Retro Television Review: Saved By The Bell: The New Class 1.3 “A Kicking Weasel”

Posted on February 3, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Saved By The Bell: The New Class, which ran on NBC from 1993 to 2o00. The show is currently on Prime.

This week, Scott and Tommy D attempt to exploit Weasel’s happiness for their own monetary gain. Ah, that’s classic Bayside!

Episode 1.3 “A Kicking Weasel”

(Dir by Don Barnhart, originally aired on September 25th, 1993)

It’s been ten years since Bayside had a good football team!

That’s what Scott tell us at the start of this episode. Scott explains that the Bayside student body has no enthusiasm for football. No one cares because the team always loses and, as such, even Mr. Belding is more concerned with the school’s ping pong team.

To which I say, “What?”

Seriously, every Saved By The Bell fan knows that A.C. Slater led the Bayside Tigers to victory after victory. With the help of Ox and all the other players, Slater made Bayside into a football powerhouse.

This can only mean one of two things. Saved By The Bell: The New Class is either taking place ten years after Saved By The Bell (possible but I doubt it due to the fact that Screech is coming back next season) or that the writers just didn’t care about continuity. I’ll go with the latter.

Things are looking up for the football team, though. It turns out that Weasel can actually kick the ball! He goes from being the waterboy to the cornerstone of the team’s offense. But Weasel can only kick well when he’s angry. When he’s not angry, he’s too mellow. When he become a football star, he’s happy. He mellows out.

That’s bad news for Scott and Tommy D, who are looking to make a fortune by selling Weasel t-shirts! Tommy D agreed to embezzle the seed money from the print shop fund. (Hey, that’s a crime!) In return, Scott fixed the varsity cheerleader tryouts so that Lindsay beat out both Megan and Vicki. When Linsday finds out that the tryouts were fixed, she refuses to cheer. That makes Weasel mad and he ends up winning the game with 11 field goals. Lindsay, meanwhile. gets her revenge by telling Belding that Scott and Tommy D will be donating all of the t-shirt profits to the ping pong team.

This episode …. actually, I’m going to surprise myself by saying that it wasn’t that bad. Yes, the plot was way too busy for its own good and Scott’s constant scheming feels like what it was, a bad imitation of Zack Morris. But, in the role of Weasel, Isaac Lidsky actually gave a pretty good sympathetic performance. (Weasel was never as annoying as Screech, largely due to Lidsky.) Jonathan Angel delivered his dialogue with the right amount of dumb earnestness and it was nice to see the Bayside nerds end up winning for once. All in all, this one really wasn’t bad.

Late Night Retro Television Review: CHiPs 5.7 “Bomb Run”

Posted on February 2, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Prime!

Who will be Jon’s partner this week? Read on to find out!

Episode 5.7 “Bomb Run”

(Dir by Phil Bondelli, originally aired on November 15th, 1981)

I was really hoping that this would be another episode with Caitlyn Jenner playing Steve but no, Ponch was back. (Erik Estrada is the better actor of the two but Jenner’s performance is often so bizarre in its utter blandness that it becomes fascinating to watch.) This episode opened with Baker observing as Ponch piloted a small airplane. CHiPs was all about the California lifestyle and apparently, a big part of that lifestyle was being able to take off in a small private plane whenever you felt like it. Ponch thinks that he’s ready for a solo flight but Baker tells him that he still needs to work on his landing skills. Sorry, Ponch, you’re not a Kennedy.

The highway patrol is preparing for the big air show. Officer Baricza (Brodie Greer) is surprised when he sees his ex-girlfriend, Terri (Kristin Griffith), hanging out around an airplane and preparing to take part in the show despite the fact that she has always been scared of flying. What Baricza does not know is that Terri and her father (Ed King) have planned a big robbery to take place during the air show. While Terri drops bombs from the airplane, the explosions will cover the sound of two safecrackers (played by Brion James and Taylor Lacher) blowing open a safe and stealing a bunch of bearer bonds. However, things get complicated when the safecrackers illegally park their car (which leads to a helicopter towing it off, carrying it through the sky). Things get even more complicated when Terri’s father has a heart attack when they’re in the air and Baker and Ponch have to perform a mid-air rescue.

