2018 in Review: 10 Good Things That I Saw On Television

Posted on January 19, 2019 by Lisa Marie Bowman

Moving right along with my look back at 2018, here are 10 good things that I saw on television.

Please note, I did not say that these were the ten “best” things on television in 2018. Instead, these are ten things that I enjoyed enough that, in January of 2019, they still pop to my mind whenever I ask myself, “What did I enjoy last year?” As always, this is just my opinion and you’re free to agree or disagree.

Got it? Okay, let’s go!

Showtime reran Twin Peaks: The Return

Okay, so maybe I’m cheating a little here. Twin Peaks: The Return originally aired in 2017. You may remember that, for about 6 months, the Shattered Lens essentially became a Twin Peaks fan site. Still, I can’t begin to describe how excited I was to discover that, over the course of a weekend, Showtime would be reairing the entire series. I binged every episode and I discovered that, even with the benefit of hindsight, it’s still one of the greatest shows of all time. Unfortunately, the Emmy voters did not agree. Bastards.

2. The Alienist

It took me a little while to really get into The Alienist but, once I did, I found myself growing obsessed with not only the sets and the costumes but the mystery as well! Daniel Bruhl, Luke Evans, and Dakota Fanning all did excellent work and I can’t wait for the sequel!

3. Jesus Christ Superstar Live

I was skeptical. I had my doubts. I thought I’d spend the entire two and a half hours rolling my eyes. Jesus Christ Superstar proved me wrong.

4. The Americans

One of the best shows on television went out on a high note.

5. Barry

Barry premiered on HBO and it quickly became a favorite of mine. While I agree that Bill Hader and Henry Winkler deserve all of the attention that they’ve received, I’d also say that Stephen Root continues to prove himself to be one of our greatest character actors.

6. Big Brother

The reality show that so many love to hate finally had another good season. Since I get paid to write about the show for another site, that made me happy. Seriously, some of the previous seasons were painful to watch so Big Brother 20 was a huge relief. (Plus, BB 20 inspired everyone’s favorite twitter game: “Will Julie Chen Moonves show up tonight?”)

7. Maniac

As much fun as it is to complain about Netflix, occasionally they justify the price of their existence by giving us something like Maniac.

8. You

Sometimes, I loved this show. Sometimes, I absolutely hated it. However, I was always intrigued and never bored. I can’t wait to see what happens during season 2.

9. Trust

For all the attention that was given to The Assassination of Gianni Versace, Trust was the best FX true crime series of 2018. Along with an intriguing story, it also featured great performances from Donald Sutherland, Hillary Swank, and Brendan Fraser. (Yes, Brendan Fraser.)

10. Westworld

I know a lot of people didn’t care much for the latest season of Westworld. I loved it and, in the end, isn’t that what really matters?

That’s it for television! Coming up next, it’s the entry in Lisa’s look back at 2018 that we’ve all been waiting for, my picks for the best 26 films of the year!

Lisa Looks Back At 2018

Here Are The Winners of the 24th Annual Critics Choice Awards!

Posted on January 13, 2019 by Lisa Marie Bowman

TSL writer Patrick Smith has referred to The Critics Choice Awards as being his “fifth favorite awards show” and that seems like the perfect description of where they fall in awards season. People do pay attention to them and, in the past, they’ve been a pretty good precursor as far as the Oscars are concerned. At the same time, there always seem to be confusion as just who exactly votes for the Critics Choice Awards.

Well, the answer to that question is that the Critics’ Choice Awards are voted on by the Broadcast Film Critics Association and, tonight, they announced their picks on the CW.

It was interesting night — two ties and Christian Bale was named Best Actor twice, which of course meant we had to suffer through his “I’m just an ordinary working bloke!” routine two times too many. By far, my favorite winner was Amy Adams for Sharp Objects.

(On another note: Taye Diggs was an interesting choice to host. I thought he did okay but, with his talent, he really should be receiving the awards instead of talking about them. Someone write a great role for Taye Diggs ASAP!)

Here are tonight’s winners! (Check out the nominees here!)

