Horror Song of the Day: Damien (by DMX)


It’s been a while, but I’ve always thought of October as the best month for Through the Shattered Lens. The site has always leaned into sci‑fi and horror at its core—and in the early days, it was especially heavy on the horror side of things. That was really the big common thread between Lisa Marie and me when we first got started here.

So, as part of easing my way back into being a little more active on a site I’ve watched grow for over 16 years, I wanted to spotlight something that’s stuck with me for decades: “Damien,” the ninth track off DMX’s 1998 debut album It’s Dark and Hell is Hot. That record catapulted DMX—Earl Simmons—into instant superstardom.

“Damien” has always been the track I kept coming back to, even years after the album first dropped. The album itself was pure fire: a mix of chest‑thumping, hyper‑aggressive tracks laced with one of the rawest and most distinctive voices hip‑hop had seen since the losses of Biggie and Tupac. At the time, some even saw DMX as their natural successor.

But “Damien” stood apart. The song oozes dark energy, hitting like lyrical possession from start to finish. Built around a haunting sample from Stanley Clarke’s “Slow Dance,” the beat sets the stage for DMX to pour out a narrative of bad breaks, self‑inflicted wounds, and a desperate search for a guardian angel—only to meet something else entirely. Instead of an angel, he finds Damien, a voice offering help but radiating malevolence.

When “D” first enters the track, he plays almost like a mischievous accomplice, a shadowy partner in crime. But as the verses build, that “help” morphs into something more toxic, more sinister—a presence that feeds off the chaos it creates.

DMX’s debut wasn’t just a hit album; it pushed horrorcore rap into the mainstream in a way few had managed before. With “Damien,” he delivered one of the most chilling, unforgettable examples of horror woven directly into hip‑hop—a track that feels just as unsettling now as it did back in ’98.

Damien

Uh, Def Jam
Uh, Ruff Ryders
Uh, my nigga TP, creep with me

Why is it every move I make turns out to be a bad one?
Where’s my guardian angel? Need one, wish I had one
I’m right here, shorty, and I’ma hold you down
You trying to fuck all these bitches? I’ma show you how
But who-? (Name’s D, like you, but my friends call me Damien)
And I’ma put you hip to something (uh-huh) about this game we in
You and me could take it there, and you’ll be
The hottest nigga ever living (that’s a given?) You’ll see
Hmm, that’s what I’ve been wanting all my life
Thinkin’ about my little man, so I call my wife
Well, your dada is about to make it happen
(What you mean, my nigga?) I’m about to make it rapping
Today I met this cat, he said his name was Damien
He thinks that we’re a lot alike and wants to be my friend
(You mean like Chuckie?) Ha ha, yeah, just like Chuckie
(Dada, looks like we both lucky) Yeah

The snake, the rat, the cat, the dog
How you gon’ see him if you living in the fog?
The snake, the rat, the cat, the dog
How you gon’ see him if you living in the fog?
The snake, the rat, the cat, the dog
How you gon’ see him if you living in the fog?
The snake, the rat, the cat, the dog
How you gon’ see him if you living in the fog?

Ay-yo, D (What up, D?) You’s a smooth nigga
I seen you when nobody knew who pulled the trigger
Yeah, you know, it’s always over dough
You sure? I could have swore it was over a hoe
Nah, nah, that ain’t my style (igga, you stay fronting)
But you’re still my man, and I ain’t gonna say nothin’
Got some weed? Go ‘head, smoke it (what?) Go ‘head, drink it (what?)
Go ‘head and fuck shorty, you know I can keep a secret (aight)
I’m about to have you driving, probably a Benz
But we gotta stay friends, blood out, blood in
Sounds good to me, fuck it, what I got to lose?
Hmm, nothin’ I can think of, any nigga would choose
Got me pushing the whips, takin’ trips across seas
Pockets stay laced, nigga, I floss Gs
For that nigga I would bleed, give him my right hand
Now that I think about it, yo, that’s my man!

The snake, the rat, the cat, the dog
How you gon’ see him if you living in the fog?
The snake, the rat, the cat, the dog
How you gon’ see him if you living in the fog?
The snake, the rat, the cat, the dog
How you gon’ see him if you living in the fog?
The snake, the rat, the cat, the dog
How you gon’ see him if you living in the fog?

