Cleaning Out the DVR Pt. 22: Winter Under the Stars


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I haven’t done one of these posts in a while, and since my DVR is heading towards max capacity, I’m way overdue! Everyone out there in classic film fan land knows about TCM’s annual “Summer Under the Stars”, right? Well, consider this my Winter version, containing a half-dozen capsule reviews of some Hollywood star-filled films of the past!

PLAYMATES (RKO 1941; D: David Butler ) – That great thespian John Barrymore’s press agent (Patsy Kelly) schemes with swing band leader Kay Kyser’s press agent (Peter Lind Hayes) to team the two in a Shakespearean  festival! Most critics bemoan the fact that this was Barrymore’s final film, satirizing himself and hamming it up mercilessly, but The Great Profile, though bloated from years of alcohol abuse and hard living, seems to be enjoying himself in this fairly funny but minor screwball comedy with music. Lupe Velez livens things up as Barrymore’s spitfire…

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Halloween Havoc!: SECRET OF THE BLUE ROOM (Universal 1933)


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The horror cycle of the early 1930’s cast its dark shadow on other film genres. SECRET OF THE BLUE ROOM is one of those “old dark house/locked room” mysteries showing that influence; it’s a creepy, atmospheric little movie about mysterious murders, with horror vet Lionel Atwill front and center among the suspects. There aren’t any “monsters” here, but some good chills courtesy of director Kurt Neumann, who later directed the 1950’s sci-fi horrors KRONUS, SHE DEVIL, and THE FLY .

It’s a dark and stormy night (naturally!) at Castle von Hellsdorf, and Irene, daughter of Master of the House Robert, is celebrating her birthday with three suitors: Captain Walter Brink, Frank Faber, and Tommy Brandt, while outside, a mysterious stranger lurks. The conversation turns to ‘The Blue Room’, kept under lock and key after three strange (some say supernatural) murders occurred many years ago, always at One AM. Tommy, eager…

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Halloween Havoc!: THE FLY (20th Century Fox 1958)


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THE FLY is one of those films you’re probably familiar with if you’re a horror/sci-fi fan. I’ve seen it many times, but was under the impression it was a black & white movie (probably due to early viewings as a young’un, deprived of color TV). So when I rewatched it again in glorious Technicolor, I was pleasantly surprised. This tale of science gone wrong has held up well, and its iconic scene of The Fly’s unmasking still manages to jolt the viewer (even if you know it’s coming!).

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The film’s framing device finds us witnessing Helene Delombre murdering her husband Andre by squishing his head and arm under a huge hydraulic press (and it’s a pretty gruesome demise), then calling her brother-in-law Francois to tell him. Francois is stunned, to say the least, and gets ahold of his friend Inspector Charas. They drive over to the Delombre Freres (the movie’s set in Montreal)…

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