Song of the Day: I Dreamed I Saw Jack Nance Last Night by Dumb Numbers


Eraserhead (1977, dir by David Lynch)

Today would have been the 82nd birthday of Jack Nance, the talented but troubled actor who was a favorite of David Lynch’s and who died under mysterious circumstances in 1996.  Born in Massachusetts but raised in Texas, Nance first won acclaim as a star of the stage show, Tom Paine.  The director of Tom Paine later received a fellowship to the American Film Institute where he met a young director named David Lynch and recommended that Lynch cast Nance as the lead character in his film, Eraserhead.  Lynch and Nance were kindred spirits, two all-American eccentrics with their own unique view of the world.  Lynch went to use Nance in almost every film that he made up until Nance’s death.  Nance would also appear in small roles in films from other directors, usually cast as quirky and obsessive characters.  Outside of his role in Eraserhead, Nance is probably best known for playing Pete Martell on Twin Peaks.  Pete’s discovery of Laura Palmer’s body launched the entire saga.

Twin Peaks 1.1 — The Pilot (dir by David Lynch)

 In honor of Jack’s talent and legacy, here is today’s song of the day!

4 Shots From 4 Films: Special Jack Nance Edition


In honor of the late, great Jack Nance’s birthday, here are…

4 Shots From 4 Films

Eraserhead (1977, directed by David Lynch)

Twin Peaks 1.1 “The Pilot” (1990, directed by David Lynch)

Whore (1991, directed by Ken Russell)

Meatballs 4 (1992, directed by Bob Logan)

4 Shots From 4 Films: Special Mark Frost Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Today, the Shattered Lens wishes a happy birthday to the co-creator of Twin Peaks, Mark Frost!  It’s time for….

4 Shots From 4 Episodes Of Twin Peaks

Twin Peaks 1.3 “Zen or the Skill To Catch a Killer” (1990, dir by David Lynch, DP: Frank Byers)

Twin Peaks 2.7 “Lonely Souls” (1990, dir by David Lynch, DP: Frank Byers)

Twin Peaks: The Return Part 5 (2017, dir by David Lynch, DP: Peter Deming)

Twin Peaks: The Return Part 18 (2017, dir by David Lynch, DP: Peter Deming)

Horror Scenes That I Love: The Man Behind The Dumpster From Mulholland Drive


It’s not usually described as being a horror film but this scene from David Lynch’s 2001 Mulholland Drive literally made me jump the first time I saw it.

Personally, I think this is the scariest moment that David Lynch ever directed.

Scenes That I Love: Naomi Watts in Twin Peaks: The Return


Today, the Shattered Lens wishes a happy birthday to Naomi Watts.

In this scene from 2017’s Twin Peaks: The Return, Watts tells off to low-level hoodlums who have been demanding money from her husband.

4 Shots From 4 Films: Special Intergalactic Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today’s let celebrate life in space!

4 Shots From 4 Intergalactic Films

Close Encounters of the Third Kind (1977, dir by Steven Spielberg, DP: Vilmos Zsigmond)

Star Wars: A New Hope (1977, Dir. by George Lucas, DP: Gilbert Taylor)

Starcrash (1978, dir by Luigi Cozzi, DP: Paul Beeson and Roberto D’Ettorre Piazzoli)

Dune (1984, dir by David Lynch, DP: Freddie Francis)

Song of the Day: Everybody’s Talkin’, performed by Harry Dean Stanton, Johnny Depp, and Kris Kristofferson


This was filmed in 2016.  Not only do we have Harry Dean Stanton, Kris Kristofferson, and Johnny Depp but David Lynch puts in an appearance early on in the video as well.

Scenes That I Love: Putting On The Ritz From Young Frankenstein (Happy Birthday, Mel Brooks!)


Today, Mel Brooks is 99 years old!

Mel Brooks.  What can you say Mel Brooks?  Not only did he help to redefine American comedy but he was also responsible for bringing David Lynch to Hollywood.  Brooks was the one who hired Lynch to direct The Elephant Man.  It can probably be argued that, if not for Brooks, Lynch’s feature film career would have begun and ended with Eraserhead.  Brooks not only hired Lynch but also protected him for studio interference.  When the execs tried to make Lynch remove two surrealistic sequences from The Elephant Man, Brooks stood up to them.  When they requested a more conventional biopic, Brooks defended Lynch’s vision and the result was one of the best films ever made.

Of course, Brooks isn’t listed in the credits of The Elephant Man.  Though he produced the film, he went uncredited because he didn’t want people to assume that the movie was a comedy.  By doing so, Brooks missed out on an Oscar nomination but he also ensured that the film was taken seriously.  It’s hard not to respect someone who was willing to go uncredited to help make the film a success.

Though Brooks, as a producers, was responsible for a number of serious films, there’s a reason why Brooks is associated with comedy.  He’s a very funny man and he directed some very funny films.  In honor of Mel Brooks, here’s a scene that I love from 1974’s Young Frankenstein.

Happy birthday, Mel Brooks!