Retro Television Review: The Love Boat 7.21 “Ace’s Valet/Mother Comes First/Hit or Miss America”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, the Love Boat has a few special passengers.

Episode 7.21 “Ace’s Valet/Mother Comes First/Hit or Miss America”

(Dir by Richard A. Wells, originally aired on February 25th, 1984)

Ace is back from photography school and not a minute too soon because the Love Boat is playing host to not only Miss America Vanessa Williams (playing herself) but also several former Miss Americas.  Unfortunately, for Ace, his mother insists that the family valet, Finley (Jeremy Brett), accompany him.  Ace decides that Finley needs a distraction …. maybe a girlfriend!  Hey, at least one of the former Miss Americas is single….

Meanwhile, Vanessa Williams is getting annoyed with various men hitting on her.  In order to get them to leave her alone, she tells them that she has a boyfriend and he’s on the cruise.  In fact, he’s working as a bartender on the boat!  Tyrone (Glynn Turman) is disappointed but Isaac is overjoyed when he hears that Vanessa is “crazy” about him.  Poor Isaac!  And actually, poor Vanessa as well.  A few months after this episode aired, she stepped down from her position after Penthouse magazine published some risqué pictures that were taken during her modeling days.

Finally, Jenny Rhodes (Audrey Landers) wants her mother, Mrs. Rhodes (Marian Mercer), to find love on the boat.  Gopher helps out by wearing bronzer and a fake beard and pretending to be a wealthy and powerful Indian named Punjab.  Uhmm …. yeah, I’m not really sure what to say about that.  On the one hand, this episode featured the first black Miss America.  On the other hand, it also featured Fred Grandy wearing brownface and speaking in a exaggerated Indian accent.  It’s as if the show was so proud of itself for not being racist in one story that it didn’t notice that it was being totally racist in another.

So, this was, overall, a pretty stupid episode.  I hate to have to say that because I usually really do enjoy The Love Boat.  But having Fred Grandy pretend to be Indian and then having Mrs. Rhodes not get upset about the deception just felt …. well, stupid.  As for the other two stories, Jeremy Brett was amusing and Ted Lange was, as always, endearing.  This could have been a good episode if not for that third story.

Oh well.  Not every cruise can be a winner.  That said, I know what your main question is about this episode.

Julie didn’t do much this episode.  Overall, she really hasn’t done much this entire season.  On a scale of one to ten, I would actually give her an 8 as far as this episode goes.  I mean, she really did lose it when she saw Ace was back on the boat.  For that matter, the Miss Americas all appeared to be in a surprisingly good mood as well.  This was the coke cruise.

Scenes That I Love: George Bailey Tells Off Mr. Potter In It’s A Wonderful Life


Since today is James Stewart’s birthday, it seems appropriate that our scene should be from one of my favorite films of all time, 1946’s It’s A Wonderful Life. In this wonderfully acted and directed scene, George Bailey tells off Mr. Potter, for the first but certainly not the last time:

4 Shots From 4 Films: Special James Stewart Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we celebrate the birthday of one of the greatest American actors of all time, the wonderful James Stewart!  It’s time for….

4 Shots From 4 James Stewart Films

Mr. Smith Goes To Washington (1939, dir by Frank Capra, DP: Joseph Walker)

It’s A Wonderful Life (1946, dir by Frank Capra, DP: Joseph Walker and Joseph Biroc)

Rear Window (1954, dir by Alfred Hitchcock, DP: Robert Burks)

The Man Who Shot Liberty Valance (1962, dir by John Ford. DP: William H. Clothier)

Late Night Retro Television Review: Pacific Blue 4.4 “Users”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, Jamie goes undercover …. again!

Episode 4.4 “Users”

(Dir by Michael Levine, originally aired on August 16th, 1998)

 Pacific Blue started out as a show about bicycle cops.  I always thought that was a stupid premise but, regardless of my opinion, the first two seasons pretty much focused on keeping the cops on the bikes.  However, with the third and now the fourth season, the bikes have started to feel superfluous.  Now, the bike cops are suddenly working murders and going undercover.  This all seems like stuff that actual detective should be doing as opposed to a bunch of glorified traffic cops.

For instance, this episode features Jamie being sent undercover to befriend a teenage drug dealer named Brandon Jeter (future choreographer and Michael Jackson-accuser Wade Robson).  Brandon, who has witnessed a murder, is being used as an informant by an intense narcotics detective named Perry Marcus (Roger Floyd).  TC and Cory make a big deal about how they don’t like Perry’s tactics but why would Perry care?  He’s not a bike cop and they’re not detectives.

