Retro Television Review: Welcome Back, Kotter 4.3 “Don’t Come Up And See Me Sometime”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC  from 1975 to 1979.  The entire show is currently streaming on Tubi!

This week, Vinnie tries to move on with his life.  The Sweathogs say, “No!”

Episode 4.3 “Don’t Come Up And See Me Sometime”

(Dir by Norman Abbott, originally aired on September 25th, 1978)

Vinnie Barbarino has his own apartment!

And it’s a dump!

Seriously, if you watch enough 70s sitcoms, you know that no one is going to live in a nice apartment.  For whatever reason, characters on 70s tv shows always lived in the ugliest apartments imaginable.  But, even with that in mind, Barbarino’s apartment is terrible.  The walls are stained.  The couch is worn and has visible stuffing.  Every time the train goes by, the entire apartment shakes and Vinnie’s bed falls out of its closet.  It’s an awful apartment in an awful part of Brooklyn but then again, Barbarino is a janitor who hasn’t even graduated from high school so really, the crappy apartment is probably the most realistic part of this episode.

Vinnie is happy to have his own place because he has a serious girlfriend, Sally (Linda McCullough).  Sally works as a nurse at the hospital.  Vinnie can’t wait to spend time with her, though she has to break their first date when she’s assigned to work overnight.

Julie Kotter makes her first appearance of the season when she drops by to give VInnie a house-warming present and to show off her terrible new haircut.  The present turns out to be towels.  Vinnie is happy with the gift because he was feeling bad about stealing towels from the hospital.

Then the Sweathogs show up, including a new blonde guy with a Southern accent.  Washington says that the guy’s name is Beau (Stephen Shortridge) and he’s a new student at Buchanan High and in Mr. Kotter’s class.  What’s odd is that the previous episode ended with Vinnie once again enrolled in high school and a student in Kotter’s class.  So, why hasn’t he met Beau yet?  Did Vinnie drop out after dropping back in?

After Vinnie and Beau debate which one of them is uglier, Vinnie gives everyone a tour of the apartment.  He’s especially proud of his dining table.

Things are going fine until the Sweathogs start to talk about how they’re going to be spending all of their time at Barbarino’s new apartment.  Vinnie, realizing the he just wants some privacy, asks all of the Sweathogs to leave.  The Sweathogs get offended and say that Vinnie has let his new apartment go to his head.

The next day, at school, Gabe is shocked to see the Sweathogs shunning Vinnie.  Woodman, however, tells Vinnie that he’s lucky.  “I haven’t had a friend in 20 years,” Woodman says, “and look how happy I am!”  Fortunately, Gabe is not quite so cynical and he’s able to help the Sweathogs realize that they need to give Barbarino room to live his own life.  This episode ends with Barbarino, having nearly been driven mad by loneliness, happily allowing the Sweathogs, the Kotters, and Mr. Woodman into his apartment.  But then Sally arrives and he kicks them all out.

This episode feels like a metaphor of sorts.  Just as Barbarino was escaping the Sweathogs and starting his own life, John Travolta was escaping television for the movies.  One has to imagine that, just as the Sweathogs were offended to be kicked out of the apartment, there were some Kotter people who weren’t necessarily happy about not being included in Travolta’s new Hollywood career.

This episode works surprisingly well.  That’s largely because it’s a showcase for John Travolta.  The scenes of Barbarino talking to himself come close to going on for too long but Travolta’s charisma carries the day.  At the end of the episode, even Gabe and Julie look happy for a minute or two.

Horror Scenes I Love: Sherlock Holmes vs Jack the Ripper in Murder By Decree


Though I may not agree with the film’s conclusions, Bob Clark’s 1979 film Murder By Decree is still the best of the Jack the Ripper films.

This scene, featuring the final battle between Sherlock Holmes (Christopher Plummer) and the Ripper, is not only full of fog-shrouded atmosphere but it also features one of the most savage portrayals of Jack the Ripper.

 

4 Shots From 4 Films: Special Bob Clark Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we pay tribute to a filmmaker who got his start in Canada.  Though born in America, Clark spent most his career up north.  Though he’s today best remembered for directing the holiday classic, A Christmas Story, Clark started his career as a horror director.  In fact, long before telling the story of Ralphie and his BB gun, Clark directed one of the first Christmas slasher films.

Today, we honor the legacy of Bob Clark with….

4 Shots From 4 Bob Clark Films

Children Shouldn’t Play With Dead Things (1972, dir by Bob Clark, DP: Jack McGowan)

Deathdream (1974, dir by Bob Clark, DP: Jack McGowan)

Black Christmas (1974, dir by Bob Clark, DP: Reginald H. Morris)

Murder By Decree (1979, dir by Bob Clark, DP: Reginald H. Morris)

Live Tweet Alert: Join #ScarySocial for Army of Darkness!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 9 pm et, Tim Buntley will be hosting #ScarySocial!  The movie?  1992’s Army of Darkness!