So, how does Baricza react to his ex-girlfriend being a criminal? We never find out. Ponch roughly lands Terri’s plane and then show pretty much ends. As a result, we don’t know what happens to Terri and her father. We don’t know if the police succeeded in catching the safecrackers. We don’t even know if Terri’s father merely passed out or if he actually died up there. Instead, Getraer makes a joke about Ponch’s terrible landing skills and we get the familiar CHiPs freeze frame.

This episode featured a lot of airshow stock footage and it was pretty obvious that the plot was secondary to showing off all of the planes doing fancy maneuvers in the sky. It felt a bit lazy on the part of the show’s producers but I also imagine that this episode was also fairly cheap to produce. There’s more stock footage than plot. As a result, the ending is a bit unsatisfying. Is Baricza upset about Terri being a criminal? Who knows? He certainly does seem to be amused by Ponch’s landing though!

Retro Television Review: Miami Vice 5.13 “The Cell Within”

Posted on February 2, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989. The entire show can be purchased on Prime!

This week, Tubbs gets kidnapped and the entire episode is oddly dull. Presumably because it’s the final season and no one was paying attention, the show took a risk and it did not pay off.

Episode 5.13 “The Cell Within”

(Dir by Michael B. Hoggan, originally aired on March 10th, 1989)

Former criminal Jake Manning (John P. Ryan) has apparently reformed himself. As getting busted by Tubbs, Manning spent years in a tiny cell where he read Shakespeare and Dostoevsky. Sponsored by renegade film director Robert Phelps (L.M. Kit Carson), Jake is now a free man and a published author. Tubbs is convinced that Jake has changed his ways and when Jake invites him to a dinner party, Tubbs accepts.

(Crockett is on vacation, spending time with his son. During his brief appearance on the episode, Crockett jokes about what a great book he and Tubbs could write if they were ever arrested. Uhmm …. you were arrested, Crockett. Remember when you were a drug lord? The show appears to have forgotten but I haven’t.)

Anyway, it turns out that Jake has built a prison under his house where he keeps undesirables locked up and every few days, he electrocutes them. He kidnaps Tubbs so that Tubbs can see and hear about Jake’s view of how justice should be meted out. Jake likes to talk and talk and talk and talk.

Ugh, this episode.

I’m honestly surprised that I got through this episode because it was just so mind-numbingly dull. The show attempted to do something different with its format and that’s fine. But Jake was so long-winded and his cartoonish prisoners were such thinly drawn stereotypes that it didn’t take me long to lose interest. I’ve never liked episodes of cop shows that center around hostage situations or kidnappings. It’s hard to build much narrative momentum when no one can really move around. It gets boring to watch and that was certainly the case here. That John P. Ryan spent most of the episode wearing a flowing robe did not help matters. It made him look like a Saruman cosplayer at a Lord of the Rings convention. I probably would have laughed if it all hadn’t been so dull.

As always, it’s interesting to see Tubbs at the center of a story but even the normally smooth Philip Michael Thomas didn’t seem to know what to make of all these nonsense. As I watched Tubbs rather easily fall victim to Jake’s trap, I wondered why Tubbs has suddenly become such a stupid character. I mean, seriously, anyone should have been able to see through Manning’s invitation. For Tubbs, this episode was the equivalent of that time Trudy got kidnapped by the alien who looked like James Brown.

All in all, this was not a good episode. It’s the final season so it makes sense that you’re going to get a few clunkers. Hopefully, next week will be better.

Late Night Retro Television Review: Degrassi: The Next Generation 2.4 “Karma Chameleon”

Posted on February 1, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sunday, I will be reviewing the Canadian series, Degrassi: The Next Generation, which aired from 2001 to 2015! The series can be streamed on YouTube and Tubi.

This week, several important characters make their first appearances!

Episode 2.4 “Karma Chameleon”

(Dir by Stefan Sciani, originally aired on October 21st, 2002)

This week, Ellie makes her first appearance!

