Retro Television Review: Homicide: Life on the Street 1.2 “Ghost of a Chance”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, the search for Adeena Watson’s murderer begins.

Episode 1.2 “Ghost of a Chance”

(Dir by Martin Campbell, originally aired on February 3rd, 1993)

There’s been a murder in Baltimore.  That, in itself, is not news.  The pilot firmly established that murder is a fact of life in Baltimore.  But, the victim of this crime is an 11 year-old girl named Adeena Watson, who left her home to go to the library and who never returned.  The press is covering every detail.  The police brass want an arrest and they want an arrest quickly.  And the primary detective on the case is rookie Tim Bayliss, who has never even worked a murder case on his own before.  Giardello refuses to replace Bayliss but he also makes it clear that he needs Bayliss to bring him something.

As for Bayliss, he spends most of this episode struggling.  Not only does he not have the respect of his fellow detective but he also, as a rookie, doesn’t even have a desk until Giardello, in a fit of anger, knocks everything off an unoccupied desk and awards it to Bayliss.  (So, was that desk just sitting there the whole time?  I thought they didn’t have any available desks.)  Because this crime is what is known as a “red ball,” (i.e., a murder that has attracted the attention of the media and the public), every detective is looking for Adeena’s murderer.  While Bayliss obsesses on who Adeena was before she was killed, the rest of the squad does the practical things, like talking to neighbors and bringing in all of the city’s sex offenders for interrogation.

My heart broke for Bayliss while watching this episode.  Kyle Secor did a good job of capturing both Bayliss’s outrage over the crime and his fear of failing to solve his first case as a primary.  While Bayliss stared at Adeena’s body in the alley, Munch, Lewis, and Crosetti debated sports.  And while their attitude may have seemed callous, this episode established that disconnecting is the only way to handle working Homicide.  Bayliss, having not learned how to disconnect, grows more and more obsessed with Adeena.  I cheered a little when Bayliss finally stood up for himself and even won the grudging respect of Frank Pembleton.  That said, the change in Bayliss happened almost too quickly to be credible.  Apparently, all it took was for Giardello to give him a desk for Bayliss to go from being meek and overwhelmed to being a confident and take-charge detective.

While Bayliss searched for Adeena’s killer, Much and Bolander dealt with a murder that happened in a wealthy neighborhood.  The killer (Gwen Verdon) was a wife who snapped after 60 years of marriage.  As she explained to Bolander and Munch, she and her husband had earlier promised each other that they wouldn’t get a divorce until the children died.  Bolander has a crush on the coroner, Dr. Blythe (Wendy Hughes), but he’s worried about getting back in the dating game after his own divorce.  When Munch asks Bolander how old he is, Bolander replies, “48.”  Ned Beatty was a great actor and I’ve never seen a bad Ned Beatty performance.  That said, it’s also hard for me to think of any film where he looked a day under 50.

Meanwhile, Kay tries to get a confession from a guy who is about to go on trial for murder.  Felton laughs when Kay says that she was visited by the ghost of the guy’s victim.  However, Felton makes up for being a jerk by helping Kay find the murder weapon.  This whole subplot was odd to me, largely because Kay really doesn’t come across as the type to believe in ghosts.  But whatever works, I guess!  Melissa Leo and Daniel Baldwin did a good job in this episode, selling a storyline that had the potential to be a little bit too cute for its own good.

As the episode ended, the killer of Adeena Watson had yet to be captured.  While the other detective drank at a wharf bar, Bayliss went to Adeena’s memorial service and stared at her coffin, haunted.  It was a powerful moment but one that left the viewer worried about Bayliss’s sanity.  Earlier in this episode, Pembleton said that a murder that goes 72 hours without being solved will never be solved.  Bayliss is running out of time.

 

Horror Scenes I Love: The Doll Attacks In Trilogy of Terror


Today’s horror scene that I love comes from 1975’s Trilogy of Terror, directed by Dan Curtis and starring Karen Black.

In this scene, Karen Black discovers that the doll she recently received in the mail has a mind of its own.

So, I Watched Kill Shot (1995, Dir. by Nelson McCormick)


A group of college students all live in a California apartment complex that’s owned by Jake Mondello (Gianni Russo), who also owns a restaurant and sponsors a beach volleyball team.  From the description that I read of the movie’s plot, I thought there would be a lot more beach volleyball and, from the title, I thought there would be a lot more thrills.  Turns out I was wrong on both counts.

It’s pretty obvious that this was a pilot for a tv show that was inspired by Melrose Place.  A lot of characters are introduced and they’re all shallow but pretty.  Just like with Melrose Place, everyone has a drama and everyone has someone that they like but who they can’t tell about their feelings.  Casper Van Dein is the most recognizable person in the cast.  He plays a rich boy who likes to play volleyball and who falls for a poor girl.  Other characters include Jacqueline Collen as a former volleyball star who is going back to college and who is being stalked by her ex (Jack Scalia), Catherine Lazo as the med student who loses her scholarship, and Ria Pavia as an abrasive science student who falls in love with her new roommate (Mushond Lee), even though he’s gay.  Ernie Reyes, Jr. plays Koji, who is a computer nerd who says stuff like, “I just got a new CD-rom game.”  He’s so good with computers that the police turn to him to help track phone calls and match finger prints.  Denise Richards appears for two seconds and smiles at Casper.  Gianni Russo is the worst actor in the movie but everyone loves Jake because Russo also wrote the script.

This was largely plotless and pointless.  Casper was nice to look at but I didn’t care about any of the characters.  There is a big beach volleyball game at the end but it only lasts for a few minutes and it was impossible to tell who was winning.  One important character is taken out by a kill shot but no one notices.  Watching the movie made me hate both the beach and volleyball.

