Today’s horror on the lens is Killers From Space, a 1954 film about …. well, killers from space!
Like a lot of 1950s sci-fi films, this one features Peter Graves as a properly grave-voiced scientist. It’s about some googly-eyed aliens who abduct people and force them to reveal America’s nuclear secrets! This low-budget, independent film has quite a pedigree. It was directed by Billy Wilder’s brother and written by his nephew, Myles.
Enjoy!
INVISIBLE AGENT could very well have been subtitled “The Invisible Man vs The Nazis”! This is the only Universal Horror that addresses the topic of the war in Europe (despite the fact most of them take place in Europe!), and though there aren’t many scares going on, Curt Siodmak’s sci-fi flavored screenplay, John P. Fulton’s fantastic special effects, and a cast featuring Peter Lorre in his only Universal Horror appearance make this one of the most enjoyable movies of the whole bunch!
Frank Griffin, grandson of the original Invisible Man, is living in London under the assumed name Frank Raymond and running a small printing shop. A gang of Axis creeps led by Gestapo spymaster Stauffer and Japanese Baron Ikito pay him a call, demanding his grandfather’s secret of invisibility, which of course they want to use for their own nefarious purposes. Frank manages to escape their clutches, and goes…
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Today’s horror on the lens is 1974’s The Cloning of Clifford Swimmer.
This short but entertaining sci-fi film may be a bit obscure but it’s a personal favorite of mine. Check out my review here and then be sure to enjoy the show!
Sometimes films are done poorly. Sometimes films stay true to the source material. Sometimes they are just kinda fun.
This adaptation of Stephen King’s- “Strawberry Spring” is just kinda neat. I was looking for Strawberry Spring images online for my post and here this was. It’s a High School student film of Strawberry Spring. It’s just straight up fun. All of his friends are obviously in the film and the director did a pretty good job.
The story of Strawberry Spring is that a serial killer slasher is on the loose at a New England liberal arts school in the 60s. The narrator is more than unreliable; he is a possible suspect. The Strawberry Spring refers to a false spring that occurs in New England similar to a blackberry winter where warm weather occurs and then a severe nor’easter hits. The book makes a point that a mist appears before the murders and that the mist itself is likely sapient who infects the narrator, causing him to kill. The campus is terrorized by a series of murders and then when the Strawberry Spring ceases, so do the murders.
This student film tries to dramatize the story and although there a bit of overused fog machine sequences, it deserves a lot of credit. There was obviously a lot of effort put in and I give a tip of the hat to these young artists.
You can watch it here and if you have 15 minutes to definitely check it out!!!
The success of Universal’s SON OF FRANKENSTEIN meant a sequel was inevitable, and the studio trotted out GHOST OF FRANKENSTEIN three years later. Horror stalwarts Bela Lugosi (as the broken-necked Ygor) and Lionel Atwill (although in a decidedly different role than the previous film) were back, but for the first time it wasn’t Boris Karloff under Jack Pierce’s monster makeup. Instead, Lon Chaney Jr., fresh off his triumph as THE WOLF MAN , stepped into those big asphalter’s boots as The Monster. But while SON OF was an ‘A’ budget production, GHOST OF FRANKENSTEIN begins The Monster’s journey into ‘B’ territory.
Old Ygor is still alive and well, “playing his weird harp” at deserted Castle Frankenstein. The villagers (including Dwight Frye! ) are in an uproar (as villagers are wont to do), complaining “the curse of Frankenstein” has left them in poverty, and storm the castle to blow it up…
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Psycho Cop is back!
The Psycho Cop is Officer Joe Vickers (Robert R. Schaffer), who upholds the law with the help of Satan and the occult. When he overhears two office mates talking about a party that they’re going to be throwing for a friend, Officer Vickers decides to stop by and dispense a little Hellish justice. After killing the security guard, the Psycho Cop spends the rest of the money stalking white-collar workers and strippers. He’s an efficient killer with a police-related pun for nearly every occasion but he meets his match when he goes after an accountant. As much as he tries, Psycho Cop cannot catch the accountant. He can catch security guards. He can catch strippers. He can catch low-level executives. But an accountant? That’s just a bridge too far.
Psycho Cop seems like he should be a good horror villain and, for the first half of the movie, he seems like he’s unstoppable. But then he easily gets outwitted by both the nerdiest of the office workers and an accountant and you end up losing respect for him. The idea of a demonic policeman will always have possibilities but Psycho Cop Returns never reaches the heights of Maniac Cop or even Kevin Bacon’s crazed sheriff in Cop Car. For everything that you could do with the character of a policeman who is in league with the devil, Psycho Cop Returns just turns him into a one-liner spouting maniac. Robert R. Schaffer does okay as the title character and he has the right look to play a psycho cop but he’s still no Robert Z’Dar.
As you can tell from the title, this is a sequel. I haven’t seen the first Psycho Cop so I don’t know if it does a better job at exploiting the whole killer cop angle. Psycho Cop Returns has potential and a sense of humor but, ultimately, there’s little to distinguish it from the countless other manic-on-the loose films that went straight to video in the 90s.
Well, we are halfway through October and, traditionally, that’s when all of us in the Shattered Lens Bunker gather in front of the television in Arleigh’s penthouse suite, eat popcorn, drink diet coke, and gossip about whoever has the day off.
Of course, after we do that, I duck back into my office and I watch the classic 1962 film, Carnival of Souls!
Reportedly, David Lynch is a huge fan of Carnival of Souls and, when you watch the film, it’s easy to see why. The film follows a somewhat odd woman (played, in her one and only starring role, by Candace Hilligoss) who, after a car accident, is haunted by visions of ghostly figures. This dream-like film was independently produced and distributed. At the time, it didn’t get much attention but it has since been recognized as a classic and very influential horror film.
