Guilty Pleasure No. 97: Roller Boogie (dir by Mark L. Lester)


1979’s Roller Boogie opens with an impromptu parade of roller skaters rolling across the Venice Beach boardwalk.  They don’t care about any stuffy people who think that they should be in school or working behind a counter.  They’re young, they’re free!  One of them wears rainbow suspenders and juggles while skating.  (I’ve noticed that every roller skating movie seems to feature at least one juggler in rainbow suspenders.  Strangely, you never see them in real life.)

This is followed by a scene of a teenage rich girl Terry Barkley (Linda Blair) getting ready for her day in her poster decorated bedroom.  The camera zooms in for a close-up as she picks just the right chunky bracelet to wear.

In other words, it doesn’t get much more late 70s/early 80s than Roller Boogie.

The plot is pretty simple.  Terry meets the king of the roller skaters, Bobby James (Jim Bray).  Bobby is a kid from a working class background and he dreams of the day that his roller skating skills will lead to him competing in the Olympics.  Terry is rich and she has a snooty best friend (Kimberly Beck) and parents (Beverly Garland and Roger Perry) who are planning on sending her to Julliard.  Despite everyone saying that they’re from different worlds, Terry and Bobby enter the roller disco contest together!  Cue the montage!

Unfortunately, a crooked businessman (Mark Goddard) is planning on bulldozing the skating rink.  Can Bobby and the other skaters defeat the businessman and his gangster pals?  Even when guns are pulled on them, Bobby and his friends refuse to give up.  Myself, I’d just find another skating rink.  I mean, it’s Venice Beach in 1979.  It’s hard to believe that there’s only one place to go.

The gangster subplot feels out of place, a misguided attempt to bring some action to a perfectly acceptable teen romance.  This was Jim Bray’s only film role and he wasn’t a particularly good actor but he and Linda Blair had enough natural chemistry to bring some charm to the film.  Linda Blair, for her part, skates as if the fate of the world depended upon it and she seems to enjoy playing a relatively happy character for once.  It’s totally predictable, a bit dumb at times but it’s still likable enough.  Ultimately, it’s such a product of its time — look at the clothes, look at the hair, listen to the slang — that it becomes rather fascinating to watch.  This is a movie that you watch and say, “So, that’s what 1979 was like!”

Previous Guilty Pleasures

  1. Half-Baked
  2. Save The Last Dance
  3. Every Rose Has Its Thorns
  4. The Jeremy Kyle Show
  5. Invasion USA
  6. The Golden Child
  7. Final Destination 2
  8. Paparazzi
  9. The Principal
  10. The Substitute
  11. Terror In The Family
  12. Pandorum
  13. Lambada
  14. Fear
  15. Cocktail
  16. Keep Off The Grass
  17. Girls, Girls, Girls
  18. Class
  19. Tart
  20. King Kong vs. Godzilla
  21. Hawk the Slayer
  22. Battle Beyond the Stars
  23. Meridian
  24. Walk of Shame
  25. From Justin To Kelly
  26. Project Greenlight
  27. Sex Decoy: Love Stings
  28. Swimfan
  29. On the Line
  30. Wolfen
  31. Hail Caesar!
  32. It’s So Cold In The D
  33. In the Mix
  34. Healed By Grace
  35. Valley of the Dolls
  36. The Legend of Billie Jean
  37. Death Wish
  38. Shipping Wars
  39. Ghost Whisperer
  40. Parking Wars
  41. The Dead Are After Me
  42. Harper’s Island
  43. The Resurrection of Gavin Stone
  44. Paranormal State
  45. Utopia
  46. Bar Rescue
  47. The Powers of Matthew Star
  48. Spiker
  49. Heavenly Bodies
  50. Maid in Manhattan
  51. Rage and Honor
  52. Saved By The Bell 3. 21 “No Hope With Dope”
  53. Happy Gilmore
  54. Solarbabies
  55. The Dawn of Correction
  56. Once You Understand
  57. The Voyeurs 
  58. Robot Jox
  59. Teen Wolf
  60. The Running Man
  61. Double Dragon
  62. Backtrack
  63. Julie and Jack
  64. Karate Warrior
  65. Invaders From Mars
  66. Cloverfield
  67. Aerobicide 
  68. Blood Harvest
  69. Shocking Dark
  70. Face The Truth
  71. Submerged
  72. The Canyons
  73. Days of Thunder
  74. Van Helsing
  75. The Night Comes for Us
  76. Code of Silence
  77. Captain Ron
  78. Armageddon
  79. Kate’s Secret
  80. Point Break
  81. The Replacements
  82. The Shadow
  83. Meteor
  84. Last Action Hero
  85. Attack of the Killer Tomatoes
  86. The Horror at 37,000 Feet
  87. The ‘Burbs
  88. Lifeforce
  89. Highschool of the Dead
  90. Ice Station Zebra
  91. No One Lives
  92. Brewster’s Millions
  93. Porky’s
  94. Revenge of the Nerds
  95. The Delta Force
  96. The Hidden

