Retro Television Review: Malibu, CA 1.5 “Photo Shoot”

Posted on June 27, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Malibu CA, which aired in Syndication in 1998 and 1999. The entire show is currently streaming on YouTube!

I meant to review this episode last week but it was so bad that the prospect of writing about it just filled me with an unending depression. This week, I’m feeling a little better so let’s give it a shot!

Episode 1.5 “Photo Shoot”

(Dir by Gary Shimokawa, originally aired on November 8th, 1998)

It’s been a while since I posted a review of Malibu, CA and I realize that the show is not a particularly well-remembered one. It only aired for two seasons and so few people watched that it pretty much ended producer Peter Engel’s reign as America’s top producer of teen sitcoms. So, here is a quick recap:

Scott (Trevor Merszei) and Jason Collins (Jason Hayes) are twin brothers from New York. When their mother takes a job in Saudi Arabia (like, seriously, what the Hell? Is she doing Bin Laden’s taxes?), Scott and Jason move in with their father, Peter (Edward Blatchford), who owns a restaurant in Malibu. Scott and Jason both have a crush on their next door neighbor, Sam (Gina May). Sam is friendly but doesn’t seem to really think of either of them in that way. Sam’s best friend is a lifeguard who is nicknamed Stads (Wendi Kenya, who deserved better than this show). Stads has a crush on Scott but Jason is the one who she kissed at the end of the previous episode. Meanwhile, on the beach, Murray (Brandon Brooks) owns the surf shack and Traycee (Priscilla inga Taylor) wears a bikini.

All caught up?

Great! Let’s talk about episode 5.

Or maybe we could just skip episode 5 because God, did it suck.

Basically, the theme of episode 5 is that Scott and Jason are the two worst human beings who have ever lived. Scott finally asks Sam out on a date. Sam accepts, for some reason. But then a photographer named Devon (Simon Clark) asks Sam if she’s ever done any modeling and soon, Sam is more interested posing for Devon and going to Paris with him than in going out with some smirky frat boy from New York. This is actually a great opportunity for Sam but Sam’s success would mean Scott not getting what he wants to Scott and Jason spend the whole episode trying to sabotage Devon’s attempts to get a decent picture of Sam.

If this sound familiar, you may be remembering when the exact same thing happened with Zack and Kelly on Saved By The Bell. On Saved By The Bell, Zack learned the important of not being selfish and supporting Kelly’s dreams. Kelly went to Paris to be a model but she was back the next episode and no mention was ever made of her time in Paris for the rest of the show. On Malibu, CA, Scott acts like a possessive creep but he gets lucky in that Sam decides not to go to Paris because Devon tries a line on her about how she’s Cindy Crawford “without the mole.” Scott gets what he wants but just because Devon turned out to be equally skeezy.

Ugh. This episode. There’s a real sense of entitlement to Scott and Jason that is very off-putting. Entitled teenagers were a mainstay on Peter Engel’s shows but he usually able to temper that by casting likable actors. With Malibu, CA, he went with two actors who both came across like two smirky, mentally dull frat boys and, as a result, Jason and Scott really do come across as being the worst two people in the world.

As for the rest of the episode, Jason and Stads continued to pretend as if they didn’t like each other while Murray used various new age techniques to cure Peter’s headache. Even One World had better B-plots. Bleh all around.

Oh well — at least there’s only 47 more episodes to go….

Retro Television Review: Fantasy Island 5.4 “The Last Cowboy/The Lady and the Monster”

Posted on June 25, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. Almost the entire show is currently streaming on Daily Motion, YouTube, Plex, and a host of other sites.

It’s time for another trip to the Island!

Episode 5.4 “The Last Cowboy/The Lady and the Monster”

(Dir by Don Chaffey, originally aired on October 31st, 1981)

For the second week in a row, Tattoo is notably absent in this episode. He is seen in the stock footage that opens each episode of Fantasy Island. Shortly afterwards, his pre-recorded voice is briefly heard when Mr. Roarke explains to Julie that Tattoo has been turned invisible so that he can help with the fantasy of another guest who is also invisible. Seriously, that’s the excuse that the show goes with. Tattoo is “there” but he can’t be seen. I can only imagine what was going on behind-the-scenes with Herve Villechaize. It’s easy to assume that Villechaize was holding out for more money but, to be honest, it’s almost too easy to assume that. It’s also possible that Villechaize may have just asked for some time off to pursue his career as a singer.

