Why We Need It’s The Easter Beagle, Charlie Brown


It has now been over five years since ABC last aired It’s The Easter Beagle, Charlie Brown.  

While It’s The Easter Beagle might not be as well-known as either It’s The Great Pumpkin, Charlie Brown or A Charlie Brown Christmas, it still doesn’t seem right not to air it.  It’s the perfect conclusion to all of Peanuts holiday specials, tying up all the loose ends and building on the lessons of the previous specials.  After giving Charlie Brown a hard time about serving popcorn and toast for Thanksgiving, Peppermint Patty discovers that it’s not so easy to prepare for a holiday at the last minute.  After getting laughed at about the Great Pumpkin, Linus is proven to be correct about the Easter Beagle.  After seeing his nest destroyed a countless number of times, Woodstock finally gets his own birdhouse.  Even Lucy is proven right about Easter being the “gift-giving season,” even if the Easter Beagle is just returning to her the same eggs that she previously painted and hid.  After not getting any cards on Valentine’s Day, Charlie Brown still doesn’t get any eggs on Easter.  Some things will never change.

Whether ABC realizes it or not, we all need the Easter Beagle in our lives.  He rewards our hope and reminds us to never surrender our faith in whatever it is that we believe in.  He brings happiness to all of the people of the world, or at least he tries to.  There’s only so many eggs that can be put in one basket.  He’s the Easter Beagle and things just aren’t the same without him.

Happy Easter!

TV Review: Chilling Adventures of Sabrina 2.4 “Doctor Cerberus’s House of Horrors” (dir by Alex Garcia Lopez)


Is Chilling Adventures of Sabrina the most underlit show on Netflix?

Seriously, every scene on the show seems to take place in near darkness.  I get that’s because the show itself is supposed to be dark and spooky and I appreciate the fact that the show is trying to maintain a proper atmosphere but still, as I watched the fourth episode of the 2nd season, I found myself shouting, “Will someone turn on a freaking light!?”  Like a lot of things about this show, the constant darkness seems like one of those “it seemed like a good idea at the time” concepts.

That said, I also have to say that I liked this installment a bit more than the previous episode.  Though it can probably be correctly stated that this was something of a filler episode, it still had enough surreal moments to remain entertaining.  In fact, it reminded me a bit of last season’s superior Dreams In A Witch House.  Like that episode, House of Horrors largely took place in the minds of the show’s characters.  Whereas Dreams In A Witch House used the character’s nightmares as a way to provide a glimpse of their subconscious fears and desires, this episode used Tarot readings.

The episode begins with Hilda and Dr. Cee hanging out at Cerebrus Books.  No mention is made of the fact that Dr. Cee apparently has an incubus inside of him, which seems like an odd thing to go unmentioned.  Anyway, a fortune teller (played by Veronica Cartwright) shows up and asks if she can do readings in the back of the store.  Hilda and Dr. Cee promptly agree because …. well, when do they ever say no to anyone?

For the next hour, various characters wandered into Cerebrus Books and got their fortune read.  The fortune teller turning over her cards would lead to everyone having a surreal vision of the future.  The visions rarely turned out well but, with one huge exception, the fortune teller was always quick to explain that the ominous vision was actually a good thing.  For instance, Sabrina may have seen herself getting killed during Nick’s magic show but the fortune teller was quick to explain that the vision meant Sabrina should put her faith in Nick and not trust anyone else.  Theo may have had a vision of turning into a boy and then having his body turn to wood but apparently, that meant Theo should trust others to help him out.  Roz was thinking of having an operation to get her sight restored but her vision — in which a blind girl accused Roz of stealing her eyes — convinced Roz that she should remain blind.  Harvey saw that going to Rhode Island would lead to him having a Satanic roommate.  Hilda envisioned telling Father Blackwood the truth about the baby but then discovered that would just lead to Blackwood cheating on her.  “Some secrets,” the fortune teller announces, “should stay secrets.”

Finally, Ambrose showed up and got his vision of the future.  Four things disturbed him.  First off, Luke was nowhere in the vision.  Secondly, in the vision, Father Blackwood made him a member of the Judas Society and ordered him to murder the Spellmans.  Third, in the vision, Ambrose did just that.  And fourth, the fortune teller told Ambrose this was going to happen, regardless of what he did.

Rushing to Father Blackwood’s office, Ambrose asked for an assurance that Father Blackwood would never hurt the Spellmans. “Of course not!” Blackwood replied before informing Ambrose that Luke was dead and that Ambrose was now a member of the Judas Society….

