Retro Television Reviews: Welcome Back, Kotter 1.9 “Mr. Kotter, Teacher” and 1.10 “The Reunion”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC  from 1975 to 1979.  The entire show is currently streaming on Tubi!

This week, Mr. Kotter fights for his job and, even worse, has to have to dinner with two old acquaintances from his high school days.

Episode 1.9 “Mr. Kotter, Teacher”

(Directed by Bob LaHendro, originally aired on November 4, 1975)

Gabe tells Julie a joke about two men who were both named Bernstein.  The punchline is, “You don’t want me, you want Bernstein the Spy on the second floor!”

At school, Gabe has got a problem!  When Woodman step into the room to observe Kotter’s teaching style, he’s stunned to discover that Kotter and the Sweathogs are sitting in a circle on the floor and that they’re talking about their future ambitions.  Freddie says he wants to own the world’s tallest building and call it the Boom Boom Building.  Barbarino says that he wants to be an actor like Marlon Brando and then he and Epstein act out a scene from The Godfather.  (Incidentally, John Travolta does a pretty good Brando.)  Gabe is amused but Woodman is not.  Woodman demands that Kotter teach from the textbook.  Kotter points out that the textbook is out-of-date and there’s nothing in it to which the Sweathogs can relate.  Woodman promptly suspends Gabe and orders him to attend a disciplinary hearing.

This episode suffers from a bit of early installment weirdness and it wouldn’t surprise me if it was originally meant to air earlier in the season.  For instance, Woodman is a lot meaner than usual.  Over the past eight episodes, Woodman has often gotten frustrated and annoyed with Kotter but there’s also been a grudging respect between the two.  That Woodman would be shocked by Kotter’s teaching methods and would try to get Kotter fired as a result doesn’t really fit in with what we’ve previously seen of Woodman.  In fact, when Woodman previously taught Gabe’s class, he revealed himself to be a good teacher who was willing to engage with the students on their level.  Previously, Woodman has been grumpy and eccentric but he’s never really been malicious.

As well, in this episode, Kotter’s suddenly gets a best friend named Charlie Piper (Arnold Soboloff).  Charlie is a science teacher who drinks alcohol from a beaker.  He attends Gabe’s disciplinary hearing as a character witness and, at one point, mentions that he’s known Gabe ever since the school year began …. four week ago.  Again, it’s hard to believe that the previous eight episodes all occurred over the span of just a month.

Fortunately, the Sweathogs sneak into the disciplinary hearing.  Eptein and Washington pretend to be window cleaners.  Horshack pretends to be a janitor.  Vinnie shows up dressed as a cleaning woman.  They all testify that Gabe is the best teacher that they’ve ever had.  The arbiter of the case, Ms. Riley (Hope Summers), is moved by their testimony and Gabe keeps his job, though he is told to start using the text book.  Gabe responds by putting the book on his head and teaching the Sweathogs about good posture.

Back at his apartment, Gabe tells Julie a joke about his grandmother and a cursed ring.

This episode wasn’t bad, it just felt out of place.  I appreciated Gabe’s defense of his students, in which he argued that they weren’t dumb but that they just needed a teacher willing to speak to them about their lives as opposed to someone just requiring them to memorize facts and figures.  But, as I said before, Woodman is a lot more effective as a half-crazed eccentric than as a flat-out villain.  Again, we’ll just describe this episode as being the result of early installment weirdness.

Episode 1.10 “The Reunion”

(Dir by Bob LaHendro, originally aired on November 18th, 1975)

Gabe asks Julie if he ever told her about the time that his Aunt Lucille took driving lessons.  “No,” Julie says, “but I think I’m going to hear about it.”  Not noticing that Julie doesn’t sound particularly enthused about hearing about any of this, Gabe explains that his Aunt Lucille had no idea how to signal when she was making a turn.  Julie gives him a pity laugh.

