Late Night Retro Television Review: 1st & Ten 3.5 “Illegal Use Of Love”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

With their best player now dead, the Bull begin their new season.

Episode 3.5 “Illegal Use Of Love”

(Dir by Stan Lathan, originally aired on September 2nd, 1987)

Uh-oh, TD Parker is cheating on his wife with assistant, Kay (Alexa Hamilton).  TD explains that his wife is upset about the amount of time that he’s putting in with the team.  She feels that he’s neglecting his family.  She doesn’t even like football anymore!

Yep, TD has a lot of excuses for cheating on his wife but don’t think that he’s a bad guy or anything.  As he tells his mistress, everything is fine except for….

As I’ve said before, probably the most interesting thing about 1st & Ten is the way that everything that OJ Simpson says now has a double meaning.  At the time this was filmed, OJ was just a former football player who had become a likable if not particularly versatile actor.  Watching it today in 2026 …. well, words land differently.

As the Bulls, the team is in trouble.  Their season opener against Baltimore is a disaster.  Yinessa is still out and demanding a new contract before he’ll play so, instead, he sits in the stands and watch as the backup quarterback throws interception after interception.  Later, he tells Teddy’s daughter, Jill Schrader (Leah Ayres), that all he wants to do is play football.  If that’s the case, why not sign your stupid contract and play football?  Seriously, when did Yinessa get so whiny?

There’s a brief sign of hope during the Baltimore game.  Dr. Death intercept a pass.  But then Dr. Death runs the wrong way and gets tackled behind the other team’s goal line.  A local sports commentator says that Dr. Death and Mad Dog (who blocked while Death was running the wrong way) are idiots.  He’s correct but he retracts his statement after Death and Dog threaten to destroy his car.

The Bulls need a quarterback.  Teddy goes behind Diane’s back and arranges a trade for arrogant Johnny Valentine, the coke-addled quarterback who Diane kicked off the team the previous season.  Diane gets angry but what can she do?  Teddy owns half of the team….

For now!

TD’s mistress shows TD some financial reports that show that Teddy has been making his money through insider trading.  TD is shocked.

If anyone knows about illegal….

It looks like Teddy might be in some trouble.  It also looks like Diane might be in some trouble as well because the other owners think that she’s failed to control the drug use on her team.  (They’re not incorrect.)  We’ll see what happens next week but I have a feeling that a change is coming.

And really, that change can’t come a minute too soon.  Even with the steroid storyline, this season has been a snoozefest so far.  Here’s hoping things perk up next week!

Late Night Retro Television Review: 1st & Ten 3.4 “The Comeback Trail”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

Some will never play the game….

Episode 3.4 “The Comeback Trail”

(Dir by Stan Lathan, originally aired on August 26th, 1987)

The Bulls are in disarray!  Yinessa is in the hospital and might never play again.  Diane wants to trade John Manzak for a new quarterback but TD Parker explains that Manzak is actually one of the best players that they have.

Then, OJ — I mean TD — heads to the locker room and catches Manzak shooting up steroids in the bathroom.  TD tries to take the steroids away from him and Manzak …. well, Manzak doesn’t appreciate that.

Manzak apologizes and explains that, after ten years of injuries, he needs the steroids to play.  TD orders him to stop using them.  Manzak doesn’t listen and during the next practice, he collapses on the field.  TD runs out to him and checks his pulse.

OJ would know!

So ends the saga of John Manzak.  He just wanted to play football but he took too many steroids and collapsed dead on the practice field.

How will the Bulls survive without him?  We’ll find out next week!

Late Night Retro Television Review: 1st & Ten 3.3 “A Loaded Gun”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, OJ Simpson argues with his wife.

Episode 3.3 “A Loaded Gun”

(Dir by Stan Lathan, originally aired on August 19th, 1987)

With Yinessa continuing to hold out for more money, Teddy thinks that he’s come up with a solution.  He tells Yinessa that he will personally take out an insurance policy on him so that Yinessa can work out with the team, despite not having a contract.  Yinessa agrees.  TD Parker tells all of the defenders not to touch Yinessa because they cannot risk him getting hurt.

“Anyone who touches Yinessa is going to wind up in Buffalo!” Parker tells them.

Unfortunately, John Manzak has been taken too many steroids.  As a result, the first thing he does is sack Yinessa.  Yinessa is injured.  As he’s rushed to the hospital, Diane tells Teddy, “Thank God you got that insurance policy.”  Teddy looks worried — uh oh, it looks like someone didn’t get that insurance policy!

