Music Video of the Day: My Way performed by Christopher Lee (2006, dir by ?????)


Christopher Lee recorded this version of My Way for Revelation, a 2006 album of covers.  This video features Lee at his home in London’s Tufnell Park.

My Way was originally written by Paul Anka, who based the song on a French song called Comme d’habitude.  The song, of course, was made famous by Frank Sinatra but it’s also been recorded by everyone from Elvis to Sid Viscous to Jay-Z.  As for Lee’s version — well, whatever he may have lacked in vocal range was made up for by the fact that he was Christopher Lee!  As for the music video, how could any Hammer horror fan resist the chance to see the inside of Christopher Lee’s home?

There is a strain of melancholy running through Lee’s version but then again, I don’t know if it’s possible to record a non-melancholy version of My Way.  On the one hand, it’s a song of triumph.  On the other hand, it’s a song that acknowledges that we’re all mortal, even those of us who refuse to compromise and who maintain our independence.

Enjoy!

Music Video Of The Day: The Night We Called It A Day, performed by Bob Dylan (2015, dir by Nash Edgerton)


This song, of course, has been around even longer than Bob Dylan.  It was originally published in 1941.  Frank Sinatra’s first ever solo recording was a performance of this song and he would later record two more versions of it, in 1947 and 1957.

The Bob Dylan version appeared on Dylan’s 36th studio album, Shadows in the Night.  (Shadows in the Night consists of covers of songs that Sinatra originally made famous.)  Dylan performed this song on the second-t0-last episode of Late Show with David Letterman.  Even though my musical taste usually runs the gamut from EDM to More EDM, I’ve always liked Bob Dylan.  David Letterman, on the other hand, I’m a bit less impressed with.  (Is he ever going to shave off that stupid beard?)

This nicely melancholy video feels like a throw back to the gangster films of the 30s.  Helping to create that retro atmosphere is the casting of Robert Davi, an actor who would have fit right in with Cagney, Bogart, and Edward G. Robinson.  Interestingly enough, Davi is also known as a skilled interpreter of Sinatra.

(He also once wished me a happy birthday, which was a nice of him.)

Enjoy!

Rat Pack – 3 = FOUR FOR TEXAS (Warner Brothers 1963)


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The wait is finally over, my new DirecTV receiver has arrived and is all hooked up! Unfortunately, all my DVR’d movies have vanished. And since it was filled to about 70% capacity, that’s a lot of movies! Needless to say, I’ve got to load up the ol’ DVR again. Thanks to TCM, I re-recorded one of my old favorites the other day, FOUR FOR TEXAS, an action-packed Western comedy I’ve seen about 100 times already (ok, that’s a slight exaggeration). This combines the two leaders of the Rat Pack, Frank Sinatra and Dean Martin , with the talents of director Robert Aldrich. The result is an all-star, slam-bang entertainment that is loads of fun for film fans.

The pre-credits sequence looks like we’re about to watch a traditional Western, with a gang of outlaws led by Charles Bronson   riding out to ambush a stagecoach. But wait, that’s Frankie and Dino…

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RIP, Ya Hockey Puck: Don Rickles on Film and Television


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“Mr. Warmth”, the great Don Rickles, died yesterday at age 90. He was outrageous, rude, definitely non-PC, and hysterically funny. Rickles threw his verbal brickbats at everybody regardless of race, creed, national origin, or political persuasion, and it was all in good-spirited fun. There will never be another stand-up comic quite like Don Rickles, especially in today’s “safe space” world, and it’s a pity, because if we can’t all laugh at ourselves, if we can’t take a joke, then it’s time to pack it in.

Something I didn’t know about Don Rickles is he didn’t start out to be “The Merchant of Venom”. He intended to become a serious actor, studying at the prestigious American Academy of Dramatic Arts in Manhattan. Frustrated with his lack of acting jobs, Don began doing stand-up as a way to gain exposure. When he was heckled by some audience members, he heckled ’em right back…

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Enjoy Christmas With The Dean Martin Christmas Show!