Film Review: Airport 1975 (dir by Jack Smight)


About halfway through 1974’s Airport 1975, Sid Caesar has one of the greatest lines in film history.

“The stewardess is flying the plane?”

Hell yeah, she is!  After a collision with another plane takes out the crew of a Broening 747, it’s up to head flight attendant Nancy (Karen Black) to keep the plane from crashing until another pilot can somehow be lowered into the cockpit of the stricken airliner.  Nancy’s never flown an airplane before but she is dating Al Murdock (Charlton Heston), who may be scared of commitment but who is still described as being one of the greatest pilots who has ever lived.  None other than Joe Patroni (George Kennedy) says that no one knows more about flying than Al Murdock.

George Kennedy is the only cast member to return from the original Airport.  When we previously met Patroni, he was the cigar-chewing chief mechanic for Trans World Airlines.  In Airport 1975, he’s suddenly an executive with Columbia Airlines.  His wife (Susan Clark) and his son (Brian Morrison) are also on the plane.  Joe Patroni and Al Murdock are determined to bring that plane safely to the ground in Salt Lake City and if that means dropping a pilot into the cockpit from a helicopter, that’s what they’ll do.  It’s all a question of whether or not Nancy can keep that plane from crashing while they round up a helicopter and a pilot.

Airport 1975 is so famous for being the movie where the stewardess is flying the plane that it’s often overlooked that it’s also the film where Linda Blair plays a young girl in need of a kidney transplant.  When Sister Ruth (Helen Reddy) sees that the girl has a guitar with her, Ruth sings a folk song that has everyone on the airplane smiling.  (If I was on a plane and someone started playing folk music, I’d probably jump out.  That may seem extreme but seriously, you don’t want to test me on how much I dislike the folk sound.)  This scene was, of course, parodied in Airplane!  In fact, it’s pretty much impossible to watch Airport 1975 without thinking about Airplane!

It’s also overlooked that Gloria Swanson is one of the many stars to appear in this film but Swanson is the only one playing herself.  Gloria Swanson starts as Gloria Swanson and I assume that this 1974 film was set in 1975 in order to generate some suspense as to whether or not Swanson was going to survive the crash.  Swanson talks about how, in 1919, Cecil B. DeMille flew her over California.  She does not talk about Joseph Kennedy or Sunset Boulevard and that’s a shame.  As I watched Airport 1975, I found myself thinking about how different the film would have been if Gloria Swanson had been the one who had to pilot the plane instead of Karen Black.

“Gloria Swanson is piloting the plane?”

As entertaining as that would have been, it would have meant missing out on Karen Black’s intense performance as Nancy.  At times, Nancy seems to be so annoyed with the situation that one gets the feeling that she’s considering intentionally crashing the plane into one of Utah’s mountains.  At other times, she seems to be at a strange sort of peace with whatever happens.  There’s a scene where she attempts to clear some of the clutter in the cockpit and an instrument panel falls on her head and it’s such a powerful moment because I know the exact same thing would have happened to me in that situation.  There’s another moment where I’m pretty sure she accidentally kills the first pilot who attempts to drop into the cockpit and again, it’s a mistake that anyone could have made.  The film doesn’t call her out on it because the film understand that none of us are perfect, except for Charlton Heston.