You like how everything is going? You like what I gave ya?
You know if you was going down, I’d be the one to save ya
But yo, I need a favor, these cats across town hate me
Plus their behavior hasn’t been too good lately
What? Anything for you, dog, where them niggas at?
38th from Broadway (aight, let me get the gat)
Run up on ’em strapped, bust off caps in four niggas
Laid low for ’bout a month then killed two more niggas
Now I’m ready to chill, but you still want me to kill
Look at what I did for you! Dog, come on, keep it real!
Aight, fuck it, I’ma do it, who is it this time?
Ayy-yo, remember that kid Sean you used to be with in ’89?
Nah, that’s my man! (I thought I was your man?)
But yo, that’s my nigga (hey, who’s your biggest fan?)
Either do it or give me your right hand, that’s what you said
I see now, it ain’t nothing but trouble ahead (uh-huh)

The snake, the rat, the cat, the dog
How you gon’ see him if you living in the fog?
The snake, the rat, the cat, the dog
How you gon’ see him if you living in the fog?
The snake, the rat, the cat, the dog
How you gon’ see him if you living in the fog?
The snake, the rat, the cat, the dog
How you gon’ see him if you living in the fog?

In the fog, the fog, living in the fog
How you gon’ see him if you living in the fog?
How you gon’ see him if you living in the fog?
The snake, the rat, the cat, the dog
To be continued, motherfuckers
Ah-hahahahaha

Horror On The Lens: The Horror of Party Beach (dir by Del Tenney)


Everybody do the zombie stomp!

Featuring the music of the Del-Aires, a motorcycle gang led by a guy wearing a beret, teenagers who appear to be in their 30s, and monsters that simply have to be seen to be believed, 1964’s Horror of Party Beach is a true classic.  It’s a film as immortal as the cloudy New Jersey sky under which it was filmed.

I always feel bad for Tina (Marilyn Clarke).  Tina is a rebel, a force of chaos who has grown tired of being tied down by the rules of conventional society.  Perhaps symbolically, she becomes the first victim of the horror of Party Beach and all because she wanted to have some time to herself.  It’s a tragedy to which I can relate.

The other thing that I like about this movie is that, even though people are dying left-and-right, it never seems to occur to anyone to just not go to Party Beach.  The Del-Aires continue to perform, no matter who dark things may seem.  Indeed, I’d argue that the Del-Aires are the true heroes of this film.

For your viewing pleasure, here is The Horror of Party Beach!

Great Moments In Television History #38: The Twilight Zone Premiers On CBS


 

“There is a sixth dimension, beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow, between science and superstition, and it lies between the pit of man’s fears and the summit of his knowledge. This is the dimension of imagination. It is an area which we call The Twilight Zone.”

66 years ago today, viewers heard those words for the first time when The Twilight Zone premiered on CBS.  Those words were delivered by the show’s creator and the writer of its first episode, Rod Serling.  (In future episodes, “the sixth dimension” would be relabeled “the fifth dimension.”)

The first episode of The Twilight Zone starred Earl Holliman as a man who finds himself walking down a dirt road with no memory of how he got there.  He sees signs of civilization — a police station, a diner, and a movie theater — but no people.  The isolation and the loneliness threaten to drive him mad but, at the end of the episode, it’s revealed to have all been a simulation performed by the military to test whether the man, as astronaut, will be able to mentally handle being alone in space.

The barrier of loneliness: The palpable, desperate need of the human animal to be with his fellow man. Up there, up there in the vastness of space, in the void that is sky, up there is an enemy known as isolation. It sits there in the stars waiting, waiting with the patience of eons, forever waiting… in The Twilight Zone.

With no supernatural or extraterrestrial elements, this episode was not typical of what The Twilight Zone would eventually become.  But, on October 2nd, 1959, it was enough to launch the show and make television history.  It was truly a great moment in television history.