Though she doesn’t do much in this episode, Ellie Nash (Stacey Farber) would go on to become one of the most important characters on Degrassi: The Next Generation. (And Farber herself would go on to have one of the more-successful post-Degrassi careers of the show’s regulars.) When I first watched Degrassi, I related to Ellie, largely because we both had red hair, we both tended to wear black, and we both had a weakness for Craig Manning. (There was another reason why I related to Ellie but I won’t go into that until we reach season 3.) Now that I’ve gotten older, I can see that, in high school, I actually had more in common with the overly dramatic Ashley Kerwin than I did with Ellie but still, Ellie is one of Degrassi’s best characters.

In her first appearance, Ellie refuses to move to another computer, despite Paige ordering her to so that Paige can sit next to Hazel. Later, she provides some sarcastic comfort to Ashley after Ashley’s latest poorly conceived plan blows up in her face. “That went well,” Ellie says and yes, it’s a little bit snarky but that’s what made Ellie so cool. As I said, Ellie doesn’t do much in this episode. (Stacey Farber wouldn’t become a regular until the third season.) But she definitely makes an impression.

As for Ashley, she spends this episode trying to get back into everyone’s good graces. Following Terri’s suggestion, Ashley swallows her pride and apologizes to Paige, Jimmy, and Sean. Everyone seems to be willing to forgive Ashley, except for Paige. Paige continually warns everyone that Ashley is just being manipulative. Jimmy, however, wants to restart his romantic relationship with Ashley. But when Sean calls Ashley and asks her on a date, Ashley happily accepts. Terri says that Ashley is going to hurt Jimmy if she goes out with Sean because Jimmy thinks that he and Ashley are about to get back together.

Ashley rolls her eyes, explains that she’s single, and then tells Terri that “Ter, one day when a guy likes you, you’ll understand how this works.”

AGCK!

I mean, actually, Ashley’s right. She didn’t tell Jimmy that she wanted to get back together again. (She did say that she missed having Jimmy around and I would say that Ashley should have been able to guess how Jimmy would interpret that, given their past relationship.) And there’s no reason why she shouldn’t date Sean Cameron if she wants to. And, for that matter, no one likes Terri.

(At least not yet. Eventually, Terri’s first boyfriend will end putting her in a coma and then shooting up the school but that’s a while off….)

But Ashley definitely could have put things a bit more diplomatically. One reason why I cringe so much watching this is because I can remember saying similar stuff when I was a teenage and not understanding why people got offended until many years later. Ellie never would have said something like that.

Meanwhile, Toby has a girlfriend! Kendra Mason (Katie Lai) loves anime even more than Toby! The only problem is that …. KENDRA IS SPINNER’S ADOPTED SISTER! At first, Toby is terrified to talk to Kendra because of Spinner. But Toby finally finds the courage to stand up to Spinner and tell him that he’s going to talk to Kendra whether Spinner likes it or not. Spinner says that he will disembowel Toby is Toby hurts his sister. Toby says he’s prepared for that. (Toby, never prepare for something like that.) It’s nice that Toby has a girlfriend and can presumably stop whining about Emma liking Seasn. It’s just too bad that Kendra’s going to vanish after this season and never be mentioned again, not even by her protective older brother.

Also, all the boys in school are in love with the new science teacher, Ms. Hatzilakos (Melissa DiMarco). This was Hatzilakos’s first appearance. It’s only one scene of Spinner and Jimmy drooling at their desks. Of course, Ms. Hatzilakos is destined to eventually become principal of Degrassi and her son Peter will eventually enroll as a student, break a lot of hearts and law, and write the deathless song House Arrest.

Anyway, Jimmy gets mad at Ashley. Sean gets mad at Ashley and calls off their date. Paige tells Terri that she has to make a choice between four years of being popular or four years of being an outcast and Terri decides to be popular. Ashley breaks down crying as her school picture is taken. So ends another happy episode of Degrassi!

Oh, this episode. It’s actually pretty good for an Ashley episode. And the freeze frame of Ashley getting her school picture taken as a tear sloppily rolls down her face? That’s image pretty much sums up Degrassi perfectly.

Next week, Spinner is a part of a science experiment and …. well, this would never happen on American television.