Movie

Best Song — Shallow from A Star is Born

Best Young Actor or Actress — Elsie Fisher, Eighth Grade

Best Supporting Actor — Mahershala Ali, Green Book

Best Supporting Actress — Regina King, If Beale Street Could Talk

Best Sci-Fi or Horror Movie — A Quiet Place

Best Acting Ensemble — The Favourite

Best Action Film — Mission Impossible: Fallout

Best Animated Film — Spider-Man Into The Spider-Verse

Best Foreign Language Film — Roma

Best Original Screenplay — Paul Schrader, First Reformed

Best Adapted Screenplay — Barry Jenkins, If Beale Street Could Talk

Best Actress In A Comedy — Olivia Colman, The Favourite

Best Actor In A Comedy — Christian Bale, Vice

Best Comedy — Crazy Rich Asians

Best Cinematography — Alfonso Cuaron, Roma

Best Production Design — Hannah Beachler and Jay Hart, Black Panther

Best Editing — Tom Cross, First Man

Best Costume Design — Ruth Carter, Black Panther

Best Hair and Makeup — Vice

Best Visual Effects — Black Panther

Best Original Score — Justin Hurwitz, First Man

Best Director — Alfonso Cuaron, Roma

Best Actress (tie) — Glenn Close, The Wife and Lady Gaga, A Star is Born

Best Actor — Christian Bale, Vice

Best Motion Picture — Roma

Television

Best Supporting Actor (Drama) — Noah Emmerich, The Americans

Best Supporting Actress (Drama) — Thandie Newton, Westworld

Best Supporting Actor (Comedy) — Henry Winkler, Barry

Best Supporting Actress (Comedy) — Alexis Borstein, The Marvelous Mrs. Maisel

Best Supporting Actor (Limited Series or Made-For-TV Movie): Ben Whishaw, A Very English Scandal

Best Supporting Actress (Limited Series or Made-For-TV Movie): Patricia Clarkson, Sharp Objects

Best Movie Made For Television — Jesus Christ Superstar Live In Concert

Best Animated Series — BoJack Horseman

Best Actor (Limited Series or Movie Made-For-TV): Darren Criss, American Crime Story: The Assassination of Gianni Versace

Best Actress (Limited Series or Movie Made-For-TV): (Tie) Amy Adams, Sharp Objects and Patricia Arquette, Escape at Dannemora

Best Actor (Comedy Series) — Bill Hader, Barry

Best Actress (Comedy Series) — Rachel Brosnahan, The Marvelous Mrs. Maisel

Best Actor (Drama Series) — Matthew Rhys, The Americans

Best Actress (Drama Series) — Sandra Oh, Killing Eve

Best Limited Series — American Crime Story: The Assassination of Gianni Versace

Best TV Drama Series — The Americans

Best TV Comedy Series — The Marvelous Mrs. Maisel

What If Lisa Had All The Power: 2018 Emmys Edition

Posted on July 12, 2018 by Lisa Marie Bowman

Hi, everyone!

I meant to do this a lot earlier in the month but with the combination of the 4th of July and some other things I had to attend to, I didn’t get the chance until now. In just a few hours, the 2018 Emmy nominations will be announced. Hopefully, it’ll be a good morning for Twin Peaks!

Anyway, here’s who and what I would nominate in the major Emmy categories if I had all the power. Please notice that I just said major categories. There’s like hundreds of different Emmy categories, the majority of which aren’t ever awarded during the prime time awards show. As much as I’d love to post every single category, it’s late and I’m not sure that you really care who I think should win Outstanding Art Direction For An Informational Program, 30 Minutes Or Shorter.

Anyway, here are my picks. Obviously, I’ve only nominated films and TV shows that I actually watched during the 2017-2018 season. For the most part, I also limited myself to the shows and performers that have actually been submitted for Emmy consideration. You can see a full list of all the submissions here.

Anyway, here are my nominees. (Winners are in bold.)

Programming

Best Comedy Series

Atlanta,

Barry,

Brooklyn Nine-Nine,

The End of the Fucking World,

GLOW,

New Girl,

Silicon Valley,

Young Sheldon

Best Drama Series

The Americans,

Game of Thrones,

The Crown

Legion,

Ozark,

Stranger Things,

Trust,

Westworld

Outstanding Limited Series

The Alienist,

American Vandal,

The Assassination of Gianni Versace: American Crime Story,

Genius: Picasso,

Howard’s End,

Picnic at Hanging Rock,

The Terror,

Twin Peaks: The Return

Outstanding Television Movie

(I cheated with this category. Jesus Christ Superstar was submitted in the category of Outstanding Variety Special. I felt it belonged here and since it’s my list, I went with it.)

Cocaine Godmother,

I Am Elizabeth Smart,

Jesus Christ Superstar,

Psych: The Movie,

Sharknado 5,

The Tale,

USS Calllister (Black Mirror)

When Love Kills: The Falacia Blakely Story

Outstanding Reality Competition Program

The Amazing Race,

The Bachelorette,

Big Brother: Celebrity Edition,

Dancing With The Stars,

Hell’s Kitchen,

Project Runway,

Survivor,

World of Dance

Performers

Best Actor (Comedy)

Bruce Campbell in Ash Vs. Evil Dead

Donald Glover in Atlanta

Bill Hader in Barry

Pete Holmes in Crashing

Alex Lawther in The End of the Fucking World

Andy Samberg in Brooklyn Nine-Nine

Best Actor (Drama)

Jason Bateman in Ozark

Tom Ellis in Lucifer

James Franco in The Deuce

Ed Harris in Westworld

Donald Sutherland in Trust

Jeffrey Wright in Westworld

Best Actor (Limited Series)

Antonio Banderas in Genius: Picasso

Daniel Bruhl in The Alienist

Darren Criss in The Assassination of Gianni Versace: American Crime Story

Tyler Kitsch in Waco

Kyle MacLachlan in Twin Peaks: The Return

Jimmy Tatro in American Vandal

Best Actor (Movie)

Matthew Broderick in A Christmas Story Live!