This was director Herk Harvey’s only feature film. Before and after making this film, he specialized in making educational and industrial shorts, the type of films that encouraged students not to cheat on tests and employees not to take their jobs for granted. Harvey also appears in this film, playing “The Man” who haunts Hilligoss as she travels across the country.
Enjoy Carnival of Souls!
The natives are getting restless… and you will too, while watching THE MAD DOCTOR OF MARKET STREET, which feels a lot longer than its 61 minute running time. The film does have a few saving graces, mainly the great Lionel Atwill as a mad scientist experimenting with bringing people back from the dead, and is an early endeavor for future film noir auteur Joseph H. Lewis . But the extremely lame script by Al Martin, whose inexplicably long career included the Lewis-directed Bela Lugosi vehicle INVISIBLE GHOST, manages to sink this shocker despite Atwill’s and Lewis’s best efforts.
Dr. Ralph Benson offers a man $1000 to let him put the man in a “catatonic state”, and revive him later. Benson has mad dreams about conquering death and disease with his untried (and definitely not FDA approved) methods. When the man doesn’t return home the next day, his wife calls the…
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Wow. Fraternities are mean!
How else do you explain the prank that begins the 1980 slasher film, Terror Train? At a party, awkward pledge Kenny (Derek MacKinnon) is told that Alana Maxwell (Jamie Lee Curtis) is waiting for him in an upstairs bedroom and she totally wants to have sex with him! Poor Kenny. Really, he should have been able to figure that this was a prank but I guess he’s just naive. Anyway, he goes upstairs, strips down to his underwear, and listens as Alana says, “Don’t be shy …. kiss me!”
Kenny thinks that Alana is waiting for him in the bed but actually, she’s hiding behind a curtain. So, what’s in the bed? Well, as Kenny soon discovers, it’s a limbless corpse! Oh, those wacky pre-med students! Under the direction of Doc (Hart Bochner), they’ve stolen a cadaver from the medical school and they’ve used it to play the joke of the century! Everyone bursts into the room, laughing.
Ha ha! Funny joke, right?
Well, not to Kenny. Kenny totally freaks out and starts spinning around and gets all wrapped up in the sheets. Needless to say, Kenny does not get laid that night.
In fact, Kenny ends up losing his mind. And that’s unfortunate but, as they say, life goes on. Three years later, the pranksters are all due to graduate so they’re going to throw a costume party on a train! The conductor (Ben Johnson) watches as these rich, costumed college kids get on his train and you can just tell that he’s thinking, “There better not be no funny business.” He need not worry! Alana is on the train and she still feels so bad over what happened to Kenny that you can be sure that there won’t be any pranks during this graduation party!
Unfortunately for everyone else, Kenny’s decided to get on the train as well. While his former classmates are smoking weed, getting drunk, dancing to the best disco music of 1980, and taunting a magician (David Copperfield), Kenny is killing people and stealing their costumes.
Kenny’s first victim actually dies before the train leaves. When he comes staggering up to everyone with a sword sticking out of him, everyone assumes that it’s just another joke. Nope! Turns out the sword is real but everyone’s too busy boarding to notice as the guy collapses to the ground and is promptly dragged underneath the train. In a scene that always makes me cringe, the train slowly crushes him as it starts to move forward. I mean, seriously …. Agck!
So, now Kenny is wandering around the train, dressed like Grouch Marx and killing people. It takes people a while to notice because we’re not exactly dealing with the smartest group of college graduates. And, once they do realize …. well, what are they going to do? They’re stuck on a train in the middle of nowhere! Even if they do get off the train, it’s snowing and below freezing outside! I mean, it’s almost as bad as Minnesota in January out there….
Of the many slasher films that Jamie Lee Curtis appeared in after Halloween, Terror Train is definitely the best. After making his directorial debut here, Roger Spottiswoode went on to become one of the busiest directors in Hollywood and you can tell why when you watch this movie. Spottiswoode’s makes great and atmospheric use of the train and Kenny’s habit of constantly changing his costume keeps you guessing just where he might be at any given time. Even more importantly, Spottiswoode takes the time to develop the characters so that they become more than just cardboard victims. Jamie Lee Curtis, Hart Bochner, Sandee Curris, and Timothy Webber all give excellent performance as the objects of Kenny’s wrath while old veteran Ben Johnson brings some gravitas to the film as the wise conductor.
(My only objection is that the worst of the pranksters is named Doc, which happens to be the name of our cat. And let me just say that Doc the cat would never pull as cruel a prank as Doc the medical student.)
As we all know, Jamie Lee Curtis will be returning to the horror genre later this month. She’ll be playing Laurie Strode in David Gordon Green’s Halloween remake or reboot or sequel or whatever it is. Famously, Curtis refused to appear in horror films for several years, saying that she didn’t want to be typecast. That was understandable on her part and, as much as I love horror movies, it was probably a smart career move. That said, the slasher films that Curtis appeared are some of the best of the genre. Halloween, Terror Train, and even Prom Night are all classics of their kind. Terror Train is a suspense masterpiece, perfect for any cold and snowy night when you want to scream a little.
For today’s horror on the lens, we have 1939’s The Hound of the Baskervilles!
Based, of course, on the novel by Arthur Conan Doyle, The House of the Baskervilles is well-remembered for being the first of many Sherlock Holmes films to star Basil Rathbone as the detective and Nigel Bruce as his loyal sidekick, Dr. Watson. Interestingly enough, Holmes is absent for a good deal of the film, leaving it up to Watson to do the majority of the investigating. That said, you can still see why Rathbone’s interpretation of the character proved to be so popular that he would go on to play Holmes in a total of 14 movies and one radio series.
Enjoy!
Through the Shattered Lens 