At the hospital, a doctor tells Diane that Yinessa has a detached retina and he’ll probably never play football again.

Meanwhile, TD is having trouble in his marriage.  He forgets his wife’s birthday but TD’s secretary (Leah Ayres) sends flowers and buys a gift.  Unfortunately, TD’s wife sees through the entire ruse.  She and TD argue.  And because TD Parker is played by OJ Simpson, it’s hard not to worry whenever anyone argues with him.

Hey, that’s a good point, OJ!  Let’s move on!

Also, in this episode, Bubba goes to therapy because he hasn’t been able to make love to his wife since she gave birth.  Jethro goes with him and pretends to have a shoe fetish.  This led to another patient hiding his shoes.  1st and Ten is a comedy that rarely makes me laugh but I have to admit that I did chuckle when Jethro started talking about how much he loved shoes.

Other than the therapy scene, this was a pretty serious episode.  Yinessa might never play again.  John Manzak is going crazy due to the steroid abuse.  (Is he going to be sent to Buffalo?  I don’t know how he’s going to handle that!)  The kicker is still looking for a wife so he won’t get deported.  And Diane has no idea what’s going on with her team.

How will the Bulls ever make it to the championship game!?

I guess I’ll have to keep watching to find out.

Late Night Retro Television Review: 1st & 10 3.2 “A Second Chance Once Removed”)


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, OJ Simpson makes things awkward.

Episode 3.2 “A Second Chance Once Removed”

(Dir by Stan Lathan, originally aired on August 12th, 1987)

With Coach Denardo no longer around, Diana has kept her promise and promoted Fred Grier to head coach.  However, Diana’s boyfriend and the new co-owner of the Bulls, Teddy, wants to hire T.D.’s old college coach, Red Macklin (John Robinson).  Though T.D. isn’t comfortable with the idea of betraying Fred or doing anything behind Diana’s back, he does agree that Macklin would be a better coach.  After an argument with his wife, T.D. flies out to his old college.

T.D. doesn’t do a very good job of selling the team to Macklin.  Macklin finally says, “You don’t want to be the head coach of the Bulls, do you?”  T.D. says that he does but the position has already been given to Fred and T.D. doesn’t believe in doing things without being upfront with everyone because …. well, I’ll let T.D. explain it….

This episode is a good example of what happens when one of a show’s main characters is played by someone who is now best-known for somehow getting acquitted of stabbing his ex-wife and a waiter to death.  Even the most innocuous of lines seem to take on an entirely different meaning.  I have to admit that I cringed every time T.D.’s wife called and said that he was working too hard and spending too much time with the team.  No, I wanted to yell, don’t make him mad….

As for the rest of the episode, it largely dealt with training camp.  Veteran defensive player John Manzak (John Matuszak) fears that he won’t make the team.  There’s a young rookie who seems to have more energy and strength than him.  However, Manzak has a secret weapon …. steroids!  I cannot imagine that this is going to end well.

Meanwhile, the government wants to deport the Bulgarian kicker, Zagreb (John Kassir).  Zagreb applies for political asylum but it turns out that his father is some sort of official in the Bulgarian government and, as such, Zagreb would not be in any danger if he was sent back home.  (I don’t really follow that logic, to be honest.  Communist dictators, like Zagreb’s father, are notoriously unsentimental when it comes to their children.  Fidel Castro had children all over the world and he didn’t leave Cuba to a single one of them.  Instead, Justin had to settle for Canada.)  Diana has a solution, though.  They have to find Zagreb a wife.  Again, I cannot imagine that this is going to end well.

Meanwhile, Yinessa is still holding out for money, Bubba is still arguing with his wife, and I’m still not sure what Jethro does on the team.

This episode of 1st & Ten …. actually, it wasn’t that bad.  I could actually follow the story for once and it didn’t feel like it had been cut to ribbons for syndication.  John Matuszak actually gave a very touching performance as a player who might be past his prime.  Hopefully, things will work out for him.  We’ll find out next week!

Film Review: Airport 1975 (dir by Jack Smight)


About halfway through 1974’s Airport 1975, Sid Caesar has one of the greatest lines in film history.

“The stewardess is flying the plane?”

