In Praise of Easy Rider’s Captain America


1969 was a watershed year for both America and the movies.  While the war in Viet Nam dragged on and turmoil raged at home, movie audiences watched as two generations of Fondas appeared in movies about the American dream.  In Sergio Leone’s Once Upon A Time In The West, Henry Fonda played Frank, a gunslinger so ruthless that he shoots a child during his first scene.  In They Shoot Horses, Don’t They?, daughter Jane Fonda played a woman struggling to survive the Great Depression.  And, in Easy Rider, Peter Fonda played Captain America.

Peter FondaThe Captain America of Easy Rider should not be mistaken for the super soldier played by Chris Evans.  Instead, this Captain America is actually Wyatt Williams, a motorcycle rider who is planning on going to Mardi Gras with his friend Billy (Dennis Hopper, who also directed).  Wyatt is nicknamed Captain America because he wears a leather jacket with an American flag on the back.  It is an appropriate nickname because Wyatt represents everything that is good about America.

When we first meet Captain America, he and Billy are engaged in a business transaction, bringing to mind the old saying that the business of America is business.  They are selling cocaine to none other than Phil Spector.  Taking Spector’s money, Wyatt stuffs it into a plastic tube that he keeps hidden in his motorcycle’s fuel tank.  It is no coincidence that the fuel tank is decorated with the stars and bars.

Peter-Fonda-and-Dennis-Hopper-in-Easy-RiderHaving made their money, Wyatt and Billy ride across the country to celebrate.  At the start of their journey, Wyatt takes off his watch and leaves it on the ground, declaring that time has no meaning to a man who has freedom.  If you replaced their motorcycles with horses, there would be little to distinguish Wyatt and Billy from the American outlaws who might show up in an old Henry Fonda western.

On their way to New Orleans, Wyatt and Billy interact with many different people.  If the always paranoid and nervous Billy represents America’s worst impulses, Wyatt represents the best.  When Wyatt and Billy eat dinner with a rancher and his family, Wyatt alone appreciates what the rancher has accomplished and says, “You’ve got a nice place. It’s not every man that can live off the land, you know. You do your own thing in your own time. You should be proud.”  When they later stop off at a ramshackle hippie commune, Wyatt is the one who says, in the best tradition of American optimism, that “They’ll make it.”

EasyRider2When they stop to pick up a hitchhiker and then later when alcoholic lawyer George Hanson (Jack Nicholson) joins them on their trip, it’s always Wyatt who volunteers to share his bike.  (Billy always rides alone.)  Whenever they stop for the night, it is always the generous Wyatt who offers to share his grass with whomever is traveling with them.  When George smokes for the first time, Wyatt is the one who teaches him.  It is the stoned George who tells Wyatt and Billy that they represent freedom.

It is only after George is beaten to death by a group of rednecks that Wyatt loses his optimistic outlook and his generous spirit.  George’s death opens Wyatt’s eyes in much the same way that the turmoil of the 1960s did for the rest of America.  After George’s murder, Wyatt loses his faith in himself.  When he and Billy reach New Orleans, Mardi Gras is a letdown.  When he takes the acid that was given to him by the hitchhiker, Captain America’s journey becomes a bad trip both figuratively and literally.

0603-peter-fonda-and-easy-riderjpg-b0f5351afb0a53df_mediumWhile Billy insists that they had a great time in New Orleans (in much the same way that some insist that America is just as strong a nation as it has ever been), Wyatt knows the truth.  “We blew it,” Wyatt says, speaking for the entire nation.

Despite his mistakes and despite having blown it, Wyatt, much like America itself, remains good at heart.  When Captain America dies at the end of the film, it is because he is trying to protect his friend Billy.  In the best American tradition, he sacrifices himself to protect another.

This Independence Day, let us all take a few moment to appreciate Wyatt Williams, the man known as Captain America.

Wyatt Williams (aka Captain America) RIP

Wyatt Williams (aka Captain America) RIP

 

Extender Trailer: Sharknado 3: Oh Hell No!


Now, I asked that question on July 1st and you know what?  Obama has yet to give me an answer, which I guess means that I now know how I’ll be voting in 2016.  Maybe our President will reconsider his position after watching the latest trailer for Sharknado 3: Oh Hell No!

Trailer: London Has Fallen


London Has Fallen, the sequel to Olympus Has Fallen, will not be opening until 2016.  But, until then, we can enjoy this trailer!  It’s fun and exciting in the way that action film trailers often are, promising us a world of thrills that the actual film will probably not deliver.