Dule Hill in Psych: The Movie

John Legend in Jesus Christ Superstar

Al Pacino in Paterno

Jesse Plemons in USS Callister (Black Mirror)

James Roday in Psych: The Movie

Best Actress (Comedy)

Jessica Barden in The End Of The Fucking World

Melissa Barrera in Vida

Alison Brie in GLOW

Zooey Deschanel in New Girl

Justina Machado in One Day At A Time

Ella Purnell in Sweetbitter

Best Actress (Drama)

Claire Danes in Homeland

Claire Foy in The Crown

Rose McIver in iZombie

Krysten Ritter in Marvel’s Jessica Jones

Keri Russell in The Americans

Evan Rachel Wood in Westworld

Best Actress (Limited Series)

Hayley Atwell in Howard’s End

Natalie Dormer in Picnic at Hanging Rock

Jennifer Ferrin Mosiac

Anna Friel in The Girlfriend Experience

Sarah Gadon in Alias Grace

Louisa Krause in The Girlfriend Experience

Best Actress (Movie)

Alana Boden in I Am Elizabeth Smart

Laura Dern in The Tale

Parisa Fitz-Henley in Harry & Meghan: A Royal Romance

Kelly MacDonald in The Child In Time (Masterpiece Theater)

Maya Rudolph in A Christmas Story Live!

Catherine Zeta-Jones in Cocaine Godmother

Best Supporting Actor (Comedy)

Andre Braugher in Brooklyn Nine Nine

Brian Tyree Henry in Atlanta

Marc Maron in GLOW

Stephen Root in Barry

Henry Winkler in Barry

Zach Woods in Silicon Valley

Best Supporting Actor (Drama)

Peter Dinklage in Game of Thrones

Noah Emmerich in The Americans

Brendan Fraser in Trust

James Marsden in Westworld

Zahn McClarnon in Westworld

Matt Smith in The Crown

Best Supporting Actor (Limited Series)

Tyler Alvarez in American Vandal

Miguel Ferrer in Twin Peaks: The Return

Robert Forster in Twin Peaks: The Return

Michael Horse in Twin Peaks: The Return

David Lynch in Twin Peaks: The Return

Finn Wittrock in The Assassination of Gianni Versace: American Crime Story

Best Supporting Actor (Movie)

Corbin Bernsen in Psych: The Movie

Brandon Victor Dixon in Jesus Christ Superstar

Aldis Hodge in Black Museum (Black Mirror)

Jason Ritter in The Tale

Jimmi Simpson in USS Callister (Black Mirror)

Skeet Ulrich in I Am Elizabeth Smart

Best Supporting Actress (Comedy)

Stephanie Beartriz in Brooklyn Nine-Nine

Suzanne Cryer in Silicon Valley

Sarah Goldberg in Barry

Rita Moreno in One Day At A Time

Zoe Perry in Young Sheldon

Hannah Simone in New Girl

Best Supporting Actress (Drama)

Summer Bishil in The Magicians

Lena Headey in Game of Thrones

Margo Martindale in The Americans

Thandie Newton in Westworld

Aubrey Plaza in Legion

Tessa Thompson in Westworld

Best Supporting Actress (Limited Series)

Penelope Cruz in The Assassination of Gianni Versace: American Crime Story

Laura Dern in Twin Peaks: The Return

Dakota Fanning in The Alienist

Judith Light in The Assassination of Gianni Versace: American Crime Story

Julia Ormond in Howards End

Naomi Watts in Twin Peaks: The Return

Best Supporting Actress (Movie)

Sara Bareilles in Jesus Christ Superstar Live in Concert

Ellen Burstyn in The Tale

Michaela Coel in USS Callister (Black Mirror)

Anna Gasteyer in A Christmas Story Live!