Hell yeah, she is!  After a collision with another plane takes out the crew of a Broening 747, it’s up to head flight attendant Nancy (Karen Black) to keep the plane from crashing until another pilot can somehow be lowered into the cockpit of the stricken airliner.  Nancy’s never flown an airplane before but she is dating Al Murdock (Charlton Heston), who may be scared of commitment but who is still described as being one of the greatest pilots who has ever lived.  None other than Joe Patroni (George Kennedy) says that no one knows more about flying than Al Murdock.

George Kennedy is the only cast member to return from the original Airport.  When we previously met Patroni, he was the cigar-chewing chief mechanic for Trans World Airlines.  In Airport 1975, he’s suddenly an executive with Columbia Airlines.  His wife (Susan Clark) and his son (Brian Morrison) are also on the plane.  Joe Patroni and Al Murdock are determined to bring that plane safely to the ground in Salt Lake City and if that means dropping a pilot into the cockpit from a helicopter, that’s what they’ll do.  It’s all a question of whether or not Nancy can keep that plane from crashing while they round up a helicopter and a pilot.

Airport 1975 is so famous for being the movie where the stewardess is flying the plane that it’s often overlooked that it’s also the film where Linda Blair plays a young girl in need of a kidney transplant.  When Sister Ruth (Helen Reddy) sees that the girl has a guitar with her, Ruth sings a folk song that has everyone on the airplane smiling.  (If I was on a plane and someone started playing folk music, I’d probably jump out.  That may seem extreme but seriously, you don’t want to test me on how much I dislike the folk sound.)  This scene was, of course, parodied in Airplane!  In fact, it’s pretty much impossible to watch Airport 1975 without thinking about Airplane!

It’s also overlooked that Gloria Swanson is one of the many stars to appear in this film but Swanson is the only one playing herself.  Gloria Swanson starts as Gloria Swanson and I assume that this 1974 film was set in 1975 in order to generate some suspense as to whether or not Swanson was going to survive the crash.  Swanson talks about how, in 1919, Cecil B. DeMille flew her over California.  She does not talk about Joseph Kennedy or Sunset Boulevard and that’s a shame.  As I watched Airport 1975, I found myself thinking about how different the film would have been if Gloria Swanson had been the one who had to pilot the plane instead of Karen Black.

“Gloria Swanson is piloting the plane?”

As entertaining as that would have been, it would have meant missing out on Karen Black’s intense performance as Nancy.  At times, Nancy seems to be so annoyed with the situation that one gets the feeling that she’s considering intentionally crashing the plane into one of Utah’s mountains.  At other times, she seems to be at a strange sort of peace with whatever happens.  There’s a scene where she attempts to clear some of the clutter in the cockpit and an instrument panel falls on her head and it’s such a powerful moment because I know the exact same thing would have happened to me in that situation.  There’s another moment where I’m pretty sure she accidentally kills the first pilot who attempts to drop into the cockpit and again, it’s a mistake that anyone could have made.  The film doesn’t call her out on it because the film understand that none of us are perfect, except for Charlton Heston.

Speaking of which, Karen Black’s emotional performance contrasts nicely with the performance of Charlton Heston.  This is perhaps the most Hestonesque performance that Charlton Heston ever gave.  Al Murdock is confident, he doesn’t suffer fools, and he’s condescending as Hell.  Every time he calls Nancy “honey,” you’ll want to cringe.  And yet, it’s hard not to appreciate someone who can be so confident while wearing a tight yellow turtleneck.  Charlton Heston watches as the first pilot to attempt to enter the cockpit plunges to his death and immediately declares that it’s his turn to try.  “Get me in that monkey suit!” he snaps and it’s such a Heston moment that you have to love it.

There’s a ton of people in this movie.  Norman Fell, Jerry Stiller, and Conrad Janis play three rowdy drunks.  Erik Estrada, Efrem Zimbalist, and Roy Thinnes are the unfortunate members of the flight crew.  Dana Andrews has a heart attack while piloting a small private plane.  Myrna Loy appears not as herself but as Mrs. Delvaney, who spends almost the entire flight drinking.  Christopher Norris plays Bette, who says that she may look like a teenager but she prefers to be called “Ms. Teenager” and that she’s trained in Kung Fu.  Beverly Garland played Dana Andrews’s wife.  Larry Storch is an obnoxious reporter.  Character actor Alan Fudge plays Danton, the Salt Lake City controller who keeps Nancy calm until Charlton Heston can start snapping at people.

