I finally got a chance to watch Zootopia last night and oh my God, what a sweet and wonderful little film it turned out to be!
Zootopia is an animated film from Disney and it started out with a premise that sounds very Disney-like. Zootopia takes place in a world where there are no humans. Instead, animals walk and talk and scheme and plan and joke and dance and … well, basically, do everything that humans do. Except they’re a lot cuter when they do it because they’re talking animals.
Judy Hopps (voiced by Gennifer Goodwin) is a rabbit who happens to be an incurable optimist. (We should all try to be more like Judy.) Even when she was growing up on the farm, Judy knew that she would someday move to the sprawling metropolis of Zootopia and become the first rabbit on the city’s police force. When she finally does graduate from the police academy, Judy gets a lot of attention as a trailblazer. But she quickly discovers that she’s only been hired to be a token, a political tool to help the city’s mayor, a blowhard of a lion named Lionheart (J.K. Simmons, voice the role that he was born to voice), win reelection.
See, Zootopia may look like a wonderful place to live but, as quickly becomes apparent, it’s a city in which the peace is very tenous. Animals that are traditionally prey — like Judy and her fellow rabbits — may live with the predators but they certainly don’t trust them. And the predators may not eat the prey but they certainly don’t respect them. Underneath the cute face of every talking animal, there lies prejudice and resentment. Lionheart is a predator who needs the votes of prey to remain in office. What better way to win their trust then to make Judy Hopps a police officer?
Judy may be a member of the police force but that doesn’t mean that she’s going to be allowed to actually do anything. While every other member of the force gets an exciting assignment, Judy is assigned to traffic duty.
However, an otter has recently vanished. He’s just the latest of 14 predators to vanish in the city. With the help of seemingly sympathetic deputy mayor, Judy gets herself assigned to the case. But there’s a catch. She has 48 hours to find the otter. If she doesn’t find that otter, she’ll resign from the force and go back to the farm.
Luckily, Judy is not working alone. She knows that the last animal known to have seen the otter is a fox named Nick Wilde (Jason Bateman). Nick’s a bit of a con artist and, as a predator, he wants nothing to do with Judy and she doesn’t quite trust him. But, events — which I’m not going to spoil here — force them to work together and uncover the darkest secrets of life in Zootopia…
If Zootopia sounds cute, that’s because it is. It’s perhaps one of the most adorable films that I’ve ever seen, full of wonderful animation and memorable characters. But, at the same time, there’s a very serious theme running through Zootopia. Zootopia is about more than just talking animals. It’s a film about prejudice, racism, sexism, and intolerance. It’s a film that invites us to not only laugh but also to reconsider the world around us.
Zootopia is currently on Netflix and, if you haven’t seen it yet, I highly recommend it. It’s great for children and adults.

In rural Colorado, the three wives and all the children of Orville Beecham (Charlie Dierkop) have been murdered. Veteran journalist Garret Smith (Charles Bronson) discovers that Orville is the son of an excommunicated Mormon fundamentalist named Willis Beecham (Jeff Corey). Willis, who lives on a heavily armed compound, practices polygamy and wants nothing to do with the outside world. However, Willis’s brother, Zenas (John Ireland), long ago split with Willis and set up a compound of his own. At first, Garret suspects that Orville’s family was killed by Zenas. As Zenas and Willis go to war, Garret discovers that there’s actually a bigger conspiracy at work, one dealing with corporate greed and water rights. (Forget it, Bronson, it’s Chinatown.)
In the 1950s, at the height of the McCarthy era, no one is more feared than Boyd Bendix (Daniel J. Travanti), an acerbic, right-wing gossip columnist. Anyone who crosses Bendix the wrong way runs the risk of being accused of everything from sexual deviancy to communism. Bendix’s latest victim is prominent journalist named Dennis Corcoran (Gordon Pinset). Unlike everyone else who has been bullied by Bendix, Corcoran refuses to quietly submit. Working with a gruff but brilliant attorney, Robert Sloane (Ed Asner), Corcoran takes Bendix to court.

Like any newly inaugurated President, Manfred Link (Bob Newhart) faces many new challenges. The biggest challenge, though, is keeping control of his family and his White House staff. His wife (Madeline Kahn) is an alcoholic. His 28 year-old daughter (Gilda Radner) is so desperate to finally lose her virginity that she is constantly trying to sneak out of the White House. General Dumpson (Rip Torn) wants to start a war. Press Secretary Bunthorne (Richard Benjamin), Ambassador Spender (Harvey Korman), and Presidential Assistant Feebleman (Fred Willard) struggle and often fail to convince everyone that all is well.
Fay Forrest (Joanne Whalley) and her boyfriend, Vince Miller (Michael Madsen), make their living stealing from the mob. After their latest job results in the death of a made man, Fay decides that she needs to escape from the abusive Vince. She runs away to Las Vegas, where she looks up a small-time, financially strapped P.I., Jack Andrews (Val Kilmer). She hires Jack to help her fake her death, offering to pay him $5,000 upfront and $5,000 after she’s dead. Jack is reluctant to get involved but he also has a loan shark threatening to break every bone in his body. Jack helps Fay fake her death but then Fay leaves town without paying him the second $5,000. Even worse, both Vince and the mob quickly figure out that Fay is not actually dead and join Jack in trying to track her down.