Anjelica Huston in The Watcher In The Woods

Letitia Wright in Black Museum (Black Mirror)

Best Guest Actor (Comedy)

Bill Burr in Crashing

Josh Hamilton in Sweetbitter

Lee Majors in Ash vs. Evil Dead

Wallace Shawn in Young Sheldon

Danny Trejo in Brooklyn Nine-Nine

Gerald Webb in Barry

Best Guest Actor (Drama)

Michael C. Hall in The Crown

C. Thomas Howell in Marvel’s The Punisher

Matthew Modine in Stranger Things

Denis O’Hare in American Masters

Jimmi Simpson in Westworld

Jonathan Tucker in Westworld

Best Guest Actress (Comedy)

Gail Bean in Atlanta

Rashida Jones in Portlandia

Nasim Pedrad in Brooklyn Nine-Nine

Sheridan Piece in One Day At A Time

Elizabeth Perkins in GLOW

Wrenn Schmidt in Sweetbitter

Best Guest Actress (Drama)

Jodi Balfour in The Crown

Donatella Finocchiaro in Trust

Marlee Matlin in The Magicians

Lily Rabe in Legion

Diana Rigg in Game of Thrones

Mageina Tovah in The Magicians

Let’s Talk About Jesus Christ Superstar Live In Concert (dir by David Leveaux and Alex Rudzinski)

Posted on April 1, 2018 by Lisa Marie Bowman

On Sunday night, my family and I ended our Easter Sunday by watching Jesus Christ Superstar Live. Now, before I say anything else about NBC’s latest live musical production, there are a few things that I should make clear:

In college, there was this girl in my dorm who started the semester as a pagan, spent a month as an evangelical, and then ended the semester as a pagan again. When she was going through her evangelical phase, she would listen to the Jesus Christ Superstar soundtrack constantly, with the volume turned up so loud that you could hear it up and down the hallway. Seriously. 24 hours a day. 7 days a week. After three days, I was sick of hearing it. I found myself wondering if anyone had ever been driven to murder over having to listen to Heaven On Their Minds one too many times. Fortunately, something happened to cause her to once again lose her faith and she went back to listening to Fall Out Boy.

For quite some time afterward, I would instinctively cringe whenever I heard any of the songs from Jesus Christ Superstar. In fact, it wasn’t until I first came across the 1973 film version that I was able to once again appreciate it as a musical and overlook its association with that annoying pagan. From the first time I watched it, I really liked that movie and, every time I rewatch it, I like it even more. When I started watching Sunday’s production, I was seriously wondering if I’d be able to set aside my feelings about both the pagan and the movie and judge the television version on its own merits.

Well, I shouldn’t have worried. While I still prefer the original film version, Sunday’s television production was wonderfully conceived and executed. From the first note of music to the final curtain call, Jesus Christ Superstar Live In Concert captured my attention and refused to let it go, keeping me watching even through the lengthy commercial interruptions. The musicians and the singers sounded great, or at least they did once the audience mics were turned down. (At the start of the show, the audience was so loud that they threatened to drown out Heaven On Their Minds.) The production design was simply amazing, combining downtown New York with ancient Judea in a way that reminded us just how timeless the musical’s story truly is. (The 1973 film opened with a bunch of hippies driving through the desert. The 2018 production opened with Jesus’s name being spray painted on a wall. Both openings felt perfect for the story that was being told.)

As for the cast, Brandon Victor Dixon was compellingly intense as Judas and Norm Lewis was properly intimidating as Caiaphas. The big marquee name was Alice Cooper, who obviously enjoyed playing the production’s burlesque version of Herod. That said, the entire show was stolen by Ben Daniels, who was wonderfully conflicted as Pilate. I wasn’t as impressed by Sara Bareilles as Mary Magdalene, or I should say that I apparently wasn’t as impressed with her performance as everyone else on twitter. (To me, she seemed a bit too peppy, especially in the early numbers. I know I’m in the minority as far as that goes.) Finally, in the role of Jesus, John Legend grew on me. Of course, in the show, Jesus doesn’t really become an interesting character until he sings “Poor Jerusalem” and that was the moment that Legend himself seemed to truly feel comfortable with the role.

It’s probably pointless to compare the 1973 film to the 2018 version but still, I did find it interesting how the live version reimagined the relationship between Jesus and Judas. In the 1973 version, Jesus is largely aloof for almost the entire film. Judas seems to be frustrated because he can’t figure out what Jesus is planning to do and Jesus himself never seems to feel that he can allow himself to get truly close to anyone. In the film, Judas’s anger is the anger of someone who has spent the last few years of his life following a leader and who is now wondering if he’s been wasting his time. He’s like a Democrat who has just realized that his party is even less interested in reigning in Wall Street than the Republicans.

In the live version, the Jesus/Judas relationship came across as being a bromance gone wrong. In this version, Judas’s disatisfaction is less political and more jealousy over Jesus being closer to the Magdalene than to him. When Judas snaps at Jesus in the 2018 version, Jesus actually seems to get personally offended. The dynamic between Dixon and Legend is definitely different from the one between Ted Neeley and Carl Anderson in the original version. Of course, there’s nothing wrong with that. That’s one of the wonderful things about theater. When successfully done, each subsequent production brings something new to an old story.

Jesus Christ Superstar definitely worked. As far as the current wave of live television musicals is concerned, this was the best one yet.