AMVs of the Day: SugardanSen & Attack of the Otaku


Today, I couldn’t make up my mind which amv to pick for the latest “AMV of the Day” so being the co-founder of the site I decided to use my God-like powers and picked the two which caught my eye. I mean if I couldn’t abuse my God-like powers over the site then why have them…right? So, instead of one AMV we have two and they’re from the same creator and definitely have the same vibe and feel to them. I guarantee that like these AMV’s or not you’re feet will tap to the beat or maybe your head begin to bob to it.

The first AMV is titled “SugardanSen” and takes the “Caramelldansen” meme to a new level through creator Chiikaboom’s editing of scenes from 50 different anime to create one of the most catchy and sugary AMVs I’ve ever had the pleasure to watch and listen to. The part of the video that comes on at the 1:03 mark always brings about a huge grin to my face. It’s really not needed for me to describe this video other than those prone to seizures due to extreme flashes of light and rapid image editing should avoid it.

The same goes for the second AMV which also shares the same happy and pop sugary tempo and tone. It only includes scenes from three anime series but what it lacks in numbers it more than makes up for less seizure inducing video (though not by much). This video uses the “The Game Of Love (E=MC2 Mix)” by Jenny Rom (yeah, never heard of her either but she sings a catchy tune) and Chiikaboom has done a better job of editing the scenes to match the lyrics.

Both AMVs must been seen one right after the other. I always end up watching both whenever I feel down and on the way to depress mode. It’s hard to not feel better (at least by a bit) once I’ve these AMVs.

Attack of the Otaku

Anime: The Melancholy of Haruhi Suzumiya, Lucky*Star, Ouran High School Host Club

Song: The Game Of Love (E=MC2 Mix) by Jenny Rom

Creator: Chiikaboom

SugardanSen

Anime: 50+ too many to list..click link for the list

Song: “Caramelldansen (Speedycake Remix) by Caramell

Creator: Chiikaboom

AMV of the Day: Fairy Tail Teenage Dream


Well, for the latest AMV of the Day I have picked one which includes one of my favorite anime of late (also a favorite manga) and a song that I didn’t care for to be honest. But when combined together they make for an awesome anime music video. I’m talking about the mashup that is “Fairy Tail Teenage Dream”.

Fairy Tail is one of those anime that one just ends up loving whether they want to or not. It shares similar character designs as the long-running and uber-popular anime series, One Piece, and they even share similar-sounding storylines. The song “Teenage Dreams”  by Katy Perry I’ve always caught on the radion or used in some ad campaign, but it’s always been too sugary pop for my taste. It’s very catchy to listen to and I can understand why it’s become so popular. It only took pairing that song to this anime and how the creator of said AMV edited the whole video for me to actually like the song.

Will I listen to “Teenage Dream” when not in this AMV form? Most likely not, but at least I’ve come to appreciate said song and not completely dismissed it. Another reason why when AMV’s are done well they open up the viewer to a whole new realm of music possibilities not to mention anime ones.

Anime: Fairy Tail

Song: “Teenage Dream” by Katy Perry

Creator: Getsusekai Studios

Song of the Day: Don’t Let Me Be Misunderstood (performed by Santa Esmeralda)


Okay, two quick confessions.  First off, I really wanted to write this post in Spanish because it’s Cinco De Mayo but unfortunately, other than a few phrases I picked up from my mom, I don’t speak Spanish.  Secondly, I’ve done some research and I’ve discovered that the band featured here (Santa Esmeralda) is actually a French group.  So, despite the fact that Santa Esmeralda’s cover of Don’t Let Me Misunderstood is obviously influenced by Latin music, it’s still not exactly ideal for Cinco De Mayo.

But you know what?  When I first heard this song on the soundtrack for Kill Bill Volume One, I immediately fell in love with it and I forced my mom to listen to all 10 minutes of it and she loved it too.  And unlike me, my mom grew up speaking Spanish and actually had a very pretty singing voice.  She was also very proud of her heritage.  So, if this song was good enough for her, it’s good enough for me.

I have to admit, as well, that when I first heard Santa Esmeralda’s version, I assumed that the cover had been recorded specifically for the Kill Bill soundtrack.  Well, turns out I was not only wrong, I was way wrong.  This cover version was actually recorded way back in 1977.