The first time that I watched Airport 1975, I was pretty dismissive of it but, over the years, I’ve rewatched it a few times and I have to admit that I’ve fallen in love with this wonderfully ridiculous film.  There’s just so many odd details, like American Graffiti showing up as the plane’s in-flirt entertainment and Sid Caesar saying that he’s only on the flight because he has a small role in the movie and he finally wanted to see it.  (It seems like it would have been cheaper to just go to a drive-in but whatever.)  And there’s Karen Black, giving the performance of a lifetime and letting us all know that, in 1975, the stewardess flies the airplane!

And she does a damn good job of it too!

Horror On The Lens: Satan’s School For Girls (dir by David Lowell Rich)


For today’s horror on the lens, we have a 1973 made-for-TV movie called Satan’s School For Girls.

After her sister turns up dead, Elizabeth (Pamela Franklin) refuses to accept that official conclusion that it was a suicide.  Instead, Elizabeth is convinced that it was murder and that it has something to do with the exclusive school that her sister attended, the Salem Academy for Women.

Well, honestly, the Salem part is a dead giveaway.  I think we can all agree on that.

Anyway, this movie features a Satanic cult, an old school clique, and plenty of early of 70s fashion choices.  It may be silly but it’s also definitely entertaining.

 

Horror Film Review: The Norliss Tapes (dir by Dan Curtis)


1973’s The Norliss Tapes begins with a disappearance.

David Norliss (Roy Thinnes), a California-based journalist, has vanished.  Before he disappeared, he had started work on a book that would have detailed his own adventures investigating the paranormal.  Though Norliss vanishes, he leaves behind several audiotapes in which he discusses some of the frightening things that he has seen.  Searching for clue about Norliss’s disappearance, his editor, Sanford T. Evans (Don Porter), sits down and listens to the tapes.

(Incidentally, Sanford T. Evans is a wonderful name for an editor.  It’s a name that just says, “My father knew Hemingway and I went to the University of Pennsylvania as a legacy.’)

As Evans listens to each tape, we watch the story unfold from Norliss’s point of view.  In this film, we watch as Norliss investigates an incident in which Ellen Sterns Cort (Angie Dickinson) claims that she was recently attacked by her dead husband, James Cort (Nicki Dimitri).  James was an artist who, in his final days, became obsessed with the occult and fell under the influence of the Mademoiselle Jeckiel (Vonetta McGee), a mysterious woman who claimed to appreciate James’s art and who gave him a scarab ring that he insisted on being buried with.

Norliss interviews Ellen and investigates her story.  He’s far more sympathetic to the idea of James having returned from the dead than the local sheriff (Claude Akins) is.  Of course, the sheriff has problems of his own.  Dead bodies keep turning up in his county, their skin gray and their bodies drained of blood.  Hmmm …. I wonder if that could have anything to do with James Cort and his scarab ring….

The Norliss Tapes is a pretty simple film.  Norliss shows up and then basically waits around until James Cort makes an appearance.  The film only runs 72 minutes and it’s very much a pilot for a television series that never went into production,  Apparently, each episode would have featured Stanford listening to a different tape and hearing about David Norliss and a weekly guest star dealing with some sort of supernatural occurrence.  Director Dan Curtis was also responsible for the cult television series, Kolchak: The Night Stalker, and The Norliss Tapes feels very much like a dry run for that show.  The main difference is that Roy Thinnes’s David Norliss is nowhere near as nervous as Darren McGavin’s Carl Kolchak.

That said, the exact details for what’s going on with James Cort are almost ludicrously complicated.  It turns out that James Cort is not only trying to cheat death but he’s also helping an ancient Egyptian deity invade our world.  It’s best to ignore the nonsense about the Egyptian Gods and instead just focus on how creepy the undead James Cort is.  With his hulking frame, his gray skin, and his nearly glowing eyes, Cort is a truly frightening monster and he’s certainly the most impressive thing about this movie.  What makes Cort such an effective villain is how angry he seems to be.  Whenever he’s on screen, he’s either bursting through a door or chasing someone.  He’s pure nightmare fuel.

The Norliss Tapes never became a series but it did do well in Europe, where it was released in theaters.  The Norliss Tapes still has a cult following, not bad for a failed pilot.  Who knows what other adventures David Norliss could have had?

Guilty Pleasure #86: The Horror at 37,000 Feet (dir by David Lowell Rich)


I imagine that it should go without saying that, if you’re on an airplane and you’re flying high above the ground, the last thing that you want to deal with is a bunch of angry ghost druids.