Speaking of which, Karen Black’s emotional performance contrasts nicely with the performance of Charlton Heston.  This is perhaps the most Hestonesque performance that Charlton Heston ever gave.  Al Murdock is confident, he doesn’t suffer fools, and he’s condescending as Hell.  Every time he calls Nancy “honey,” you’ll want to cringe.  And yet, it’s hard not to appreciate someone who can be so confident while wearing a tight yellow turtleneck.  Charlton Heston watches as the first pilot to attempt to enter the cockpit plunges to his death and immediately declares that it’s his turn to try.  “Get me in that monkey suit!” he snaps and it’s such a Heston moment that you have to love it.

There’s a ton of people in this movie.  Norman Fell, Jerry Stiller, and Conrad Janis play three rowdy drunks.  Erik Estrada, Efrem Zimbalist, and Roy Thinnes are the unfortunate members of the flight crew.  Dana Andrews has a heart attack while piloting a small private plane.  Myrna Loy appears not as herself but as Mrs. Delvaney, who spends almost the entire flight drinking.  Christopher Norris plays Bette, who says that she may look like a teenager but she prefers to be called “Ms. Teenager” and that she’s trained in Kung Fu.  Beverly Garland played Dana Andrews’s wife.  Larry Storch is an obnoxious reporter.  Character actor Alan Fudge plays Danton, the Salt Lake City controller who keeps Nancy calm until Charlton Heston can start snapping at people.

The first time that I watched Airport 1975, I was pretty dismissive of it but, over the years, I’ve rewatched it a few times and I have to admit that I’ve fallen in love with this wonderfully ridiculous film.  There’s just so many odd details, like American Graffiti showing up as the plane’s in-flirt entertainment and Sid Caesar saying that he’s only on the flight because he has a small role in the movie and he finally wanted to see it.  (It seems like it would have been cheaper to just go to a drive-in but whatever.)  And there’s Karen Black, giving the performance of a lifetime and letting us all know that, in 1975, the stewardess flies the airplane!

And she does a damn good job of it too!

Horror On The Lens: Summer of Fear (dir by Wes Craven)


Today’s horror on the lens is a 1978 made-for-TV movie that was directed by Wes Craven.  Originally entitled Stranger In Our House, it was retitled Summer of Fear when it was released into theaters in Europe.  Personally, I think Summer of Fear is a better title.  It has a fun R.L. Stine feel to it.

As for the film itself, it tells the story of what happens when the recently orphaned Julia (Lee Purcell) moves in with her distant relations in California.  At first, Julia fits right in with her new family but, slowly and surely, her cousin Rachel (Linda Blair) comes to suspect that Julia might be a witch.  And hey, who can’t relate to that?  Seriously, everyone has that one cousin…

 

Retro Television Review: The Love Boat 5.24 “Isaac Gets Physical/She Brought Her Mom Along/Cold Feet”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, horror royalty boards the Love Boat!

Episode 5.24 “Isaac Gets Physical/She Brought Her Mother Along/Cold Feet”

(Dir by Bob Sweeney, originally aired on March 20th, 1982)

For this week, and this week only, there’s a new member of the Love Boat crew.  Charlene Glover (Shirley Hemphill) is a nurse who has been sent to give every member of the crew a physical in order to make sure that it’s safe for them to work on a cruise ship.  Isaac panics because he has high blood pressure and he worries that he’s going to lose his job as a result.  This would seem like a good opportunity for the show to share some tips on what to do if you suffer from high blood pressure but instead, the whole storyline is a smitten Charlene chasing Isaac and Isaac trying to change his medical records.  It was a bit mean-spirited since most of the laughs came from the idea of Isaac having to get romantic with someone who was overweight in order to keep his job.

(That said, take your blood pressure seriously, everyone.  My Dad had high blood pressure his entire life and it was not easy for him.)