But until the disillusionment sets in, enjoy this trailer for London Has Fallen!

Trailer: Steve Jobs


To be honest, I’m really only interesting in seeing Steve Jobs because it stars Michael Fassbender and it was directed by Danny Boyle.  I do, however, think it will be interesting to see Seth Rogen in a dramatic role and I’m also curious to see if Kate Winslet can overcome the fact that screenwriter Aaron Sorkin is incapable of writing strong female characters.

(And for those of you about to go, “What about C.J. on The West Wing!?,” don’t.  Just don’t.  First off, everyone always cites C.J. as a strong female character in a Sorkin-penned melodrama and it’s gotten just a little bit boring.  Secondly, I never watched The West Wing because I had and continue to have a life.)

Here’s the latest trailer for the very Oscar baitish Steve Jobs.

 

Beyond Redemption: 1947’s BORN TO KILL


gary loggins's avatarcracked rear viewer

born to kill

The darker side of man (and woman) is on full display in 1947’s BORN TO KILL. Sex, violence, greed, blackmail, lust, and murder abound in this mean little film. It’s loaded with crackling hard boiled dialogue (example: “You’re the coldest iceberg of a woman I ever saw, with the rottenest insides”) by screenwriters Eve Green and Richard Macauley. BORN TO KILL shows the RKO film noir style at it’s moodiest peak. It’s hard to believe the director is the same man who helmed the sticky sweet Oscar winning THE SOUND OF MUSIC!

Robert Wise got his start in RKO’s sound editing room, graduating to film editor in 1939. He was nominated for Best Editing for Orson Welles’ classic CITIZEN KANE and was soon promoted to the director’s chair, working with producer Val Lewton on psychological horror gems like CURSE OF THE CAT PEOPLE and THE BODY SNATCHER (with the great terror tandem of Karloff and Lugosi). His resume…

View original post 1,046 more words

4 Shots From 4 Films: Madam Satan, Safe In Hell, Rasputin and the Empress, and Search For Beauty


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films.  As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

All of the scenes below come from films that were made and released between the introduction of sound in the late 1920s and the adoption of the infamous Hays Production Code in 1934.  This was truly an exciting time for film as an art form.  Not only were filmmakers intoxicated with discovering what they could accomplish through the medium but they were also unhindered by censorship or regulation.  The end result was some of the most visually imaginative and narratively daring films to ever be released by the major American studios.

There’s a reason why film lovers continue to eagerly seek out pre-code films.  And if you want to experience what made the pre-Code era so memorable, you could not do any worse than to start with the four films featured in this post.

Madam Satan (1930, dir by Cecil B. DeMille)

Madam Satan (1930, dir by Cecil B. DeMille)

Safe in Hell (1931)

Safe in Hell (1931, dir by William Wellman)

Rasputin and the Empress (1932, dir by Richard Boleslawski)

Rasputin and the Empress (1932, dir by Richard Boleslawski)

Search For Beauty (1934, dir by Erle C. Kenton)

Search For Beauty (1934, dir by Erle C. Kenton)

Coogler, Jordan, and Stallone return with Creed!


The first trailer for Creed was released earlier today!  Now, I have to admit that I’m not a huge fan of boxing.  Nor did I exactly love Rocky when I watched it on TCM.   (That said, I’ve always secretly felt that I was a bit too glibly dismissive of it in my review.)

But you know what film I did really admire?  Fruitvale Station.  Ryan Coogler’s directorial debut was a powerful and disturbing look at race relations in America.  It had its flaws but overall, Coogler crafted one of the best films of the decade.  Equally impressive was the film’s star, Michael B. Jordan.

So for me, my interesting has been piqued because Creed is another chapter in the careers of both Ryan Coogler and Michael B. Jordan and I can not wait to see where they go.

However, I think a lot more people will want to see the film because it is another chapter in the story of Sylvester Stallone’s Rocky.  So, before seeing Creed, be sure to check out our own Jedadiah Leland’s look back at the history of the Rocky franchise!

And watch the trailer for Creed below!

Double Your Pleasure With Two Tom Hardys in Legend!


Will Tom Hardy finally get his Oscar nomination this year?  Well, he has already starred in one of the best films of the year, Mad Max: Fury Road, though I would argue that Charlize Theron is the one who deserves to be nominated for that film.

However, Hardy may have a chance of scoring a nomination for his performance in the fact-based gangster film, Legend!  Not only is Hardy playing a real-life killer (which always seems to be a good way to get nominated, just ask Steve Carell) but he’s also playing twins!

That’s double the Tom Hardy!

Legend will be released in October.