As for the fantasies, the better of the two featured Lynda Day George as scientist Carla Frankenstein, who comes to the island because she wants to clear her ancestor’s reputation for being mad. Fortunately, the castle of Baron Frankenstein just happens to be on the Island! In the castle, Carla finds evidence that, rather than trying to bring the dead back to life, the Baron was instead working on ways to extend the average lifespan. She also discovers that the Baron’s monster (played by veteran character actor William Smith) is still living in the castle!

The Monster is a dignified old soul who has been mistreated every time that he’s left the Castle. Carla befriends him but again, the Monster is forced to confront the pettiness of the outside world when a corporate spy (Ken Swofford) tries to take both Carla and Julie hostage. After Carla and Julia are rescued, the Monster retreats to the Castle but Carla promises that she will not only return to see him but that she will also continue her ancestor’s research. In fact, her company is going to build a lab on the Island and presumably employ the one or two Islanders who aren’t already employed by Mr. Roarke.

This was a Halloween episode so a Frankenstein fantasy feels appropriate. William Smith played the role of the Monster with a wounded dignity that was actually quite touching. His lonely existence was quite sad and I was actually glad when Roarke suggested that he and Julie would, from now on, be joining the Monster for dinner.

As for the other fantasy, Joe Campbell (Stuart Whitman) is yet another city slicker who wants to be a cowboy. Joe thinks that Roarke is going to send him to the old west, as he has done for so many other people with the exact same fantasy. Instead, Roarke gets all technical and says that Joe’s specific fantasy was to be a cowboy and not to travel to the old west. Joe finds himself working as a hired hand on a modern-day ranch. Once Joe stops whining (and it takes a while), he falls in love with widow Margaret Blair (Diane Baker), becomes a surrogate father to Jimmy Blair (Jimmy Baio), and he chasess off an evil biker (Robert Tessier). In the end, Joe asks for permission to remain at the ranch and Fantasy Island. Roarke agrees, probably so Joe can potentially replace Julie if she ever asks for a raise like Tattoo did.

This fantasy felt a bit too familiar. It’s always weird how Roarke will arbitrarily decide to be strict with some guests while letting others do whatever they want.

Anyway, here’s hoping Tattoo returns next week!

Late Night Retro Television Review: CHiPs 2.7 “High Flyer”

Posted on June 24, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Freevee!

This week, it’s helicopter time!

Episode 2.7 “High Flyer”

(Dir by Gordon Hessler, originally aired on November 4th, 1978)

Ponch in the air?

Not if Ponch has anything to say about it! All of the members of the Highway Patrol are apparently required to spend one day on helicopter patrol but Ponch is scared of heights. First, he pretends to have a cold. Then, he pretends to have an earache, just to discover that the helicopter has been grounded due to bad weather. Finally, the day comes when Ponch has no more excuses and the weather is clear. Ponch goes up in the air but, fortunately, being in the helicopter allows Ponch to spot the van that’s being driven by a bunch of car thieves that he and Baker have spent the entire episode chasing. To give credit where credit is due, the scene where the helicopter chases a thief in a stolen car is genuinely well-shot and exciting to watch. Fortunately, the thief managed to drive some place where no one else was around so the helicopter could then fly way too close to the ground and do a whole bunch of ludicrously dangerous stunts. I’m kind of surprised no one died to be honest.

While Ponch dealt with his fear of flying, Baker dealt with Kim (Cynthia Bain), the teenage daughter of his neighbor, Carol (Mary Louise Weller). After having a fight with her mother, Kim decided to just move into Baker’s apartment. Realizing that Kim had a bit of a crush, Ponch and Baker recruited Sindy Cahill — the only female member of the Highway Patrol who has spent the entire season demanding to be taken seriously — to pretend to be Baker’s girlfriend. Heart-broken, Kim returned home. That was a really terrible ending for what, until that point, had actually been a well-acted look at teen angst and first crushes. Weller, Bain, and Larry Wilcox were all giving sensitive performances so it’s a bit unfortunate that it was all just a set-up for another “Let’s-Demean-Cahill” moment.