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I was doing a search on YouTube for Christmas specials, Christmas songs, and Christmas scenes when I came across The Dean Martin Christmas Show, which originally aired on December 21st, 1967.  It’s a Christmas show starring Dean Martin, Frank Sinatra, and their respective families.  Sure, some of the jokes may be corny but c’mon — it’s Frank and Dino!

Now, the video is occasionally a little rough.  I assume that this was copied from a VHS tape.  But no matter!  Not only does this special serve as a time capsule but it also serves as a valuable reminder that Christmas is even better when it features a little Rat Pack swagger!

 

 

Turn That Frown Upside Down With ANCHORS AWEIGH (MGM 1945)


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(Post-election blues got you depressed? Cheer up, buttercup, here’s a movie musical guaranteed to lift your sagging spirits!) 

Gene Kelly  and Frank Sinatra’s first screen pairing was ANCHORS AWEIGH, a fun-filled musical with a Hollywood backdrop that’s important in film history for a number of reasons: it gave Kelly his first chance to create his own dance routines for an entire film, it’s Sinatra’s first top-billed role (he was red-hot at the time), it gives viewers a glimpse of the MGM backlot in the Fabulous 40’s, and it features the iconic live action/animation dance between Kelly and Jerry the Mouse (of TOM & JERRY fame). It’s a showcase of Hollywood movie magic, and was nominated for five Academy Awards, including Best Picture, Actor (Kelly), Color Cinematography (Charles P. Boyle), and Song (Jule Styne & Sammy Cahn’s ” I Fall in Love Too Easily”), winning for George Stoll’s Best Original…

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Batter Up!: TAKE ME OUT TO THE BALL GAME (MGM 1949)


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The National Pastime is just a frame for TAKE ME OUT TO THE BALL GAME to hang its picture in. That’s okay though, because producer Arthur Freed and the MGM Musical Dream Factory put together a rollicking, colorful romp with turn of the (20th) century baseball as an excuse to let Gene Kelly, Frank Sinatra , Esther Williams, Betty Garrett, and company razzle-dazzle us with plenty of songs, dancing, romancing, and comedy.

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There’s not much of a plot in this outing. The World Champion Wolves are at spring training, awaiting the arrival of star diamond duo Eddie O’Brien and Denny Ryan, who’re off on a vaudeville tour. Eddie (Kelly) is a skirt chaser with Broadway dreams, while Denny’s (Sinatra) a shy, geeky guy who lives and breathes baseball. They get to camp just in time to hear the Wolves’ owner has died and left the club to his only relative, K.C. Higgins (Williams), who…

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Cleaning Out The DVR #5: Around The World In 80 Days (dir by Michael Anderson)


Last night, as a part of my effort to clean out my DVR by watching and reviewing 38 movies in 10 days, I watched the 1956 Best Picture winner, Around The World In 80 Days.

Based on a novel by Jules Verne, Around The World In 80 Days announces, from the start, that it’s going to be a spectacle.  Before it even begins telling its story, it gives us a lengthy prologue in which Edward R. Murrow discusses the importance of the movies and Jules Verne.  He also shows and narrates footage from Georges Méliès’s A Trip To The Moon.  Seen today, the most interesting thing about the prologue (outside of A Trip To The Moon) is the fact that Edward R. Murrow comes across as being such a pompous windbag.  Take that, Goodnight and Good Luck.

Once we finally get done with Murrow assuring us that we’re about to see something incredibly important, we get down to the actual film.  In 1872, an English gentleman named Phileas Fogg (played by David Niven) goes to London’s Reform Club and announces that he can circumnavigate the globe in 80 days.  Four other members of the club bet him 20,000 pounds that he cannot.  Fogg takes them up on their wager and soon, he and his valet, Passepartout (Cantinflas) are racing across the world.

Around The World in 80 Days is basically a travelogue, following Fogg and Passepartout as they stop in various countries and have various Technicolor adventures.  If you’re looking for a serious examination of different cultures, this is not the film to watch.  Despite the pompousness of Murrow’s introduction, this is a pure adventure film and not meant to be taken as much more than pure entertainment.  When Fogg and Passepartout land in Spain, it means flamenco dancing and bullfighting.  When they travel to the U.S., it means cowboys and Indians.  When they stop off in India, it means that they have to rescue Princess Aouda (Shirley MacClaine!!!) from being sacrificed.  Aouda ends up joining them for the rest of their journey.