And yet, that’s exactly what happens in this made-for-TV horror film from 1973.

The ghost druids are upset because two architects (played by Roy Thinnes and Jane Merrow) have traveled to England, specifically so that they can supervise the deconstruction of ancient druid altar. Now, they’re flying the pieces of the altar back over the ocean so that the altar can be reconstructed in the United States. The spirits of the ancient druids aren’t happy about being moved so they start doing everything they can to make the journey difficult.

First, they attempt to freeze the plane. When that doesn’t work, they decide to rip it in half. One of the passengers, Mrs. Pinder (Tammy Grimes), suggests that maybe the druids will settle down if they’re offered a sacrifice. When the druids reject an offer of a doll, the passengers start to wonder if maybe the spirits would be happier with a human sacrifice.

Although some of the passengers are reluctant to buy into the whole sacrifice thing, a few of them do start to come around. For instance, there’s a perpetually angry businessman who is played by Buddy Ebsen. Once he realizes that the druids aren’t going anywhere, he has no problem with the idea of a human sacrifice. There’s also a cowboy played by Will Hutchins. If sacrificing a human is what he has to do to have another chance to ride the range, that’s what he’s going to do. Paul Winfield plays a distinguished doctor who tries to keep everyone calm while Chuck Connors is stuck in the cockpit, trying to keep the plane in the air while his passengers and crew debate the ethics of human sacrifice.

And then there’s William Shatner.

Shatner plays a former priest who has lost his faith. From the minute he gets on the plane, he starts drinking and he doesn’t stop for almost the entire movie. It doesn’t matter what’s happening on the plane, Shatner always has a glass in his hand. Playing a character who never has anything positive to say, Shatner smirks through the entire film. Shatner delivers all of his lines in his standard halfting and overdramatic fashion and it’s something of a wonder to behold. Shatner has said that The Horror At 37,000 Feet may be the worst movie in which he ever appeared and just one look at his filmography will show why this is such a bold statement.

The Horror at 37,000 Feet is definitely a film of its time. The plane comes complete with a swinging cocktail lounge, William Shatner wears a turtle neck, and all of the flight attendants wear boots and miniskirts. Everything about this film screams 1973. It’s an incredibly silly but undeniably fun movie. With a running time of only 73 minutes, the pace is fast and the druids don’t waste any time getting down to business. The film’s on YouTube so check it out the next time you’ve an hour and 13 minutes to kill.

Previous Guilty Pleasures

  1. Half-Baked
  2. Save The Last Dance
  3. Every Rose Has Its Thorns
  4. The Jeremy Kyle Show
  5. Invasion USA
  6. The Golden Child
  7. Final Destination 2
  8. Paparazzi
  9. The Principal
  10. The Substitute
  11. Terror In The Family
  12. Pandorum
  13. Lambada
  14. Fear
  15. Cocktail
  16. Keep Off The Grass
  17. Girls, Girls, Girls
  18. Class
  19. Tart
  20. King Kong vs. Godzilla
  21. Hawk the Slayer
  22. Battle Beyond the Stars
  23. Meridian
  24. Walk of Shame
  25. From Justin To Kelly
  26. Project Greenlight
  27. Sex Decoy: Love Stings
  28. Swimfan
  29. On the Line
  30. Wolfen
  31. Hail Caesar!
  32. It’s So Cold In The D
  33. In the Mix
  34. Healed By Grace
  35. Valley of the Dolls
  36. The Legend of Billie Jean
  37. Death Wish
  38. Shipping Wars
  39. Ghost Whisperer
  40. Parking Wars
  41. The Dead Are After Me
  42. Harper’s Island
  43. The Resurrection of Gavin Stone
  44. Paranormal State
  45. Utopia
  46. Bar Rescue
  47. The Powers of Matthew Star
  48. Spiker
  49. Heavenly Bodies
  50. Maid in Manhattan
  51. Rage and Honor
  52. Saved By The Bell 3. 21 “No Hope With Dope”
  53. Happy Gilmore
  54. Solarbabies
  55. The Dawn of Correction
  56. Once You Understand
  57. The Voyeurs 
  58. Robot Jox
  59. Teen Wolf
  60. The Running Man
  61. Double Dragon
  62. Backtrack
  63. Julie and Jack
  64. Karate Warrior
  65. Invaders From Mars
  66. Cloverfield
  67. Aerobicide 
  68. Blood Harvest
  69. Shocking Dark
  70. Face The Truth
  71. Submerged
  72. The Canyons
  73. Days of Thunder
  74. Van Helsing
  75. The Night Comes for Us
  76. Code of Silence
  77. Captain Ron
  78. Armageddon
  79. Kate’s Secret
  80. Point Break
  81. The Replacements
  82. The Shadow
  83. Meteor
  84. Last Action Hero
  85. Attack of the Killer Tomatoes

Late Night Retro Television Review: Highway to Heaven 3.12 “Oh Lucky Man!”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

It’s time to work at another youth center!