So, this episode was not so great when it came to the human drama but it was redeemed by the helicopter action. When in doubt, toss in a helicopter.

Retro Television Review: Miami Vice 2.17 “Florence Italy”

Posted on June 24, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989. The entire show can be purchased on Prime!

This week, the Grand Prix comes to Miami!

Episode 2.17 “Florence Italy”

(Dir by John Nicolella, originally aired on February 14th, 1986)

An impromptu street race with a white Porsche leads to Crockett and Tubbs discovering the body of a young prostitute who was known as Florence Italy (Marilyn Romero). Their chief suspect is the owner of the Porsche, a racecar driver named Danny Tepper (Danny Sullivan). However, while Tubbs is convinced that Danny is guilty, Crockett is a bit less convinced. It soon becomes apparent that the murderer is either Danny or his father Frank (Stephen Joyce), a veteran racer who is scheduled to compete against his son in the up-and-coming Miami Grand Prix.

This was a bit of a throw-away episode. It was shot during the actual Grand Prix and, as a result, the emphasis is less on the mystery and more on the cars and the racing and cheering people in the stands. The majority of the racers (including Danny and Frank) are played by actual racers. Indeed, if not for the brutal murder that starts things off and a sensitively-handled scene where Sonny tries to talk to a racing groupie who has been the victim of abuse, this episode could pass for a infomercial about everything that’s fun about Miami. As it is, the mystery doesn’t amount to much. There’s only two suspects and Tubbs is so convinced that Danny is guilty that it’s obvious that the twist is going to be that he isn’t. That only leaves Frank.

On the plus side, the direction was stylish and neon-filled and the tragic Charles Rocket was entertaining in a small role as a sleazy race sponsor. (I had to laugh when Crockett decided that the best way to solve the murder would be to go undercover of Sonny Burnett, racing sponsor.) This episode did a good job of making Miami look like the ultimate playground, where even the prostitutes get to wear cute outfits and where Crockett might let a drug dealer go if he’s willingly eat his marijuana while Crockett and Tubbs watch. Tubbs is full of righteous fury in this episode but Crockett just goes with the flow.

This was a fairly nonessential episode but …. hey, I like fast cars.

Lisa Marie’s Week In Television: 6/16/24 — 6/22/24

Posted on June 22, 2024 by Lisa Marie Bowman

I started out this week thinking that I was going to caught up with everything that I needed to watch and that I would be able to do a full set of Retro Television Reviews. Unfortunately, my Dad is currently having some health issues and, needless to say, most of my week ended up being consumed with that. Hopefully, next week will be better! Don’t worry — the site will be back to normal soon! The Power of Twonky compels us….

I ended up watching a lot of Degrassi which, as I’ve made clear, is my go-to comfort programming and I also watched perhaps a bit too much Dr. Phil. I watched both shows via Pluto TV and they largely served as background noise while I spent this week stressing out. The unfortunate thing about Dr. Phil on Pluto is that the episodes are somewhat randomly selected so it wasn’t uncommon for a “part one” to not be followed by “part two” or for “part two” to air without “part one.” I’m a completist so stuff like that drives me crazy.

I watched and reviewed episodes of CHiPs, Fantasy Island, Baywatch Nights, The Love Boat, and Monsters. I also watched an episode of Malibu, CA but it was so bad that I didn’t have the strength to review it. I’ll do so next week.

Finally, via Paramount Plus, I watched an old episode of the first Star Trek series on Wednesday. A creepy kid named Charlie came on the Enterprise and kept making people vanish. It was kind of easy to laugh at some of the acting of the crew members but Robert Walker, Jr. did a really good job as the bratty and neurotic Charlie.

Late Night Retro Television Review: Monsters 2.10 “The Mandrake Root”

Posted on June 19, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire series is streaming on YouTube.

This week, on Monsters, a root leads to temptation!