I also thought, before I started writing this post, that the song was originally performed by the Animals.  Wrong again.  The song was first written in 1964 by Bennie Benjamin, Gloria Caldwell, and Sol Marcus and it was originally performed by Nina Simone.  Then, in 1965, the Animals did their famous cover.  The Animals’ version of the song is the one that got stuck in my head when I was dating this guy who worked at Mervyn’s because, oh my God, it was playing all the freaking time in that store!

But the Santa Esmeralda version is my favorite and it is today’s song of the day.

Song of the Day: O-Daiko (by Kodo)


The latest “Song of the Day” was inspired by having witnessed on April 23, 2011 at the Hynes Convention Center during Anime Boston 2011 a performance by the Odaiko New England (ONE). This traditional taiko drum group performed both traditional taiko set numbers and more modern compositions. To say that the experience was quite primal would be an understatement. Since then I’ve searched and listened to many other taiko drum groups and I’ve come to realize that the band Kodo really shows the Japanese art of taiko drumming at its best. I chose their song “O-Daiko” as the latest song of the day.

“O-Daiko” by Kodo is traditional taiko drumming at its finest. It begins quite subtly and gradually builds up to the booming, heart-pumping bass beats that could only come from taiko drummers playing their instruments in perfect tempo. It’s difficult to listen to any taiko music and not have oneself brought back to a simpler time. Taiko drum music has been a mainstay with Shinto shrine rituals, but they’ve also been instrumental in warfare during the warring period of Feudal Japan. The drum beats would be used to signal coded information to allies and friendly forces. They could also be used to demoralize opposing enemy forces.

So, if you ever learn that a taiko drum group is going to be performing in your area I highly recommend that you attend said performance. It’s an experience everyone should have at least once in their life.

AMV of the Day: Repeat (Puella Magi Madoka Magica)


The latest AMV of the Day continues my current obsession over a great mahou shoujo (magical girl) by the name of Puella Magi Madoka Magica. This amv is called “Repeat”.

“Repeat” uses the song “Sleep Now” by Hugh Hall and it’s atmospheric sound goes hand in hand with the dark, almost gothic sensibilities, of Puella Magi Madoka Magica. I’m none too familiar with Hugh Hall’s music, but the song that creator Chiikaboom used to highlight the dark nature of this anime series really makes this amv seem like a well-made trailer for the series. In fact, if I didn’t know that this video was an anime music video I would’ve thought it was a professionally done teaser trailer for the anime series.

This amv once again shows just how engaging an anime series Puella Magi Madoka Magica really is. Yes, the animation and character designs are quite cute, but that lighthearted aspect of the show doesn’t last very long. This video shows just how mature, dramatic and tragic this series ends up becoming.

Song: “Sleep Now” by Hugh Hall

Anime: Puella Magi Madoka Magica

Creator: Chiikaboom

Song of the Day: Still Alive from Portal (by Jonathan Coulton and Ellen McClain)


The latest “song of the day” comes in just in time to show that my major bout with the cold/flu last week and this weekend hasn’t taken me out. It’s also a proper choice with the release of Portal 2, Valve’s sequel to their very popular puzzle-shooter Portal. What better way to send me off to Anime Boston this weekend but with the very geeky and otaku anthem of “Still Alive”.

“Still Alive” is the end credits song which plays once the player has completed Portal. The voice who sings the song (written by songwriter Jonathan Coulton) is one Ellen McClain and she is suppose to be the AI-computer GLaDOS lamenting the player’s success and escape. The song became as big of a hit with gamers as the game it was part of. Pretty much a whole cottage industry of all things geek-culture sprung up around this song. Shirts were made, youtube videos of varying quality using the song were uploaded and comic book, gaming and anime convention goers worldwide adopted the song as their unofficial anthem.

The song is pretty cute and catchy. The way the lyrics were sung with such sweetness by singer Ellen McClain makes it such a happy ditty. But when stepping back from singing along one really has to look at the lyrics and see how dark and twisted “Still Alive” truly was and still is. And on that note, catch you allafter Anime Boston.

