Though Corman worked in almost every type of film genre imaginable, he’s probably best remembered for his science fiction and horror films. This was one of the first of them.
2. Bucket of Blood (1959)
In Bucket of Blood, Roger Corman gave Dick Miller a starring role and also mixed comedy and horror in a way that influence many future horror directors.
3. Little Shop of Horrors (1960)
Roger Corman famously shot Little Shop of Horrors in just two days. The end result was a mix of comedy and horror that continues to be influential to this day. The musical is very good but I still prefer the cheerful low-budget aesthetic of the Corman original.
4. The Terror (1963)
Corman was famous for his ability to spot new talent. His 1963 film The Terror starred a then unknown actor named Jack Nicholson.
5. The Masque of the Red Death (1964)
In the 60s, Corman was also well-known for his Edgar Allan Poe adaptations, the majority of which starred Vincent Price. With these colorful and flamboyant films, Corman showed himself to be a pop artist at heart.
6. Frankenstein Unbound (1990)
In the 1970s, Corman retired from directing and instead focused on producing and distributing movies. In 1990, he briefly came out of retirement and gave us his final directorial effort, Frankenstein Unbound.
Welcome to October! October is a big month here at the Shattered Lens. It’s the month when we devote the majority of our time to the horror genre. It’s time for our annual Horrorthon! Last year, we had a record number of Horrorthon posts. I’d love to that record this year but mostly. I just want this year’s Horrothon for both our writers and our readers!
Here’s what I’m looking forward to in October!
Anora — Sean Baker’s latest film may not be a horror film but it’s still the October film to which I’m most looking forward to. A hit on the festival circuit, the early word is that Anora is going to be one of this year’s major Oscar contenders.
The Horror Movies On TCM — TCM never lets me down in October. I can’t wait to binge all of the classic horror that will be aired this month.
Joker: Folie a Deux — This film is one of the big question marks on the upcoming calendar. When I first heard that the sequel to Joker would be a musical, I thought it sounded like a disastrous idea. But the early word has been that Joaquin Phoenix and Lady Gaga both give excellent performance and that the sequel is worthy follow-up to first film. We’ll find out in just a few more days!
Terrifier 3 — Art the Clown is one of the scariest villains around. Terrifier gave me nightmares. Terrifier 2 was overlong but well-made. I’ll be interested to see what happens with the third film. If nothing else, I appreciate that the Terrifier films are unapologetic about being the type of films that they are. It takes courage to fully embrace a genre that hasn’t always been accepted by the mainstream.
Conclave — This is another film that’s expected to be an Oscar contender. Based on what I’ve heard about the film’s plot, I’m not as enthusiastic about this film as some people are. But I do always look forward to seeing a good Ralph Fiennes performance and the word is that he’s excellent in this film.
Halloween — It’s my favorite holiday! I can’t wait to see all the decorations, all the parties, and all the costumes!
October’s going to be a great month and those of us at TSL can’t wait to celebrate it with you! What are you looking forward to in October?
David Bowie was one of the first artists to truly understand the potential power of a good music video and, as can be seen in this video for Ashes to Ashes, he was an early pioneer of the form. At a time when most music videos were just performance clips, Bowie put together a narrative that offered an artistic interpretation of the song’s lyrics and themes and which invited viewers to interpret the song on their own.
The video was largely shot on two beaches in the UK, at Beachy Head and Hastings. Interior scenes were filmed on the set of the Kenny Everett Show. Bowie’s followers were played by the Blitz kids, who were known for frequenting the Blitz nightclub in Covent Garden.
Bowie said that the video was meant to combine the past and the future, which is why Bowie not only appears as an astronaut but also as an Edwardian clown. The scenes with Bowie as an astronaut are, as the lyrics make clear, a reference to Major Tom. The look of the scenes was heavily influenced by H.R. Giger’s work on Alien.
David Mallet would go on to become one of busiest directors of music videos of the 80s, directing videos for Queen, Iron Maiden, AC/DC, and others. David Bowie would also go on to play a huge role in MTV’s history, due to both his videos and his willingness to call out that station’s initial refusal to feature videos from black artists.
Another Halloween has come and gone and another Horrorthon has come to a close. We hope you have had a wonderful October and that the Thanksgiving month brings you much to be grateful for!