Previous Moments In Television History:

  1. Planet of the Apes The TV Series
  2. Lonely Water
  3. Ghostwatch Traumatizes The UK
  4. Frasier Meets The Candidate
  5. The Autons Terrify The UK
  6. Freedom’s Last Stand
  7. Bing Crosby and David Bowie Share A Duet
  8. Apaches Traumatizes the UK
  9. Doctor Who Begins Its 100th Serial
  10. First Night 2013 With Jamie Kennedy
  11. Elvis Sings With Sinatra
  12. NBC Airs Their First Football Game
  13. The A-Team Premieres
  14. The Birth of Dr. Johnny Fever
  15. The Second NFL Pro Bowl Is Broadcast
  16. Maude Flanders Gets Hit By A T-Shirt Cannon
  17. Charles Rocket Nearly Ends SNL
  18. Frank Sinatra Wins An Oscar
  19. CHiPs Skates With The Stars
  20. Eisenhower In Color
  21. The Origin of Spider-Man
  22. Steve Martin’s Saturday Night Live Holiday Wish List
  23. Barnabas Collins Is Freed From His Coffin
  24. Siskel and Ebert Recommend Horror Films
  25. Vincent Price Meets The Muppets
  26. Siskel and Ebert Discuss Horror
  27. The Final Scene of Dark Shadows
  28. The WKRP Turkey Drop
  29. Barney Pops On National TV
  30. The Greatest American Hero Premieres
  31. Rodney Dangerfield On The Tonight Show
  32. The Doors Are Open
  33. The Thighmaster Commercial Premieres
  34. The Hosts of Real People Say “Get High On Yourself”
  35. The 33rd NFL Championship Game Is Broadcast In Color
  36. The Sopranos Premieres on HBO
  37. Eisenhower Hosts The First Televised Press Conference

“Shark Encounters of the Third Kind” Review by Case Wright, (Dir. Mark Polonia, Writer John Dalton)


Happy Horrorthon! I have seen a lot of bad movies over the years, but this might be the worst movie ever made. “The Room” by Tommy Wiseau is provably better than “Shark Encounters of the Third Kind” because much of “The Room” took place in rooms; whereas, this “shark horror film (note the poster above)” took place mostly on land, kitchens, parking lots, docks, and a creepy onanist’s basement. There is actually a scene where an incel guy slowly walks down the stairs to his “Man Basement” and puts in a VHS tape, sighs, leans back, and…. he watches a documentary on alien abductions. Yep, that’s all he was up to…watching a documentary. “Shark Encounters of the Third Kind” sponsored by the Carpal Tunnel Foundation of America.

Some of you might be like- “Case, you always judge these films really hard and these people have feelings… probably.” Hear me out, the Polonias (this films’ director/producer) and Alex Maganas (Smiling Woman creator) of the world don’t care about my feelings when they make these terrible things. I was thinking: is there a way that I would be able to give this film a positive review? I think so: if my neighbor had a three year old and this three year old told me, “Mr. Casey, I made a movie and a boom boom.” I’d watch the movie with his family and cheer him on, but this is not the case here. So, this movie gets no breaks from me.
Really, look at the villains!

This Alien Has EVIL Potholders!
I believe this is the plot: the villains are NOT the sharks. The villains are aliens who are doing a reconnaissance mission to earth and there are sharks involved somehow – rarely. Mostly, this film is a big honking crazy mess. The poster is not terrible…. so there’s that.

Another observation: the film is really into doing closeups….A LOT. For example, they spend a lot of time on this actor’s face (below). He is definitely NOT a shark. You wonder why this movie only has 8 minutes of shark scenes. I think the shark scenes were too expensive and you need to make more time for Oven Mitt Alien guy (above).

There is really no reason for you to watch this film. I’m sure that you have done something good in your life- spare yourself.

Godzilla Film Review: Godzilla: Tokyo S.O.S. (dir by Masaaki Tezuka)


A direct sequel to Godzilla Against Mechagodzilla, 2002’s Godzilla: Tokyo S.O.S. begins with the Shobijin, those two little annoying girls who hang out with Mothra, appearing to a Japanese scientist and his family and explaining to them that Godzilla won’t stop attacking Japan until the government does away with their Mechagodzilla, Kiryu.  Kiryu was constructed using the bones of the original Godzilla and, as a result, the current Godzilla is drawn to him.