Still Alive

This was a triumph
I’m making a note here
HUGE SUCCESS
It’s hard to overstate my satisfaction
Aperture Science

we do what we must because we can
for the good of all of us except for the ones who are dead
but there’s no sense crying over every mistake
you just keep on trying until you run out of cake
and the science gets done and you make a neat gun
for the people who are still alive

I’m not even angry
I’m being so sincere right now
even though you broke my heart and killed me
and torn into pieces
and threw every piece into a fire
as they burned it hurt because I was so happy for you!
Now these points of data make a wonderful line
and we’re out of beta, we’re releasing on time
so I’m glad I got burned
Think of all the things we learned for the people that are still alive

go ahead and leave me
I think I prefer to stay inside
maybe you’ll find someone else to help you
maybe black mesa
that was a joke, haha, fat chance
anyway this cake is great, it’s so delicious and moist
look at me still talking, when there’s science to do
when I look out there it makes me glad I’m not you
I’ve experiments to run, there is research to be done
on the people who are still alive

and believe me I am still alive
I’m doing science and I’m still alive
I feel FANTASTIC and I’m still alive
While you are dying I’ll be still alive
and when you’re dead I’ll be still alive
STILL ALIVE, still alive…


Songs of the Day: The Devil Is In The Details/Beats from Hanna (by The Chemical Brothers)


To cap off the day I decided to take a lead from my favorite spring and summer past-time (baseball) and give everyone a double-header. The latest song of the day is actually two of them. While they’re really a single melody they’re done in two diverging ways that fit in with Joe Wright’s modern fairy tale action film, Hanna.

Once again these songs are from The Chemical Brothers who everyone by now have heard composed the score for Hanna. They did such a magnificent job scoring this film that I wouldn’t be surprised if they’re asked to do more of it in the future. I will admit that I actually like they’re work on Hanna than what Daft Punk did for Tron: Legacy. The songs I picked are called “The Devil Is In The Details” and “The Devil Is In The Beats” respectively.

The first song is a charming little melody that sounds like it’s being played on a calliope. It really underscores the fairy tale aspect of the film and Hanna’s own Grimm’s fairy tale like journey from the frozen wilderness of Finland to the rundown carnival (looking like something out of Bizarro World Grimm’s fairy tale) to end the film. This melody also becomes a sort of leitmotif for whenever Hanna became endangered from the assassins hired by her nemesis, Marissa Veigler, to chase her down. The leader of this group will begin to whistle this tune when they’ve caught onto Hanna’s trail.

The second song is a more aggressive version of this fairy tale melody done in the only way The Chemical Brothers know how. “The Devil Is In The Beats” is twists, distorts, remixes and adds a funky bassline to the original “The Devil Is In The Details” but without losing the original calliope tone. This version I liken to a fairy tale story seen through the eyes of someone tripping out on acid or LSD.

Both songs fit in well in the scenes they complement and just shows how well both filmmaker Joe Wright and The Chemical Brothers were on the same wavelength when it came to telling the story of Hanna.

Song of the Day: Container Park from Hanna (The Chemical Brothers)


Tonight I saw what would probably end up as one of the top films of 2011. I am talking about Joe Wright’s modern fairy tale, Hanna, and starring one of the industry’s finest young actress in Saoirse Ronan in the title role. The latest “song of the day” comes directly from this film which was fully scored by British electronica duo, The Chemical Brothers.

“Container Park” arrives close to the end of the second act of the film and perfectly accompanies one of the film’s best action sequences. The Chemical Brother’s give this song a very heavy and deep bassline which set’s the rhythm for the whole sequence. They begin the song very subtly with just a hint of dissonance creeping into the dark fairy tale-like melody. I just loved how they were able to combine not just the fairy tale aspect of the film, but also add in that sense of danger with subtle use of distortion and dissonance to unbalance the original melody.

This song went perfectly well with the action sequence it complemented and it was halfway through the song that I realized (like all of the music in this film) that the bassline was setting up the rhythm of the action itself. I saw this clip at WonderCon 2011 and the song was the same and as I look back to that clip to seeing the clip as part of the whole film I was impressed how The Chemical Brothers’ score for this film was very instrumental in setting up each scene and not just becoming background music.

“Container Park” is just one of several great songs from the Hanna soundtrack by The Chemical Brothers. First there’s the wonderful, cover-filled soundtrack for Sucker Punch and now this full-on electronica score for Hanna. It’s been a very good year, so far, for soundtracks and I do believe we’ve got more excellent examples coming down the pipeline.

Above is the original song used in the film while below is a remix done by the duo and found on the film’s website. The latter has been extended, but I really don’t see too much of a difference between the two other than their running times.