Speaking of mean-spirited, Carter Randall (Richard Dean Anderson) is engaged to marry Muffy (Linda Blair …. yes, that Linda Blair) but he’s getting cold feet.  So, he starts leaving her messages and making phone calls to her in which he speaks with a fake Southern accent.  There are three Texans on the boat and Carter is pretending to be one of them, hoping that Muffy will fall in love with this imaginary person and then break off their marriage …. WHAT A JERK!  And yet, somehow, this plan causes Carter to realize how much he does love Muffy and Muffy is totally forgiving when the truth comes out.  Seriously, that’s not the Linda Blair that we all know from such classic films as Savage Streets and Chained Heat!  What the heck, Linda?

(I should also mention that Carter’s attempt at a Texas accent was terrible.  In fact,  none of the actors playing the Texans had a convincing accent.  For shame, Love Boat, for shame!)

Finally, Millicent (Betsy Palmer) boards the boat with her daughter, Debbie (Connie Needham).  Debbie introduces Millicent to her boyfriend and it turns out that Debbie’s dating some guy who is at least twenty years old than her.  In fact, Ted (Gene Barry) is so old that he used to date Millicent!  Wow, creepy!  Anyway, Millicent and Ted realize that they’re still in love so sorry, Debbie.  Ted even says he fell in love with Debbie because she reminded him of Millicent.  Somehow, Debbie learns all of this without jumping overboard.

As a horror fan, I enjoyed this episode.  Gene Barry was in War of the Worlds.  Linda Blair was in The Exorcist.  Betsy Palmer was the original Mrs. Voorhies.  They really should have aired this episode in October.  The stories were terrible but I simply can’t resist an episode that featured this much horror royalty.

Silent Assassins (1988, directed by Lee Doo-yong and Scott Thomas)


Elite cop Sam Kettle (Sam J. Jones) just wants to get out of Los Angeles and live a peaceful life with his girlfriend, Sara (Linda Blair), but the streets have other plans.  The evil Kendrick (Gustav Vintas) has kidnapped Dr. London (Bill Erwin) and is determined to get the code for a deadly bioweapon.  For reasons that are never made clear, Kendrick has also kidnapped young Joanna (Joanna Chong).  Backing Kendrick up is the evil Miss Amy (Rebecca Ferrati).  Backing up Kettle is Joanna’s uncle, Jun Kim (Jun Chong) and Bernard (Phillip Rhee), the son of Oyama (Mako), the owner of the local dojo.  Can Sam save the world, saved the doctor and the girl, and also save his relationship with Sara?

Silent Assassins is a terrifically fun martial arts movie.  The action is well-choreographed.  The film’s plot doesn’t make a bit of sense.  The movie is full of weird throw-away dialogue, like an offended Ms. Amy announcing that she’s “a biochemist too.”  Chong shows off his moves, Rhee plays his character as a playboy having the time of life, and Jones glowers at the camera as only Sam J. Jones can.  There’s an army of loud ninjas (so much for the silent part) and Vintas is so villainous that he even carries around a red rose as some sort of strange trademark.  The movie is full of weird details and no one seems to be taking any of it too seriously.  Movies like this are why people like me always went straight for the direct-to-video releases when we went to Blockbuster back in the day.

Linda Blair is second-billed.  When Lisa and I watched this movie, she kept track of Linda’s screentime.  Linda’s onscreen for a total of ten minutes and she spends most of that time doing the worried girlfriend thing.  It’s a sad waste of Linda Blair, the one misstep of an otherwise great experience.

Retro Television Review: Fantasy Island 5.13 “King Arthur in Mr. Roarke’s Court/Shadow Games”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

This week, King Arthur comes to Fantasy Island!

Episode 5.13 “King Arthur in Mr. Roarke’s Court/Shadow Games”

(Dir by Philip Leacock, originally aired on January 23rd, 1982)

Yay!  Tattoo is present in this episode!

Listen, there’s nothing wrong with Wendy Schaal and it’s not her fault that the character of Julie was seriously underdeveloped by the show’s writers.  But I have to admit that I always cheer a little whenever an episode opens with Julie being sent to take care of something elsewhere on the Island.  In this case, Julie is sent to find a home for five adorable kittens while Tattoo and Mr. Roarke deal with this episode’s guests.

