Film Review: Silent Madness (dir by Simon Nuchtern)


1984’s Silent Madness opens in a mental hospital in New Jersey.  In order to cut down on costs, the hospital’s administrators have been giving early release to some of their patients.  Dr. Joan Gilmore (Belinda Montgomery) has only been on staff for a few months but even she knows that there’s a risk that a truly dangerous patient could be released.  Dr. Gilmore’s worries come true when a homicidal patient named Howard Johns (Solly Marx) disappears from the hospital.  Apparently, a computer errors led to Howard being released instead of a patient with a similar name.

Oh, someone screwed up big time!

Or, at least, that’s what Joan believes.  In a scene that has to be seen to be believed, the arrogant Dr. Kruger (Roderick Cook) attempts to convince Joan that Howard Johns actually died a while ago and that’s why he’s not in the hospital anymore.  Joan demands to see a death certificate.  Dr. Kruger is like, “Oh, I don’t know where it is.  We’ll have to look for it.”  Yeah, that’s the same thing I used to say in college whenever I was running behind on my paying my credit card.  “Really?  I never received that bill.  Can you send it again?”

Knowing that Howard was imprisoned after committing several murders at a sorority house in upstate New York, Joan theorizes that he’s heading back to the college so that he can pick up where he left off.  Pretending to be a former member of the sorority, Joan meets the aging house mother, Mrs. Collins (Viveca Lindfors).  Mrs. Collins — who often refers to younger women as being “whores” — tells a story of how a hazing ritual gone wrong led to handyman Howard grabbing a nail gun and wiping out a pledge class.  When Joan actually spots Howard on campus, she tries to get the sheriff (Sydney Lassick) to do something about it.  The sheriff replies that Joan must be seeing things because the hospital called and reported that Howard is deceased.  The sheriff than has a beer because he’s the best character in the entire film.

Howard, needless to say, is not dead.  He’s hiding out in the sorority house and he’s continuing in his murderous ways.  We don’t really learn much about Howard.  As the title suggests, he’s a silent killer.  That works to the film’s advantage.  A silent killer is far more intimidating than one who spends all of his time coming up with bad puns.  Because Silent Madness was originally filmed in 3D, Howard enjoys throwing axes and firing nail guns, often straight at the camera.

Silent Madness is a thoroughly ludicrous film but it’s enjoyable as a product of its time.  It’s hard not to smile at the thought of a theatrical audience ducking as Howard throws an axe at the camera in 3D.  Howard is a properly intimidating killer but the film is totally stolen by Roderick Cook, Viveca Lindfors, and Sydney Lassick, three veteran actors who knew better than to even try to be subtle while appearing in a film like this.  Lassick’s performance as the cowardly sheriff is especially enjoyable.  We all know that law enforcement is useless in a slasher film.  Lassick’s sheriff seems to understand this as well.  He’d rather just stay in his office and who can blame him?

Silent Madness is silly and kind of dumb but it’s undeniably entertaining.

 

Film Review: Scream (dir by Byron Quisenberry)


Since today is Friday the 13th, I decided to review a film called Scream….

No, not that Scream.

This Scream came out in 1981.  It’s a slasher film but instead of featuring the usual collection of teenage victims, the victims in Scream are largely a collection of middle-aged tourists who are played a motely collection of former sitcom stars and western veterans.  Even Ethan Wayne, the son of John Wayne, makes an appearance, playing a potential victim named Stan.

The film imagines what would happen if a bunch of tourists who were exploring the Rio Grande decided to spend the night in an apparently deserted ghost town.  Speaking for myself, I would have never decided to sleep in a deserted town, especially one that isn’t even on a map.  I mean, those places are called ghost towns for a reason.  Even if they’re not haunted by ghosts, they are probably home to snakes, spiders, and all sorts of bugs.  Considering that these people have camping gear with them, I’m not sure why they decided it would be smart to just sleep in an abandoned building.  This is where the film’s use of adult victims really backfires.  It’s easier to accept teenagers and 20-something doing something stupid.  When it’s a bunch of people heading towards 40 and 50 (and even older in some cases), you can’t help but feel that they have no one but themselves to blame.