Retro Television Review: Homicide: Life On The Street 4.20 “The Wedding”

Posted on February 1, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC! It can be viewed on Peacock.

This week …. someone’s getting married!

Episode 4.20 “The Wedding”

(Dir by Alan Taylor, originally aired on May 10th, 1996)

Kevin Lungo, a Baltimore radio host, is found dead. The previous day, he announced on his program that he was not only in favor of abortion but he was in favor of requiring any pregnant woman with an IQ of less than 100 to have one. Did that comment lead to him being gunned down in a parking lot?

(When this episode aired, 100 was considered to be an “average” IQ. Now, the average IQ is considered to be 90. That’s not a good thing.)

We never really find out. The case is handled by Giardello and Kay and, while Kay has never heard of Lungo, it turns out that Giardello used to enjoy listening to him. (Hopefully, Giardello disagreed with Lungo’s pro-eugenics stance.) When the radio station offers a $5,000 reward for any tips, someone calls in and give the name of the “killer.” When Giardello and Kay follow-up on the tip, the suspect pulls a gun and is shot dead by Giardello.

Giardello feels guilty about the shooting. He tells that Kay that, when he was younger, he was able to shoot well-enough that he could simply wound a suspect, instead of killing him. Making it even worse is that the dead man has an alibi. The call was just a practical joke between friends. “Why did you have to kill him!?” the dead man’s friend wails.

Back at the squad room, Lewis shocks everyone by announcing that he’s getting married to a woman that they’ve never heard of. While he doesn’t invite any of his co-workers to the wedding, he does ask them to attend a reception at the Belvedere Hotel. He tells Pembleton to order and pay for the flowers. He asks Russert to arrange for the band and an open bar and asks if she would be willing to cover the cost. (“Until my next paycheck,” Lewis assures her.) Munch assumes that Lewis is lying. Most of the squad room suspects that Lewis is lying. But they give him the benefit of the doubt and show up for the reception.

Also going to the reception is Carrie, the very glamorous sister of Kay Howard. Carrie is visiting from Florence and soon, both Kellerman and Bayliss are shamelessly flirting with her. An actress named “Margaret May” is credited as playing Carrie. Of course, Margaret May is actually Melissa Leo.

With the exception of Giardello and Kay (who are still working the Lungo murder), all of Lewis’s colleagues show up at the ballroom. Even the crusty forensics examiner, Scheiner (Ralph Tabakin), shows up. “Do you want to dance?” he asks Russert’s daughter. “NO!” she replies.

But where’s Lewis? Lewis is missing. Was Munch right? Pembleton, who is there with his very pregnant wife, is not amused. As Brodie films him, Pembleton announces that he is going to kill Lewis and he will never get caught because of his experience as a homicide detective….

Fortunately, Lewis shows up before Pembleton gets his gun. And accompanying Lewis is his new wife, Barbara Shivers (Karen Williams)! The reception is a huge success. The band plays. Kellerman and Bayliss both try to hold onto Carrie’s attention. Scheiner watches as Russert’s daughter proceeds to dance with everyone but him. Finally, Giardello and Kay show up. Kay warns Bayliss that Carrie is dangerous. Bayliss asks why. Kay says that Carrie likes to play game and she just does whatever feels good. Bayliss looks intrigued….

Mary Pembleton’s water breaks on the dance floor as she goes into labor! (In a nice twist, Mary Pembleton was played by Andre Braugher’s real-life wife, Ami Brabson.) As the episode ends, even Giardello smiles. For all the ugliness in the world, there is still hope.

I loved this episode! Homicide’s greatest strength was its ensemble and here, everyone gets a chance to show off. Yaphet Kotto reminds us of what an imposing actor he truly was, though my favorite Giardello moments continue to be the times when he allows himself to get amused by the absurdity of it all. What really made this episode was for me was that, even with the wedding reception and Mary going into labor, the episode never allowed itself to be sentimental. For most of the episode, everyone is skeptical about Lewis getting married and, having watched Meldrick Lewis for four season, I was skeptical too! In the end, the episode earned its right to emotionally satisfying through smart storytelling and good acting.

Brad’s Thoughts on Season 1 of LANDMAN, Starring Billy Bob Thornton!