After all this, it was revealed that the fortune teller had actually been Ms. Wardwell in disguise.  I can’t say that I was particularly surprised by this reveal.  Since Wardwell was, up until the show’s final five minutes, the only regular not to have made an appearance, it was obvious that the fortune teller would turn out to be her.  I’m going to assume that her advice was intentionally bad and we should definitely be worried about Sabrina’s relationship with Nick.

Anyway, this episode was entertaining enough.  Since Sabrina is really the only multidimensional character on the show, Chilling Adventures can be uneven when it doesn’t focus on her but this show managed to do a pretty good job with the other characters.  We may not have learned anything new about any of them but some of their visions were enjoyably surreal and macabre.  The scenes of Theo’s body turning to wood were well-handled and Roz’s vision was genuinely frightening.  Even though you knew they weren’t real, the scenes of a murderous Ambrose stalking through the Spellman House were appropriately creepy.

Up next in the TSL’s Sabrina review-a-thon: Case returns with his reviews of Episodes Five and Six!

TV Review: Chilling Adventures of Sabrina Season 2 Episode 3 “Lupercalia” (dir by Salli Richardson-Whitfield)


Hi, everyone!  Case already reviewed the first two episodes of the second season of Netflix’s Chilling Adventures of Sabrina and now, I’m here to take care of episode 3.

Episode 3 is centered around Lupercalia, an actual Pagan holiday from ancient Rome that is reimagined here as a sort of Valentine’s Day for witches and warlocks.  Basically, in the Sabrina version of Lupercalia, the holiday begins with the Matching, where each witch is paired up with a warlock.  This leads to the Courting, where the warlock and the witch go out into the woods, get naked, and spend the night staring up at the moon.  Then, finally, we get the Hunt, where each witch chases her warlock through the woods and the whole thing ends with a big orgy.  (The Sabrina version sounds considerably more fun than the real version, which involved a lot of animal sacrifices.)  Though participation in Lupercalia is voluntary, Zelda tells Sabrina that it would be foolish for her not to take part.  (Hilda, meanwhile, can’t even bring herself to say the word “sex.”)  After all, now that Sabrina and Harvey are no more, this would be a perfect opportunity for Sabrina to spend some time with that charming young warlock, Nicholas Scratch.

Interestingly enough, Nick is just as fascinated with Valentine’s Day as Sabrina is with Lupercalia.  As eager as Sabrina is to leave behind Baxter High and experience life at the Academy, Nick is just as curious about experiencing what it’s like to be a mortal.  It’s actually one of the more clever things about this sometimes uneven episode.  Though I don’t trust Nick, he and Sabrina do make for a far more interesting couple than Sabrina and Harvey ever did.  It also helps that Kiernan Shipka and Gavin Leatherwood have an undeniable chemistry together.  You believe their romance, even when the show occasionally seems determined to mess things up with unnecessary filler.

Yes, that’s right.  I just used the dreaded “f” word.  As I watched Lupercalia, it occurred to me that I’d probably like The Chilling Adventures of Sabrina a lot more if each episode was only 30 to 40 minutes long.  That way, the show could focus on Sabrina and we wouldn’t have to waste time with any of the less interesting characters or subplots.  Instead, this episode was a little over an hour long and it seemed that, every time that I started to get really involved in Sabrina and Nick’s storyline, the episode would cut to something less interesting.

For instance, Sabrina and Nick discover that Nick is being stalked by his former familiar, a wolf named Amalia.  Amalia is jealous of Nick’s attraction to Sabrina.  Ms. Wardwell says that the only solution is for Nick to murder his familiar.  Will Nick kill for Sabrina?  Will Sabrina kill for Nick?  Well, before we can find that out, we have to deal with stuff like Roz suddenly going blind right after she kisses Harvey and Father Blackwood asking Zelda to marry him.  Or else Hilda’s trying to let Dr. Cee know how she feels about him, just to discover that he can’t be with her because he has an incubus inside of him.  And the whole time this is going on, I was just thinking to myself, “Yes, but what about Sabrina?  I DON’T CARE ABOUT ANY OF THESE OTHER CHARACTERS!”

