Live Tweet Alert: Join #FridayNightFlix for Backtrack!


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix has got 1990’s Backtrack, an enigmatic thriller starring Jodie Foster, Dean Stockwell, Joe Pesci, John Turturro, Vincent Price, Fred Ward, Charlie Sheen, Tony Sirico, Bob Dylan, and Dennis Hopper (who also directed).

 

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Backtrack is available on Prime and Tubi!  See you there!

 

Music Video of the Day: Subterranean Homesick Blues (1965, directed by D.A. Pennebaker)


Today we wish a happy birthday to one of the most important figure in American music and American culture in general, Mr. Bob Dylan.

This music video was shot as a promo for the ground-breaking documentary, Don’t Look Back.  It was filmed in an alley near the Savoy Hotel in London.  The cards that Dylan flips throughout the video were written by Donovan, Allen Ginsberg, Bob Neuwirth and Dylan himself and, of course, both Ginsberg and Bob Neuwirth can spotted standing in the background of the video.  (Considering that Don’t Look Back features a famous scene in which Dylan absolutely humiliates Donovan, I always found it interesting that he played a role in the production of this video.  Did Donovan help write out the cards before or after the It’s All Over Now, Baby Blue incident?)  In typical Dylan fashion, the cards feature intentional misspellings and occasionally they don’t actually match up with the lyrics.  For instance, the song may mention needing “eleven dollar bills” but the card reads “twenty.”

Dylan filmed two other versions of this video, neither one of which was officially released but which can both be found in Martin Scorsese’s Dylan documentary, Don’t Look Back.  One was shot at a nearby park while the other was apparently filmed in the Savoy Hotel itself.  All three of the videos follow the same basic theme of Dylan flipping cards while Ginsberg and Neuwirth wander about in the background.

This song, which was inspired by the writings of Beats like Ginsberg and Kerouac (as well as, according to Bob Dylan, by the music of Chuck Berry), was Bob Dylan’s first top ten single in the U.S.

Enjoy!

 

Music Video Of The Day: Things Have Changed by Bob Dylan (2000, directed by Curtis Hanson)


Normally, today would be April Fool’s Day but this year, I don’t think anyone’s in the mood for any of that.  To quote today’s music video of the day, things have changed.

Bob Dylan wrote this song for a really good movie called Wonder Boys.  (The movie’s good and the Michael Chabon novel that it’s based on is even better.)  Dylan went on to win an Oscar for this song and I can still remember the night that he performed it at the Oscars.  On the night of the ceremony, he was in Australia so both his performance of the song and his acceptance speech was live streamed into the Shrine Auditorium.  The entire performance was a close-up of Dylan, without any camera movements or cuts to the audience.  It was eerie but effective and appropriate because Bob Dylan is an artist who has always tried to control his own image.

This video was directed by the late Curtis Hanson, who also directed Wonder Boys.

Enjoy!

Rockin’ in the Film World #19: Bob Dylan in DON’T LOOK BACK (Leacock Pennebaker Films 1967)


gary loggins's avatarcracked rear viewer

“…some people say that I am a poet… ” 

– Bob Dylan, in the liner notes from the 1965 LP “Bringing It All Back Home”

Bob Dylan has been put under the media microscope, bisected, dissected, and trisected for the past six decades, with everyone and their mother trying to interpret the essence behind the enigma. Documentarian D.A. Pennebaker doesn’t go that route in DON”T LOOK BACK; instead, his cinema verite, free form style adheres to the old adage “show, don’t tell”, as he and his camera crew follow the troubadour on his 1965 tour of Great Britain, culminating in his historic set at the Royal Albert Hall. This would be Dylan’s final tour as a solo performer with guitar and harmonica – the album “Bringing It All Back Home” would soon be released, featuring electric and acoustic sides, and later that year he’d plug in with his band…

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Music Video of The Day: Like A Rolling Stone, covered by The Rolling Stones (1995, dir by Michel Gondry)


How does it feel….

Needless to say, this song was not originally recorded by The Rolling Stones.  Despite what the title has led some people to assume, the song actually has nothing to do with the Rolling Stones.  Instead, the song was written by Bob Dylan.  It’s long been debated just who exactly Dylan was addressing in the lyrics.  Some people think that Dylan was writing about Edie Sedgwick.  Grace Zabriskie, who is probably best known for playing Sarah Palmer on Twin Peaks, has long claimed that she was the one who inspired the song.  It would appear that only Bob Dylan knows for sure and it’s reasonable to assume that he’ll never tell.

Regardless, I really like this song.  A part of it is because I relate to the lyrics.  I almost feel like they could have been written about me at a certain time in my life.  The other reason I love the song is because the taunting tone of the lyrics makes them perfect whenever you’re looking for something to say to someone who you dislike.  For example, someone once unfollowed me on twitter and I responded by tweeting the lyrics of this song at her until she finally deleted her account.  That was fun.

Anyway, it seemed somewhat inevitable that this song would be covered by The Rolling Stones.  This video, which was directed by the prolific Michel Gondry, follows a young woman as she discovers how it feels to be a complete unknown.  The woman in the video is played by future Oscar-winner Patricia Arquette.

Enjoy!

Music Video Of The Day: The Night We Called It A Day, performed by Bob Dylan (2015, dir by Nash Edgerton)


This song, of course, has been around even longer than Bob Dylan.  It was originally published in 1941.  Frank Sinatra’s first ever solo recording was a performance of this song and he would later record two more versions of it, in 1947 and 1957.

The Bob Dylan version appeared on Dylan’s 36th studio album, Shadows in the Night.  (Shadows in the Night consists of covers of songs that Sinatra originally made famous.)  Dylan performed this song on the second-t0-last episode of Late Show with David Letterman.  Even though my musical taste usually runs the gamut from EDM to More EDM, I’ve always liked Bob Dylan.  David Letterman, on the other hand, I’m a bit less impressed with.  (Is he ever going to shave off that stupid beard?)

This nicely melancholy video feels like a throw back to the gangster films of the 30s.  Helping to create that retro atmosphere is the casting of Robert Davi, an actor who would have fit right in with Cagney, Bogart, and Edward G. Robinson.  Interestingly enough, Davi is also known as a skilled interpreter of Sinatra.

(He also once wished me a happy birthday, which was a nice of him.)

Enjoy!

Music Video of the Day: Bob Dylan — Must Be Santa (2009, dir by Nash Edgerton)


I just realized that it is December 10th and we have yet to share any Christmas videos here at the Shattered Lens.  That may be because there’s not really that many good Christmas music videos out there….

However, there is this video of Bob Dylan performing Must Be Santa!

Is Dylan celebrating the holiday or making fun of it in this video?  Personally, I choose to believe that he’s doing both.  If anything, Bob Dylan’s reached a point where he can pretty much do anything he wants and if that means he wants to do a polka Christmas song, we’re all the better for it!

As for the song itself, it was originally written back in 1960 and has been performed by several different singers.  The polka version was first performed by the pride of Denton, Texas, Brave Combo.  Dylan’s version can basically be considered a cover version of the Brave Combo version.  Even if you don’t like polka music (and I certainly wouldn’t consider myself to be a fan of it but then again, my personal taste in music pretty much runs the gamut from EDM to More EDM), you should always take advantage of the chance to see Brave Combo play live.  They put on a quite a show.

Anyway, enjoy!