October Positivity: Miracle at Manchester (dir by Eddie McClintock)


2022’s Miracle at Manchester tells the story of a high school community that is brought together by one potential tragedy.

Brycen Newman (Kory Getman) is a high school student and an all-around athlete, a star on both the baseball and the football teams.  But when he faints during baseball practice and also suffers a sudden nosebleed in the middle of class, his father (played by director Eddie McClintock) rushes Brycen to the hospital.  He’s told that there’s nothing wrong with Brycen, beyond the typical teenage growing pain.  Take a Tylenol and don’t worry about it, he’s told.  That night, Brycen is woken up by a blinding headache.  Another trip to the hospital reveals that Brycen has got a tumor in his brain.  Brycen is continually given hope, just to have it snatched away.  At first, he’s told that the tumor has been removed.  But then the tumor comes back.  Brycen goes through chemotherapy and even prepares to be sent to Florida so that he can take part in an experimental treatment.  No one has much faith that Brycen is going to survive but Brycen’s fellow students rally around him.  The football teams shaves their head in honor of Brycen.  A priest leads a prayer ceremony in the stands.  Journalist Miles Himmel (Nick Avila) follows Brycen’s story and reports all the details, even though he firmly does not believe in miracles.  (He even snaps at his young daughter when he hears her talking about a miracle.)

While this is going on, a local mechanic named Ed Hanson (a nice performance from Daniel Roebuck) is fixing cars and, for veterans, charging on a dollar.  His wife, who happens to be a nurse at the hospital, tells Ed that he need to get more rest and he needs to come up with a better financial plan than only charging people a dollar for thousands of dollars worth of work.  Ed replies that he has no choice.  He does it for the veterans and the needy.  Good for Ed.  We need more people like Ed in the world.

Miracle at Manchester is the type of low-budget, overly earnest filmmaking that typically brings out my cynical side but I have to admit that I actually teared up a bit while watching this film.  Some of that is for strictly personal reasons.  I lost my mom to cancer in 2008.  Last year, I lost my Dad to Parkinson’s.  Right now, I’m still  in  a state where even seeing a hospital room in a film will trigger my tears.  But beyond that, it was a heartfelt story and also one that was (perhaps loosely, I don’t know) based on a true story.  The film ended with the footage of the actual Brycen.  It got to me.

Speaking of my father, after he died, I was organizing his estate and I was surprised to discover that he used to regularly give money to Make-A-Wish.  Two representatives of Make-A-Wish appear in this film.  Again, I can be cynical when it comes to various charities but Make-A-Wish seems like a good group of people.  I’m proud of my Dad for supporting them.

 

Late Night Retro Television Review: Saved By The Bell 1.1 “Dancing To The Max”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Saved By The Bell, which ran on NBC from 1989 to 1993.  The entire show is currently streaming on Prime and Tubi!

Good Morning Miss Bliss failed where it aired on the Disney Channel but Brandon Tartikoff, president of NBC, felt that the show still had a potential future on NBC.  Specifically, Tartikoff felt the kids — Mark-Paul Gosselaar, Dustin Diamond, and lark Voorhees — and Dennis Haskins were the ones worth keeping around.  As such, Hayley Mills was let go.  Max Battimo and Heather Hopper were dropped from the cast.  The show was retconned from taking place in Indiana to taking place in California.  The show itself was retitled Saved By The Bell….

Episode 1.1 “Dancing To The Max”

(Dir by Don Barnhart, originally aired on August 20th, 1989)

This is it.  This is the first episode of Saved By The Bell, the network morning show that would go on to dominate syndication for 20 years.  That’s the thing about Saved By The Bell.  It’s not necessary to have been anywhere close to being a teenager when this show began.  It’s not necessary to have watched the shows when they originally aired.  If you grew up in the 90s or the aughts, you knew Saved By The Bell.  It was one of those shows that always seemed like it was airing somewhere.  Even as recently as two years ago, it was airing on MeTV and there were frequent marathons on E!  Today, it’s on Prime and Tubi.  That’s not bad for a show that, if we’re to be absolutely honest, really wasn’t that good.

The first episode — which actually premiered in prime time before the show subsequently moved to its Saturday morning time slot — sets up the show.  Zach Morris (I know that some people claim that it’s spelled Zack but I’ve always gone with Zach), Screen Powers, Lisa Turtle, and Mr. Belding have all been resecured from the Indiana Hell of Good Morning, Miss Bliss.  Now, they all live in California and they all attend Bayside High School.  They hang out at the Max, a tacky restaurant owned by a tacky magician named Max (Ed Alonzo).