Kiernan Shipka has always been the best thing about Chilling Adventures of Sabrina.  Even when the writers fail her, Shipka always manages to keep the show afloat.  She’s likable, she’s compelling, and she’s believable as both a curious teenager and a naive witch.  Shipka has many great moments in Lupercalia but the episode’s momentum seems to come to a halt whenever she’s not on screen.  It’s not that the rest of the cast isn’t capable as much as their characters are all rather one-note.  Hilda is always insecure and introverted.  Zelda is always arch and sardonic.  Roz is always going blind and Harvey is always kind of a goof.  The only character, other than Sabrina, who is the least bit interesting is Theo and that’s because his storyline is about how far society has come and how far it has yet to go.

In the end, Lupercalia is an interesting but uneven episode of a frequently interesting but uneven show.

A few final notes:

  • It’s interesting to note that, much like Romulus and Remus — whom Lupercalia is meant to honor — Nick was raised by a wolf.
  • Though I find Ms. Wardwell to be a bit of a one-note character, I did enjoy her shock and horror upon discovering that she has a fiance.
  • The scenes in the woods were gorgeously filmed and full of atmosphere.  I’ve seen some people online saying that it doesn’t make any sense that Nick and Sabrina would be comfortable spending an entire February night outside in their underwear but since when does love and lust have to make sense?
  • The scene where Theo told his father that he was a boy (“I’m not a girl.”) was nicely and sensitively handled, I thought.
  • This episode ended with Sabrina killing a wolf, Nick in tears, and Roz apparently blind. What will happen next?  We’ll find out and I’ll be here to review episode 4 before turning things back over to Case for episodes 5 and 6!

 

 

The Chilling Adventures of Sabrina, S2,Ep2 Review By Case Wright


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Hello friends. Last time we spoke, it was really hard.  I wondered if my second favorite show after Santa Clarita Diet went Lost Season 2 on me.  The season opener was bad…really bad.  It was scary for me to watch the second episode.  I was actually worried that the show was a season 1 fluke or maybe I misread or willfully blinded myself to a meh show. Well, I’m happy to write that this episode was a solid …. Not Bad.  Its flaws were LEGION (and we’ll go over those), but the story had a theme, character growth, and despair.  Honestly, through in some Adele and Ben and Jerry’s and you got the makings of a lonely night in as you watch yourself age and love sulks away from you, broken, and never to return.

The episode is all about unrequited love and who We should be, but who We really are.  It’s fun, if you’re in the mood for it.  It was written by new writer Mj Kaufman and Christina Ham (Orphan Black) and these writers capture the loneliness of all of the most interesting characters.

The Devil talks to Ms Wardwell who we know is Lilith (Adam’s First Wife).  He not too gently casts her aside and tells Wardwell/Lilith that Sabrina is to be Satan’s Prophet and Queen, not Her.  The heartbreak is palpable, but the Devil’s  Costume looks like a step above Party City and it really takes me out of it.  Lilith asserts that Sabrina is too goody goody to be the Devil’s main squeeze and they wager on it: have Sabrina steal a stick of gum.  Sabrina resists.

I gotta ask why? She seemed all on board the Midnight Train to Gethsemane with Old Scratch, but she just can’t bring herself to steal the forbidden Fruit Stripe.  I would’ve been all in for the Freshen Up gum…ya know the one with the goo inside…I liked it….Whatever.  Because she refused, Satan starts hurting people around Sabrina by giving them Chickenpox.  WHAAAA?  Chickenpox?! What kind of anti-vax town is Greendale?! Let it burn to the ground! They’ll give us all measles!  To make amends to Satan, she starts to burn the school down as per Satan’s command.  Well, why bother?! They’ll all get Whooping Cough soon enough away.  Come on, Lucifer…this town is doomed and weird.

There are good subplots the Lilith story, which is a nice evil love story where Ms Wardwell watches her life portrayed as entertainment.  The Evil Dean wrote and produces a play of Lilith and Satan falling in sort of love.  It might of brought her a smile, but instead it brings tears because Satan has found a new special lady and Lilith’s destined to be eternally alone. We see in Ms Wardwell AKA Lilith how love is supposed to be, but how it withers and dies.

Suzie is now Theo is the focus of the other subplot. She should be accepted as a boy, but it doesn’t quite work out that way.  Theo tries to change in the boy’s locker room and is mocked by some, but gawked at by all.  The shot is done very well. We close up on the known bullies from the previous episodes, but then the camera pulls back and ALL of the boys are gawking silently, waiting to see female nudity regardless of her gender identity.  They simply can’t help it.  Where we should be, but who we are.  It’s disappointing, realistic, and sad.

Sabrina and Harvey react to a sensual spark and begin making out, but her tie to Satan destroys the encounter and ends their love affair forever.  What their love should be and the reality cannot be.