Posted on January 27, 2026 by Bradley Crain

Taylor Sheridan has become a fairly big part of my life over the last decade. It started when I saw HELL OR HIGH WATER in the movie theater back in 2016. It was one of my favorite movies of the year, and it was written by a guy named Taylor Sheridan. Well, the next year brought us WIND RIVER, which was both written and directed by Taylor Sheridan, and it was one of my favorite movies of 2017. Then came the series YELLOWSTONE, which was created by Taylor Sheridan and began airing in 2018. I didn’t watch the first couple of seasons, but I thought it looked good and even bought the first season on DVD when I saw it for sale at Wal Mart. When my wife Sierra came home from performing her nursely duties at the hospital and told me that everyone was saying that we needed to watch YELLOWSTONE, I informed her that I just so happened to own Season 1 on DVD. So, we popped it in the DVD player, and we were soon obsessed with the world of the Duttons. My wife took special joy in the characters of Beth (Kelly Reilly) and Rip (Cole Hauser), while John Dutton (Kevin Costner) and Rip kept my attention. I’ll admit that it scared me a little bit that Sierra enjoyed Beth so much, and I’m glad to report that, up to this point, she has not started trying to emulate her actions in real life!

When YELLOWSTONE ended its run at the end of 2024, the Paramount network was putting a major marketing push into their latest “Taylor Sheridan” series, that being LANDMAN, which had started its first season around the same time YELLOWSTONE was wrapping up its final season. I’m a huge fan of actor Billy Bob Thornton, so the fact that he was headlining a series set in Texas oil country automatically piqued my curiosity. Not ready to commit to 10 hours’ worth of LANDMAN episodes quite yet, we put the show on the backburner for a bit, knowing that we could jump in and watch it whenever we wanted to. Well, this past weekend, we got snowed in here in Central Arkansas, so I asked Sierra if she’d like to watch a few episodes of LANDMAN. Needless to say, over the course of the day we watched every episode of Season 1. I really enjoyed the first season and decided to share some of my thoughts with you.

First off, if I’m going to commit to watching 10 hours’ worth of anything, I need to really like at least some of the characters. I don’t just like Billy Bob Thornton’s portrayal of the “Landman” of the title, his Tommy Norris is now one of my favorite characters that he’s ever played. He’s the ultimate realist, because no matter what situation he finds himself in, whether he’s dealing with the head of a drug cartel, the head of his oil company, or his ex-wife, he tackles every situation by uniquely framing the specific issues in a matter of moments and then providing solutions that appeal to his audience’s most base instincts. Alternatively hilarious, serious, heartbreaking and genius, Thornton gives a masterful performance that I don’t think anyone else could have pulled off any more effectively. His ex-wife Angela (Ali Larter) is probably the toughest of all for him to deal with as his own sense of self-preservation seems to go out the window whenever she’s around. Ali Larter’s performance as Angela is loud, brash, attention-seeking, hypersexual, and every so often, just vulnerable enough that you can kind of like her. I think she’s great, and quite sexy, in the role. Michelle Randolph and Jacob Lofland get a lot of screen time in the first season as their children, Ainsley Norris and Cooper Norris. Michelle is cute and spunky, definitely her mother’s daughter, but she also loves her dad so much. I like her. Lofland, who, like Thornton, is from my state of Arkansas, has a meatier role, having to deal with tragedy from the very beginning and then serious family drama as the season plays out. It’s not a showy role, but he does a solid job. The other performance that I really enjoy throughout season 1 comes from Jon Hamm as the head of the oil company, Monty Miller. I kept referring to him as J.R. Ewing as I watched because he’s the big boss. He’s the person that Tommy Norris calls when he can’t solve their problems. Unlike J.R. Ewing, although Miller is a tough businessman, he’s also a committed family man who tries to be there for his wife Cami (Demi Moore) and their daughters when they need him. He is as hard-nosed as it gets in his business dealings, though, and it’s easy to see why he had emerged as the main guy over Tommy. I did want to shout out the actors Colm Feore, James Jordan and Mustafa Speaks as various employees of the oil company who provide different elements of humor and toughness to the proceedings over the course of the season. Finally, as far as the primary cast, while prominently credited throughout the first season, Demi Moore has relatively little to do until the very end of season 1. If you’re a big fan of hers, just know that going in. Her character seems primed to be a big part of season 2, though, so it will be interesting to see where that goes.