Joining the ensemble are Jessie Spano (Elizabeth Berkley), Kelly Kapwoski (Tiffani-Amber Thiessen), and AC Slater (Mario Lopez).  Both Slater and Zach have a crush on Kelly.  Screech likes Lisa.  A dance contest is approaching, one that is hosted by Casey Kasem.  (All the teenagers on the show go crazy over someone who, realistically, most of them had probably never heard of.  Max imitates Casey Kasem saying his name twice.)  Screech wants to ask Lisa to be his partner but Lisa’s already been asked by someone else.  Kelly can’t choose between Zach and Slater so they agree to have a dance-0ff.  Uh-oh, Zach can’t dance!  Maybe his childhood friend Jessie will teach him….

Jessie doesn’t have a date because she’s tall.  When she tells Kelly and Lisa about being insecure about her height, they joke that she could become a basketball player.  This gets a big laugh and I assume this episode aired before the WNBA was a thing.  Eventually, Zach tells Kelly to enter the contest with Slater because he’s going with his best friend, Jessie.  Meanwhile, Lisa sprains her ankle, get dumped by her partner, and ends up entering the contest with Screech.

It’s interesting to watch the character dynamics in this first episode.  Jessie is not the straw feminist she would later become.  Slater is a jock but still sensitive enough to comfort Screech.  Kelly is actually portrayed as being somewhat shallow.  Watching this episode, one gets the feeling that Zach and Jessie were originally meant to be the show’s main couple until someone decided that Zach and Kelly had better chemistry and that Jessie’s feminism and Slater’s chauvinism would make for an interesting combination.  Lisa doesn’t like Screech but she doesn’t quite hate him as much she would in later episodes.  Even more importantly, Zach is nowhere near as cocky as he would be in later episodes.  He’s actually insecure about something.

As for the dance contest, Lisa and Screen dance “The Sprain” and they win, largely due to Slater and Zach bullying everyone into voting for them.  “C’mon,” Casey Kasem announces, “let’s all do …. THE SPRAIN!”  Everyone starts hopping on one foot and, at home, I cringe like you wouldn’t believe.

God, this was a stupid episode.  And yet …. it was very likable.  The young cast had a lot of talent.  In this episode, even Dustin Diamond’s Screech is tolerable.  I cringed at the extremely cheesy dance contest but I also smiled.  I guess that’s the power of nostalgia.  Sometimes, even the really bad things make you feel good when you rewatch them.

Lisa Marie’s Week In Television: 10/12/25 — 10/18/25


Abbott Elementary (Wednesday Night, ABC)

The Abbott teachers go to a baseball game!  As our readers may have noticed, my sister loves baseball so I made sure to have her watch this episode with me.  She enjoyed it, which made me happy.  Myself, I found myself wondering why so many shows — like Abbott with Philadelphia or Dick Wolf’s Chicago shows — take place in cities that most American hate.  Like, if I was ever told that I had to pick between Philadelphia or prison, I’d probably pick prison because at least there wouldn’t be as many people yelling.  Yet, Abbott is often a rather charming show and I usually love It’s Always Sunny In Philadelphia.  It’s just weird how these things work.

Hell’s Kitchen (Thursday Night, Fox)

Ugh, this episode made me physically ill.  I don’t think I could ever be a professional chef, not if it means having to clean every inch of a fishing boat.  (I cleaned my kitchen before watching this episode and my back was killing me by the time I was finished.)  As for this episode and this season, it doesn’t seem like a single chef should be trusted to cook food for anyone.  Chef Ramsay is doing a lot of yelling and I agree with him.

Law and Order (Thursday Night, NBC)

This week, yet another millionaire was murdered in New York City and there was yet another crazy defense that, for whatever reason, Maroun seemed to have sympathy for.  As much as I usually like the “Law” half of these shows, the “Order” part often verges on self-parody.  Between Nolan Price’s wimpy summations and Maroun’s eagerness to protect the criminals, I’m surprised they ever get a conviction.

Night Flight (NightFlight Plus)

On Saturday morning, I watched a video profile of KISS, a band that I really didn’t know much about.  I enjoyed the juxtaposition between the fearsome makeup and their not-at-all fearsome music.

Snub TV (NightFlight Plus)

On Friday night. Jeff and I watched an episode of this 80s music show with our friends, Patrick and Dani.  It was good music.  You could dance to it.