This was a good episode overall.  It allowed you to see and not be told Lilith’s story and the struggles that everyone has against loneliness and despair.

Adele

Sabrina S2 Ep1, Epiphany, Review with Spoilers by Case Wright


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October came early this year! It’s time to once again get down with the baddest witch this side of Massachusetts.  As you know from my previous reviews of this show, I’m a bit biased: I am a fan.  In fact, I was looking forward to this next installment since October. Well, I can say without a doubt that the Season 2 Premiere of The Chilling Adventures of Sabrina, “Epiphany”, was an episode that was made.

A lot of shows go through a Sophomore Slump- the underwhelming return of a beloved show.  By the end of the episode, all the characters that were the most interesting were diminished.  It was still fun to watch and is very entertaining and it’s not Season 2 Stranger Things terrible, but I hold this show to a higher standard: and I mean it!!!!

Season 1 was all about failure and corruption.  Sabrina set out to save her town and herself.  Not only did she endanger her town, she became so corrupted by ego and hubris that the price was her very soul.  It was Shakespearean with a David Lynch vibe.  Season 2 was less than, not to say it can’t or won’t get back on track because it likely will, but this was not great.

The episode was written by Roberto Aguirre-Sacasa (Showrunner) and directed by Kevin Rodney Sullivan who did ….. okay. The direction had the suspense of wet toast.  Not everyone can do suspense and horror and this was sub-awesome.  It sufficed as a recap episode, but not much more.

The plot is that Sabrina wanted to become the “Top Boy” of the witch academy and her love interest Nick is the favorite because he’s a dude.  Suzie who is now Theo wanted to try out for the all-boys basketball team.  I was excited to see them fight the patriarchy and all that, but they did so in the weakest way possible: they cheated.  Sabrina needed to complete three trials versus Nick.  The first one: she won because the Weird Sisters (including Zelda) who for no reason at all like Sabrina now and gave her the answers.  This really bugged because it was not fair to her character.  She’s Sabrina! She’s supposed to be this badass; anyone can win by cheating.

This theme is further reinforced by Sabrina fixing a basketball game so Suzie could win.  Suzie wanted to get on the boy’s team, which is a fair challenge and a good one for this show to tackle, but she was legit terrible at the sport and could only win because Sabrina cheated for her.  This is not empowering. It showed that Sabrina had no faith in Suzie and most importantly it made Suzie look stupid because she never noticed that she went from the beginning of the game from being the Generals to the Globetrotters?!  Suzie was diminished, Sabrina was diminished, and I was insulted by it.  It would have been so much better if Suzie was like WTF?! Why am I so great all of a sudden and then saw that Sabrina was cheating for her, the smile fades from her face, and then Suzie walks off the court.  This would have set up some good conflict with Sabrina, especially since she doesn’t really have any foes right now.

Roberto Sacasa needs to understand the characters he created.  Suzie, Ros, and even Harvey to a MUCH lesser degree were very aware of what was going on around them throughout season 1, making Sabrina’s unnoticed intervention on Suzie’s behalf a lot tougher sell.

There was a subplot of  Evil Three King Demons trying to mess with Sabrina because they were afraid she would ascend.  This could get interesting.  My hopes are high on that one.   This series is still fun, but if it continues down this lazy path it will be more of a guilty pleasure that I watch on the elliptical or something on while I fold the laundry.

 

 

Triple Frontier, Review By Case Wright


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The heist movie or treasure hunt movie is always the same and always pretty fun.  It’s not supposed to be Shakespeare; it’s supposed to pull you in and be a thrill ride.  This iteration is all about the down and out Iraq and Afghanistan Veterans who decide to seek their fortune the old fashioned way: ripping off a drug kingpin!  In true heist genre fashion, everything works out great!

The characters came across as real Veterans to me.  After some research, the writer- Mark Boal was embedded with a platoon in Iraq and he also wrote The Hurt Locker.  The characters in Triple Frontier were like the men I knew: strong, divorced, and liked to joke.  Ben Affleck’s character Tom struck me as especially realistic.  He loved his daughter, but there was a distance because he was just not suited for civilian life.  She wanted him home, but he always wanted to be away.  You could see on her face that she knew the moment his buddies came calling that he was already gone.