If you want to join us this Friday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag!  I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Army of Darkness is available on Prime!

See you there

Horror on the Lens: Manos: The Hands of Fate (dir by Harold P. Warren)


torgo

I should start things off with a confession.  This is actually not the first time that I’ve shared Manos: The Hands of Fate here on the Shattered Lens.  I previously shared it during the 2013, 2015, 2020, ad 2022 Horrorthons and, each time, I even used the exact same picture of Torgo.

However, Manos proved to be such a popular choice that I simply had to post it again. Manos has a reputation for being one of the worst films ever made.  And, honestly, who am I to disagree?  (Though disagree, I do.)  However, it’s also a film that simply has to be seen.

(As well, I love regional horror and there are a few films as regional as Manos, a film that was filmed in my home state of Texas and directed by a fertilizer salesman.)

By the way, everyone who watches Manos ends up making fun of Torgo, who was played by John Reynolds.  What they may not know is that Reynolds committed suicide shortly after filming on Manos wrapped.  So, as tempting at it may be to ridicule poor Mr. Reynolds’s performance, save your barbs for Torgo and leave John Reynolds alone.

And be sure to enjoy Manos: The Hands of Fate!

October Positivity: Before It Happened (dir by Andrew Jacob Brown)


It’s going to be a bit of a mini-October Positivity review tonight.  I spent today helping my neighbors move then crying because my neighbors had moved, and then trying to talk my new neighbors into not getting rid of their new house’s hot tub.  I’m tired, so I’m going to try to keep things relatively short tonight.

In 2023’s Before It Happened, Eli Jenkins (played by the film’s director, Andrew Jacob Brown) is such a hard-boiled cop and detective that, when he realizes that the Mayor of his town has been kidnapping children and holding them prisoner in his home, he literally forces his way into the house and puts that perverted public official in his place.  Now, you would think that the Mayor of reasonably-sized town being arrested for kidnapping a child would be big news and Detective Jenkins would be on all of the Fox or Newsmax shows.  Instead, Jenkins gets yelled at for not following procedure.

Uhhmm, guys — your mayor was abducting children and holding them prisoner in his home!  His wife was helping him!  Why does no one in this movie seem to think this is as strange as I do?  I mean, seriously, I know that we’re no longer shocked when a public official is arrested but this still seems like a pretty big deal.

Anyway, Jenkins is given a new assignment.  He needs to find his ex-partner, Bobby (Jason Haines), and bring him to meet with his brother, the chief of police (Brian Eberly) who happens to be dying.  Jenkins tracks down Bobby but it turns out that Bobby, who was once a good and ambitious cop, is now totally irresponsible and in debt because he sold some valuable basketball cards to a comic book store.  Jenkins has to get the cards back before he can even think of taking Bobby to see his brother.  Since the original owner of the cards is holding Jenkins’s current partner (Christopher Shane Lowry) as a hostage, it is literally a matter of life-and-death.  Bobby and Jenkins work together to try to make things right and, along the way, they confront their own demons.  This leads to an increasingly complicated series of events.   Meanwhile, almost everyone that Jenkins talks to tells him that the Biblical prophecies are coming true and that the world will soon end….

There were some good things about this film.  I did smile a bit at just how complicated Eli’s relatively simple assignment became.  He just couldn’t catch a break and no one was willing to help out until Eli did something for them first.  That part of the film had a lot of potential.  But, like so many faith-based film, Before It Happened suffers from amateurish acting and a script that often seems to be trying too hard to imitate the big budget blockbusters that inspired the film.  Sometimes, you just have to be willing to admit that you don’t have the budget or the experience necessary to make a Hollywood-style crime drama.  Before It Happened‘s story had potential but the execution failed to realize it.

Late Night Retro Television Review: Friday the 13th: The Series 2.13 “Eye of Death”


Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week, Ryan goes into the past.

Episode 2.13 “Eye of the Death”

(Dir by Timothy Bond, originally aired on January 30th, 1989)

Atticus Rook (Tom McCamus) is an antiques dealer, one who is well-known to Jack.  No one seems to really like or trust Atticus Rook.  Everything about him seems to scream sleaze.  But Atticus has somehow managed to get artifacts from the American Civil War that no one else has ever been able to find.  His latest claim is that he will soon be selling Robert E. Lee’s sword.