Special Forces: World’s Toughest Test (Thursday Night, Fox)

This show is just not that interesting without Jussie Smollett crying about how nobody will accept that “I just want to move on” from filing a false police report.  If it was really the world’s toughest test, I don’t think a bunch of out-of-shape reality show participants would be doing as well as they are.

Twilight Zone (Prime)

This week, I watched a few classic episodes — To Serve Man, The Monsters Are Due On Maple Street, Twenty-Two (“Room for one more, honey!”), Will The Real Martian Please Stand Up, Nick of Time, and Nightmare at 20,000 Feet.  If the Twilight Zone is not a part of your October viewing, you’re doing Halloween wrong!

The Vanishing Ray (NightFlight Plus)

I checked in with this 1930s serial on Friday night.  The bad guys were still after the vanishing ray and the good guys were still trying to protect it.  As always, this chapter ended with a cliffhanger and an invitation to return to theater next week for the next installment.

Horror on TV: Halloween Is Grinch Night (dir by Gerard Baldwin)


So, we all know that the Grinch once tried to steal to Christmas and then his heart grew a few sizes but did you know that apparently, the Grinch also tried to steal Halloween?

Until about 9 years ago, I did not.  I was going through YouTube, searching for horror films that I could share here on the Shattered Lens, and guess what I came across?

A TV special from 1977 entitled Halloween is Grinch Night!

Unlike How The Grinch Stole Christmas, Halloween is Grinch Night apparently never became a holiday classic.  Perhaps that’s because Halloween is Grinch Night is not exactly the most heart-warming of holiday specials.  Whereas How The Grinch Stole Christmas tells us about how the Grinch learned the true meaning of Christmas, Halloween is Grinch Night gives us a Grinch who has no redeeming features.  There is no hope for this Grinch.  This Grinch will steal your soul and probably drink your blood.  This Grinch is pure Grinchy evil.

This is the Grinch of our nightmares.

Check out Halloween is Grinch Night below and hope the Grinch doesn’t capture you this Halloween….

Retro Television Review: Baywatch 1.2 “Heat Wave”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be purchased on Tubi.

Save me!

Episode 1.2 “Heat Wave”

(Dir by Gus Trikonis, originally aired on September 29th, 1989)

Not much of an episode this week, I’m afraid.

California is dealing with a heat wave and no one has air conditioning (really?) so everyone in Los Angeles is heading down to the beach so that they can relax in the hot sand.  Eddie and Trevor keep giving each other the side eye because Eddie is a Baywatch lifeguard and Trevor is a country club life guard.  Eddie tries to hit on a woman who has spent the entire day relaxing near his tower but it turns out that she’s visiting from Australia and only has eyes for Trevor.  “Maybe next time,” she tells Eddie.

Craig is told by his boss that he has to choose between being a lawyer at a big firm or a lifeguard.  Craig’s wife, Gina, suggests that Craig quit the law firm and become a beachfront lawyer.  She says that he can still be a lifeguard and he can just use their kitchen table as his desk.  I don’t know if I would be as understanding as Gina.  Craig was making a lot of money as a big corporate lawyer, even if he apparently couldn’t afford to get an air conditioner.

(What the Heck, California?  How are you surviving with air conditioning!?)

Meanwhile, two stupid kids get trapped in a storm drain.  Mitch sends the junior lifeguards out to look for them.  Hobie asks, “What can a bunch of junior lifeguards do?”  Mitch replies that this is an opportunity for the junior lifeguards to go to all the places that they’re usually not allowed to go.  So, basically, Mitch’s plan to find the missing kids is to put a bunch of other kids at risk.  I guess that’s why he’s the lieutenant.

Luckily, the two dumb kids are rescued.  One of the kids is the son of Steve Humboldt (Jeffrey Byron), a former Baywatch lifeguard.  It turns out that Steve lost custody of his kid in a court case and he basically abducted him.  But, after the kid nearly dies, Steve is like, “We’re going to call your mom and go home!” and that apparently makes everything okay under the “He Changed His Mind Afterwards” clause.

This was all pretty dumb.  Stay out of the storm drain, kids!  It’s not that difficult.

Scenes That I Love: “Help me!” from The Fly


The Fly (1958, D: Kurt Neumann)

One of the great things about the original, 1958 version of The Fly is that, even though it starred Vincent Price, Price didn’t play the Fly.  Instead, for once, Price was allowed to be the voice of reason, the guy who said, “Maybe don’t mess around with the laws of time and space.”