Sara Jean Rawlins (Linda Blair) is a country music singer who comes to Fantasy Island with her manager, Sam (the always sinister Peter Mark Richman).  Sara Jean wants to record her song Shadow Games and she wants her former collaborator and boyfriend, Billy, to play guitar on the track.  The only problem is that Billy is believed to have died in a fiery car crash.  Mr. Roarke says that Sara Jean’s fantasy can come true but only if she has total and complete faith.  Plus, she needs to let guitarist Todd Porter (Don Most) play with her.  “It is very important to the success of your fantasy,” Roarke tells her.  Hmmm….I wonder why.

Hey, do you think that maybe Billy isn’t dead and instead, he’s disguised himself as Todd Porter?  That would certainly explain why Todd’s guitar playing sounds just like Billy’s.  And do you think it’s possible that Sam, who is played by an actor who was always cast as a villain no matter what, might turn out to be the story’s true villain?

This fantasy was predictable and Linda Blair overacted the whole “country” aspect of her character but I did like the Shadow Games song.  And Mr. Roarke played the piano at one point!  It’s always fun when Mr. Roarke shows off a new skill.  (Apparently, Montalban himself was a very talented pianist.)

As for the other fantasy, Ralph Rodgers (Tom Smothers) wants to go to the past so he can meet King Arthur.  He specifically says his fantasy is to “meet King Arthur.”  Ralph is briefly sent back to Camelot but, just as abruptly, he returns to the present and he brings Arthur (played by Robert Mandan) with him!  Roarke admits that something must have gone wrong with the time traveling spell but he also points out that Ralph wanted to “meet King Arthur” and now he’s met him.

Now, what do you picture when you think of King Arthur?  Young?  Handsome?  Battle-weary?  Romantic?  British?

Here’s what Fantasy Island gives us.

Now, if you’ve ever seen any old sitcoms from the 70s and the 80s, you’ll probably recognize Robert Mandan.  He was one of those actors who always seemed to play stuffy authority figures.  He was always the overprotective father or the greedy businessman or the principal who wasn’t going to stand for any foolishness in his school.  Robert Mandan was not a bad actor but he was also definitely not British.  But you know what?  Robert Mandan is so miscast as King Arthur that it actually becomes kind of charming.

King Arthur and Ralph wander around the Island while Roarke works on finding a way to send Arthur back to Camelot.  Arthur gets harassed by a group of roughnecks who don’t seem like they really belong on the Island.  (Maybe they work at that fishing village that showed up in one episode and was then never mentioned again.)  Arthur also reveals that his wife, Gwynevere, had vanished.  Ralph eventually goes off on his own and runs into a British woman who says her name is Gwen (Carol Lynley).  She explains she came to the Island because her politician husband was too consumed with work.  Hmmmmm….

The important thing is that

  1. Arthur and Gwen are reunited
  2. Arthur knights Ralph before he and Gwen return to Camelot and,
  3. There’s a masquerade ball and Tattoo dressed up like a knight!

This was a silly but cute episode.  Between Robert Mandan as King Arthur and Linda Blair singing country music, this episode was so weird that it was impossible not to enjoy it.  I just hope Julie found a home for all those kittens.

Late Night Retro Television Review: Monsters 1.24 “La Strega”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire series is streaming on YouTube.

This week, the first season of Monsters come to an end.

Episode 1.24 “La Strega” 

(Dir by Lizzie Borden, originally aired on May 27th, 1989)

Vito (a young Rob Morrow) enters a pawn shop shortly before closing.  He tells the proprietor, Lia (Linda Blair), that he’s shopping for something for his girlfriend.  But, as soon as Lia turns her back, Vito draws a knife and announces that he’s actually come to kill her.  Lia, however, has a gun and without flinching, she shoots at the floor.  Vito, who is far less calm than Lia, drops the knife.

Lia takes Vito to her apartment above the shop.  He tells her that he knows that she’s “La Strega” and that, ten years earlier, she put a curse on his mother (played by Maria Tucci) when she and Lia had a dispute over a ring that his mother brought to the shop.  His mother has just died as a result of the curse and Vito wants vengeance.

