitchcock, DP: Robert Burks)

The Raven (1963, dir by Roger Corman, DP: Floyd Crosby)

The Evil of Frankenstein (1963, dir by Freddie Francis, DP: John Wilcox)

The Masque of the Red Death (1964, dir by Roger Corman, DP: Nicolas Roeg)

Blood and Black Lace (1964, dir by Mario Bava, DP: Mario Bava)

Planet of the Vampires (1965, dir by Mario Bava, DP: Antonio Rinaldi)

Rasputin The Mad Monk (1966, dir by Don Sharp, DP: Michael Reed)

Live Tweet Alert: Join #FridayNightFlix for Let’s Get Harry!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie?  1986’s Let’s Get Harry!

When Mark Harmon is taken hostage, the U.S. Government proves that it was just as worthless in 1986 as it is in 2022!  Fortunately, Harmon’s friends are going to let him be forgotten.  Enter Robert Duvall as a soldier of fortune!  This film also features Glenn Frey, Rick Rossovich, Thomas F. Wilson, Gary Busey, and David Hess!  Director Stuart Rosenberg requested to be credited as Alan Smithee.  That’s always a good sign, right?

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Let’s Get Harry is available on Prime!

See you there!

Horror on the Lens: The Night Stalker (dir by John Llewelyn Moxey)


For today’s horror on the lens, we have a real treat!  (We’ll get to the tricks later…)

Long before he achieved holiday immortality by playing the father in A Christmas Story, Darren McGavin played journalist Carl Kolchak in the 1972 made-for-TV movie, The Night Stalker.  Kolchak is investigating a series of murders in Las Vegas, all of which involve victims being drained of their blood.  Kolchak thinks that the murderer might be a vampire.  Everyone else thinks that he’s crazy.

When this movie first aired, it was the highest rated made-for-TV movie of all time.  Eventually, it led to a weekly TV series in which Kolchak investigated various paranormal happenings.  Though the TV series did not last long, it’s still regularly cited as one of the most influential shows ever made.

Anyway, The Night Stalker is an effective little vampire movie and Darren McGavin gives a great performance as Carl Kolchak.

Enjoy!

October Positivity: Nite Song (dir by Russell S. Daughten)


Wow, Iowa’s a dangerous place.

The 1978 film, Nite Song, takes place on the mean streets of Des Moines, Iowa.  Pete (Bobby Hoffman) and his best friend, Joe (Tom Hoffman), are neighbors in the local tenement.  They also both play on the high school basketball team.  In fact, the only reason that this movie is over an hour long is because there’s about five minutes of slow motion basketball footage.

Life’s not easy in Des Moines.  The local drug lord wants Pete to work for him.  Joe’s sister is addicted to heroin and his father is out of work.  Joe has recently become a Christian, which Pete finds to be kind of strange.  Even stranger is that Joe often sits outside on the balcony of the tenement and sings a song called I Will Serve Thee.  Later in the film, another character will spontaneously start singing I Will Serve Thee while staring up at the night sky.  I guess that’s the “nite” song of the title but what’s interesting is that the film itself isn’t a musical.

Anyway, the local drug lord wants Joe to help him rob the local pharmacy.  Joe refuses so the dealer refuses to give Joe’s sister any more heroin.  Joe and Pete decide to start following the drug dealer around town, in order to gather enough evidence to find a way to stop him.  Unfortunately, that plan doesn’t really work out that well.  Joe ends up with a knife in his back and Pete is left to struggle with whether he should go to the police or just sit out on the balcony and pray about it.  It turns out that all of the other kids at the high school are also Christians, specifically because of Joe.  They decide to clean up the streets themselves!  Fortunately, that won’t be hard because there’s only three criminals in Des Moines and they all hang out together….

It’s actually probably a little bit too easy to be snarky about a film like Nite Song, if just because it’s a low-budget, amateur film about life and death in Iowa.  But actually, the film deserves a bit more credit than I’m giving it.  Taken on its own terms, it’s actually an achingly sincere and earnest film and, as opposed to a lot of other faith-based films, it never makes the mistake of getting preachy or being overly judgmental.  (The film’s sympathetic portrayal of Joe’s drug-addicted sister actually deserve a good deal of praise.)  Even though the actors are all obviously amateurs and the singing gets a bit weird, everyone brings a certain authenticity to their roles.  This is a film about Iowa that was actually populated with people who were from Iowa and yes, that does make a difference.

Plus, there’s something charmingly naïve about the idea of the high school basketball team taking out the local drug dealers.  All those weapons and tough talk prove useless against a 15 year-old with a dream and jump shot.  Nite Song‘s a well-intentioned film.  Des Moines has nothing to be ashamed of.

Horror on TV: Ghost Story 1.6 “Alter Ego” (dir by David Lowell Rich)


In tonight’s episode of Ghost Story, a sickly child is upset when he becomes to ill to continue going to school.  Luckily, his doppelganger shows up and starts going to school for him!  Unfortunately, it turns out that the doppelganger isn’t quite as benevolent as one might hope.

This episode co-stars Oscar-winner Helen Hayes and was co-written by Richard Matheson.  It originally aired on October 27th, 1972.