Today’s scene that I love is from the ending of the original Fly.  Supposedly, Price had a hard time filming this scene because whenever he heard the recording of David Hedison crying out, “Help me!,” he would start laughing.  Still, if you know what spiders actually do to the flies that they capture, you can’t help but sympathize with our misdirected scientist in the web.  Destroying him with a rock was probably the most merciful thing that anyone could do.

October True Crime: Mob Town (dir by Danny A. Abeckaser)


In 1957, the Commission — the governing board that regulated organized crime in America — seemed like it was on the very of collapsing.  Bugsy Siegel was dead.  Lucky Luciano had been exiled to Sicily.  Meyer Lansky was more concerned with running his casinos in Cuba than with keeping track of who was angry with who in America.  The ruthless Vito Genovese was moving in on everyone’s business and was suspected of being behind the assassination of Albert Anastasia and the shooting of Frank Costello.

Genovese, looking to solidify his control and perhaps bring some peace to the warring factions, called for a summit in upstate New York, at the estate of Joseph Barbara.  Bosses from across the country gathered in Apalachin, New York.  It started out as a nice weekend, with stories being told and fish being grilled.  But then, suddenly, the cops showed up and 50 of the country’s most powerful mobsters made a run for it.  Many of them ducked into the woods, where they were subsequently rounded up by the cops.

In the end, several mobsters were arrested and convicted of various crimes.  All of those convictions were overturned on appeal.  However, the arrests revealed to America that the Mafia wasn’t just an urban legend.  Up until the bust at Apalachin, FBI director J. Edgar Hoover insisted that there was no such thing as the Mafia.  After the bust, Hoover not only acknowledged that the Mafia existed but he also started a special division of the FBI to deal with it.

(Not that it did much good, of course.  Being exposed still didn’t stop the Mafia from fixing the vote in Illinois during the 1960 presidential election.)

The 2019 film Mob Town details the events leading up to the Apalachin Conference.  Robert Davi is properly intimidating as the ruthless Vito Genovese.  The film’s director, Danny A. Abeckaser, plays Joseph Barbara while Jami-Lyn Sigler plays Barbara’s wife, tasked with putting together a dinner for a growing list of guests.  Josephine Barbara goes from being happy about her husband working his way up the ranks of the mob to growing increasingly frustrated as the number of expected bosses rises from 30 to 50 and I have to say that I could very much relate to Josephine.  Finally, David Arquette plays Edgar Croswell, the New York state trooper who figured out that something big was happening at the Barbara place.  Croswell spends most of the film trying to get people to take him seriously.  At the end of the film, he gets a congratulatory call from President Eisenhower.  I’m enough of a history nerd that I appreciate any film that ends with a congratulatory call from President Eisenhower.

Mob Land was obviously made for a low-budget and it doesn’t always move as quickly as one might like.  When Croswell isn’t trying to expose the mob, he’s pursuing a romance with Natalie (Jennifer Esposito) and Arquette’s permanently dazed expression doesn’t always make him the most convincing state trooper.  It’s an uneven movie that traffics in almost every mob cliche but I can’t be too critical of it.  Robert Davi was a more convincing Genovese than Robert De Niro was in Alto Knights.  I appreciated the scenes of the Barbaras trying to get their place ready for the meeting.  That was mob action to which I could relate.

Horror Song of the Day: Profondo Rosso by Goblin


Today’s horror song of the day comes from Dario Argento’s Deep Red!

Deep Red features the first collaboration between Argento and Goblin and the score remains a classic and one that I listen to every October.

Here’s Goblin performing Profondo Rosso on Italian television in 1975.

4 Shots From 4 Horror Films: The 1970s Part One


This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we start the savage 70s!

4 Shots From 4 Horror Films

The Shiver of the Vampires (1970, dir by Jean Rollin)

The Shiver of the Vampires (1970, dir by Jean Rollin)

The Abominable Dr. Phibes (1971, dir by Robert Fuest)

The Abominable Dr. Phibes (1971, dir by Robert Fuest)

The Last House On The Left (1972, dir by Wes Craven)

The Last House On The Left (1972, dir by Wes Craven)

The Exorcist (1973, dir by William Friedkin)

The Exorcist (1973, dir by William Friedkin)

Live Tweet Alert: Join #ScarySocial for In Fear!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 9 pm et, Deanna Dawn will be hosting #ScarySocial!  The movie?  In Fear!  

If you want to join us this Saturday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

The film is available on Tubi!