Second, like with any popular dramatic TV series, LANDMAN Season 1 contains some storylines that I really enjoy, while there are some that I don’t really care for. Where LANDMAN really works for me is when it features Billy Bob Thornton’s Tommy Norris as a fixer of some sort. It was in these storylines that we get to see his ability to use his intelligence, communication skills, and understanding of human nature to come up with solutions that are best for everyone. It might not always be easy, and he might have to take a beating every now and then, but Tommy knows how to get things done, and the show is at its best when it’s focused on him. We see this throughout season 1 as Norris deals with a variety of cartel henchmen, hotshot attorneys, and unhappy leaseholders in order to advance his company, M-Tex’s interests. There are also a few badass moments when it becomes clear that talking won’t get the job done, and even more direct methods will have to be used to get his point across. This usually happens when Tommy’s feeling the need to protect his children. If there is a weakness to the show, for me, it’s the fact that when Tommy Norris isn’t part of the proceedings, I don’t like it nearly as much. For example, while scenes involving Jacob Lofland’s character, Cooper, and the recently widowed young mother Ariana (Paulina Chavez), whose husband was an employee of the company, ramp up the melodrama, they also take up a lot of time, and I don’t find them very appealing. The same can be said when Ali Larter’s character, Angela, and her daughter Ainsley, decide they’re going to volunteer at a nursing home, and then proceed to hook the residents up with alcohol and even take them to a strip club. While I smiled at some of the proceedings, they weren’t realistic and didn’t really add anything to the story. I even found myself worrying about some of the residents, I mean, I’m sure some of their medication was NOT compatible with tequila! I’m guessing that these quibbles really just come down to a matter of personal preference, as I’m sure there are some who enjoy these moments more than I do. I will admit that these scenes are well-acted and performed even if they’re not advancing my favorite parts of the story.

Overall, I really enjoyed season 1 of LANDMAN, and I’m looking forward to jumping into season 2 soon, which is now streaming. The last couple of episodes of season 1 introduced or elevated some very interesting characters who will have more prominent roles moving forward (played by Andy Garcia and Demi Moore), and peaking ahead, season 2 also appears to have some interesting additions to the cast (I’m looking at you Sam Elliott). I’m looking forward to the next 10 hours of fun!

Miniseries Review: The Corner (dir by Charles S. Dutton)

Posted on January 26, 2026 by Lisa Marie Bowman

Actor T.K. Carter died on January 9th. He was 69 years old and his passing really didn’t get the notice that he deserved.

T.K. Carter may not have been a household name but I imagine that most people would recognize him if they saw him. He appeared on a lot of television shows. He did his share of movies. He was usually cast in comedic roles, often playing the best friend who would inevitably provide some sort of gentle commentary on the problems of his friends or coworkers. I just recently finished reviewing Good Morning, Miss Bliss, which featured Carter as Milo. I’m not really sure what Milo did at John F. Kennedy Junior High but he was certainly more likable than Miss Bliss.

Carter appeared in some films as well. Ironically, his two best-known films were not comedic at all. He plays Nauls in John Carpenter’s The Thing, a film that pretty much ends with Kurt Russell and Keith David freezing to death while wondering whether or not one of them is actually a killer alien. And he also played Cribbs, a pot-smoking member of the National Guard who finds himself lost in the Louisiana bayou in Walter Hill’s Southern Comfort. I have to admit that, after having watched both of those films more than once, it was a bit strange to see Carter exchanging jokes with Hayley Mills and Dennis Haskins on Good Morning Miss Bliss.