Instead, the Shobijin suggest that the Kiryu should be tossed in the ocean.  In return, the latest incarnation of Mothra will serve as Japan’s champion whenever Godzilla attacks.

So, to make clear, Japan can either be protected by a badass cyborg that was created out of the skeletal remains of the original Godzilla or it can be protected by a giant moth that has to spend time in a cocoon before it can even become an effective monster.  And, along with the whole cocoon thing, Mothra also comes with two annoying little sidekicks who are constantly popping up and going on and on about how stupid humanity is.

Now, I don’t know about you but, if I was in charge, I would probably just stick with the cyborg.  If nothing else, the cyborg looks like a badass and it can destroy just as much property as Godzilla.  The cyborg exists to say, “Hey, Godzilla — you’re not the only pointlessly destructive monster on this planet!”  Add to that, the cyborg can be piloted and controlled by humans.  The cyborg doesn’t talk back.  The cyborg doesn’t tell humanity that everything is their fault.  The cyborg can be shut down whenever there’s not a monster attack going on.  In other words, get lost, Mothra!

In Tokyo S.O.S., The government of Japan agrees with me, which of course leads to a huge fight between Godzilla, Kiryu, and eventually Mothra.  Mothra does that thing where she wraps Godzilla up in string and also where she appears to sacrifice her life.  The problem is that, after you see enough of these films, you know that Mothra is always going to sacrifice her life and she’s always going to be reborn.

So, the story isn’t that spectacular.  It’s pretty much just Godzilla Against Mechagodzilla all over again.  But here’s the important thing: the fights are really cool.  Yes, the fights are a bit familiar and there’s nothing about them that will really take you by surprise but, if you just want to watch Godzilla destroy stuff, this film delivers plenty of that.

Tokyo S.O.S. is unique amongst the Godzilla films of its era in that it was a direct sequel as opposed to be a reboot.  In fact, it was only the direct sequel of the so-called Millennium Era.  The next Godzilla film, Godzilla: Final Wars, would be a reboot and a spectacular one at that.  We’ll take a look at it next week.

Previous Godzilla Reviews:

  1. Godzilla, King of the Monsters (1958)
  2. Godzilla Raids Again (1958)
  3. King Kong vs Godzilla (1962)
  4. Mothra vs. Godzilla (1964)
  5. Ghidorah: The Three-Headed Monster (1964)
  6. Invasion of the Astro-Monster (1965)
  7. Godzilla vs. The Sea Monster (1966)
  8. Son of Godzilla (1967)
  9. Destroy All Monsters (1968)
  10. All Monsters Attack (1969)
  11. Godzilla vs Hedorah (1971)
  12. Godzilla vs Gigan (1972)
  13. Godzilla vs Megalon (1973)
  14. Godzilla vs Mechagodzilla (1974)
  15. The Terror of Mechagodzilla (1975)
  16. Cozilla (1977)
  17. Godzilla 1985 (1985)
  18. Godzilla vs. Biollante (1989)
  19. Godzilla vs King Ghidorah (1992)
  20. Godzilla vs. Mothra (1992)
  21. Godzilla vs Mechagodzilla 2 (1994)
  22. Godzilla vs SpaceGodzilla (1994)
  23. Godzilla vs. Destoroyah (1995)
  24. Godzilla (1998)
  25. Godzilla 2000 (1999)
  26. Godzilla vs Megaguirus (2000)
  27. Godzilla, Mothra, and King Ghidorah: Giant Monsters All-Out Attack (2001)
  28. Godzilla Against Mechagodzilla (2002)
  29. Godzilla (2014)
  30. Godzilla: Planet of the Monsters (2017)
  31. Godzilla, King of the Monsters (2019)
  32. Godzilla vs Kong (2021)
  33. Godzilla Minus One (2023)

Horror Insomnia File #73: Don’t Kill It (dir by Mike Mendez)


What’s an Insomnia File? You know how some times you just can’t get any sleep and, at about three in the morning, you’ll find yourself watching whatever you can find on cable or streaming? This feature is all about those insomnia-inspired discoveries!

Last night, if you were having trouble getting to sleep, you could have gone to either YouTube or Tubi and watched the 2016 horror film, Don’t Kill It!