Despite all the jokes, Gabe is not in a good mood.  Two of his high school acquaintances, Lyle (Michael Taylor) and Mary Frances (Bridget Hanley), have invited themselves over for dinner.  Not only does Gabe resent the fact that Lyle and Mary Francis always seemed to be “perfect” in high school but Julie is also planning on cooking her tuna casserole!  In fact, Gabe seems to be more upset about the tuna casserole than about having to spend a night entertaining Lyle and Marcy Francis.

Naturally, after Gabe complains about the reunion during his social studies class, the Sweathogs put on their best suits and show up on Gabe’s fire escape while he’s entertaining Lyle and Mary Francis.  The Sweathogs even bring food because they somehow know how terrible Julie’s tuna casserole is.  Gabe confesses that he may not be as rich or as perfect as Lyle and Mary Francis but he’s happy because he’s getting to teach a great group of kids.  Lyle explains that he was always jealous of Gabe because Gabe got to have fun as a Sweathog while Lyle always had to be “perfect.”  Gabe learns that it was silly for him to be insecure and Lyle learns that there is more to life than just being fabulously wealthy.  Awwwwwww!

Later, Gabe tells Julie a joke about an Italian man singing opera while barbecuing.  The meat gets set on fire.

This episode wasn’t bad.  It was interesting to see Gabe revealing that he’s not always happy about being an underpaid teacher who is probably never going to be able to afford a big apartment and it was also kind of touching to see how much both Gabe and his students cared about each other.  Still, you do have to wonder why Julie keeps making the tuna casserole since literally no one in New York City is willing to eat it.

Next week: Vinnie gets a tutor!

WTF, Twitter!?


You know, I have really been pretty open-minded when it comes to Elon Musk’s twitter but the announcement, made about an hour ago, that there are going to “temporarily” be limits on the number of tweets that you can read during a day may be the announcement that breaks me.

I’m not going to share the tweet here because I’m not sure if someone seeing an embedded tweet on a website counts towards the new read limits but basically, Elon Musk announced that verified users are now limited to reading 6,000 tweets “a day”, unverified users (i.e., those of us who don’t want to spend money to do something that we spent 14 yeas doing for free) can read 600 tweets “a day,” and new users can only read 300.  Elon says that this is being done as a temporary measure to battle spam on the site.

(It is true that there is a lot of spam on twitter now.  Recently, a bunch of obvious bots — i.e., bios that read, “I’m just looking for love!” and such — lay siege to a live tweet that I was taking part in.  It got annoying pretty quickly.  That said, I’ve got a block button and I’ve got a mute button and that’s really pretty much all I need to battle them.)

Elon’s tweet was frustratingly vague.  How temporary is temporary?  By day, does he mean a day per sunrise to sunset or does he mean that you’ll be limited by the number of tweets that you looked at over the previous 24 hours?  If I scroll my timeline, does that count as reading every single tweet that shows up on it, regardless of whether I stopped to look at the tweet or not?  If I see a tweet embedded in a news story, does that count?  If I go back and read my own tweets, do those count?  If I re-read a tweet, does that count as two tweets?  If 600 strangers all reply to a tweet, does that mean that I’m screwed as soon as I click on my notifications?

It’s frustrating.  Hopefully, the backlash — and there is a big one — will lead to twitter backtracking.  Twitter’s habit of replying to the press with the poop emoji was cute at first but now, users have serious questions about their experience and Twitter’s refusal to be clear is no longer amusing.  This isn’t a case of some whiny reporter throwing a fit and demanding to know why Elon refuses to suspend anyone who tells them to learn to code.  This is a case of real users having legitimate questions about something that feels very arbitrary.

If this policy continues, it’ll be the death of live tweeting.  I’m going to continue to try to keep my live tweets going for as long as possible.  I don’t want to have to move everything over to Mastodon, where it seems like 90% of the users are competing to see who can virtue signal the loudest.  But, if it has to be done, it’ll be done.

For now, I will no longer be embedding tweets in my posts here at TSL.  I don’t want to accidentally send anyone over their limit.

Let’s hope this is resolved soon.

I miss the Fail Whale.