Also following them is Insepctor Fix (Robert Newton), who is convinced that Fogg is a bank robber.  Fix follows them across the world, just waiting for his chance to arrest Fogg and disrupt his race across the globe.

But it’s not just Inspector Fix who is on the look out for the world travelers.  Around The World In 80 Days is full of cameos, with every valet, sailor, policeman, and innocent bystander played by a celebrity.  (If the movie were made today, Kim Kardashian and Chelsea Handler would show up at the bullfight.)  I watch a lot of old movies so I recognized some of the star cameos.  For instance, it was impossible not to notice Marlene Dietrich hanging out in the old west saloon, Frank Sinatra playing piano or Peter Lorre wandering around the cruise ship.  But I have to admit that I missed quite a few of the cameos, much as how a viewer 60 years in the future probably wouldn’t recognize Kim K or Chelsea Handler in our hypothetical 2016 remake.  However, I could tell whenever someone famous showed up on screen because the camera would often linger on them and the celeb would often look straight at the audience with a “It’s me!” look on their face.

Around The World in 80 Days is usually dismissed as one of the lesser best picture winners and it’s true that it is an extremely long movie, one which doesn’t necessarily add up to much beyond David Niven, Cantinflas, and the celeb cameos.  But, while it may not be Oscar worthy, it is a likable movie.  David Niven is always fun to watch and he and Cantinflas have a nice rapport.  Shirley MacClaine is not exactly believable as an Indian princess but it’s still interesting to see her when she was young and just starting her film career.

Add to that, Around The World In 80 Days features Jose Greco in this scene:

Around The World In 80 Days may not rank with the greatest films ever made but it’s still an entertaining artifact of its time.  Whenever you sit through one of today’s multi-billion dollar cinematic spectacles, remember that you’re watching one of the descendants of Around The World In 80 Days.

Shattered Politics #17: Advise & Consent (dir by Otto Preminger)


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In case you hadn’t heard, U.S. Sen. Barbara Boxer has recently announced that she’s retiring in 2016.  For the first time in decades, there’s going to be an open senate seat in California.  There’s been a lot of speculation about who might run for the seat and, for the most part, it’s all been the usual political suspects.  The state’s attorney general is running.  A few congresspeople might run.  Token billionaire Tom Steyer is thinking of getting into the race.

What disappoints me is that, as of right now, it doesn’t look like any celebrities are planning on running.  You know what would have made the Golden Globes perfect?  If George Clooney had announced his candidacy while accepting his Cecil B. DeMille award.  (At the very least, it might have given Amal something to smile about, as opposed to just sitting there with a condescending smirk on her face.  Seriously, what’s up with that?)  But even beyond George Clooney, there’s all sorts of celebrities who could run.  Charlie Sheen lives in California, after all.  Jeff Bridges might not be able to run in Montana but what about California?

I was discussing this with a friend of mine who suggested that Betty White should run because who could vote against Betty White?  Speaking for myself, I could easily vote against Betty White but I do think there would be something appropriate about Betty White serving in the U.S. Senate.  After all, in 1962, she played a senator in Otto Preminger’s political epic, Advice & Consent.

White played Sen. Bessie Adams of Kansas and was only given a few minutes of screen time.  She’s one of many performers to show up in Advise & Consent‘s version of the U.S. Senate.

For instance, Walter Pidgeon plays Sen. Bob Munson, who is the Senate majority leader and, as a result, the closest thing that this sprawling film has to a central character.  His job is to make sure the President’s agenda is pushed through Congress.

And then there’s Peter Lawford, as Sen. Lafe Smith, who always has a different girl leaving his hotel room.  When Advise & Consent was made, Lawford was President Kennedy’s brother-in-law.  Interestingly enough, one of Kennedy’s former girlfriends — actress Gene Tierney — shows up in the film as well, playing Bob Munson’s lover.

George Grizzard plays Sen. Fred Van Ackerman, who is about as evil as you would expect someone named Fred Van Ackerman to be.  Grizzard gives one of the better performances in the film, which just goes to prove that it’s more fun to play an evil character than a good one.