Don’t Kill It! takes place in a small Mississippi town.  After a hunter shoots his suddenly viscous dog and then murders his wife and children, the hunter is gunned down by another man.  That man then proceeds to kill his own family.  FBI agent Evelyn Pierce (Kristina Klebe) thinks that it was a case of domestic terrorism.  Demon hunter Jebediah Woodley (Dolph Lundgren) disagrees.  Woodley explains that there’s a demon on the loose.  The demon jumps from host to host.  Killing one host means becoming possessed yourself.  As Woodley explains it, the only way to avoid becoming possessed is not to kill it but then you run the risk of being killed yourself.

At first, everyone is skeptical of Woodley’s claims.  But as Evelyn investigates the case (and we watch a lot of slow motion flashbacks that appear to have been included to pad out the running time), she comes to realize that Woodley is correct.  There is a demon and it is possessing people.  But how can it be stopped?

Don’t Kill It may be a low-budget film but it gets the most out of that budget, making good use of the country atmosphere of its setting and getting generally good performances from the cast.  (The possession scenes are simple but still very well-done and creepy.)  The main appeal here is Dolph Lundgren, playing his role with just the right amount of self-awareness to let the viewer know that Lundgren knows exactly what type of film he’s appearing in and that he’s going to do his best to keep things entertaining.  It’s a film that’s perfect for late night horror season viewing.

Admittedly, I watched the film with a group of friends, some of whom dropped out during the opening massacre.  I could understand their feelings but I think the important thing to consider is, for all the bad things that happened, a hero still showed up to put things right.  Indeed, one could argue that the film’s theme of murder leading to more murder is actually a plea for peace.  “Don’t kill it!” Woodley says and it’s a message for everyone watching.

Previous Insomnia Files:

  1. Story of Mankind
  2. Stag
  3. Love Is A Gun
  4. Nina Takes A Lover
  5. Black Ice
  6. Frogs For Snakes
  7. Fair Game
  8. From The Hip
  9. Born Killers
  10. Eye For An Eye
  11. Summer Catch
  12. Beyond the Law
  13. Spring Broke
  14. Promise
  15. George Wallace
  16. Kill The Messenger
  17. The Suburbans
  18. Only The Strong
  19. Great Expectations
  20. Casual Sex?
  21. Truth
  22. Insomina
  23. Death Do Us Part
  24. A Star is Born
  25. The Winning Season
  26. Rabbit Run
  27. Remember My Name
  28. The Arrangement
  29. Day of the Animals
  30. Still of The Night
  31. Arsenal
  32. Smooth Talk
  33. The Comedian
  34. The Minus Man
  35. Donnie Brasco
  36. Punchline
  37. Evita
  38. Six: The Mark Unleashed
  39. Disclosure
  40. The Spanish Prisoner
  41. Elektra
  42. Revenge
  43. Legend
  44. Cat Run
  45. The Pyramid
  46. Enter the Ninja
  47. Downhill
  48. Malice
  49. Mystery Date
  50. Zola
  51. Ira & Abby
  52. The Next Karate Kid
  53. A Nightmare on Drug Street
  54. Jud
  55. FTA
  56. Exterminators of the Year 3000
  57. Boris Karloff: The Man Behind The Monster
  58. The Haunting of Helen Walker
  59. True Spirit
  60. Project Kill
  61. Replica
  62. Rollergator
  63. Hillbillys In A Haunted House
  64. Once Upon A Midnight Scary
  65. Girl Lost
  66. Ghosts Can’t Do It
  67. Heist
  68. Mind, Body & Soul
  69. Candy
  70. Shortcut to Happiness
  71. Dallas Cowboy Cheerleaders
  72. Dallas Cowboy Cheerleaders II

Music Video of the Day: Cars by Gary Numan and Fear Factory (1999, directed by John S. Bartley)


In 1999, Fear Factory and Gary Numan teamed up to give a new spin to an 80s classic.  This video plays more to the horror element of Numan’s song, which is something that I think is often overlooked.

John S. Bartley, the credited director, worked primarily as a cinematographer.  Among the television series that he worked on: The X-Files, Bates Motel, iZombie, and Vikings.  He also worked on the 2002 spider horror film, Eight-Legged Freaks.

Enjoy!