Lia explains that she’s not a witch and that Vito’s mother’s dispute was actually with Lia’s mother.  Lia also suggests that it was Vito’s mother who tried to steal the ring.  Lia says that Vito will spend the next two weeks working for her and seeing what type of person she actually is.  If, at the end of the two weeks, he still wants to kill her, she’ll accept that it is fate.  Vito agrees.

For the next two weeks, Vito works in the shop and lives in Lia’s apartment.  (I guess someone else is handling his mother’s funeral.)  Vito is haunted by dreams in which both Lia and his mother attempt to seduce him and beg him to kill the other.  Vito starts to fall in love with Lia and, as the two weeks come to a close, Lia says that she wants to enjoy what might be her last night on Earth….

Directed by feminist filmmaker Lizzie Borden, this episode ends the first season of Monsters on a rather moody note.  Vito is never quite sure whether or not he can trust either Lia or the angry spirit of his mother and, in the end, no one’s motives are really that clear.  The episode ends on a rather enigmatic note, which is a polite way of saying that it’s confusing as Hell.  That said, Rob Morrow, Maria Tucci, and Linda Blair all give good performances and Borden does a good job of creating an appropriately dream-like atmosphere.  In the end, the main impression one takes from this episode is that Vito, for all of his bluster, was essentially just a pawn in a supernatural battle between two powerful women, even if Vito himself wasn’t smart enough to realize it.  This episode is not a bad note for the first season to end on.

The first season of Monsters was uneven.  When it was good, it was really good.  When it was weak, it was really weak.  For the most part, though, it was enjoyable and most of the stories were memorably macabre.

Next week, we’ll see if that trend continue as we start the second season of Monsters!

Horror Scenes That I Love: Linda Blair In The Exorcist II: The Heretic


Today’s horror scene that I love features Linda Blair in 1977’s The Exorcist II: The Heretic, the sequel to the film for which she received an Oscar nomination.

Linda Blair was only 13 when she was cast a Regan McNeil, the girl who is possessed by a demon in The Exorcist.  She was nominated for Best Supporting Actress, only losing the award after it was revealed that Mercedes McCambridge had dubbed Blair for the scenes in which she was possessed.  Blair has gone on to have a long career, appearing in movies that may not have been as honored by the Academy as The Exorcist was but which are still often very entertaining when taken on their own terms.

In The Exorcist II, Blair returned to the role of Regan.  Now in her late teens, Regan says that she can’t remember anything about being possessed.  Father Philip Lamont (Richard Burton) and Dr. Gene Tuskin (Louise Fletcher) think that Regan is repressing her memories and, in this scene …. well, I don’t really know how to describe this scene.  Seriously, The Exorcist II is such a strange movie!  Basically, Dr. Tuskin has a hypnosis machine while allows people to link minds.  Dr. Tuskin links with Regan’s mind and then Lamont links with Tuskin’s mind.  It’s all incredibly silly but it does allow for this scene in which “good Regan” shares the screen with “possessed Regan.”

Here is a weird scene from a weird movie, featuring a total of four Oscar-nominated performers.  (For the record, Burton was nominated multiple times and, the same year he appeared in this film, he also appeared in Equus, for which he received his final nomination.  Louise Fletcher won for One Flew Over The Cuckoo’s Nest.  Max von Sydow would later be nominated for Pelle the Conqueror and Extremely Loud and Incredibly Close.  And, of course, Linda Blair was nominated for The Exorcist.)

Prey of the Jaguar (1996, directed by David DeCoteau)


Derek Leigh (Maxwell Caulfield) is a former Special Ops agent whose son and wife are killed by a drug lord (Trevor Goddard) than Leigh helped to put behind bars.  Inspired by his dead son’s love of super heroes, Leigh puts on a purple rubber suit and learns karate from Master Yee (John Fujioka) while The Toymaker (Paul Bartel) supplies him with an arsenal of weapons.  Calling himself the Jaguar, Leigh goes after the men who killed his family.