That said, if I had to pick Carter’s best performance, I would probably go with his work in the 2000 HBO miniseries, The Corner. Based on a nonfiction book by David Simon, The Corner follows several characters over the course of one year in Baltimore. Almost all of the characters are involved in the drug trade in some way or another. DeAndre McCullough (Sean Nelson) is a fifteen year-old drug dealer who, despite his obvious intelligence, seems to be destined to become yet another statistic. DeAndre’s parents are Fran (Khandi Alexander) and Gary (T.K. Carter). At the start of the miniseries, both Fran and Gary are drug addicts and both of them make the effort to get clean. Both have moments where their lives appear to be improving. They both have moments where they relapse and have to start all over again. Tragedy follows both of them.

The Corner is often described as being a forerunner to The Wire and indeed, there are definite similarities. Like The Wire, The Corner was shot on location in Baltimore. Like The Wire, The Corner emphasizes that futility of trying to wage a war on drugs. As well, several members of The Corner‘s cast also appeared on The Wire. Clarke Peters, Lance Reddick, Reg E. Cathey, Corey Parker Robinson, Delaney Williams, and Robert F. Chew are among the many Wire actors who appear in The Corner. Interestingly enough, many of The Wire‘s cops and politicians appear as addicts in The Corner. Clarke Peters and Reg E. Cathey play two long-time drug addicts who serve as a bit of a chorus for the neighborhood. Lane Reddick appears as a recovering addict who tries to take advantage of Fran.

That said, The Corner doesn’t trust its audience in the same way that The Wire did. That’s largely because The Corner was directed by Charles S. Dutton, who has never been a particularly subtle actor or director. Dutton does a good job capturing the grit of Baltimore but he also includes “interviews” with various characters in which he asks questions while off-camera. It feels a bit too on-the-nose, as if each episode of The Wire opened with a dramatic monologue from McNulty or Stringer Bell. We don’t need the characters to look straight at the camera and tell us that things are bad. We can see that for ourselves.

The entire cast does a good job but the best performance undoubtedly comes from T.K. Carter, who plays Gary as being an intelligent man, a good man, a hopeful man, but also a man who cannot escape his addiction. With his gentle smile, his pleading eyes, and the almost shy way that he asks people to help him when he needs a fix, Carter gives a heart-breaking performance and one that shows that Gary truly is a prisoner of his addiction. He doesn’t want to be an addict. He wants to get clean. But he also lives in a world where drugs are not only everywhere but they’re also the only escape that he and so many other people have from their oppressive existence. With the government and the police treating the drug crisis as a war as opposed to a public health emergency, Gary’s two options really are either prison or the basement of his mother’s home. The police view Gary as being nothing more than an criminal as opposed to someone with a sickness. The dealers, meanwhile, view Gary as being a marketing opportunity. T.K. Carter captures both Gary’s desperation and his sadness. It’s a great performance and one that deserves to be remembered. As played by T.K. Carter, Gary is the battered heart of The Corner.

T.K. Carter, RIP.

Retro Television Review: Miami Vice 5.11 “Miami Squeeze”

Posted on January 19, 2026 by Lisa Marie Bowman

This week, the British are coming!

Episode 5.11 “Miami Squeeze”

(Dir by Michelle Manning, originally aired on February 17th, 1989)

There’s a new drug lord in Miami. He’s a British dandy named Sebastian Ross (Robert Joy) and it’s impossible to take him seriously as a legitimate threat. The show continually tells us how dangerous Sebastian is. When the son (Daniel Villarreal) of anti-drug Congresswoman Madeleine Woods (Rita Moreno) attempts to double-cross Sebastian, Sebastian blackmails the Congresswoman and also tries to make Castillo look like a dirty cop. Castillo ends up getting shot, all as a result of Sebastian’s schemes.

And yet, despite all of that, it’s impossible to take Sebastian seriously. He’s just a ridiculous character, a drug dealer who dresses like an Edwardian gentleman and who carries a can and who speaks with a remarkably bad British accent. (Robert Joy is himself Canadian. I should mention that Joy is also a very good character actor. He’s just miscast here.) As a character, Sebastian threw off the entire episode. When you include Rita Moreno acting up a storm, this episode almost felt like a self-parody.