Episode 2.10 “The Mandrake Root”

(Dir by Brian Thomas Jones, originally aired on December 10th, 1989)

While cleaning out her recently deceased grandmother’s basement, Angela (Melba Moore) discovers a Mandrake root that is not only sprouting though the floor but which also appear to be “wearing” her grandmother’s ring. She grabs the ring but pricks her finger as she does so, allowing her blood to drip down onto the root.

The next day, the root has been replaced by a shirtless, handsome man (Byron Minns), who promises Angela a world of sensual pleasure on the condition that she provide the blood that he needs to live. At first, Angela resists but the Root is persistent and he certainly seems to care more about her than her inattentive (if well-meaning) husband (Frankie Faison).

This episode was full of atmosphere, it had an intriguing premise, and it featured good performances from Melba Moore and Frankie Faison. (It’s always interesting to see Faison playing someone other than a cop or a military officer.) Unfortunately, Byron Minns was fairly bland in the role of Angela’s tempter. He was handsome but he didn’t have the screen presence necessary to believable as a centuries-old tempter. As a result, this episode is good without quite being the classic that it could have been.

Retro Television Review: The Love Boat 4.18 “Aquaphobiac/Humpty Dumpty/The Starmaker”

Posted on June 19, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

This week …. it’s one of the best episodes of The Love Boat ever!

Episode 4.18 “Aquaphobiac/Humpty Dumpty/The Starmaker”

(Dir by Roger Duchowny, originally aired on February 7th, 1981)

David Hasselhoff boards The Love Boat, for the second time!

This time around, the Hoff is playing Brian Kiley. Brian and Julie went to college together. Brian was the star quarterback and, as he explains it, he and Julie were a pretty serious couple at the time. But, in the end, Brian ended up marrying Julie’s roommate and his own playing days came to a premature end when he broke his arm. Now, he’s on the Love Boat and he wants to not only get back together with Julie but he also wants to make a comeback in the NFL!

Julie is tempted. How couldn’t she be tempted by the Hoff? But watching Brian talk about his glory days on the football field, she realizes that he’s living in the past and, to an extent, so is she. Brian is, at first, upset by Julie’s feelings but then he realizes that she’s right. He makes peace with his years as a famous quarterback and he leaves the boat not as Julie’s lover but as her good friend….

MY GOD, JULIE — IT’S THE HOFF IN HIS GLORY DAYS! WHO CARES IF HE TALKS ABOUT FOOTBALL!? CHASE AFTER HIM!

The Pointer Sisters also board the ship, this time as employees of the cruise. Isaac want to impress a talent agent (Jeff Cooper) so he recruits the sisters to serve as his backing vocalists. After seeing them perform, the talent agent is impressed but only by the sisters. They get a recording contract while Isaac …. well, Isaac goes back to pouring drinks. POOR ISAAC! But give credit to Ted Lange, who brought a lot of sincere feeling to what could have been a throwaway storyline.

Finally, Glenn Dobson (Louis Nye) and his fiancée, Vanessa (Audra Lindley), board the boat so that they can get to know each other before the wedding. Glenn has severe aquaphobia and cannot bring himself to take off his inflatable life jacket. Vanessa tries to help him conquer his fear but nothing helps. Glenn fears all the other passengers are laughing at him. So, the crew and the passengers all put on their own life jackets to show Glenn that he has nothing to be ashamed of.

“Tonight,” Stubing announces, “we are truly a boat of love.”

Awwwwww! Seriously, who would have guessed that The Love Boat would make me cry? This was such a sweet story and both Louis Nye and Audra Lindley really seemed to be invested in their characters. When Glenn finally removed his life vest and took a few stumbling steps into the pool, I wanted to cheer.

What a great cruise this turned out to be!

Late Night Retro Television Review: Baywatch Nights 2.6 “The Cabin”

Posted on June 18, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Baywatch Nights, a detective show that ran in Syndication from 1995 to 1997. The entire show is currently streaming on YouTube!

This week, Baywatch Nights travels not to the beach but instead to a cabin in the woods!

