Hottie of the Day: Deborah Ann Woll


DEBORAH ANN WOLL

Season 5 of HBO’s hit series True Blood just ended over the weekend and the verdict seems to be a season that was better than the previous one though still plagued with some slow moments and uninteresting subplots. It also had what many termed as a WTF cliffhanger that should make Season 6 quite interesting. But this post is not about focusing on the show, but one a particular actress in the show who plays one of my favorite characters since she arrived on the scene.

The latest “Hottie of the Day” is none other than Deborah Ann Woll who plays the immature and naively, sweet baby vamp Jessica Hamby. Better known amongst the show’s fans as “Baby Vamp” the character played by Deborah Ann Woll continues to be a fan favorite. It elps that Ms. Woll’s performance as “Baby Vamp” ranges from alluring, sexy yet also sweet-natured. While she may be a gorgeous redhead to behold it doesn’t mean that Ms. Woll’s acting skills are lacking. She’s not just a pretty face for the audience to gawk at. As evidenced by this season’s episode where she says a final goodbye to her first love, Ms. Woll can act circles around her co-stars when allowed to do so.

I’ve also selected Ms. Woll as the latest hottie because sooner or later site co-founder Lisa Marie will complain that there’s not enough redheads being featured. Good thing True Blood reminded me that there is one hot ginger out there right now for me to pick and profile.

PAST HOTTIES

Trailer: Hara-Kiri: Death of a Samurai (Official)


Japanese filmmaker Takashi Miike followed-up his 2010 critically-acclaimed jidaigeki film 13 Assassins with another foray into classical Japanese filmmaking with his reimagining of the 1962 classic by Masaki Kobayashi. Hara-Kiri: Death of a Samurai is not a straight out and out remake of the Kobayashi classic, but Miike’s film follow similar ideas and themes.

Miike’s latest first premiered at the 2011 Cannes Film Festival and is just now making it’s way to North America. The film is now available for viewing On Demand with Tribeca Film as it’s North American distributor. There’s one caveat about seeing the film On Demand and that’s not being able to see it how Miike filmed it and that’s in 3D which made it the first to make such a premiere at Cannes.

Here’s to hoping this film make’s it’s way into the late film festivals in Northern California so I get a chance to see it on the big-screen. Barring that I don’t mind watching it in the comfort of my new condo in 1080p HD.

Song of the Day: Passin’ Me By (by The Pharcyde)


Something quick and nostalgic for the latest “Song of the Day”.

I rarely put up hip-hop songs as “Song of the Day” since I rarely think back fondly on most of them, but this one I do think back and remember fondly. It’s one of those songs that just brings back memories of simpler days.

The track “Passin’ Me By” by the hip-hop group The Pharcyde came out in in the Spring of 1993 off of their full-length album, Bizarre Ride II The Pharcyde and gradually rose up the charts that season until it reached hit status. The group never had as big a hit as this track though it will continue to consistently make good to very good records since. I think what resonated to me and many fans of this song wasn’t just the beats but the lyrics themselves. It’s a song about young crushes and infatuation ranging from one’s schoolboy days to young adulthood. It’s those very same lyrics which continues to make this song as relevant now as much as they did in 1992-1993 when the song came out.

Passin’ Me By

Now in my younger days I used to sport as shag
When I went to school I carried lunch in a bag
With an apple for my teacher ’cause I knew I’d get a kiss
Always got mad when the class was dismissed
But when it was in session, I always had a question
I would raise my hand to make her stagger to my desk and
help me with my problem, it was never much
Just a trick, to smell her scent and try to sneak a touch
Oh, how I wish I could hold her hand and give her a hug
She was married to the man, he was a thug,
His name was Lee, he drove a Z,
he’d pick her up from school promptly at three o’clock
I was on her jock, yes indeedy I wrote graffiti on the bus
First I’d write her name then carve a plus,
with my name last, on the looking glass,
I seen her yesterday but still I had to let her pass

She keeps on passin me by…

When I dream of fairytales I think of me and Shelly
See she’s my type of hype and I can’t stand when brothers tell me
That I should quit chasin’ and look for something better
But the smile that she shows makes me a go-getter
I haven’t gone as far as asking if I could get with her
I just play it by ear and hope she gets the picture
I’m shootin for her heart, got my finger on the trigger
She could be my broad, and I could be her (nigga)
But, all I can do is stare…
Back as kids we used to kiss when we played truth or dare
Now she’s more sophisticated, highly edu-ma-cated
not at all over-rated, I think I need a prayer
to get in her boots and it looks rather dry
I guess a twinkle in her eye is just a twinkle in her eye
Although she’s crazy steppin, I’ll try to stop her stride
Cause I won’t have no more of this passin me by