Scenes I Love: Julie Christie Meets Connie White In Nashville


In this scene from Robert Altman’s 1975 masterpiece, Nashville, Julie Christie plays herself as a famous visitor to the city for which the film is named.  She is introduced to Haven Hamilton (Henry Gibson), Haven’s lawyer, Delbert Reese (Ned Beatty), political advance man John Triplette (Michael Murphy), and country music star Connie White (Karen Black).  Julie Christie may be a star in Hollywood but Connie is the star of Nashville.

Karen Black, who was born on this date in 1939, improvised her dismissive line about Julie Christine not even being able to comb her hair.  It was a moment that reportedly shocked the rest of the cast and the crew but it was also a line that perfectly summed up both Connie as a character and Altman’s version of Nashville.

4 Shots From 4 Films: Special Sydney Pollack Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

88 years ago today, Sydney Pollack was born in Indiana.  Though Pollack got his start as an actor, he soon moved into directing and was one of the key television directors of the 1960s.  He eventually branched out into film, making a name for himself as a director of intelligent and sensitive comedies and dramas.  Though he only directed 21 films over the course of his career, his films received a total of 48 Oscar nominations and 11 wins.  1982’s Tootsie and 1985’s Out of Africa were both nominated for Best Picture.  Out of Africa won.

Pollack also returned to acting in the 90s, making a name for himself as a skilled character actor.  I’ll always remember him from Eyes Wide Shut, intimidating Tom Cruise while playing pool.

When he passed away in 2008, Pollack was remembered as one of the best directors of Hollywood’s second golden age.

In honor of Sydney Pollack, here are….

4 Shots From 4 Sydney Pollack Films

Jeremiah Johnson (1972, dir by Sydney Pollack, DP: Duke Callaghan)

Three Days of Condor (1975, dir by Sydney Pollack, DP: Owen Roizman)

Out of Africa (1985, dir by Sydney Pollack, DP: David Watkin)

The Firm (1993, dir by Sydney Pollack, DP: John Seale)

Live Tweet Alert: Watch Hell House LLC with #ScarySocial


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, Deanna Dawn will be hosting 2015’s Hell House LLC!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime and Tubi.  I’ll probably be there and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Retro Television Reviews: The Master 1.8 “The Good, the Bad, and the Priceless”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing The Master, which ran on NBC from January to August of 1984.  The show can be found on Tubi!

This week, The Master goes to New York City!

Episode 1.8 “The Good, the Bad, and the Priceless”

(Dir by Michael Caffey, originally aired on March 23rd, 1984)

This week’s episode of The Master asks us to consider just how needlessly complicated an hour’s worth of entertainment can be.

John Peter McAllister (Lee Van Cleef) and Max Keller (Timothy Van Patten) are in New York City!  Apparently, McAllister was flipping through a magazine when he came across an advertisement featuring a picture of his long-lost daughter, Terri.  The agency responsible for the ad is headquartered in New York.  McAllister is excited about the prospect of finally tracking down his daughter.  Max is a little sad because he knows that McAllister won’t need him after he finds Terri.  And Cat Sinclair (Tara Buckman) is just along for the ride….

Who is Cat Sinclair?  She was introduced last episode as a love interest for Max.  This episode tests Cat as a third member of the regular cast.  Unfortunately, since Cat isn’t a ninja, she doesn’t really got to do much in the episode, other than stand in the background and roll her eyes whenever Max makes one of his terrible jokes.  At one point, McAllister mentions that Max has a bit of a crush on Cat but we don’t really see much evidence of it.  If anything, both McAllister and Max seem to go out of their way to ignore her.

Anyway, it turns out that the modeling agency is surprisingly willing to give out the home phone numbers of its models.  They also have no problem telling McAllister, Max, and Cat that Terri has been booked as a model at a private fashion show being put on by Simon Garrett (George Maharis).

However, what neither McAllister nor Simon Garrett realize is that the woman who shows up at the fashion show and introduces herself as Terri McAllister is not Terri at all but is instead an FBI agent named Gina (Janine Turner), who bears a passing resemblance to Terri as long as she’s wearing a brunette wig.  Simon Garrett is not only a fashion designer but he’s also an international criminal.  Gina shows up (as Terri) at the fashion show and tries to search Garrett’s office.  When Garrett’s security goons discover her, her life is saved by McAllister and Max, who both believe her to be Terri.

