Horror On The Lens: Satan’s School For Girls (dir by David Lowell Rich)

Posted on October 24, 2025 by Lisa Marie Bowman

For today’s horror on the lens, we have a 1973 made-for-TV movie called Satan’s School For Girls.

After her sister turns up dead, Elizabeth (Pamela Franklin) refuses to accept that official conclusion that it was a suicide. Instead, Elizabeth is convinced that it was murder and that it has something to do with the exclusive school that her sister attended, the Salem Academy for Women.

Well, honestly, the Salem part is a dead giveaway. I think we can all agree on that.

Anyway, this movie features a Satanic cult, an old school clique, and plenty of early of 70s fashion choices. It may be silly but it’s also definitely entertaining.

Horror Film Review: The Norliss Tapes (dir by Dan Curtis)

Posted on October 14, 2025 by Lisa Marie Bowman

1973’s The Norliss Tapes begins with a disappearance.

David Norliss (Roy Thinnes), a California-based journalist, has vanished. Before he disappeared, he had started work on a book that would have detailed his own adventures investigating the paranormal. Though Norliss vanishes, he leaves behind several audiotapes in which he discusses some of the frightening things that he has seen. Searching for clue about Norliss’s disappearance, his editor, Sanford T. Evans (Don Porter), sits down and listens to the tapes.

(Incidentally, Sanford T. Evans is a wonderful name for an editor. It’s a name that just says, “My father knew Hemingway and I went to the University of Pennsylvania as a legacy.’)

As Evans listens to each tape, we watch the story unfold from Norliss’s point of view. In this film, we watch as Norliss investigates an incident in which Ellen Sterns Cort (Angie Dickinson) claims that she was recently attacked by her dead husband, James Cort (Nicki Dimitri). James was an artist who, in his final days, became obsessed with the occult and fell under the influence of the Mademoiselle Jeckiel (Vonetta McGee), a mysterious woman who claimed to appreciate James’s art and who gave him a scarab ring that he insisted on being buried with.

Norliss interviews Ellen and investigates her story. He’s far more sympathetic to the idea of James having returned from the dead than the local sheriff (Claude Akins) is. Of course, the sheriff has problems of his own. Dead bodies keep turning up in his county, their skin gray and their bodies drained of blood. Hmmm …. I wonder if that could have anything to do with James Cort and his scarab ring….

The Norliss Tapes is a pretty simple film. Norliss shows up and then basically waits around until James Cort makes an appearance. The film only runs 72 minutes and it’s very much a pilot for a television series that never went into production, Apparently, each episode would have featured Stanford listening to a different tape and hearing about David Norliss and a weekly guest star dealing with some sort of supernatural occurrence. Director Dan Curtis was also responsible for the cult television series, Kolchak: The Night Stalker, and The Norliss Tapes feels very much like a dry run for that show. The main difference is that Roy Thinnes’s David Norliss is nowhere near as nervous as Darren McGavin’s Carl Kolchak.

That said, the exact details for what’s going on with James Cort are almost ludicrously complicated. It turns out that James Cort is not only trying to cheat death but he’s also helping an ancient Egyptian deity invade our world. It’s best to ignore the nonsense about the Egyptian Gods and instead just focus on how creepy the undead James Cort is. With his hulking frame, his gray skin, and his nearly glowing eyes, Cort is a truly frightening monster and he’s certainly the most impressive thing about this movie. What makes Cort such an effective villain is how angry he seems to be. Whenever he’s on screen, he’s either bursting through a door or chasing someone. He’s pure nightmare fuel.

The Norliss Tapes never became a series but it did do well in Europe, where it was released in theaters. The Norliss Tapes still has a cult following, not bad for a failed pilot. Who knows what other adventures David Norliss could have had?

Guilty Pleasure #86: The Horror at 37,000 Feet (dir by David Lowell Rich)

Posted on October 9, 2025 by Lisa Marie Bowman

I imagine that it should go without saying that, if you’re on an airplane and you’re flying high above the ground, the last thing that you want to deal with is a bunch of angry ghost druids.