Oscar Isaac plays Pope who has a gig doing private security/law enforcement in South America.  He is in pursuit of Lorea, a drug boss, who is causing all kinds of problems. Yada Yada Yada.  Pope finds the location of Lorea’s hideout which has hundreds of millions of dollars stashed inside, but he needs a team to kill Lorea, Lorea’s men, get the cash, and get out of the country.  He turns to his former squad to pull off the heist.  They need a little cajoling, but they come around. There isn’t a lot of dialogue after they agree to the heist, which makes sense.  They committed and now transitioned to soldier-mode.  The heist starts off with success in sight, but it’s not long before everything goes wrong and they are in a fight for their lives.

The film is shot really beautifully and has some high-priced songs for a Netflix program. Everything seemed very real.  Even the way the characters carried themselves and flowed through Lorea’s hideout was seamless.   They moved the way we are trained to move through rooms.  I am always looking for that in action films.  Are they not having muzzle-awareness (pointing there weapon accidentally at a friendly)?  Are they holding the rifle close to their face? Are they aiming right?  The answers to those questions were yes.   J.C. Chandor should be really proud of himself for the realism.

What kept pulling me into the story wasn’t the action (which was excellent BTW); it was that these men were like the ones I knew.  The team itself was representative of who does our killing for us: salt of the earth…men.   I like seeing women in action films and I am already excited about Black Widow, but the infantry in real life is male.  They are regular guys who are asked to do terrible terrible things.  When those terrible things are done, we cast the men aside.  The story concludes a lot like the war itself did with a lot of loss and not a lot to show for it.  This film has a political statement between the explosions and it’s worth listening to it. 

* I included Mary Pop Poppins by the True Loves in my review.  The song embodies the heist genre like no other.  Also, they are Seattleites!!!!

A Few Thoughts On The Oscars….


Well, that was …. interesting.

Actually, I really enjoyed the 91s Annual Oscar ceremony this year.  And you know why I enjoyed it?

There wasn’t a host.

For all the talk about how not having a host would be the death of the Oscars, the ceremony functioned just fine without an endless opening monologue.  It turns out that the Oscars don’t need someone organizing a huge selfie.  It does’t need someone demanding that the audience buy girl scout cookies.  It doesn’t need Jimmy Kimmel bringing in random tourists or sending actors to crash the theater across the street.  The presenters can do the job of the host just fine and, even better, they’re gone before you get sick of listening to them.

The show seemed to move quicker, though it still went over 3 hours.  In fact, at 3 hours and 20 minutes, it wasn’t really any shorter than the previous ceremonies.

The audience seemed strangely subdued.  Perhaps that’s because so many mediocre films were winning.  Bohemian Rhapsody took home the most Oscars, 4 in total.  Of course, not once was the name Bryan Singer mentioned.  Singer was like Voldemort at the Oscars.  In fact, you could kind of sense that people in the auditorium were cringing with every award that Bohemian Rhapsody won.  They were probably imagining what some of the headlines will be tomorrow.  “While patting themselves on the back for being woke, the Academy honored Bryan Singer.”

According to my TSL colleague, Leonard Wilson, there were boos in the audience when Green Book won best picture.  I didn’t hear them but I don’t doubt they were there.  Green Book isn’t a terrible film as much as it’s just a rather bland one.  It’s a film about a different era that feels like it was made in a different era.  Much like the last film to win without being nominated for best director, it seems destined to be forgotten.

(That last film, by the way, was Argo, which was an okay film — much like Green Book — but which isn’t exactly held up as a groundbreaking winner.)

The top moment for me was Bradley Cooper and Lady Gaga performing Shallow. Lady Gaga’s acceptance speech was amazing.  My second favorite moment was when Olivia Colman defeated Glenn Close for Best Actress.  That’s nothing against Close.  It’s just Close was such a favorite that it was nice to see Colman score an upset victory.

Now, we just wait for the ratings to come in.  My fear is that the ratings are going to suck and ABC will be say, “It’s because we didn’t have a host!  It’s because we didn’t do Best Popular Film!  It’s because we didn’t give out any awards during the commercial break!”

Of course, the opposite is true.  Despite some unfortunate winners, this was a pretty enjoyable broadcast.  This was what the Oscars should always be like.  We don’t need a host.  We just need better nominees.

(In my opinion, Eighth Grade was the best film of the year.  Of course, it didn’t get a single nomination.)

Well, this concludes another Oscar Sunday!

Thank you, everyone, for visiting the site today.  With the Oscars now out of the way, we can focus our attention on the films of 2019!  Let’s hope this year in film is a good one!

Thanks, everyone.

Love ya.

 

Guilty Pleasure No. 40: Parking Wars


Strange show, Parking Wars.

