An Offer You Can’t Refuse #14: Contraband (dir by Lucio Fulci)


The 1980 film, Contraband, tells a story of the Neapolitan underworld.

Luca Ajello (Fabio Testi) and his older brother, Mickey, have a pretty nice operation going.  They pilot boats up and down the coast of Italy, smuggling cigarettes and booze into Naples.  It’s given both of them a pretty good life.  They own a racehorse.  Luca’s got a big house with a beautiful wife (Ivana Monti) and a precocious son.  The police are too incompetent to stop them and their disco-loving boss, Perlante (Saverio Marconi), keeps them safe from any interference from the other mob bosses working in Naples.

But then, one night, two men disguised as policeman pull Luca and Mickey over while they’re driving down an isolated road.  The fake cops proceed to fire what seems to be over a hundred bullets into Mickey.  Luca, having ducked down in his seat, is not spotted by the assassins.  Determined to find out who murdered his brother and why, Luca immediately suspects a rival mobster named Scherino but Scherino insists that Mickey’s murder was actually ordered by a mysterious French drug lord known as Il Marsigliese (Marcel Bozzuffi, who also played a French drug smuggler in The French Connection).  The French are trying to take over the rackets in Naples and a sudden surge in violence, one which sees nearly every mob boss in Naples murdered on the same day, suggests that Scherino is telling the truth.

Contraband is a brutal Italian crime film, one that is notable for being one of director Lucio Fulci’s final non-horror films.  (Contraband was released after Zombi 2 but before City of the Living Dead.)  Though the film might not feature any zombies or any talk of “the Beyond,” it’s still unmistakably a Fulci film and some of the film’s brutal violence remains shocking even when seen today.  The scene where a duplicitous drug smuggler gets her face melted with a blow torch is nightmarish and it’s followed by a scene where a rival gangster graphically gets the back of his head blown out.  (Fulci lingers on the hole in the man’s head, giving us an out-of-focus shot of the people standing behind him.)  A later gunfight leads to one gangster dying with a gaping hole in his throat while another has his face shot away, despite the fact that he’s already dead.  It’s graphic but it’s also appropriate for the story being told.  This is a movie about violent men and, as Fulci himself often pointed out whenever he was challenged about the graphic gore in his films, violence is not pretty.  Contraband is not a film that’s going to leave anyone wanting to become a gangster.

The plot is not always easy to follow but, as is typical with a good Fulci film, the striking visuals make up for any narrative incoherence.  Fulci’s camera rarely stops moving, creating a sense of unease and pervasive paranoia.  Much like the characters in the film, we find ourselves looking in every corner and shadow for a potential threat.  A meeting with an informant at a mist-shrouded sulfur pit ends with assassin literally emerging from the mist and stabbing the informant from behind.  A later gun battle on a narrow street seems to feature gunmen literally appearing out of thin air.  Fabio Testi is ruggedly sympathetic as Luca while Saverio Marconi does a great job as the decadent Perlante.  Meanwhile, Marcel Bozzuffi is legitimately frightening in his few scenes as the evil French gangster.  He’s a great villain, smug and willing to kill anyone.  You don’t have to support organized crime to support the idea of running the French out of Naples.

Contraband is a minor crime classic and proof that there was more to Fulci than just zombies and serial killers.  Today would have been Lucio Fulci’s 93rd birthday and it’s also a good day to track down Contraband, an offer that you can’t refuse.

Previous Offers You Can’t (or Can) Refuse:

  1. The Public Enemy
  2. Scarface
  3. The Purple Gang
  4. The Gang That Could’t Shoot Straight
  5. The Happening
  6. King of the Roaring Twenties: The Story of Arnold Rothstein 
  7. The Roaring Twenties
  8. Force of Evil
  9. Rob the Mob
  10. Gambling House
  11. Race Street
  12. Racket Girls
  13. Hoffa

9 responses to “An Offer You Can’t Refuse #14: Contraband (dir by Lucio Fulci)

  1. Pingback: Lisa’s Week In Review: 6/15/20 — 6/21/20 | Through the Shattered Lens

  2. Pingback: An Offer You Can’t Refuse: Bugy Malone (dir by Alan Parker) | Through the Shattered Lens

  3. Pingback: An Offer You Can’t Refuse #16: Love Me or Leave Me (dir by Charles Vidor) | Through the Shattered Lens

  4. Pingback: An Offer You Can’t Refuse #17: Murder, Inc. (dir by Stuart Rosenberg and Burt Balaban) | Through the Shattered Lens

  5. Pingback: An Offer You Can’t Refuse #18: The St. Valentine’s Day Massacre (dir by Roger Corman) | Through the Shattered Lens

  6. Pingback: An Offer You Can’t Refuse #19: Scarface (dir by Brian DePalma) | Through the Shattered Lens

  7. Pingback: An Offer You Can’t Refuse #20: The Untouchables (dir by Brian DePalma) | Through the Shattered Lens

  8. Pingback: An Offer You Can Refuse #22: Carlito’s Way: Rise To Power (dir by Michael Bregman) | Through the Shattered Lens

  9. Pingback: An Offer You Can’t Refuse #23: Gotti (dir by Kevin Connolly) | Through the Shattered Lens

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.