And I must voice my opinion of not even pretending she didn’t have me
Strung like a chicken, chase my tail like a doggie
She was kind of like a star, thinking I was like a fan
Dude, she looked good, down side: she had a man
He was a rooty-toot, a nincompoop
She told me soon your little birdie’s gonna fly the coop
She was a flake like corn, and I was born not to understand
By lettin her pass I had proved to be a better man

She keeps on passin me by…

Now there she goes again, the dopest Ethiopian
And now the world around me be gets movin in slow motion
when-ever she happens to walk by – why does the apple of my eye
overlook and disregard my feelings no matter how much I try?
Wait, no, i did not really pursue my little princess with persistance;
And I was so low-key that she was unaware of my existance
From a distance I desired, secretly admired her;
Wired her a letter to get her, and it went:
My dear, my dear, my dear, you do not know me but I know you very well
Now let me tell you about the feelings I have for you
When I try, or make some sort of attempt, I symp
Damn I wish I wasn’t such a wimp!
‘Cause then I would let you know that I love you so
And if I was your man then I would be true
The only lying I would do is in the bed with you
Then I signed sincerely the one who loves you dearly, PS love me tender
The letter came back three days later: Return to Sender
Damn!

She keeps on passin me by…

Scenes I Love: Spy Game (R.I.P. Tony Scott)


[SPOILERS]

The world of cinema lost one of it’s own with the death of British filmmaker Tony Scott (brother of filmmaker Ridley Scott). The circumstances of Tony Scott’s death has now been confirmed and could be found and read easily on most on-line news site.

This post is not to focus on Tony Scott’s death but on the life he lived and how his contribution to the art of filmmaking. Tony Scott has been a major influenc on me and those who grew up during the 80’s and 90’s. His films were huge commercial successes but also unique in that he tried to advance the genre of action filmmaking beyond the bullet point steps on how to make them that other filmmakers could never get beyond.

Tony Scott experimented and innovated with the action genre these last ten or so years to mixed results, but no one could ever say that his visual style was ever boring. Just like his brother Ridley, Tony Scott was a visual director first and foremost, but he also had a way in getting the most out of the cast he was given. It didn’t matter whether they were award-winning veterans like Denzel Washington or up-and-coming stars like Keira Knightley and Chris Pine. His action films weren’t just all about the visual and auditory overload his contemporaries only focused on. Tony Scott used his actors and got from them good to great performances which raised what would’ve been your typical action film to something more.

One of my favorite scenes Tony Scott ever did was also from one of his films I consider one of his best. It’s the last main sequence for his 2001 spy thriller, Spy Game, which starred Robert Redford and Brad Pitt. It was a film that was the passing of the torch from one blue-eyed star of Hollywood’s yesteryear to the current blue-eyed star. This film could’ve been all about action and explosions and techno-spy babble, but it instead became a great exercise in how to create an action-thriller that allowed for dialogue to become the engine that moved the action.

This scene is a favorite because it was the culmination of the machinations and secret plannings of Redford’s aging spymaster, Nathan Muir, to try and save his wayward protege in Brad Pitt’s Tom Bishop. While it would be best for people to watch this scene having watched the rest of the film beforehand, even just watching Redford take control of the room is a clue to how well Tony Scott allowed his actors to work the scene instead of forcing them to do it his way. It’s no wonder that Denzel Washington, considered to be the best actor of his generation, kept working with Tony over and over for the past decade.

 

AMV of the Day: The Way You Are


The latest AMV of the Day is actually one I just stumbled onto on youtube while looking for something that wasn’t even related to AMV’s. I know I would take a hit by admitting that I like the song this video ended up using but dagnabbit it’s a catchy and sweet song.

“The Way You Are” is the title of the AMV by editor xwiz89 who takes scenes from two anime series, Bakemonogatari and Nyan Koi!, and ends up with an anime music video that does a great job highlighting the two relationships which occur in both series. While the video makes the coupling sweeter than how they really appear in the series the way xwi89 edits the video makes that sweetness feel natural.

The title itself was taken from the title of the song by Bruno Mars, “Just The Way You Are”, and while it’s a song that has had it’s legion of detractors it’s still one that I ended up liking when first hearing and I’m going to assume that the AMV’s editor felt the same way. The song just fits the video and, if any, it helps sell both anime series to those who might not have heard about it and still not sure whether to give it a look see.

Anime: Bakemonogatari, Nyan Koi!