The TSL’s Horror Grindhouse: Food Of The Gods (dir by Bert I. Gordon)


Uh-oh! Something weird has bubbled up to the ground on an island near British Columbia and a farmer and his wife (played by John McLaim and Ida Lupino) foolishly decided to feed it to their farm animals! Soon, they’ve got giant chickens! And listen, that might sound like a good thing to some but I’ve spent enough time around farms to know that giant chickens are not a good thing! Seriously, normal-sized chickens are messy enough. Giant ones? I don’t even want to thinking about it.

Unfortunately, it’s not just the chickens that are eating the food. Rats are eating the food. Wasps are eating the food. All of the animals are turning into giants and now, they’re hunting humans! After his best friend is attacked and killed by giant wasp, a football player named Morgan (Marjoe Gortner) decides to investigate on his own. You would think that a football player would be busy preparing for his next game or something like that but no, not Morgan! Morgan’s determined to find out why there are giant animals off the coast of Canada.

Of course, Morgan isn’t the only one interested in the so-called Food of the Gods. There’s also Jack Bensington (Ralph Meeker), who owns a dog food company. Jack wants to sell the food. Why would Jack want to do that? Does he actually think that causing dogs to transform into giants who would undoubtedly try to kill their masters is somehow going to be good for his company’s reputation? Jack’s main motivation seems to be that he’s a businessman and, in this film’s moral universe, that automatically makes him one of the bad guys. But it seems like even an evil businessman would know better than to kill off all of his customers.

This 1976 film, which is loosely (very loosely) based on a novel by H.G. Wells, was directed by Bert I. Gordon and, if you think the plot sounds a little ludicrous …. well, it is. Nothing about the film really makes much sense but that’s kind of to expected from a Bert I. Gordon film. Gordon specialized in making films about giants destroying stuff. The films were never particularly good but Gordon obviously understood that American filmgoers love big things. Food of the Gods, as silly as it may be, apparently made a lot of money when it was first released.

Today, of course, it’s impossible to watch the film without noticing just how terrible the special effects are. Between the unconvincing use of super-imposed images and the obviously fake rats that are tossed at some of the actors, there’s not a single shot that doesn’t somehow look totally ridiculous. In fact, it’s all so silly and obviously done on the cheap that it becomes rather charming, or at least as charming as the superimposed image of giant wasp ever could possibly be. You have to admire the film’s determination to tell its story despite not having the resources to do so. As for the rest of the film, it’s dumb but it doesn’t take itself too seriously. If you’re specifically searching for a bad giant animal movie, The Food of the Gods is fun in its own goofy, nonsensical, low-budget way.

Retro Television Reviews: City Guys 1.11 “The College Girl,” 1.12 “Bye Mom,” and 1.13 “Old Friends”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing City Guys, which ran on NBC from 1997 to 2001.  The entire show is currently streaming on Tubi!

Today, we wrap up season one of City Guys!  Can you feel the excitement?

Episode 1.11 “The College Girl”

(Directed by Frank Bonner, originally aired on November 22nd, 1997)

Chris meets Alison, a girl in a NYU sweatshirt and gets a date with her by lying about how old he is.  He claims that he’s an undercover cop.  She believe him because the episode wouldn’t work otherwise.  The next day, after their date, Chris discovers that Alison is the new student teacher!  At first, Chris tries to convince her that he’s working undercover to break up a drug ring and to prove it, he arrests El-Train!  Eventually, Chris comes clean and Alison dumps his lying ass.  You go, Alison!  Chris learns an important lesson about always being himself and also about how it’s never too late to apologize.

Meanwhile, Dawn freaks out when she’s voted the school’s worst dancer.  She gets Jamal to teach her how to dance.  This subplot would have worked better if not for the fact that Caitlin Mowery (who played Dawn) was clearly a better dancer than Wesley Jonathan (who played Jamal).

It was a pretty dumb episode but I did laugh at the fact that, even after the lie was exposed, El-Train continued to believe that Chris was an undercover cop.

Episode 1.12 “Bye, Mom”

(Directed by Frank Bonner, originally aired on November 29th, 1997)

Jamal is failing English so Ms. Noble tutors him by taking him up to the roof and explaining the plot of Romeo and Juliet to him.  This leads to Jamal having childhood flashbacks to his recently deceased mother teaching him how to play the piano.  When Ms. Noble has to go into the hospital, Jamal worries that he’s going to lose her and he’s forced to deal with his own unresolved feelings about the death of his mother.  For the most part, this was a heartfelt episode and Wesley Jonathan did a good job of capturing Jamal’s fear.

That said, this episode also featured an excruciatingly unfunny guest turn from Garry Marshall, who played the school’s vice principal and who didn’t leave a single piece of scenery unchewed.

Episode 1.13 “Old Friends”

(Directed by Frank Bonner, originally aired on December 5th, 1997)

Remember that video yearbook that Chris and Jamal were supposed to be working on?  Well, the show finally returned to that theme in the final episode of the first season.  With the school year coming to an end, Chris and Jamal are trying to finish things up.  Unfortunately, Mike (Victor Tugunde), an old friend of Jamal’s, has been released from juvenile detention and Jamal would suddenly rather hang out with Mike than with Chris!

Then the video camera disappears and guess who stole it!  Jamal realizes that he’s moved on from his old friends and Chris …. well, I guess Chris gets to know all of his classmates as he interviews them for the video yearbook.  The season ends with Chris and Jamal playing basketball on the school courtyard where they first met.  It’s not a bad ending for a first season, to be honest.

Next week, season 2 begins and Chris and Jamal go from editing the video yearbook to running the student radio station.  The city guys keep rolling.