Don Murray is Sen. Brigham Anderson, a senator who is being blackmailed by Van Ackerman’s lackeys.  Despite being happily married to Mabel (Inga Swenson), Anderson is leading a secret life as a gay man.  The scene where Anderson steps into a gay bar may seem incredibly tame today but it was reportedly very controversial back in 1962.

And finally, there’s Sen. Seabright Cooley.  You may be able to guess, just from his overly prosaic name, that Cooley is meant to be a southerner.  That, of course, means that he wears a white suit, is constantly fanning himself, and speaks in lengthy metaphors.  Sen. Cooley is played by Charles Laughton, who overacts to such a degree that I’m surprised that there was any oxygen left over for anyone else.

All of these senators have been tasked with deciding whether or not Robert Leffingwell (Henry Fonda) will be the next secretary of state.  Fonda, not surprisingly, is the epitome of urbane liberalness in the role of Leffingwell.  However, Leffingwell has a secret.  Back in the 1930s, Leffingwell was a communist.  When Sen. Cooley introduces a witness (Burgess Meredith) who can confirm this fact, Leffingwell offers to withdraw as the nominee.  However, the President (Franchot Tone) refuses to allow Leffingwell to do so.  Instead, with the help of Van Ackerman, he tries to pressure Anderson into supporting Leffingwell’s nomination.

This, of course, leads to melodrama and tragedy.

As far as literary adaptations directed by Otto Preminger are concerned, Advise & Consent is better than Hurry Sundown while being nowhere to close to being as good as Anatomy of a Murder.  It’s a film that is occasionally entertaining, often draggy, and, if just because of all the different acting styles to be found in the cast, always interesting to watch.

And, for what it’s worth, Betty White makes for a convincing senator.  So, perhaps the people of California should watch Advise & Consent before voting for Tom Steyer…

Song of the Day: More (Theme from Mondo Cane) R.I.P. Riz Ortolani


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The latest “Song of the Day” is dedicated to a great film composer who passed away today. Riz Ortolani is well-known in the virtual and brick-and-mortar halls of Through the Shattered Lens. In fact, I would say that his work would be a perfect soundtrack for the site if it ever decided to have one.

Ortolani was born in March 25, 1926. Music seemed to be in his blood as his musical career first began as part of an Italian jazz band before he eventually move to composing scores for Italian films. While many grindhouse and exploitation film fans got to know Ortolani through his work on Ruggero Deodato’s famous (infamous in some circles) cannibal exploitation film Cannibal Holocaust ( especially for it’s serene-like opening theme) his film scores ranged through several genres from mondo films, spaghetti westerns, eurospy flicks and Italian giallos.

For someone in elite circles would considered as beneath their notice for doing work in the so-called video nasty genre, ORtoani’s work has been hailed as genius and one of his compositions even won him an Academy Award in 1964. It’s this award-winning song that I’ve chosen to focus on.

“More” from the shockumentary Mondo Cane won Ortolani an Oscar in 1964 and even had an admirer in the Chairman of the Board himself that he would cover the song the very same year.

With each passing year the film and entertainment community loses one more of the earlier generation who were instrumental in making many at this site in falling in love with film and music. Time to appreciate what they’ve contributed to film and music and remind ourselves that sometimes just because something is old and dated doesn’t mean it’s still not better than something newer and more advanced.

R.I.P. Riz Ortolani and thanks for the music and memories.

Even the Ol’ Blue Eyes covered the song…

More (Theme From Mondo Cane)

More than the greatest love the world has known,
This is the love I give to you alone,
More than the simple words I try to say,
I only live to love you more each day.
More than you’ll ever know, my arms long to hold you so,
My life will be in your keeping, waking, sleeping, laughing, weeping,
Longer than always is a long long time, but far beyond forever you’re gonna be mine.
I know I’ve never lived before and my heart is very sure,
No one else could love you more.

[musical interlude]

More than you’ll ever know , my arms they long to hold you so,
My life will be in your keeping, waking, sleeping, laughing, weeping,
Longer than always is a long long time, but far beyond forever you’ll be mine,
I know that I’ve never lived before and my heart is very sure,
No one else could love you more, no one else could love you more.