Episode 2.6 “The Cabin”

(Dir by Reza Badiyi, originally aired on November 3rd, 1996)

The sixth episode of Baywatch Nights‘s second season opens with a young woman who is being terrified in a cabin in the woods. The woman is dressed for the 1990s but she’s being chased by an axe-wielding man named Horse Calhoun (Dennis Burkley), who is dressed for the 1890s. The woman manages to escape Horse and his axe and let’s get credit where credit is due. It’s a truly well-done sequence, featuring Dennis Burkley giving a ferocious and scary performance as Horse.

Diamont hires Mitch and Ryan to investigate the cabin, specifically because he thinks that the cabin is haunted and he wants to get the opinion of two skeptics. (Ryan believes in ghosts but thinks that they are rare. Mitch does not believe in ghosts but says they still scare him. I have to go with Mitch on this one.) Diamont specifically tells Mitch and Ryan not to enter the cabin until he is able to join them later. So, of course, as soon as they arrive, Mitch and Ryan go right into the cabin.

That turns out to be a mistake. While Ryan keeps herself busy putting away groceries, Mitch explores the cabin and soon discovers that they’re not alone. There’s a woman (Lisa Stahl) is a bathtub who encourages Mitch to “take off your clothes” and join her. There’s a decadent, cigar-chomping man (Danny Woodburn) who seems to be very amused with himself. And, of course, there’s Horse Calhoun, rampaging down hallways and throwing axes at Mitch’s head.

The cabin, it turns out, is home to a portal, one that leads back to a New York brothel in the 1890s. One hundred years ago, an insanely jealous Horse Calhoun killed everyone at the brothel. Can Mitch and Ryan return to their own time before Horse adds them to his list of victims?

This episode is an example of Baywatch Nights at its best. The plot is totally ludicrous and the low-budget forces the show to keep things simple (it’s a rather rustic brothel) but the idea behind the plot is properly creepy and Woodburn, Stahl, and especially Burkley all do a good job bringing their undead characters to life. (Heh heh….) Burkley makes Horse into a fierce madman, one who throws his axes with the authority of someone who no longer cares who might get in the way of the blade. Finally, this episode featured a lot of Hasselhoff/Harmon chemistry. Harmon was earnest and determined while Hasselhoff …. well, he was the Hoff. We’re lucky to have him.

The Cabin was Baywatch Nights as its best.

Retro Television Review: Fantasy Island 5.3 “Cyrano/The Magician”

Posted on June 18, 2024 by Lisa Marie Bowman

This week …. someone’s missing!

Episode 5.3 “Cyrano/The Magician”

(Dir by Dan Chaffey, originally aired on October 24th, 1981)

Hey, where’s Tattoo!?

Technically, Tattoo does appear in this episode but it’s only in the stock footage that appeared at the start of every episode. Tattoo rings the bell and announces, “Da plane …. da plane!” but that’s it. He does not meet Mr. Roarke outside of the bungalow. He is not present to greet the guests. He’s not present to say goodbye to the guests. Tattoo is nowhere to be seen and, somewhat disconcertingly, no mention is made of why he’s missing. Instead, Mr. Roarke and Julie handle the fantasies in this episode.

If I had to guess, I’d say that Herve Villechaize was having a salary dispute with the producers. It seems obvious that Julie was brought in as a way to tell Villechaize that he was replaceable. However, Tattoo’s absence is felt so strongly in this episode that it seems likely that all the producers did was prove Villechaize’s point about why he deserved more money. Wendy Schaal is a likable performer but she had close to no real chemistry with Ricardo Montalban and Julie was such a blandly-written character that there was no way she could replace the enigmatic and rather cynical Tattoo.

Sad to say, one of this episode’s fantasies feels as if it would have been perfect for Tattoo’s commentary. Marjorie Denton (Carol Lynley) is a bus driver who wants to go back to a time when men were at their most chivalrous. She finds herself back in 17th century France, a time when men were chivalrous but woman had absolutely no rights. At first, she is thrilled to be the subject of the attentions of both the handsome Gaston (Simon MacCorkindale) and the poetic Cyrano de Bergerac (John Saxon). She is less thrilled to catch the eye of the Marquis de Sade (Lloyd Bochner). It’s not a bad fantasy, though Cyrano and De Sade were not quite contemporaries. But it’s hard not to think about how Villechaize was always at his best when dealing with wounded romanticism. Since Cyrano himself turned out to be a guest having a fantasy, it’s hard not to regret that Tattoo was not around to encourage him.