And yet, that’s exactly what happens in this made-for-TV horror film from 1973.

The ghost druids are upset because two architects (played by Roy Thinnes and Jane Merrow) have traveled to England, specifically so that they can supervise the deconstruction of ancient druid altar. Now, they’re flying the pieces of the altar back over the ocean so that the altar can be reconstructed in the United States. The spirits of the ancient druids aren’t happy about being moved so they start doing everything they can to make the journey difficult.

First, they attempt to freeze the plane. When that doesn’t work, they decide to rip it in half. One of the passengers, Mrs. Pinder (Tammy Grimes), suggests that maybe the druids will settle down if they’re offered a sacrifice. When the druids reject an offer of a doll, the passengers start to wonder if maybe the spirits would be happier with a human sacrifice.

Although some of the passengers are reluctant to buy into the whole sacrifice thing, a few of them do start to come around. For instance, there’s a perpetually angry businessman who is played by Buddy Ebsen. Once he realizes that the druids aren’t going anywhere, he has no problem with the idea of a human sacrifice. There’s also a cowboy played by Will Hutchins. If sacrificing a human is what he has to do to have another chance to ride the range, that’s what he’s going to do. Paul Winfield plays a distinguished doctor who tries to keep everyone calm while Chuck Connors is stuck in the cockpit, trying to keep the plane in the air while his passengers and crew debate the ethics of human sacrifice.

And then there’s William Shatner.

Shatner plays a former priest who has lost his faith. From the minute he gets on the plane, he starts drinking and he doesn’t stop for almost the entire movie. It doesn’t matter what’s happening on the plane, Shatner always has a glass in his hand. Playing a character who never has anything positive to say, Shatner smirks through the entire film. Shatner delivers all of his lines in his standard halfting and overdramatic fashion and it’s something of a wonder to behold. Shatner has said that The Horror At 37,000 Feet may be the worst movie in which he ever appeared and just one look at his filmography will show why this is such a bold statement.

The Horror at 37,000 Feet is definitely a film of its time. The plane comes complete with a swinging cocktail lounge, William Shatner wears a turtle neck, and all of the flight attendants wear boots and miniskirts. Everything about this film screams 1973. It’s an incredibly silly but undeniably fun movie. With a running time of only 73 minutes, the pace is fast and the druids don’t waste any time getting down to business. The film’s on YouTube so check it out the next time you’ve an hour and 13 minutes to kill.

Previous Guilty Pleasures

Late Night Retro Television Review: Highway to Heaven 3.12 “Oh Lucky Man!”

Posted on February 6, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Tubi and several other services!

It’s time to work at another youth center!

Episode 3.12 “Oh Lucky Man!”

(Dir by Dan Gordon, originally aired on December 10th, 1986)

Jonathan and Mark are working at a youth center …. again!

Don’t get me wrong. There’s nothing wrong with Jonathan and Mark working at a youth center. From what I’ve seen of this show, Michael Landon seemed to have a natural rapport with kids and Victor French’s grouchiness was always put to good use whenever he had to deal with someone younger. It’s just hard not to notice that Jonathan and Mark seemed to go to several youth centers each episode and they almost always dealt with exact same issue. Some kid is angry or insecure. He may not have a father in his life. Jonathan helps the kid admit his anger and learn to trust whoever wanted to adopt him. Usually, this seemed to involve helping the kid find the courage to play a sport or something similar.

In this episode, the youth center is run by an ex-con named Jake (Thalmus Rasulal). Mark was the one who arrested Jake and sent him to prison but Jake so impressed Mark with how he turned his life around that Mark ended up testifying in favor of giving Jake parole. Jake opened up a youth center to “keep the kids out of the gangs.” And again, there’s nothing wrong with that. I admire anyone who comes out of prison and attempts to do something good for their community. One of the truly shameful things about our justice system is that it’s been forgotten that prison is meant to rehabilitate. We focus so much on punishment that we end up forgetting that we’re supposed to be a nation built on second chances. Jake has made something out of himself and now, he’s giving back.

