Scenes I Love: Tom Cruise and Val Kilmer Play Beach Volleyball in Top Gun


Tom Cruise is 64 years old today!  He still doesn’t look a day over 36.  Insert your own Dorian Gray joke here.

No matter what else you may want to say about Tom Cruise, you can’t deny that he’s one of the last of the genuine movie stars.  He’s been a star in since the 80s, doing things onscreen that you could never imagine some of our younger actors even attempting.  Juat four years agp, Top Gun: Maverick was unstoppable with audiences and critics.  There were many reasons for Maverick‘s popularity but one cannot deny that a lot of it is the fact that Cruise just has that old-fashioned movie star charisma.

Today’s scene that I love comes from the first Top Gun.  In this scene, Tom Cruise, Anthony Edwards, Val Kilmer, and Rick Rossovich play beach volleyball.  The scene kind of comes out of nowhere and there are times when the whole thing comes close to self-parody.  (Actually, if we’re going to be honest, it crosses the line into self-parody more than a few times.)  But, Cruise and the much-missed Kilmer manage to save it, like the movie stars they are!

Scenes That I Love: The Wishmaster Meets A Security Guard In Wishmaster


Today, the Shattered Lens wish a happy birthday to character actor Andrew Divoff!

Today’s scene that I love comes from 1997’s Wishmaster and features Divoff in his best-known role.  The Wishmaster films were kind of silly but Divoff always made them worth watching.

Scenes I Love: Robby the Robot Makes His Debut in Forbidden Planet


According to the imdb, today is Robby the Robot’s birthday.  I didn’t know that robot’s had birthdays but apparently, they do.  Robby is 67 years old and I think that, along with Earl Holliman, he might be one of the last two surviving cast member of the 1956 sci-fi classic, Forbidden Planet.

So, it only seems appropriate that today’s scene that I love should be Robby the Robot’s debut appearance in Forbidden Planet.  Happy birthday, Robby!

Scenes I Love: Jason and the Argonauts


Today would have been Ray Harryhausen’s birthday.

In honor of the man and his legacy, today’s scene that I love comes from 1963’s Jason and the Argonauts.  The skeleton army was one of Harryhausen’s greatest creations.

Scenes That I Love: Putting On The Ritz From Young Frankenstein (Happy Birthday, Mel Brooks!)


Today, Mel Brooks is 100 years old!

Mel Brooks.  What can you say Mel Brooks?  Not only did he help to redefine American comedy but he was also responsible for bringing David Lynch to Hollywood.  Brooks was the one who hired Lynch to direct The Elephant Man.  It can probably be argued that, if not for Brooks, Lynch’s feature film career would have begun and ended with Eraserhead.  Brooks not only hired Lynch but also protected him for studio interference.  When the execs tried to make Lynch remove two surrealistic sequences from The Elephant Man, Brooks stood up to them.  When they requested a more conventional biopic, Brooks defended Lynch’s vision and the result was one of the best films ever made.

Of course, Brooks isn’t listed in the credits of The Elephant Man.  Though he produced the film, he went uncredited because he didn’t want people to assume that the movie was a comedy.  By doing so, Brooks missed out on an Oscar nomination but he also ensured that the film was taken seriously.  It’s hard not to respect someone who was willing to go uncredited to help make the film a success.

Though Brooks, as a producer, was responsible for a number of serious films, there’s a reason why Brooks is associated with comedy.  He’s a very funny man and he directed some very funny films.  In honor of Mel Brooks, here’s a scene that I love from 1974’s Young Frankenstein.

Happy birthday, Mel Brooks!

Scenes That I Love: Freddie and Dodd’s Final Meeting From Paul Thomas Anderson’s The Master


Today’s scene that I love comes from 2012’s The Master, written and directed by Paul Thomas Anderson (who is celebrating his birthday today).

Philip Seymour Hoffman and Joaquin Phoenix were never better than they were in Anderson’s enigmatic story of two very different men who become unlikely friends.  Phoenix plays Freddie Quill, a World War II veteran who has never figured out how to adjust to life during peacetime.  Hoffman plays Lancaster Dodd, a writer who claims to have all the answers but who is actually a charlatan.  In this scene, Freddie and Dodd meet for one last time and, though they are both characters about who most viewers will have mixed feelings, there’s something undeniably poignant about their final moments together.  Both of them realize that the time they had is over.  And indeed, watching this scene today is all the more difficult because it reminds us of what a talent we lost when we lost Philip Seymour Hoffman.

From Paul Thomas Anderson’s The Master:

Scenes That I Love: Howard Beale says “We’re In A Lot Of Trouble” in Network


Everyone remembers the “Mad as Hell Speech” from Sidney Lumet’s 1976 satire, Network.

Personally, I think this scene below is just as good.  Replace “tube” with TikTok and Bluesky and you’ll have a pretty good explanation for why the world today is full of so many angry people who think they know more than they do.

(Usually, heavy-handed scenes annoy me.  Fortunately, much like David Fincher with Aaron Sorkin’s script for The Social Network, Sidney Lumet knew the right directorial tone to take when translating Paddy Chayefsky’s script to the screen.  One shudders to think of what Network would have been like with a less skilled director behind the camera.)

Watch this scene the next time you’re wondering what happened to New York.

 

Scenes That I Love: Norma Desmond visits Cecil B. DeMille in Billy Wilder’s Sunset Boulevard


Today, if Cecil B. DeMille is known at all, it’s for directing Biblical epics like The Ten Commandments.  However, there was much more to DeMille’s career than just that one film.  DeMille got his start during the early silent era and he quickly established himself as one of Hollywood’s first superstar directors.  Unlike many of his contemporaries, he survived the transition to sound and he remained a force in Hollywood at a time when many of the other silent directors were fading into obscurity.  DeMille played a key role in the founding of what would become the American film industry.  He began his career in 1914 and he made his last film in 1958.  That’s quite a legacy.

In 1950, when filming Sunset Boulevard, Billy Wilder needed someone to play the key role of one of Norma Desmond’s former directors.  Who better to represent the old style of Hollywood than Cecil B. DeMille?  In the scene below, DeMille plays himself.  Norma Desmond is, of course, played by Gloria Swanson, an actress whom DeMille had directed in the past.

From Sunset Boulevard, here’s a scene that I love.

Scene That I Love: The Opening of All That Jazz


“Showtime!”

Since today is Bob Fosse’s birthday, it’s only appropriate that today’s scene that I love comes from his 1979’s masterpiece, All That Jazz!

This sequence captures everything we need to know about Joe Gideon (Roy Scheider).  We see his talent.  We see his self-destructive habits.  And, though we don’t realize it until the end of the film, we also see that death is patiently waiting for him.