Caulfield wears an obviously fake mustache for the first half of the film so that he can shave it off when he becomes The Jaguar.  The camera never stops spinning around.  Most of the fights look fake and the exterior of Derek’s house changes from shot-to-shot.  Stacy Keach plays a high-ranking government official but doesn’t bother to get a haircut or hide his pony tail.  Linda Blair plays a cop and sounds like she sucked helium before filming her lines.  I’m not sure what she was doing in the movie.  She may not have been sure either.  Prey of the Jaguar is a reminder of just how cheap and cruddy most super hero films were before Marvel took over Hollywood.  Of course, Derek doesn’t really have any super powers, beyond getting proficient at martial arts in record time.  He is just wearing the outfit to honor the spirit of his dead son.  That actually makes more sense than most of the Marvel origin stories.  The movie itself was too cheap to work and the actors were so disinterested that they seemed to actively be trying to make sure that there would never be a Prey of the Jaguar 2.

The most interesting thing about the film are the opening credits, which reveal that this film was executive producer by the Wolf of Wall Street himself, Jordan Belfort.

Retro Television Reviews: Born Innocent (dir by Donald Wyre)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1974’s Born Innocent!  It  can be viewed on Tubi!

Fresh off of her Oscar-nominated role in 1973’s The Exorcist, 15 year-old Linda Blair starred as Christine “Chris” Parker in Born Innocent.

Chris is a 14 year-old who has frequently been caught running away from home.  When you consider her home life, it’s easy to understand why she keeps running away.  Her father (Richard Jaeckel) is quick to lose his temper and obviously has no clue how to relate to a teenage daughter.  When he gets angry at Chris, he beats her.  Chris’s mother (Kim Hunter) spends all of her time smoking cigarettes, watching TV, and refusing to acknowledge what Chris is going through.  Chris’s older brother (Mitch Vogel) has escaped from their abusive home but he’s now got a family of his own and there’s no room for Chris.  With no other options available to her, Chris resorts to frequently running away from home.  In the eyes of the system, this makes her both a delinquent and a repeat offender.  However, as quickly becomes apparent, Chris is very naïve and hardly a criminal.  Instead, she’s just someone trying to escape a terrible situation.

After getting caught once again, Chris is sent to a juvenile detention center.  Unfortunately, because of overcrowding, Chris is sent to one of the toughest centers, one where she is surrounded by people who have done a lot more than just run away from home.  Everyone knows that Chris doesn’t belong at the center but there’s no where else to send her.  With the exception of one teacher (played by Joanna Miles), the staff is too overwhelmed to look after Chris.  Meanwhile, the other inmates see Chris as being an easy victim and they start to bully her.  Eventually, Chris loses her innocence and becomes just as ruthless and angry as her former victimizers.

Born Innocent is often described as being an exploitation film and, indeed, one can just look at the artwork at the top of this review and see how the film was advertised when it was eventually released on video.  That said, the film itself may be undeniably melodramatic but there’s also a sincerity and a sensitivity to it that sets it apart from other women in prison films.  Born Innocent is all about how the System creates criminals.  From the start of the film, it’s obvious that being locked up is the last thing that Chris needs.  Instead, Chris just needs someone to be willing to listen to her but the System would rather just toss her in juvenile hall and then forget about her.  Only Chris’s teacher cares about her but, by the time they actually meet, it’s already too late for Chris.  She’s already been tossed into a situation where the only thing that matters is survival.  Born Innocent is controversial for a scene in which Chris is attacked by several other inmates and sexually assaulted with with a plunger.  It’s a shocking scene and I can only imagine have television audiences in 1974 reacted to it.  In this scene and the scenes that immediately follow, Linda Blair gives a harrowing performance that captures the emotional trauma of what Chris has been put through.  It’s not easy to watch and that’s the point.

Unfortunately, Blair is a bit less convincing during the second half of the film, in which Chris becomes progressively more and more cold-hearted.  The idea is that Chris, in order to protect herself, becomes just as intimidating as the girls who attacked her.  Unfortunately, the vulnerability that made Linda Blair ideal for The Exorcist and the first half of this film also make it difficult to take her seriously as cold-hearted sociopath.  During the second half of the film, Blair tries so hard to come across as being tough that she never convinces us.  Later, in films like Savage Streets, Blair would become one of the toughest badasses around but, in this film, she still come across as being essentially born innocent.