(How exactly McAllister, Max, and Cat managed to crash Garrett’s exclusive and private fashion show is not discussed.)

Gina continues to pretend to be Terri so that she can convince McAllister to help her figure out what Garrett’s current scheme is.  Meanwhile, Garrett recognizes McAllister as an American ninja so he arranges for his men to kidnap Gina (who, again, everyone thinks is Terri).  He threatens to kill Gina/Terri unless McAllister uses his ninja powers to break into the Brooklyn Museum of Art and steal the Crown Jewels of England.  McAllister agrees to do so, which leads to an extended sequence of Lee Van Cleef’s stunt double avoiding the security lasers by doing elaborate back flips.  Timothy Van Patten’s stunt double then does the exact same back flips.  Who knew that stealing the Crown Jewels would be so simple?

As you can probably guess, this all leads to all the stunt doubles getting into a fight at Garrett’s office.  Garrett is arrested.  The crown jewels are recovered.  Both McAllister and Max turn out to be surprisingly understanding about Gina having lied to them.  One would think that McAllister, who is essentially being hunted a ninja assassins because he came to America to find his daughter, would be a bit more upset over having his emotions so blatantly manipulated but McAllister actually appears to be amused by the whole thing.  Again, it’s hard not to suspect that finding Terri is not really as big a thing to McAllister as Max seems to believe it to be.

This is one of those episodes where everything was dependent upon everyone else being an idiot.  These are typically my least favorite episodes of any show and that’s the case here.  It’s kind of a shame because Lee Van Cleef and Timothy Van Patten both had some good moments in this episode.  The scenes where Max talked about how much he’s going to miss McAllister after they find Terri actually did have some emotional heft but it wasn’t enough to make up for the episode’s missteps.  I will admit that I smiled a bit at a subplot about an ad guy who wanted McAllister to put on a cowboy outfit and pose for a series of deodorant ads.  McAllister took one look at the outfit and said, “I would never wear that.”  Oh yes, you would, Van Cleef!

Next week: Okasa returns!

Lisa Marie’s Early Oscar Predictions For June


It’s time for my Oscar predictions for June!

With the year almost halfway over, the Oscar race still feels pretty fluid, though I think things will come a bit more into focus next month with the release of Oppenheimer and Barbie.  Obviously, Oppenheimer feels more like an Oscar picture than Barbie but you never know what could happen.  The Academy appears to really like Greta Gerwig.  Of course, both of those film have received so much hype that the true test could be just living up to expectations.  Killers of the Flower Moon manage to pass that test at Cannes and, as a result, it’s the current Oscar front runner.

Below are my predictions for June.  Be sure to also check out my predictions for March and April and May!

Best Picture

Air

Barbie

The Color Purple

Dune: Part Two

The Holdovers

Killers of the Flower Moon

Maestro

Oppenheimer

Poor Things

The Zone of Interest

Best Director

Blitz Bazawule for The Color Purple

Jonathan Glazer for The Zone of Interest

Christopher Nolan for Oppenheimer

Alexander Payne for The Holdovers

Martin Scorsese for Killers of the Flower Moon

Best Actor

Bradley Cooper in Maestro

Leonardo DiCaprio in Killers of the Flower Moon

Colman Domingo in Rustin

Paul Giamatti in The Holdovers

Cillian Murphy in Oppenheimer

Best Actress

Emily Blunt in Pain Hustlers

Greta Lee in Past Lives

Natalie Portman in May December

Margot Robbie in Barbie

Emma Stone in Poor Things

Best Supporting Actor

Willem DaFoe in Poor Things

Matt Damon in Oppenheimer

Robert De Niro in Killers of the Flower Moon

Robert Downey Jr. in Oppenheimer

Ryan Gosling in Barbie

Best Supporting Actress

Viola Davis in Air

Lily Gladstone in Killers of the Flower Moon

Taraji P. Henson in The Color Purple

Julianne Moore in May/December

Da’Vine Joy Randolph in The Holdovers

Live Tweet Alert: Join #FridayNightFlix for Purple Rain!