The murders begin on the first night.  Needless to say, the survivors decide to find somewhere else to sleep but they discover that their rafts have been cut apart.  They’re trapped in the town.  Some of them leave to try to find a nearby ranch.  Everyone else stays in the town and tries not to fall victim to the unseen killer.

And then Woody Strode shows up.

Oh, poor Woody Strode.  Woody Strode was in his late 60 when he appeared in this film.  In his youth, he was one of the first black men to play in the NFL.  When he went into acting, he became a favorite of John Ford’s.  In The Man Who Shot Liberty Valance, he was John Wayne’s best friend.  In Sergeant Ruteledge, he had a rare lead role as man falsely accused of murdering a white woman.  In Stanley Kubrick’s Spartacus, he was the gladiator whose defiant death sparked Spartacus’s rebellion.  In Sergio Leone’s Once Upon A Time In The West, he was one of he gunmen waiting for Charles Bronson at the train station.  Woody Strode had a long career and he broke a lot of barriers.

In Scream, Woody Strode plays Charlie, who claims that he’s spent forty years searching for the invisible killer who is currently terrorizing the tourists.  It must be said that Strode gives the best performance in the film.  He delivers his dialogue with a natural authority and, if you needed someone to defend you from an invisible killer with a scythe, Charlie is definitely who you would want to call.  That said, Charlie wanders off for a good deal of the film.  We never really find out where Charlie went off to.  He returns eventually but not before the remaining survivors have managed to do several stupid things.

Scream is a pretty dull film, one that doesn’t even take advantage of its potentially atmospheric location.  Watching it, one gets the feeling that everyone involved just made it up as they went along.  It’s interesting to see a slasher film in which the victims are not a bunch of teenagers or camp counselors but otherwise, Scream is nothing to scream about.

 

Retro Television Review: St. Elsewhere 3.9 “Up On The Roof”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Daily Motion.

This week, an arrest is made.

Episode 3.9 “Up On The Roof”

(Dir by Eric Laneuville, originally aired on November 21st, 1984)

It’s another busy day at St. Eligius.

  • The last of the firemen (Stephen Elliott) is finally sent home.  At first, he’s bitter about all of the skin grafts and all the other work that Dr. Caldwell did on him.  But then his grandkids come in the hospital and room and shout, “Grandpa!”  And then he steps outside and is greeted by all the other firemen.  He leaves in a fire truck and Dr. Caldwell — the only angst-free doctor at St. Eligius — smiles and waves.  Finally, someone on this show gets a happy ending.
  • Ms. Hufnagel continues to get on everyone’s nerves with her constant complaints.  Dr. Fiscus dumps her on Dr. Axelrod.  While the show seems to want us to be as annoyed with Ms. Hufnagel as everyone else, I have to admit that I feel sorry for her.  Does she complain a lot?  Yes, she does.  But being in a hospital can really be scary.  I complained a lot whenever I was rushed to the ER because of my asthma.  I complained a lot when my mom was in the hospital.  I complained a lot when my dad was in the hospital.  I complained a lot when my aunt was in the hospital.  Sometimes, complaining is the only comfort you have.
  • Dr. Morrison is upset when a friend (John Schuck) is told that his daughter cannot be treated with an experimental dialysis machine.
  • Nurse Rosenthal continues to have an affair with Richard Clarendon, the labor negotiator.
  • Dr. Christine Holz (Caroline McWilliams) comes to the hospital to perform a bone marrow transplant.  Dr. Annie Cavanero invites Dr. Holz to come to her place for dinner.  Cavanero is shocked when Dr. Holz reveals that she’s a lesbian and the viewer is once again reminded that this show aired in the mid-80s.
  • According to what I’ve read online, the original plan was for Dr. Holz to become Cavanero’s romantic partner but Cynthia Sikes refused to kiss another woman onscreen.  This led to the storyline being hastily rewritten and it apparently also led to Sikes being fired from the show at the end of the third season.
  • Kathy Martin is still in the psych ward.  When Detective Alex MacGallen (Charles Lanyer) attempts to question her about where she was when Peter White was shot, he is informed by Kathy’s doctor that Kathy has an alibi.  Later, Shirley comes to the psych ward and slips Kathy a letter.
  • Shirley has been hiding the gun that she used to shoot Peter all over the hospital.  However, when the detective finally confronts her and reveals that he knows that she killed Peter, Shirley pulls the gun on him and then run up to the rooftop.
  • On the roof, Dr. Westphall and Jack take their turns trying to convince Shirley to surrender to the police.  After Shirley confesses and then demands to know why Jack didn’t make more of an effort to stop Peter, Shirley drops her gun and is taken into custody.