Between 2008 and 2012, A&E aired 104 episodes of Parking Wars.  Even though the show’s no longer in production, episodes still seem to air on nearly a daily basis.  If you can’t find it on A&E, check on FYI.  If you can’t find it on FYI, check WGN or TBS or any of the true crime networks.  Nearly seven years after it stopped producing new episodes, Parking Wars airs so frequently that one could be forgiven for thinking that it had never been canceled.

It was an odd show.  It was a reality show, one that allowed viewers a chance to see what it was like to be a part of the parking authority.  You read that correctly.  This show was devoted to perhaps the least useful members of law enforcement.  The first two seasons focused exclusively on the employees of the Philadelphia Parking Authority.  Since the members of the PPA were all municipal employees, I’m going to assume that the show’s producers had to get permission from the city to follow them as they worked.  One assumes that the hope was that the show would improve Philadelphia’s image.  That’s why it’s interesting that the main lesson to be learned from those first two seasons of Parking Wars appears to be that everyone should stay the Hell out of Philadelphia.

Seriously, it’s hard to imagine that anyone would book a flight to Philly after watching an episode of Parking Wars.  Not only do all of the traffic cops come across as being assholes but so do most of the citizens that they meet over the course of their day.  Everyone comes across as being a jerk.  On the one hand, you have the motorists who regularly ignore posted signs and who often have no hesitation about double parking or blocking traffic.  At the same time, the show’s parking cops tend to the biggest bunch of self-important pricks that I’ve ever seen.

Each episode is usually divided into three sections.  In Ticketing, we follow some civil servant in a uniform while they walk up and down the street, looking for anyone to whom they can give a ticket.  While they do this, they talk to the camera about why their job is important and why people shouldn’t hate them.  It usually only takes a minute or so to realize that we’re not exactly dealing with the most eloquent or witty group of people here.  Typical words of wisdom: “People think I’m picking on them but ….. I’m just doing my job.  If they hadn’t broken the rules, I would not be writing them a ticket.”  Never mind that, half the time, the parking meters are broken or that the “No Parking” sign has weathered so much abuse that it can barely be read.  Whenever someone asks a legitimate question about why they’re getting a ticket, the show responds with a silly sound effect.  “Only dummies question authority,” the show is saying.  On those occasions when someone actually proves that they’ve been wrongly ticketed (and it happens more than a few times), they’re told to call a number or go to court and get it dismissed.  “Once I start writing the ticket, I can’t take it back,” the parking cop explains, as if that somehow excuses any inconvenience that anyone else might suffer.

The 2nd section of each episode often took place at the impound lot, where the citizens of Philadelphia would go to get their cars after they had been towed.  The impound lot sequences basically highlight everything that intelligent people hate about bureaucracy.  I’ll always remember the woman from Delaware whose car was impounded in Philadelphia, due to a mistake made by the Delaware Highway Patrol.  Even after the woman got a signed letter from a judge in Delaware exonerating her and saying that her car shouldn’t have been impounded, the lot supervisor said that the car couldn’t be released because the state of Pennsylvania still had her on its impound list.  When the woman was told that she could hire a tow truck (at her own expense) and have the car towed to Delaware, the lot workers were shocked when the woman angrily announced that she wasn’t going to pay any more money just because of someone else’s bureaucratic snafu.  When Pennsylvania finally did get its act together and announced that the woman could have her car back, one of the lot workers had the nerve to say, “Y’know, my supervisor went to a lot of trouble for you.”  (From what we saw on the program, it appeared that the supervisor made one phone call, mostly to get confirmation that she should refuse to release the woman’s car.)  The look the woman from Delaware gave that worker pretty much said it all.

Finally, an episode would usually wrap up with a sequence about booting.  The booting sequences dealt with the people who drive around and randomly search for people with multiple unpaid tickets, so that they can put those big yellow locks on people’s tires.  On the one hand, the booting sequences were a bit less annoying that the ticketing and impound sequences because most of the people getting booted did owe several thousands of dollars in parking tickets.  On the other hand, it wasn’t hard to notice that the boot crew usually only seemed to search for cars in lower-class neighborhoods.  It was rare you ever heard anyone suggest maybe going to a rich neighborhood and seeing if anyone there needed a boot.  Instead the people being booted were often the very people who would need a car if they were ever actually going to get the money necessary to pay their tickets.