Episode 3.12 “Oh Lucky Man!”

(Dir by Dan Gordon, originally aired on December 10th, 1986)

Jonathan and Mark are working at a youth center …. again!

Don’t get me wrong.  There’s nothing wrong with Jonathan and Mark working at a youth center.  From what I’ve seen of this show, Michael Landon seemed to have a natural rapport with kids and Victor French’s grouchiness was always put to good use whenever he had to deal with someone younger.  It’s just hard not to notice that Jonathan and Mark seemed to go to several youth centers each episode and they almost always dealt with exact same issue.  Some kid is angry or insecure.  He may not have a father in his life.  Jonathan helps the kid admit his anger and learn to trust whoever wanted to adopt him.  Usually, this seemed to involve helping the kid find the courage to play a sport or something similar.

In this episode, the youth center is run by an ex-con named Jake (Thalmus Rasulal).  Mark was the one who arrested Jake and sent him to prison but Jake so impressed Mark with how he turned his life around that Mark ended up testifying in favor of giving Jake parole.  Jake opened up a youth center to “keep the kids out of the gangs.”  And again, there’s nothing wrong with that.  I admire anyone who comes out of prison and attempts to do something good for their community.  One of the truly shameful things about our justice system is that it’s been forgotten that prison is meant to rehabilitate.  We focus so much on punishment that we end up forgetting that we’re supposed to be a nation built on second chances.  Jake has made something out of himself and now, he’s giving back.

(And yes, that is your When Did Lisa Marie Become A Bleeding Heart? moment of the week,)

The problem is that his youth center desperately needs money.  It looks like everything is going to be alright when Mark wins $5,000,000 while taking the kids out for lunch.  Mark plans to give the money to the youth center.  He also plans to be there for a troubled kid named Brady (Ian Michael Giatti).  But when Mark is approached by Nina Van Slyke (Shannon Tweed), those plans change.  Nina claims to be the head of a charity and she convinces Mark that her charity could do a lot more good with the money than the youth center.  Mark finds himself falling in love with Nina and he even tells Jonathan that they’re partnership might be over.  However, Nina is actually a con artist who just wants to take Mark’s money for herself.

Will Mark see the error of his ways?  Of course!  And he’ll apologize to Brady for missing Brady’s big game and he’ll keep the youth center open by giving the money to Jake.  This is Highway to Heaven.  There’s not a cynical note to be found in this show.

That said, this episode was a bit uneven with the soap opera-like scenes of Nina and her partner (Roy Thinnes) plotting to cheat Mark never gelling with the more earnest scenes of Jonathan helping out at the youth center.  As always, this episode was well-intentioned and about as sincere as you can get.  The strength of this show is that it’s so sincere.  But Shannon Tweed felt like she was acting in a totally different show from Highway to Heaven.  As a result, this episode never quite came together as a cohesive unit.

Oh well.  At least Brady’s going to get a family!

Horror on the Lens: The Horror at 37,000 Feet (dir by David Lowell Rich)


Today, we have the 1973 made-for-TV movie, The Horror at 37,000 Feet.  This film starts off like a typical disaster film, with a collection of familiar celebrities catching a flight from Heathrow Airport.    What they don’t know is that celebrity is not the only thing flying across the ocean!  There’s a sacrificial altar sitting in the baggage hold and soon, all sorts of strange things are happening!  Truly, it’s a horror at 37,000 feet!

This film is silly and perhaps even a little bit dumb but it’s also definitely a lot of fun.  To be honest, when you’ve got William Shatner playing an ex-priest who is wondering what happened to his faith, how can you go wrong?  Along with Shatner, keep an eye out for Chuck Conners, Buddy Ebsen, Roy Thinnes, Paul Winfield, Tammy Grimes, and France Nuyen.  Basically, every TV actor who needed a job in 1973 boarded The Horror at 37,000 Feet. 

Happy October and enjoy The Horror at 37,000 Feet!