This is only Jamie’s fourth episode as a regular character but it feels like the 100th time that she’s been told to work undercover.  The problem is that we don’t know much about who Jamie is so there’s not really any emotional pay-off to seeing her pretending to be someone else.  Jamie is upset when she sees how everyone — from Detective Marcus to drug lord Nick Lambros (Corey Pearson) — is manipulating Brandon but we don’t really know why.  We know nothing about Jamie’s homelife.  We know nothing about her past.  We don’t know why she became a cop.  She’s a character with no inner life.  It’s not the fault of actress Amy Hunter that Jamie comes across as being boring.  The scripts, so far, have given her nothing to work with.

Meanwhile, Moncia is having an affair with the recently promoted Commander McKinnon (Jeffrey Meek).  The affair is often physically abusive but, when Bobby confronts McKinnon, McKinnon claims that Monica enjoys the pain.  Eventually, Monica and Bobby get McKinnon being abusive on tape.  The episode ends with Monica lustfully spying on TC in a neighboring apartment.  Ugh.  This show really annoys me with the way it portrays Monica.  She’s literally the only character on the show who has a positive and largely guilt-free attitude about sex and the show always seems to be determined to either punish or villainize her for it.  (What makes this especially annoying is that the show both judges and leers at Monica at the same time.)

As usual, this episode could have worked if the characters were more interesting.  The idea that everyone on the show was using someone else had potential but the execution fell flat.

Retro Television Review: Saved By The Bell: The New Class 2.3 “Let the Games Begin”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Saved By The Bell: The New Class, which ran on NBC from 1993 to 2o00.  The show is currently on Prime.

This week, we’re back at the country club.

Episode 2.3 “Let the Games Begin”

(Dir by Don Barnhart, originally aired on September 17th, 1994)

At Pacific Palisades Country Club, it’s time for the annual competition between the members of the club and the staff.  If the staff wins, the members will wait on them for a week!

Really?  I mean, is this a real thing?  Why would any club member agree to that?  If I’m paying good money to belong to a country club, the last thing that I’m ever going to do is wait on the staff.  I don’t care who wins the stupid competition.

It turns out that Screech is a very good golf player, which becomes an important plot point when the games end in a tie.  The tie-breaker is a golf game between country club owner Big Ed and Screech.  Big Ed tells Screech to either take a dive or stop dating his daughter, Allison.  In the end, Screech can’t betray his fellow workers but Allison doesn’t care.  She decides who she dates, not Big Ed.

Also, Tommy D learns how to swim (yay, good for him!) and Rachel says she’s going to quit her job when she learns her boyfriend won’t be coming home for the summer.  (Her boyfriend was a member of the club and Rachel only took the job so she could spend time with him.)  Brian, not wanting Rachel to quit, starts to send her poems that she believes are being written by her boyfriend.  Rachel eventually learns the truth but she’s not offended at all.  Of course, she isn’t.  Just look at Brian’s apologetic smile!

This episode …. listen, let’s give credit where credit is due.  Christian Oliver and Sarah Lancaster?  They were cute together.  As far as fake Zacks go, Christian Oliver was one of the better ones.  And Jonathan Angel gave a likably earnest performance in the scenes where Tommy learned to swim.  Unfortunately, this episode featured way too much Screech.  Though Dustin Diamond is nowhere near as bad during season 2 as he would be in later seasons, he’s still way too cartoonish to be taken seriously as anyone’s boyfriend.

Seriously, can you imagine buying a country club membership and then having to wait on Screech?

Scenes That I Love: Pete Townshend and The Who at Woodstock


Today is Pete Townshend’s 79th birthday and today’s scene that I love features Pete Townshend (as a member of The Who) performing at Woodstock in 1969.

Roger Daltrey later said that this was the worst gig that they ever played and The Who did end up going on stage early in the morning, with the sun rising as they performed See Me, Feel Me.  The majority of The Who’s performance was not included in the initial release of the Woodstock documentary but the noticeably grainy footage would later be included in various rereleases.

Unfortunately, no cameras recorded the moment when Pete Townshend became the hero that 1969 needed by kicking a ranting Abbie Hoffman off of the stage.  But, audio of the incident survived.

Here is The Who at Woodstock:

4 Shots From 4 Films: Special Albert Pyun Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, on what would have been his 73rd birthday, we celebrate filmmaker Albert Pyun!

It’s time for….

4 Shots From 4 Albert Pyun Films

The Sword and the Sorcerer (1982, dir by Albert Pyun, DP: Joseph Margine)

Cyborg (1989, dir by Albert Pyun, DP: Philip Alan Waters)

Captain America (1990, dir by Albert Pyun, DP: Philp Alan Waters)

Kickboxer 2 (1991, dir by Albert Pyun, DP: George Mooradian)