Throughout it all, the show punctuated every action or comment with a combination of zoom lenses and silly sound effects.  If someone declared that they needed their car for work, we’d hear someone dramatically go, “DAMN!” on the soundtrack.  If the parking cop pointed out a sign that said no parking, we’d get a zoom to the sign along with a smack-smack sound effect.

Even though the show is less than ten years old, watching it can be strange today.  Parking Wars was clearly made before the era of #MeToo.  If the parking cop is a woman, one can be sure that we’ll get at least a few interviews with the citizens of Philadelphia talking about how cute she is.  If the parking cop’s a man, one can be sure that he’ll take the time to leer at any passing women while the camera zooms in on what part of her body has drawn his attention.

Eventually, it would appear that the city of Philadelphia figured out that being advertised as being one of the worst cities on Earth was perhaps not the boon for tourism that they thought it would be and Parking Wars started to focus on other cities.  When they started to film in Detroit, we were introduced to a parking cop named Pony Tail.  Pony Tail was perhaps the most obnoxious character to ever be unleashed on the brave viewers of A&E.  Pony Tail was the type of creep who would brag about how he was punishing evil doers (because being parked at an expired meter is a sure sign of evil) but who would then spend his entire segment pouting after a random passerby yelled out, “Parking Authority sucks!”

Things got even worse once the show expanded to New York and started to feature “independent” towing companies.  If it could be said that the parking cops were at least enforcing the law, the independent towing people were just straight-up assholes.  Whenever they towed a woman’s car and responded to her complaints by calling her “sweetheart” or “honey,” you just wanted someone to jump in and smack the Hell out of them.

And yet, oddly enough, Parking Wars was (and is) addictive viewing.  I can’t speak for everyone but for me, it’s a show that I almost hatewatch.  It confirms everything negative thing that I’ve ever felt or suspected about the people in authority.  If you believe that most people will let even the slightest bit of power go straight to their head, this is the show for you.  If you distrust the government and think that most bureaucrats are petty tyrants, Parking Wars is a show that will confirm your every suspicion.  The best moments of Parking Wars are the ones that suggest that maybe the show’s producers were secretly poking fun at the parking authority’s delusions of grandeur.  I’m talking about the moments when the ticketed got their chance to yell at the ticketers and the ticketers, for the most part, were reduced to weakly saying, “I’m just doing my job….”  Could it be that Parking Wars was one of the biggest practical jokes in reality show history and perhaps Pony Tail and the folks at the Impound Lot were being punked without even realizing it?

Probably not but it’s fun to think about….

Previous Guilty Pleasures

  1. Half-Baked
  2. Save The Last Dance
  3. Every Rose Has Its Thorns
  4. The Jeremy Kyle Show
  5. Invasion USA
  6. The Golden Child
  7. Final Destination 2
  8. Paparazzi
  9. The Principal
  10. The Substitute
  11. Terror In The Family
  12. Pandorum
  13. Lambada
  14. Fear
  15. Cocktail
  16. Keep Off The Grass
  17. Girls, Girls, Girls
  18. Class
  19. Tart
  20. King Kong vs. Godzilla
  21. Hawk the Slayer
  22. Battle Beyond the Stars
  23. Meridian
  24. Walk of Shame
  25. From Justin To Kelly
  26. Project Greenlight
  27. Sex Decoy: Love Stings
  28. Swimfan
  29. On the Line
  30. Wolfen
  31. Hail Caesar!
  32. It’s So Cold In The D
  33. In the Mix
  34. Healed By Grace
  35. Valley of the Dolls
  36. The Legend of Billie Jean
  37. Death Wish
  38. Shipping Wars
  39. Ghost Whisperer

The Lesson Of Be My Valentine, Charlie Brown


Be My Valentine, Charlie Brown may not be as acclaimed or well-known as It’s The Great Pumpkin, Charlie Brown or A Charlie Brown Christmas but it’s one of my favorite of the Peanuts holiday specials.  It has a very important lesson to teach us all.

It’s all about faith.

Hardly anyone in Be My Valentine, Charlie Brown has a good Valentine’s Day.  None of them should have been surprised.  All of the Charlie Brown holiday specials are about how days like Halloween, Christmas, and Thanksgiving rarely live up to our expectations.  Why should Valentine’s Day be any different?

Charlie Brown shouldn’t have been surprised when he went home empty-handed.  Sure, he thought he’d get a lot of valentines.  He even brought a briefcase to school with him because he was expecting to get so many.  After Schroeder handed out all of the valentines, Charlie Brown even went to big red box and turned it upside down.  There was nothing for Charlie Brown.  There’s never anything for Charlie Brown.