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix has got 1984’s Purple Rain!

 

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Purple Rain is available on Prime!  See you there!

Retro Television Reviews: City Guys 5.9 “Dawn Don’t Know Jack” and 5.10 “Rosie O’Diner”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing City Guys, which ran on NBC from 1997 to 2001.  Almost the entire show is currently streaming on YouTube!

This week, Dawn finally get another date and L-Train gets a van.  Life is never less than exciting for the neat guys.

Episode 5.9 “Dawn Don’t Know Jack”

(Dir by Frank Bonner, originally aired on October 13th, 2001)

At the Manhattan Diner, L-Train tells Jamal and Al that he’s spent the past three years going to a junkyard and fixing up a van — the L-VAN!  And now that the L-Van is ready to be driven, L-Train has no problem giving his friends a ride to the DMX concert in New Jersey.  Even though Al and Jamal agree that L-Train’s van is kind of a mess (and it really is — just because you found the van in a junkyard doesn’t mean you can’t clean it out, L-Train!), they agree to allow L-Train to drive them to the concert.  However, when L-Train picks up a hitchhiker, the three of them end up getting robbed and tied up in the back of the van.  Fortunately, Ms. Noble just happens to be driving by so she …. wait a minute, what?  L-Train, Jamal, and Al are tied up in a van that’s parked off the side of the road in freaking New Jersey and their high school principal just happens to be driving by and decided to stop and explore an unwashed van?

I think we all know what happened here.  Ms. Noble set the boys up to be robbed.  Of course, the show doesn’t admit that.  The show would have use believe that it would be totally normal for L-Train’s high school principal to suddenly show up and untie him.  But we all know what really happened….

While that’s going on, Dawn has a new boyfriend!  Yay!  His name is Jack and he is an old friend of Chris’s.  It turns out that Jack is big into community service projects.  Dawn, because she has a crush on him, helps him build a house.  For some reason, Chris and Cassidy also help.  (When I was in high school, the last thing I ever wanted to do was help someone build a house.)  Anyway, Jack and Dawn go out on a few dates but Jack lets Chris know that he’s also seeing a girl named Jenna.  Chris tells Cassidy and then Cassidy tells Dawn and Dawn …. well, not surprisingly, Dawn refuses to believe it.  But then, at the party to celebrate the completion of the house, Dawn walks in on Jack giving Jenna jewelry.

Poor Dawn.  Dating Al really destroyed whatever self-esteem she once had.

This episode perhaps would have been more effective if not for the fact that the exact same cheating boyfriend storyline was also used on Saved By The Bell, California Dreams, Hang Time, One World, Saved By The Bell: The College Years, Saved By The Bell: The New Class, USA High, Sk8te, and every other show that Peter Engel ever produced.  Seriously, has Dawn never watched television before?

Let’s move on.

Episode 5.10 “Rosie O’Diner”

(Dir by Frank Bonner, originally aired on October 13th, 2001)

Here’s the plot description, according to Wikipedia:

Jamal falls for and after some mistakes in introducing himself, he hooks up with and starts dating one of the waitresses at the Manhattan diner named Rosie. She is very independent and not afraid to speak her mind, which proves to be trouble when she begins to offend customers who get on her nerves at the diner. After numerous complaints, Mr. Grant gives his son the uncomfortable job of firing her.

I had to go with the Wikipedia description for this episode because it hasn’t been uploaded to YouTube.  It sounds pretty stupid, from the silly title to the fact that apparently, Mr. Grant can’t fire his own employees but instead puts the responsibility on his teenaged son.  As far as Rosie offending the customers …. it’s New York.  People in New York can get away with being rude.  It’s a part of their charm.  That’s why we all secretly want to live there.

I’m kind of glad I had an excuse not to watch this one.