 

A Blast From The Past: Final Curtain (dir by Edward D. Wood, Jr.)


1957’s Final Curtain is a short, 22-minute film in which a mysterious man (Duke Moore) wanders around a creepy and seemingly abandoned theater.  While Dudley Manlove (who played Eros the Alien in Plan Nine From Outer Space) provides narration, the man sees many strange things in the theater.  What is real and what is merely a hallucination?  Watch to find out!

Final Curtain was envisioned, by director Edward D. Wood, as being the pilot for a horror anthology series.  Though none of the networks were interested in buying Wood’s proposed series, Wood considered Final Curtain to be his finest film and it certainly is a bit more atmospheric than the typical Wood film.  The role of the mysterious man was written for Bela Lugosi but, after Lugosi passed away, Duke Moore was cast in the role instead.

From 1957, here is Final Curtain.

4 Shots From 4 Films: Special Dan Curtis Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Today’s edition of 4 Shots from 4 Films is dedicated to one of the most underrated horror directors around, Dan Curtis!

It’s time for….

4 Shots From 4 Dan Curtis Films

House of Dark Shadows (1970, dir by Dan Curtis, DP: Arthur Ornitz)

The Norliss Tapes (1973, dir by Dan Curtis, DP: Ben Colman)

Trilogy of Terror (1975, dir by Dan Curtis. DP: Paul Lohmann)

Burnt Offerings (1976, dir by Dan Curtis, DP: Jacques R. Marquette)

And Then There Were Four


For the first time in years, I don’t have a team in the MLB post-season.

My beloved Rangers won their first World Series last year but they didn’t even make the playoffs this year.  I wasn’t happy about having to support the Astros but, since they were the only Texas team left, I cheered for them until they were eliminated in the Wild Card.

With the League Championships starting later today, there are four teams left.  Playing in the ALCS will be the Yankees and the Indians Guardians.  Meanwhile, the Dodgers and the Mets will be competing for the National League Championship and the right to move on to the World Series.

I’ve given it a lot of thought and, out of those four, I’ll be cheering for the Guardians.  I thought it was a largely performative and dumb move for Cleveland to change their team’s name but, of all four teams left, the Indians-turned-Guardians have gone the longest without a World Series win.  The last time Cleveland won the World Series was in 1948!  For Cleveland to finally win another World Series after a 76-year draught would be a great baseball story.  Who knows?  If the Guardians win, maybe it will cause all the other teams that have struggled to make it to or win the post-season to change their names too.

Good luck to all four teams in the Championship Series!

Go Guardians!

Horror on the Lens: The Norliss Tapes (dir by Dan Curtis)


The Norliss Tapes (1973, dir by Dan Curtis)

Today’s Horror on the Lens is The Norliss Tapes, a 1973 made-for-TV movie that was also a pilot for a television series that, unfortunately, was never put into production.

Reporter David Norliss (Roy Thinnes) has disappeared.  His friend and publisher, Stanford Evans (Don Porter), listens to the tapes that Norliss recorded before vanishing. (Stanford Evans, it must be said, is a great name for an editor.)  Each tape details yet another paranormal investigation.  (Presumably, had the series been picked up, each tape would have been a different episode.)  The first tape tells how Norliss investigated the mysterious death of an artist who apparently returned from the grave.

For a made-for-TV movie, The Norliss Tapes is pretty good.  It’s full of atmosphere and features a genuinely menaching yellow-eyed zombie monster. The film was directed by Dan Curtis, who was responsible for several made-for-TV horror films and who also created the deathless TV show, Dark Shadows. Curtis also directed a few feature films. Burnt Offerings, for instance, will be forever beloved for its scene of annoying little Lee Montgomery getting crushed by a chimney. If you ever get a chance to listen to the director’s commentary that Dan Curtis recorded for the Burnt Offerings DVD release, you must do so. Curtis comes across as the crankiest man on the planet and it’s actually kind of fascinating to listen to. His irritation when Karen Black keeps asking him if he knows the name of the actor who played the ghostly chauffeur is truly an amazing thing to here. (For the record, the actor’s name was Anthony James, he also had important supporting roles in two best picture winners — In The Heat of the Night and Unforgiven — and yes, he was one of the best things about Burnt Offerings. Karen Black knew what she was talking about.)

But back to The Norliss Tapes!

Admittedly, this is not the first Halloween in which I’ve shared The Norliss Tapes with our readers. Back in both 2015 and 2021, The Norliss Tapes was one of our “horrors on the lens.” Unfortunately, there’s only so many good quality, public domain horror films available on YouTube so, occasionally, a movie is going to show up more than once over the years. But, as long as it’s good film, who cares?

Enjoy The Norliss Tapes!

6 Ed Wood Trailers For Horrorthon


Since the 10th of October was the 100th anniversary of the birth of director Edward D. Wood, Jr., it seems appropriate to dedicate this week’s edition of Lisa Marie’s Favorite Grindhouse Trailers to him!

Below …. can you handle six trailers for six Ed Wood films!?

Watch, if you dare!

  1. Glen or Glenda (1953)

2. Jail Bait (1954)

3. Bride of the Monster (1955)

4. Plan 9 From Outer Space (1957)

5. The Sinister Urge (1960)

6. Meatcleaver Massacre (1977)

Music Video of the Day: California Rain by Syamali (2024, dir by ????)


Technically, this isn’t a Halloween or a horror video, unless you live in California and you really hate the rain.  But the foggy imagery and the deserted streets and the nighttime cinematography are definitely appropriate for the season.

Enjoy!