Dark Genesis: STRANGER ON THE THIRD FLOOR (RKO 1940)


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“Tuesdays in Noirvember” continues with what many consider to be the first film noir…

Fans of the film noir genre often cite movies like THE MALTESE FALCON or REBECCA among the first entries in this stylistic category, but a case can certainly be made for STRANGER ON THE THIRD FLOOR, a bizarre B-film made by director Boris Ingster. It features all the elements associated with the dark genre: a big city setting, interior monologues, an extended nightmare sequence, flashbacks, Expressionistic set design… hell, it’s even got noir’s favorite patsy Elisha Cook Jr ! The only thing missing is that downbeat cynicism you find in post-war films, but since America hadn’t yet entered World War II, we can forgive the happy ending and concentrate on what makes this movie the seminal film noir.

First, there’s the plot: star reporter Michael Ward is the key witness in a murder case against young…

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Cleaning Out the DVR #21: Halloween Leftovers 3


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Time to reach deep inside that trick-or-treat bag and take a look at what’s stuck deep in the corners. Just when you thought it was safe, here’s five more thrilling tales of terror:

YOU’LL FIND OUT (RKO 1940; D: David Butler) – Kay Kyser and his College of Musical Knowledge, for those of you unfamiliar…

…were a Swing Era band of the 30’s & 40’s who combined music with cornball humor on their popular weekly radio program. RKO signed them to a movie contract and gave them this silly but entertaining “old dark house” comedy, teaming Kay and the band (featuring Ginny Simms, Harry Babbitt, Sully Mason, and the immortal Ish Kabibble!) with horror greats Boris Karloff , Bela Lugosi , and Peter Lorre . It’s got all the prerequisites: secret passageways, a creepy séance, and of course that old stand-by, the dark and stormy night! The plot has Kyser’s…

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Halloween Havoc!: INVISIBLE AGENT (Universal 1942)


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INVISIBLE AGENT could very well have been subtitled “The Invisible Man vs The Nazis”! This is the only Universal Horror that addresses the topic of the war in Europe (despite the fact most of them take place in Europe!), and though there aren’t many scares going on, Curt Siodmak’s sci-fi flavored screenplay, John P. Fulton’s fantastic special effects, and a cast featuring Peter Lorre in his only Universal Horror appearance make this one of the most enjoyable movies of the whole bunch!

Frank Griffin, grandson of the original Invisible Man, is living in London under the assumed name Frank Raymond and running a small printing shop. A gang of Axis creeps led by Gestapo spymaster Stauffer and Japanese Baron Ikito pay him a call, demanding his grandfather’s secret of invisibility, which of course they want to use for their own nefarious purposes. Frank manages to escape their clutches, and goes…

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Hand-y Man: Peter Lorre in THE BEAST WITH FIVE FINGERS (Warner Brothers 1946)


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Warner Brothers was in at the beginning of the first horror cycle with DR. X and MYSTERY OF THE WAX MUSEUM , both starring Lionel Atwill. The studio concentrated more on their gangster flicks, Busby Berkeley musicals, swashbuckling epics, and the occasional highbrow films with George Arliss and Paul Muni, but once in a while they’d throw horror buffs a bone: Karloff in 1936’s THE WALKING DEAD, ’39’s THE RETURN OF DR. X (no relation to the original, instead casting Humphrey Bogart as a pasty-faced zombie!), and a pair of scare comedies from ’41, THE SMILING GHOST and THE BODY DISAPPEARS.

Come 1946, Warners took another stab at horror with THE BEAST WITH FIVE FINGERS, a psychological thriller about a dead pianist’s crawling hand out for murderous revenge… well, sort of. The movie was assembled by a host of horror vets, directed by Robert Florey (MURDERS IN THE RUE MORGUE…

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Repent, Ye Sinners!: STRANGE CARGO (MGM 1940)


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Any film condemned by the Catholic Legion of Decency can’t be all bad!  STRANGE CARGO depicts a bunch of hardened, unrepentant criminals escaping a brutal French Guiana prison, with a prostitute in tow to boot, and is laced with plenty of lascivious sex and brutal violence. But that wasn’t all the self-appointed guardians of morality objected to… there was the character of Cambreau who, though the film doesn’t come right out and say it, supposedly represents none other than Jesus Christ himself!

One more time: Clark & Joan

Clark Gable and Joan Crawford , in their eighth and final film together, lead this pack of sinners through a sweltering jungle of lust, murder, and ultimately redemption. He’s a con named Verne, “a thief by profession”, whose several attempts at escape have proved unsuccessful. She’s Julie, a two-bit hooker plying her trade on the island. The pair, as always, crackle like…

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Hoods vs Huns: ALL THROUGH THE NIGHT (Warner Brothers 1942)


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A gang of Runyonesque gamblers led by Humphrey Bogart take on Nazi spies in ALL THROUGH THE NIGHT, Bogie’s follow-up to his breakthrough role as Sam Spade in THE MALTESE FALCON. Here he plays ‘Gloves’ Donovan, surrounded by a top-notch cast of character actors in a grand mixture of suspense and laughs, with both the action and the wisecracks coming fast and furious in that old familiar Warner Brother style. Studio workhorse Vincent Sherman, whose directorial debut THE RETURN OF DOCTOR X also featured Bogart, keeps things moving briskly along and even adds some innovative flourishes that lift the film above its meager budget.

Bogie’s gangster image from all those 1930’s flicks come to a humorous head in the part of ‘Gloves’. He’s a tough guy for sure, but here the toughness is humanized by giving him a warm, loving mother (Jane Darwell ) and a fondness for cheesecake…

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6 Trailer For October 8th, a Special Roger Corman edition!


Welcome to the latest edition of Lisa Marie’s Favorite Grindhouse and Exploitation Film Trailers!

Since today’s edition from 4 Shots From 4 Films was dedicated to Roger Corman, I figured why not do the same with this post.  The trailers below may be a varied bunch but they have at least one thing in common!  They’re all trailers for Corman films!

Enjoy!

  1. Bucket of Blood (1959)

In Bucket of Blood, Dick Miller plays, for the first time, a character named Walter Paisley.  Walter is an artist who discovers that the dead make the best models!

2. Little Shop of Horrors (1960)

Dick Miller returned to play a supporting role in Little Shop of Horrors, where his co-stars included a young Jack Nicholson.

3. The Terror (1963)

Both Jack Nicholson and Dick Miller returned for The Terror and they were joined by Boris Karloff.

4. The Raven (1963)

At around the same time, Karloff and Nicholson were co-starring with Vincent Price and Peter Lorre in The Raven.

5. The Masque of the Red Death (1964)

Price would return for The Masque of the Red Death.

6. The Tomb of Ligeia (1964)

To my knowledge, this film was the final time Corman directed Vincent Price, though he produced a few more films that featured him.

What do you think about all the trailers, random director with a tommy gun?