Joey Hardin (Justin Lazard), the undercover cop from Line of Fire, returned in this episode. Sonny recruited him to go undercover in order to infiltrate Sebastian’s organization. Considering that Joey was a returning character and that there was a lengthy scene of Sonny asking if Joey felt confident enough to put his life on the line, it was kind of surprising that Joey didn’t really do much in this episode. One got the feeling that perhaps this was meant to be a backdoor pilot for a show featuring Joey as an undercover cop who could pass for a teenager. There’s nothing wrong with that, of course. Who wouldn’t want to keep a franchise going? But Joey ultimately felt like a red herring and a bit of a distraction.

This episode was a misfire.

Late Night Retro Television Review: 1st & Ten 2.9 “A Family Affair”

Posted on January 14, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, the playoffs continue.

Episode 2.9 “A Family Affair”

(Dir by Burt Brinckerhoff, originally aired on January 13th, 1987)

A playoff game against Denver is approaching. Denver is coached by a former protegee of Denardo’s and Denardo is obsessed with winning. He’s so obsessed that he alienates the players and Coach Grier (Stan Kamber). Grier is tempted to take a job as Houston’s head coach. Denardo says he doesn’t care until Diane reveals that Grier has turned down several other jobs out of loyalty to Denardo.

As for the other assistant coach, T.D. Parker (OJ Simpson) has problems of his own. His youngest son is acting out and the only thing that’s kept him out of juvenile detention is the fact that the cops are all fans of T.D. and the Bulls. T.D. tells his son that he’s not allowed to leave the house. When T.D.’s wife says that she thinks T.D. is being too strict, T.D. tells her to back off. T.D. gets really mad in this episode but none of it is convincing because OJ Simpson was too amiable an actor to really come across as being threatening. That’s something that would prove helpful to OJ in the years to come.

Meanwhile, the players all invest in the stock market. The stock doesn’t do well. The player who recommended the stock is chased out onto the field before the start of the big game against Denver. Ha ha, those players are all broke now. Good luck dealing with life after the game.

This show, I never know what to make of it. Is it a comedy? Is it a drama? Why is it so oddly edited? How many scenes were cut for syndication? Why do storylines start and then just disappear? For that matter, why do characters suddenly vanish? Dr. Death was a huge part of the show during the first half of the second season but I haven’t seen him during the second half. Did he get traded? Did he get injured? Seriously, what’s going on with this show?

I have no idea. Football’s a confusing sport.

Retro Television Review: The Love Boat 7.3 “Bricker’s Boy/Lotions of Love/The Hustlers”

Posted on January 14, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

This week, Doc Bricker gets a surprise!

Episode 7.3 “Bricker’s Boy/Lotions of Love/The Hustlers”

(Dir by Jerome Courtland, originally aired on October 8th, 1983)

Doc Bricker has a son!

Well, actually, it’s more a case of David (Timothy Patrick Murphy) claiming to be Doc’s son. It turns out that David’s mother was one of Doc’s ex-girlfriends. By the end of the cruise, Doc has fully accepted David as his son but then David admits that he’s been lying the whole time. Doc is not his father. However, he wishes that Doc was his father. So, Doc — who has got to be the most understanding guy on the planet — adopts him. Vicki has a crush on the loser and Captain Stubing seems to be okay with that, despite the fact that David is a liar who took a cruise without even bothering to buy a ticket. Seriously, I’m kind of worried about Vickie at this point. She’s so bereft of friends her own age that she falls in love with every teenage boy who boards the ship.

While Vicki is busy making a bad decision, gigolo Gary Thomas (Ted McGinley) is traveling with his employer, Arlene (Vera Miles). Gary falls for Fran (Constance Forslund), who is traveling with her sugar daddy, Roy (Chuck Connors). Luckily, Arlene falls for Roy, which frees Gary up to date Fran. Wow, what a sleazy story! I mean, it’s probably as close to real life as this show ever got but still….

Finally, advertising executive Andy O’Neal (Brodie Greer) works on a perfume campaign and ends up falling in love with his client’s flighty daughter (Lydia Cornell). Good for them!

Yeesh. I usually love The Love Boat but this sure was a bland episode! Not even Ted McGinley pretending to be a gigolo could liven this one up. I will say that Bernie Kopell once again proved himself to be far better than the material that he had to work with. But otherwise, this episode was pretty dull.