And Linus shouldn’t have been surprised when his teacher left school before he could give her that big heart-shaped box of candy.  After spending all of those Halloweens in a sincere pumpkin patch and waiting for the Great Pumpkin, Linus should have been used to the disappointment.

And Lucy should know that she’ll never be able to compete with Scroeder’s love of msic, no matter how many times she destroys his piano or tells him that Beethoven was overrated.

In the world of Charlie Brown, only Snoopy gets what he wants but he’s a dog so he doesn’t want much.  All he has to worry about is keeping Woodstock happy, finishing his new book, and shooting down the Red Baron.

But they never give up.  None of them.  No matter how wishy-washy or crabby they may be, all of them keep the faith.  None of them surrender their hope.  That’s the lesson of every Peanuts holiday special but it’s especially the lesson of Be My Valentine, Charlie Brown.  Someday, the teacher will accept Linus’s gift.  Someday, Schroeder will learn to appreciate Lucy’s finer qualities.  Someday, Sally will be able to make a Valentine just as impressive as Snoopy’s

And someday, maybe today, Charlie Brown will finally get that Valentine!

Never lose hope.  Never give up.  That’s a good lesson for Valentine’s Day.  That’s a good lesson for any day.

2018 in Review: 10 Good Things That I Saw On Television


Moving right along with my look back at 2018, here are 10 good things that I saw on television.

Please note, I did not say that these were the ten “best” things on television in 2018.  Instead, these are ten things that I enjoyed enough that, in January of 2019, they still pop to my mind whenever I ask myself, “What did I enjoy last year?”  As always, this is just my opinion and you’re free to agree or disagree.

Got it?  Okay, let’s go!

  1. Showtime reran Twin Peaks: The Return

Okay, so maybe I’m cheating a little here.  Twin Peaks: The Return originally aired in 2017.  You may remember that, for about 6 months, the Shattered Lens essentially became a Twin Peaks fan site.  Still, I can’t begin to describe how excited I was to discover that, over the course of a weekend, Showtime would be reairing the entire series.  I binged every episode and I discovered that, even with the benefit of hindsight, it’s still one of the greatest shows of all time.  Unfortunately, the Emmy voters did not agree.  Bastards.

2. The Alienist 

It took me a little while to really get into The Alienist but, once I did, I found myself growing obsessed with not only the sets and the costumes but the mystery as well!  Daniel Bruhl, Luke Evans, and Dakota Fanning all did excellent work and I can’t wait for the sequel!

3. Jesus Christ Superstar Live

I was skeptical.  I had my doubts.  I thought I’d spend the entire two and a half hours rolling my eyes.  Jesus Christ Superstar proved me wrong.

4. The Americans

One of the best shows on television went out on a high note.

5. Barry

Barry premiered on HBO and it quickly became a favorite of mine.  While I agree that Bill Hader and Henry Winkler deserve all of the attention that they’ve received, I’d also say that Stephen Root continues to prove himself to be one of our greatest character actors.

6. Big Brother

The reality show that so many love to hate finally had another good season.  Since I get paid to write about the show for another site, that made me happy.  Seriously, some of the previous seasons were painful to watch so Big Brother 20 was a huge relief.  (Plus, BB 20 inspired everyone’s favorite twitter game: “Will Julie Chen Moonves show up tonight?”)

7. Maniac

As much fun as it is to complain about Netflix, occasionally they justify the price of their existence by giving us something like Maniac.

8. You

Sometimes, I loved this show.  Sometimes, I absolutely hated it.  However, I was always intrigued and never bored.  I can’t wait to see what happens during season 2.

9. Trust

For all the attention that was given to The Assassination of Gianni Versace, Trust was the best FX true crime series of 2018.  Along with an intriguing story, it also featured great performances from Donald Sutherland, Hillary Swank, and Brendan Fraser.  (Yes, Brendan Fraser.)

10. Westworld

I know a lot of people didn’t care much for the latest season of Westworld.  I loved it and, in the end, isn’t that what really matters?

That’s it for television!  Coming up next, it’s the entry in Lisa’s look back at 2018 that we’ve all been waiting for, my picks for the best 26 films of the year!

Lisa Looks Back At 2018

  1. Ten Worst Films of 2018
  2. Best of Lifetime
  3. Best of Syfy
  4. 10 Favorite Novels
  5. 12 Favorite Non-Fiction Books
  6. 10 Favorite Songs