How is Atticus accomplishing this?  He has a cursed magic lantern that he uses to project old pictures onto his wall.  He’s then able to step into the picture and enter the time period in which it was taken.  (Hey, that sounds like a fun cursed object to own!)  Atticus has been going into the past and telling Gen. Lee (Bernard Behrens) that he’s a spy.  However, the information that he gives Lee is just stuff that he remembers from history class.  Atticus thinks that he’s got a pretty good operation going but there are two catches.  To go to the past, he has to kill someone in the present.  To return to the present, he has to kill someone in the past.

Naturally, Ryan ends up in the past while trying to retrieve the magic lantern.  Ryan meets General Lee and tries to present himself as also being a spy but it turns out that Ryan paid even less attention in history class than Atticus did.  Ryan being Ryan, he also falls in love with a widow named Abigail (Brooke Johnson).  As we all know, having Ryan fall in love with you is pretty much a death sentence on Friday the 13th.  Abigail’s death does allow Ryan, Jack, and Micki to return to the present.  Moving the lantern allows Atticus to get trapped in his own wall, where he suffocates while trying to return to the present.

This was a surprisingly good episode.  I say “surprisingly” because you wouldn’t necessarily think that a low-budget Canadian show would do a great job of recreating the American Civil War but this episode pulls it off.  The costumes, the sets, the words used by the people encountered by Ryan and Atticus, all of them work to make the episode’s Civil War setting feel very realistic.  Tom McCamus is a great villain and Bernard Behrens is well-cast as Robert E. Lee.  Even the obviously doomed romance between Ryan and Abigail works remarkably well.

I have to admit that I’ve always assumed this show took place in Canada, largely because of all of the Canadian accents and the Canadian scenery.  This episode reveals that Friday the 13th is supposed to be taking place in the United States, despite the way that people pronounce the word “sorry.”  When Ryan ends up in the Civil War, he says that he’s from Chicago.  (It’s not necessarily a good idea to go back to the Civil War era and immediatly tell everyone that you’re a Yankee.)

Well, this show can pretend that the antique store is in Chicago if it wants to, but it’ll always be Toronto to me.

Horror on TV: One Step Beyond 2.5 “Night of the Kill” (dir by John Newland)


When young Davey Morris tells his parents that he’s been hanging out with a friendly Bigfoot-type creature, all of the adults in town react in the worst way possible.

This episode, from the second season of One Step Beyond, was one of the first to deal with the legend of Bigfoot.  Needless to say, it’s the adults who turn out to be the true monsters in this scenario.

This episode originally aired on October 20th, 1959.

Retro Television Review: T and T 3.18 “Suspect”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990.  The show can be found on Tubi!

This week, we have yet another surprisingly serious episode of T and T.

Episode 3.18 “Suspect”

(Dir by Ken Girotti, originally aired on May 5th, 1990)

On trial for having physically abused his girlfriend, Giles (Tom Melissis) can only smirk when his girlfriend, Ally (Isabelle Mejias), takes the stand and says that she doesn’t remember who beat her.  Far less amused is Ally’s lawyer, Terri (Kristina Nicoll).

After telling Ally that she needs to recant her testimony and testify against Giles, Terri starts to receive threatening letters.  While Turner immediately suspects that Giles is the one behind the threats, it turns out that it’s actually Ally!  Ally explains that she’s actually an ex-convict named Deborah, a former client of Terri’s who got sent to prison.  This, of course, leads to a huge question — why didn’t Terri recognize Ally when she agreed to serve as her attorney?  And how did Ally manage to fool everyone into thinking she was Ally when she’s actually Deborah?  Ally doesn’t say anything about getting plastic surgery or anything like that.  She also implies that her last encounter with Terri was only a year or two ago.  (Seeing as how Terri wasn’t even on the show until the start of this season, it couldn’t have been that long ago.)  Terri immediately recognizes the name Deborah but she didn’t recognize Deborah when she was standing right in front of her.  Wow, Terry …. and I thought I was self-centered!

No worries, though!  Despite all of the threats, Terri agrees to not turn Ally into the police as long as Ally testifies against Giles.  I don’t know if I could so easily overlook a harassment campaign but whatever.  The important thing is that Giles goes to jail and Ally is free to continue leading a double life.

This episode featured good performances from Isabelle Mejias and Tom Melissis and I appreciate any show or film that ends with an abuser getting sent to either prison or the graveyard.  But the story itself felt really rushed.  This is one of those episodes that would have benefitted from a longer running time because there was a lot to unpack in just 30 minutes.  As well, it’s hard not to feel that Ally’s backstory would have had more impact if Amy was still on the show.  Season 3 (and the show itself) are nearly over and I still don’t feel like I really know how Terri Taler is supposed to be.  Amy was established, over the course of two seasons, as a whip-smart attorney who had a long history as a crusader.  Terri, on the other hand, still feels like someone who just showed up nowhere.

Like last week, this was a surprisingly serious episode of T and T.  The episode didn’t quite work but the show still deserves credit for trying.