Lisa Cleans Out Her DVR: Sometimes The Good Kill (dir by Philippe Gagnon)

(Hi!  I’m currently in the process of cleaning out my DVR!  Hopefully, I’ll be done before the next Congressional special election but it’s going to be a close one!  Anyway, I recorded Sometimes The Good Kill off of Lifetime on May 13th!)

I have to admit that when I saw the title of this one, my first thought was, “Since when is Lifetime doing Spaghetti westerns?”  I mean seriously, Sometimes The Good Kill is one of those titles that would be perfect for a Franco Nero or a Tomas Milian (or maybe even a Terrence Hill) film.

But no, it turns out I was wrong.

Sometimes The Good Kill takes a look at the sordid things that happen behind the scenes at a convent, a question that has apparently obsessed audiences since the first time they heard Hamlet order Ophelia to “get thee to a nunnery!”  Someone is killing nuns, but why?  Things get off to a start when the old Mother Superior is found underneath a ladder.  Then another is found drowned in a bathtub.  The new Mother Superior (Allison Hossack) wants the murders to remain a secret because the convent is struggling financially.  So, instead of calling the police, she just puts the bodies in a freezer.  Fortunately, the newest arrival at the convent — Sister Talia (Susie Abrometi) — has a mysterious past.  She knows the streets.  She knows the darkest aspects of human nature.  Mother Superior wants Talia to solve these murders and she even hands her a gun to make the job easier.

Wow, that sounds like a lot of fun, doesn’t it?  It does but, once you get over the novelty of nuns hiding guns and solving murders, Sometimes The Good Kill settles down to be a fairly typical Lifetime movie.  The film moves at a rather stately pace and its full of scenes of nuns gossiping in low voices and sometimes, I found myself straining to understand what everyone was saying.  Speaking as someone who comes from an Irish/Italian/Spanish Catholic background, this is a film that I wanted to enjoy more than I actually did.

That said, here are a few words of praise.  While the film’s pacing may have been off, it was relatively well-performed.  My favorite suspect was Sister Jean (Deborah Grover), because she didn’t trust anyone and had no fear of letting people know that.  Even when told that “we’re all Gods creatures,” Sister Jean responded by rolling her eyes. We’ve all known a Sister Jean.  And then there was skittish Sister Mai (Lisa Troung), who was freaked out by the poor people who regularly showed up to ask for food.  Both Grover and Troung did very well in their roles.

Finally, I liked the look of the film.  Sometimes The Good Kill was full of visual atmosphere and took full advantage of its gothic setting.  The film had a visual moodiness, one that kept me watching even when the story itself was lacking.

That said, my favorite gun-carrying nun remains Ms. 45.

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