Song: “Just The Way You Are” by Bruno Mars

Creator: xwiz89

 

Past AMVs of the Day

Darksiders II Launch Trailer


One of my most anticipated game titles is just hours away from release. The game is the sequel to the surprise hit of 2010, Darksiders, and where that first title had the Horseman of the Apocalypse War as the playable character this time around it’s his brother Horseman Death who players get to control.

Darksiders II is set to occur concurrently to the events of the first game. Where War tried to figure out who framed him for starting the Apocalypse prematurely thus causing mankind’s extinction, this time around Death tries a different tack while War goes on his quest. Death is not as honorable as War and will do whatever it takes to prove his brother innocent of the crime he’s being accused of even if it means rebooting reality, so to speak.

August 114, 2012 will see the release of this title and for myself and those fortunate enough the video above will be something we would be doing in the next couple days with huge grins on our faces. I may have to wait a week or two before playing with my move to a new apartment taking precedence, but I shall play this game. Oh yes, I shall play this game.

Hottie of the Day: Leticia Dolera


LETICIA DOLERA

The latest “Hottie of the Day” arrives courtesy of the Spanish horror film sequel REC 3: Genesis.

Miss Leticia Dolera takes on the role of Clara who happens to be the bride of the wedding setting that makes up the second sequel to the Spanish horror franchise REC. I won’t go into detail about whether this latest sequel is worth checking out. For some it was and for others it was a major letdown. One thing that everyone who has seen the film could agree on was Leticia Dolera being one of the highlights of the film. Ms. Dolera was something fierce in REC 3: Genesisand her performance made the film worth watching.

A Spanish actress who began her career in 2000 with the Spanish tv series Al salir de clase and who has become a fixture in Spanish entertainment, Ms. Dolera should become even more well-known around the world especially with the genre crowd because of her appearance in performance in REC 3: Genesis. She has that exotic look that Spanish women are always able to pull off without even trying. I wouldn’t be surprised if she one day makes the jump from Spain to Hollywood.

PAST HOTTIES

First Impression: Telltale Games’ The Walking Dead: Episode 2 “Starved For Help”


Telltale Games released the first episode in their adventure game The Walking Dead months ago. Due to some of their past titles not panning out despite hype from the studio this time around it seems like Telltale may have finally found their groove with this game set in the zombie apocalypse world created by critically-acclaimed comic book author Robert Kirkman. With the first episode, A New Day, the company was able to capture the chaos and danger of the early days that was only hinted at in the comic book and in the AMC tv series.

That first episode introduced gamers to the two main characters that would be the focus of this horror-adventure title. Lee Everett and Clementine were characters rare in licensed video games in that they’re original to the title and also one of the better written and realized fictional characters in gaming. The first episode did a great job in setting up these two characters and the world that some thought the problems that has plagued Telltale Games with their episodic titles would pop up once more: great beginnings that would fizzle out with each new episode.

I’m happy to say that episode 2, Starved For Help, doesn’t fall in Telltale Games’ past pattern. In fact, this latest episode in the game actually builds on the strength of the first episode and improves upon what made it fun and very good while minimizing some of the flaws with that initial episode. We find Lee, Clementine and the survivors of the first episode (how a player made their decisions on who lives or dies in the first episode will determine the roster for episode 2) still at the motel complex from the first episode. They’ve been largely kept safe at their makeshift haven but the prospect of dwindling supplies has forced Lee and the group to venture out into the surrounding forest to forage for food. It’s during one such foraging mission that the group comes across another group that would kick-off the story for Starved For Help.

Telltale Games doesn’t try to recap too much of the first episode in this follow-up, but does let the dialogue between Lee and others remind gamers about their decisions in the first episode and how it has affected the situation Lee and his group has itself in. The addition of some new members to the group doesn’t feel forced but actually feel quite welcome as it helps keep the growing rift between two factions in the group from becoming too static. In fact, this episode actually makes some of the decisions made by characters we initially found to be on our side to be counter-productive and dangerous while those who came off as too rigid and confrontational end up being more sympathetic.

It’s during these dialogue sequences where players once again have a timed-limit to make their dialogue choices and decisions that The Waling Deadcontinue to impress. Once again players must make their dialogue-choices from four choices that doesn’t really come off as evil, good, indifferent, etc. It’s up to the player to determine just exactly which dialogue answer best fit the sort of game they’re playing. I’ve played through both episodes trying out myriad of choices available to me and with each and every different choices the game plays out much differently, but still continues to straddle the grey area. There’s no good or bad decision and it’s what makes this game’s dialogue-mechanic so much better than most games that use something similar.