And remember, just because you didn’t see the Great Pumpkin this year, doesn’t mean that he won’t be there for you next October. As always, Linus puts it best:
To all of our readers and from all of your friends at the Shattered Lens, thank you.
This is a special episode of my favorite TV show of all, Degrassi! Originally airing on October 28th, 2008, The Curse of Degrassi features Degrassi’s main mean girl, Holy J Sinclair (Charlotte Arnold), getting possessed by the vengeful spirit of deceased school shooter, Rick Murray (Ephraim Ellis). Chaos follows! Fortunately, Spinner (Shane Kippel) is around to save the day. As any true Degrassi fan can tell you, only Spinner has a chance against the forces of the undead.
What I like about this episode is that, in the best tradition of Degrassi, it goes there. Holly J does get possessed. Just about the entire cast end up dying horribly. Spinner has to battle the undead spirit of Rick Murray and he has to do it without the help of Drake. And, as far as we know, this episode is canon. So, yes, Rick Murray’s ghost actually does haunt Degrassi Community School and yes, only Spinner can save us all.
Tonight, on the final episode of The Hitchhiker, Rae Dawn Chong plays an aspiring actress who wants to join the hottest theatrical troupe. Unfortunately, there’s a price for everything and sometimes, that price is your soul!
This episode originally aired on February 22nd, 1991.
There have been many disturbing ventriloquist’s dummies over the years but I don’t know if there’s ever been one who is quite as hateful as Fats, the dummy that is used by Corky Withers (Anthony Hopkins).
Corky and Fats are at the center of the 1978 film, Magic. When we first meet Corky, he’s an aspiring magician without a dummy. He’s a talented magician and it’s obvious that performing is one of the only things that brings Corky happiness. But, from the start, there’s something off about Corky. There’s a desperation to him and his performance. He craves the applause of the audience just a bit too much, as if he doesn’t know who he is unless people are clapping for him. (This performance, from a youngish Anthony Hopkins, is quite a contrast to the characters that Hopkins is today known for playing.) Corky is told that he needs to get a “gimmick” if he’s ever going to be a success and that gimmick turns out to be Fats, a ventriloquist dummy who is as confident as Corky is insecure. Whereas Corky often seems to be struggling to find the right thing to say, Fats always has the perfect comeback ready.
Of course, Fats is Corky. Fats is the self-absorbed and cocky “person” that Corky wishes he could be. When Fats tells Corky that he’s a useless loser, it’s actually Corky saying that to himself. When Corky argues with Fats, he’s arguing with himself. With Fats, Corky has found a way to express himself but he’s also sacrificed half of his identity as a result. Can Corky survive without Fats? He’s not sure but he does know that Fats is a hit with audiences.
When Corky’s agent (Burgess Meredith) announces that he has gotten Corky a network television special, Corky panics. Corky doesn’t want to take the medical or mental exams that the network would probably require before giving him a contract. He flees to the Catskills, where he grew up. (Corky’s obsession with performing makes sense when one realizes that he grew up in the Catskills, a region that played home to many aspiring comedians.)
Corky visits Peggy Ann Snow (Ann-Margaret), with whom Corky went to high school and who he had a huge crush on. (Imagining Anthony Hopkins in high school — especially an American high school — is not particularly easy.) Peggy is unhappily married to Duke (Ed Lauter) and she soon finds herself falling in love with Corky. Corky appears to finally have a chance for happiness but Fats has other plans. Murder follows and it says something about how well this film is done that we think of Fats as being the mastermind behind the murders even though we know that Fats is really just Corky talking to himself.
Magic is the definitive evil ventriloquist’s dummy film, one that is beautifully shot by Richard Attenborough and which features a great performance from Anthony Hopkins. It’s a sign of the strength of his performance that we still feel sorry for Corky, even though he ends up killing one of the most likable characters in the film. Of course, it’s a dual performance for Hopkins because he’s playing both Corky and Fats. He is excellent and frightening in both roles.
Here to continue to spread the Halloween spirit is Vincent Price, performing The Tell-Tale Heart. This is from 1970 and was a part of a PBS special called An Evening With Edgar Allan Poe.
Through the Shattered Lens 