This was a depressing episode, even by the standards of St. Elsewhere.  Shirley has always been one of my favorite characters and I hate the idea that she’s now going to go to prison for killing Dr. White.  From a narrative point of view, someone had to shoot Peter.  That was really the only way his story could end.  Personally, I think it would have made more sense for Dr. Cavanero to be the shooter that Shirley.  I mean, if Cavanero was going to be written off the show anyway, killing Dr. White would have given her a decent exit.

Next week, I’m sure something else depressing will happen.  We’ll see!

Song of the Day: Love Will Lead You Back ( by Taylor Dane)


There’s something timeless about Taylor Dayne’s “Love Will Lead You Back.” It’s one of those late‑’80s power ballads that seems to wrap you in equal parts heartbreak and hope. The production has that cinematic touch — sweeping keys, smooth percussion, and Dayne’s powerhouse vocals soaring right at the emotional peak. You can practically imagine it playing in the background of a classic movie breakup scene, the kind where one person turns away but everyone watching knows they’ll find their way back to each other.

What really hits about this song is how honest it feels about love’s cycles — that idea that no matter how far two people drift, fate has a way of reconnecting them when the time is right. Dayne’s delivery balances vulnerability and strength; she’s not begging, she’s believing. The lyrics have that emotional confidence that was so characteristic of ballads from that era, blending idealism and maturity in a way that feels comforting even decades later.

Listening to it now, the song carries a kind of nostalgic magic. It brings you back to a time when love songs weren’t afraid to be grand and achingly sincere. Maybe it’s the warm analog production or the fearless emotion in Dayne’s voice, but it reminds you how music used to make you stop for a moment — just to feel. It’s a track that doesn’t just tell you love will lead you back; it makes you believe it.

Love Will Lead You Back

Saying goodbye is never an easy thing
But you never said that you’d stay forever
So if you must go, well darlin’, I’ll set you free
But I know in time that we’ll be together

Oh, I won’t try to stop you now from leaving
‘Cause in my heart I know

Love will lead you back
Someday I just know that
Love will lead you back to my arms
Where you belong
I’m sure, sure as stars are shining
One day you will find me again
It won’t be long
One of these days our love will lead you back

One of these nights
Well, I’ll hear your voice again
You’re gonna say
Oh, how much you miss me
You’ll walk out this door
But someday you’ll walk back in
Oh, darling I know
Oh, I know this will be

Sometimes it takes
Some time out on your own now
To find your way back home

Love will lead you back
Someday I just know that
Love will lead you back to my arms
Where you belong
I’m sure, sure as the stars are shining
One day you will find me again
It won’t be long
One of these days our love will lead you back

But I won’t try to stop you now from leaving
‘Cause in my heart I know, oh yeah

Love will lead you back
Someday I just know that
Love will lead you back to my arms
Where you belong
I’m sure, sure as stars are shining
One day you will find me again
It won’t be long
One of these days our love will lead you back, oh yeah

Love will lead you back
Someday I just know that
Love will lead you back to my arms
It won’t be long
One of these days our love will lead you back

Scenes That I Love: Jason Emerges From The Lake In Friday the 13th


In 1980, when director Sean S. Cunningham offered Ari Lehman a role in his new movie, he asked only one question. “Can you swim?”