The action part of the episode has some tweaks to QTE (quick time event) combat mechanic that makes targeting a tad better than what was available in the first episode, but this part of the game still remains the weakest link in what has so far been a stellar game. After just two episode I wouldn’t be surprised if most fans of the title just wish for the QTE’s to go away and let actions in future episode be determined by dialogue choices. It would definitely help keep the gamer’s from being pulled out of the narrative immersion they find themselves in.

Starved For Help is a great example of how a studio can learn from it’s past mistakes and improve on the template they’ve decided on from the beginning. Even the story that unfolds in episode 2 is a huge improvement from the first episode that was very good to begin with. We see Telltale Games handle the themes of survival vs living, moral grey areas in an apocalyptic world and survival at the cost of others with deft hands that best exemplifies what has been great about the comic book series. There’s been times when the narrative in the game actually comes off as more subtle and less exposition-heay than Kirkman’s own writing which for some is an improvement in itself.

With two episode now released it’s going to be interesting if Telltale Games can continue their new found groove of keeping things consistently good to great which their past games didn’t seem to have. Now three episodes remain and from the ending of episode 2 the group has found a new reprieve from their dire problem of low supplies, but at a cost that may come back to haunt Lee, Clementine and others.

Episode 1: A New Day

Scenes I Love: Apocalypse Now


It’s been awhile since I put up a scene I love from a film I love. Time to change that and what better way to do it than pick a favorite scene from one of the best films ever made: Apocalypse Now.

This particular scene occurs in the last act of the film which finally puts Capt. Willard (Martin Sheen) face-to-face with his target in the off-the-reservation Special Forces  commander Col. Kurtz. This is the first time we actually see Marlon Brando in the role of Kurtz in a film that’s been obsessed with his character right from the very beginning. The glimpses we get of Kurtz are fleeting as he remains in the shadows with only his rumble of a voice giving weight to his presence in the scene. I have to admit that even after seeing this film for over a hundred times through the years it’s still pretty difficult to understand some of what he is saying. Yet, when such an occurrence would be a death for a scene it doesn’t for this scene. It only helps highlight just how far down the abyss this former paragon of American military might has put himself in to accomplish a mission given to him by people he dismissively call “grocery clerks”.

There’s no soundtrack to try and manipulate the scene for the audience. It’s just the ambient noises of the jungle and the ancient temple Kurtz and his people have called home. Even the dialogue in the beginning of the scene where Kurtz inquires about where Willard was from was full of menace and hidden dangers. It’s very difficult not to get hypnotized by this scene. There’s not a fake beat to the dialogue between Sheen and Brando. The way the scene unfolds almost acts like a metronome that lulls the viewer until the reveal in the end when we finally see Kurtz’s face in full for the very first time.

Coppola has done great work before this film with hi first two Godfather films but this scene in this film I consider the best he has ever put on celluloid.

Kurtz: Are you an assassin?

Willard: I’m a soldier.

Kurtz: You’re neither, you’re an errand boy, sent by grocery clerks to collect a bill”

AMV of the Day: Means to an Endgame (Code Geass)


I was going to pick something lighthearted for the next “AMV of the Day” but decided to save Mr. Satan for a later date when I return to posting more Anime Expo 2012 stuff. So, I chose an AMV that I would categorize as the opposite of lighthearted and could be considered as very dark, indeed.

“Means to an Endgame” is the latest from AMV producer extraordinaire tehninjarox. He picks one of my favorite Florence + The Machine songs in “Seven Devils” and uses it to musically score and highlight just how much of a devil the main protagonist of the anime series really turns out to be. This is not to say that Lelouch is a bad guy. He’s just very focused on taking down his enemies to make the world a better place for his crippled sister. How he goes about this includes committing what he calls evil actions for the greater good.

The video itself does a great job in matching up with the song that one would almost think that Lelouch (the man in the black armor and cape) was the villain of this piece. While I’m not like fellow anime contributor pantsukudasai in that mecha doesn’t do it for him, I myself don’t mind mecha anime and it was mecha that first brought me back to the artform during the mid-80’s. This video just shows just how far mecha anime has gone from just being about pilots in giant fighting robots fighting it out. Code Geass has it’s share of mech fighting but it also has a strong, dramatic narrative that blurs the distinction of who the good guys and bad guys are.

Just like another great AMV producer in Chiikaboom, one tehninjarox has become a favorite of mine with each new video he releases. This one definitely make’s my favorite list.

Anime: Code Geass

Song: “Seven Devils” by Florence + The Machine

Creator: tehninjarox

 

Past AMVs of the Day