AMV of the Day: Black Lagoon…To Be Loved


I was going through my notes of my Saturday over at this year’s WonderCon when I got a tad bored and began to look at some AMV’s on YouTube. I realized as I was watching these AMVs that I hadn’t seen using Black Lagoon as the foundation. Well, I sure solved that. The latest AMV of the Day is “…To Be Loved” and it’s definitely Black Lagoon-centric.

I’ll start off by saying that Papa Roach is not a bad I particularly enjoy listening to. Well, I really don’t like most of the bands which came up during the so-called nu-metal craze of the late 90’s and early 2000’s. I will admit that the song “To Be Loved” by Papa Roach was a good pick to highlight just how action-packed the anime series Black Lagoon truly is. This series has one of the most kickass female characters in anime/manga with Revy.

Revy is the hard-drinking, chain-smoking and all-around badass fighter and gunslinger for the mercenary group she belongs to. There’s a reason why a majority of the scenes in the AMV has her pretty much eother punching, kicking or shooting someone or someones. She’s always getting her and her team in trouble with her attitude but she’ll always be the first to solve said problem. Usually through the use of an inordinate amount of violence. There’s a reason why so many anime/manga fans love her and it’s not just because her usual attire is a very short tanktop and very short cutoff jean shorts.

So, while I don’t like the band used for the video I do at least like the choice of song. Long live Revy!

Creator: Fleon

Song: “To Be Loved” by Papa Roach

Anime: Black Lagoon

 

Song of the Day: You Know My Name from Casino Royale (by Chris Cornell)


So, I’m at home flipping channels when I saw that Casino Royale was about to start on one channel I kept going back to. Inspiration hit like a JSOW from high above and I decided to pick this Bond reboot’s title theme as the latest “Song of the Day”.

“You Know My Name” is the latest song of the day and one played and sung by one of my favorite rock vocalists ever in Chris Cornell. Anyone who has even listened to 90’s hard rock and alternative rock has to know who Chris Cornell is. He’s the longtime frontman for the alternative rock band Suoundgarden and then later on for the supergroup Audioslave. With “You Know My Name” he has joined a very exclusive club of Bond film intro singers. Not to mention an even more rarefied group of male singers who have sung the intro songs to Bond films. I could only remember and name three who have and they were Tom Jones doing the one for Thunderball, Paul McCartney for Live And Let Die and the Euro band Duran Duran for A View To A Kill.

Cornell sings the hell out of this song and I like the fact that the song’s title doesn’t match the film’s. “You Know My Name” sounds better than “Casino Royale” and the lyrics, as written by Chris Cornell (w/ some minor help from film composer David Arnold), really matches the grittier and more aggressive personality of the film and it’s main character of James Bond. I will say that this song is definitely better than most of the Pierce Brosnan Bond film intro songs which ranged from the great one sung by Shirley Manson and her band Garbage for the forgetful The World Is Not Enough right up to the very awful one by Madonna for Die Another Day.

The official music video created for the song also does a great job of paralleling the job of James Bond as a spy and Cornell as a rock star as being similar in some ways. Just one listen to this song and it’ll be stuck in one’s head for the rest of the day.

You Know My Name

If you take a life do you know what you’ll give?
Odds are, you won’t like what it is
When the storm arrives, would you be seen with me?
By the merciless eyes of deceit?

I’ve seen angels fall from blinding heights
But you yourself are nothing so divine
Just next in line

Arm yourself because no-one else here will save you
The odds will betray you
And I will replace you
You can’t deny the prize it may never fulfill you
It longs to kill you
Are you willing to die?

The coldest blood runs through my veins
You know my name

If you come inside things will not be the same
When you return to the night
And if you think you’ve won
You never saw me change
The game that we all been playing

I’ve seen diamonds cut through harder men
Than you yourself
But if you must pretend
You may meet your end

Arm yourself because no-one else here will save you
The odds will betray you
And I will replace you
You can’t deny the prize it may never fulfill you
It longs to kill you
Are you willing to die?

The coldest blood runs through my veins

Try to hide your hand
Forget how to feel
Forget how to feel

Life is gone with just a spin of the wheel
Spin of the wheel

Arm yourself because no-one else here will save you
The odds will betray you
And I will replace you
You can’t deny the prize it may never fulfill you
It longs to kill you
Are you willing to die?

The coldest blood runs through my veins
You know my name
You know my name
You know my name
You know my name
You know my name
You know my name
You know my name
…