Here are the 2015 Independent Spirit Nominations! That’s right — Oscar season is officially here! Soon, we will reach the point where every day, another group will be announcing their picks for the best of 2015 and the Oscar race will start to become a lot less cloudy. Until then, we can look at the Independent Spirit Nominations and try to figure out what they all mean in the big scheme of things.
The two big indie best picture contenders — Carol and Spotlight — were nominated for multiple awards. That’s to be expected. If any film is going to benefit from the Spirit nominations, it will probably be Anomalisa, which is starting to look more and more like it might be a dark horse to score a best picture nominations. As well, the Spirit nominations may serve to remind Academy members that Beasts of No Nation is one of the best films of the year.
Anyway, without further ado, here are the Spirit nominations!
Best Feature
Anomalisa
Beasts of No Nation
Carol
Spotlight
Tangerine
Best Director
Sean Baker, Tangerine
Cary Joji Fukunaga, Beasts of No Nation
Todd Haynes, Carol
Charlie Kaufman & Duke Johnson, Anomalisa
Tom McCarthy, Spotlight
David Robert Mitchell, It Follows
Best Screenplay
Charlie Kaufman, Anomalisa
Donald Margulies, The End of the Tour
Phyllis Nagy, Carol
Tom McCarthy & Josh Singer, Spotlight
S. Craig Zahler, Bone Tomahawk
Best First Feature
The Diary of a Teenage Girl
James White
Manos Sucias
Mediterranea
Songs My Brothers Taught Me
Best First Screenplay
Jesse Andrews, Me and Earl and the Dying Girl
Jonas Carpignano, Mediterranea
Emma Donoghue, Room
Marielle Heller, The Diary of a Teenage Girl
John Magary, Russell Harbaugh, Myna Joseph, The Mend
Best Male Lead
Christopher Abbott, James White
Abraham Attah, Beasts of No Nation
Ben Mendelsohn, Mississippi Grind
Jason Segel, The End of the Tour
Koudous Seihon, Mediterranea
Best Female Lead
Cate Blanchett, Carol
Brie Larson, Room
Rooney Mara, Carol
Bel Powley, The Diary of A Teenage Girl
Kitana Kiki Rodriguez, Tangerine
Best Supporting Male
Kevin Corrigan, Results
Paul Dano, Love & Mercy
Idris Elba, Beasts of No Nation
Richard Jenkins, Bone Tomahawk
Michael Shannon, 99 Homes
Best Supporting Female
Robin Bartlett, H.
Marin Ireland, Glass Chin
Jennifer Jason Leigh, Anomalisa
Cynthia Nixon, James White
Mya Taylor, Tangerine
Best Documentary
(T)error
Best of Enemies
Heart of a Dog
The Look of Silence
Meru
The Russian Woodpecker
Best International Film
A Pigeon Sat on a Branch Reflecting on Existence
Embrace of the Serpent
Girlhood
Mustang
Son of Saul
Best Cinematography
Beasts of No Nation
Carol
It Follows
Meadlowland
Songs My Brothers Taught Me
Best Editing
Heaven Knows What
It Follows
Manos Sucias
John Cassavetes Award (Best Feature Under $500,000)
Advantageous
Christmas, Again
Heaven Knows What
Krisha
Out of My Hand
Robert Altman Award (Best Ensemble)
Kiehl’s Someone to Watch Award
Chloe Zhao
Felix Thompson
Robert Machoian & Rodrigo Ojeda-Beck
Piaget Producers Award
Darren Dean
Mel Eslyn
Rebecca Green and Laura D. Smith















At the start of The Sheepman, reformed gambler and gunslinger Jason Sweet (Glenn Ford) shows up in the middle of cattle country. He has won a herd of sheep in a poker game and he is planning on grazing them on the nearby public land. Knowing that he will face opposition from the local cattle ranchers, Jason asks the local towns people to direct him to the town bully. After Jason beats up Jumbo (Mickey Shaughnessy), Jason is invited to meet Jumbo’s boss, Col. Stephen Bedford (Leslie Nielsen).
Long before South Park, The Simpsons, and Pixar, there was Ralph Bakshi. At a time when animation was considered to only be good for children, Bakshi shocked audiences and critics with animated films that dealt with mature themes and were definitely meant for adults. His first two films, Fritz the Cat (1972) and Heavy Traffic (1973), was the also the first two animated films to receive an X-rating. Bakshi satirized racism in the controversial Coonskin (1975) and Bakshi’s adaptation of The Lord Of Rings (1978) beat Peter Jackson’s by 23 years. It was after the critical and commercial disappointment of the heavily flawed but interesting Lord of the Rings that Bakshi decided it was time to make a film that would be more personal to him. The end result was American Pop.






