As for the other fantasy, it’s one of those silly and kind of boring comedic fantasies that was obviously included for the kids. (“Mommy, who is the Marquis De Sade?”) Timothy Potter (Bart Braverman), no relation to Harry, is a bad magician who wants to be a great magician. Mr. Roarke gives him a collection of old spell books and an assistant named Suva (Judy Landers), whom Timothy proceeds to fall in love with. Unfortunately, Timothy doesn’t bother to study the books like Roarke told him to and he accidentally makes Suva disappear. In the end, though, Roarke assures Timothy that he just sent her to Cleveland, which just happens to be his hometown. There’s a chimpanzee in this fantasy and the chimp gives the most compelling performance. The only thing that could have saved this fantasy would have been some snarky Tattoo commentary.

Is it possible to have Fantasy Island without Tattoo? Based on this episode, the answer would be no. Let’s hope he returns next week.

Late Night Retro Television Review: CHiPs 2.6 “Trick or Treat”

Posted on June 17, 2024 by Lisa Marie Bowman

It’s a Halloween episode!

Episode 2.6 “Trick or Treat”

(Dir by Phil Bondelli, originally aired on October 21st, 1978)

It’s Halloween in Los Angeles! That means that people will be asking for treats and playing tricks and getting into all sorts of trouble. But, for the California Highway Patrol, it’s just another day and night of trying to keep everyone safe.

Ponch’s day gets off to a bad start when he and Baker chase a van onto a movie lot. The van’s driver, it turns out, was speeding because he was transporting thirteen black cats to a film set. When Ponch and Baker finally pull over the van, the cats get loose and all 13 of them march past Ponch. Later, at headquarters, Ponch is forced by a narrow hallway to walk under a ladder. *GASP* Ponch insists that he’s not superstitious but he also won’t stop talking about his encounter with the black cats.

Ponch is in for some bad luck and it shows up in the form of an 8 year-old named Tommy who squirts Ponch with perfume while Ponch is patrolling the neighborhood. Ponch tells Tommy that playing tricks like that could lead to him getting arrested and hauled off to jail. Tommy panics and runs away from home. Guess who gets the blame for that?

That’s not all that’s going on this Halloween night. (Since this episode aired in 1978, it’s also the night that He came home.) Eddie (Bobby Van) and his girlfriend, Susan (Elaine Joyce), are holding up convenience stores. (Susan distracts the cashiers by wearing a translucent ghost costume.) An older woman (Fran Ryan) is stealing bags of candy from young trick-or-treaters. Paula (Barbara Leigh) and Karen (Jenny Sherman) are stealing speed limit signs as part of a superfun scavenger hunt. And Sgt. Getraer is determined to figure out the identity of the Hobgoblin, a member of the highway patrol who reads macabre poetry over the police radio throughout the night.

Fear not, though …. everything works out in the end. Tommy is not only found hiding out in an abandoned house but Ponch is the one who finds and rescues him. Eddie and Susan get chased and arrested after trying to pull one robbery too many. (Their van crashes as a result of two teenagers throwing eggs on the windshield. Some tricks are good, apparently.) The old woman turns out to be a distraught suburbanite who lost her engagement ring and who thinks that she may have tossed it in some kid’s trick-or-treat bag. (Fortunately, the ring is found in her candy bowl and no one presses charges.) Paula and Karen lose the scavenger hunt but they win future dates with Ponch and Baker. And Getraer figures out that Artie Grossman is the Hobgoblin. In the end, everyone smiles and laugh and that’s the important thing.

For a Halloween episode, Trick or Treat was rather low-key but that’s okay. I liked the day-in-the-life approach that the episode took and it was fun to see that even the members of the fearsome highway patrol were capable of enjoying the holiday. We should have as good a Halloween as Ponch and Baker.