At the age of 14, Ari appeared in Friday the 13th.  He didn’t get much screen time but his performance and appearance as the young Jason Voorhees created a moment of fright that lives on today.

4 Shots From 4 Films: Special Friday The 13th Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

The Friday the 13th films aren’t exactly known for being the most visually impressive horror films ever made.  That’s especially true of the first 8 films, which were all shot on a low budget and in a hurry.  Actually, I think you could argue that’s a part of the enduring charm of the series.  Today is Friday the 13th and there’s no way that I, as a lover of the horror genre, couldn’t use the 4 Shots format to pay a little bit of tribute to one of the most successful and influential horror franchises of all time.

So, with that in mind, here are….

4 Shots From 4 Friday the 13th Films

Friday the 13th (1980, dir by Sean S. Cunningham)

Friday the 13th Part II (1981, dir by Steve Miner)

Friday the 13th: The Final Chapter (1984, dir by Joseph Zito)

Friday the 13th Part VIII: Jason Takes Manhattan (1989, dir by Rob Hedden)

Back in 2012, I reviewed every single film in the Friday the 13th film franchise!  It was a lot of fun!

My Friday the 13th reviews:

Happy Friday the 13th everyone!

Live Tweet Alert: Join #FridayNightFlix for Sharktopus!


As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties.  On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday.  On Mastodon, I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie?  Sharktopus!

If you want to join us this Friday, just hop onto twitter, find Sharktopus on Prime, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there happily tweeting.  It’s a friendly group and welcoming of newcomers so don’t be shy.

See you there!

Late Night Retro Television Review: Highway to Heaven 5.7 “The Squeaky Wheel”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week, Jonathan and Mark help out a vet.

Episode 5.7 “The Squeaky Wheel”

(Dir by Michael Landon, originally aired on June 16th, 1989)

Jonathan and Mark attempt to turn Wayne Secret (Robert David Hall) into a disability activist.  Having lost his legs in Vietnam, Wayne wants to live a quiet life with his wife (Deborah Benson) but, while staying at a recently renovated hotel, he is woken up by a fire alarm.  With the the elevators not working and no ramps, Wayne is forced to depend on the kindness of a stranger who carries him down a flight of stairs.  The fire turns out to be a false alarm but the experience leads to Wayne protesting the fact that the hotel is not wheelchair accessible.

The owner of the hotel not only agrees to make changes to the building but he also offers Wayne a job.  Things are looking up for Wayne!  But, when a gang of young men harass him and his wife at a drive-in movie, Wayne snaps.  He buys an Uzi and then heads down to their clubhouse to take them out.  Luckily, Jonathan appears and talks Wayne out of becoming a mass murderer.  Wayne goes on to receive a “man of the year” award while Jonathan beats up the leader of the gang.

This episode felt very familiar.  In the past, this episode would have featured Mark’s brother-in-law, Scotty.  Instead, it features Wayne, who is not a particularly compelling character.  I think that this episode would have worked if it had just focused on Wayne advocating for wheelchair accessible buildings.  I also think it would have worked if it had just focused on Wayne’s anger to the gang and his struggle to let go of his bitterness over his war experiences.  Unfortunately, trying to cram both those storylines into one 45-minute show led to the whole thing feeling half-baked.

There was one poignant scene in this episode.  It opened with Mark and Jonathan visiting the Hollywood Walk of Fame.  Mark got excited when he came across Michael Landon’s star. “Never heard of him,” Jonathan shrugged.  “I forget you’ve been dead for forty years,” Mark replies.  It captured Jonathan and Mark’s friendship, which was always been one of the more underrated aspects of Highway to Heaven.  That said, it was also a bit of a sad scene as the episode itself aired a day after the death of Victor French and Landon himself would pass away nearly two years later.