(And yes, that is your When Did Lisa Marie Become A Bleeding Heart? moment of the week,)

The problem is that his youth center desperately needs money. It looks like everything is going to be alright when Mark wins $5,000,000 while taking the kids out for lunch. Mark plans to give the money to the youth center. He also plans to be there for a troubled kid named Brady (Ian Michael Giatti). But when Mark is approached by Nina Van Slyke (Shannon Tweed), those plans change. Nina claims to be the head of a charity and she convinces Mark that her charity could do a lot more good with the money than the youth center. Mark finds himself falling in love with Nina and he even tells Jonathan that they’re partnership might be over. However, Nina is actually a con artist who just wants to take Mark’s money for herself.

Will Mark see the error of his ways? Of course! And he’ll apologize to Brady for missing Brady’s big game and he’ll keep the youth center open by giving the money to Jake. This is Highway to Heaven. There’s not a cynical note to be found in this show.

That said, this episode was a bit uneven with the soap opera-like scenes of Nina and her partner (Roy Thinnes) plotting to cheat Mark never gelling with the more earnest scenes of Jonathan helping out at the youth center. As always, this episode was well-intentioned and about as sincere as you can get. The strength of this show is that it’s so sincere. But Shannon Tweed felt like she was acting in a totally different show from Highway to Heaven. As a result, this episode never quite came together as a cohesive unit.

Oh well. At least Brady’s going to get a family!

Horror on the Lens: The Horror at 37,000 Feet (dir by David Lowell Rich)

Posted on October 27, 2024 by Lisa Marie Bowman

Today, we have the 1973 made-for-TV movie, The Horror at 37,000 Feet. This film starts off like a typical disaster film, with a collection of familiar celebrities catching a flight from Heathrow Airport. What they don’t know is that celebrity is not the only thing flying across the ocean! There’s a sacrificial altar sitting in the baggage hold and soon, all sorts of strange things are happening! Truly, it’s a horror at 37,000 feet!

This film is silly and perhaps even a little bit dumb but it’s also definitely a lot of fun. To be honest, when you’ve got William Shatner playing an ex-priest who is wondering what happened to his faith, how can you go wrong? Along with Shatner, keep an eye out for Chuck Conners, Buddy Ebsen, Roy Thinnes, Paul Winfield, Tammy Grimes, and France Nuyen. Basically, every TV actor who needed a job in 1973 boarded The Horror at 37,000 Feet.

Happy October and enjoy The Horror at 37,000 Feet!

Horror on the Lens: The Norliss Tapes (dir by Dan Curtis)

Posted on October 13, 2024 by Lisa Marie Bowman

The Norliss Tapes (1973, dir by Dan Curtis)

Today’s Horror on the Lens is The Norliss Tapes, a 1973 made-for-TV movie that was also a pilot for a television series that, unfortunately, was never put into production.

Reporter David Norliss (Roy Thinnes) has disappeared. His friend and publisher, Stanford Evans (Don Porter), listens to the tapes that Norliss recorded before vanishing. (Stanford Evans, it must be said, is a great name for an editor.) Each tape details yet another paranormal investigation. (Presumably, had the series been picked up, each tape would have been a different episode.) The first tape tells how Norliss investigated the mysterious death of an artist who apparently returned from the grave.

For a made-for-TV movie, The Norliss Tapes is pretty good. It’s full of atmosphere and features a genuinely menaching yellow-eyed zombie monster. The film was directed by Dan Curtis, who was responsible for several made-for-TV horror films and who also created the deathless TV show, Dark Shadows. Curtis also directed a few feature films. Burnt Offerings, for instance, will be forever beloved for its scene of annoying little Lee Montgomery getting crushed by a chimney. If you ever get a chance to listen to the director’s commentary that Dan Curtis recorded for the Burnt Offerings DVD release, you must do so. Curtis comes across as the crankiest man on the planet and it’s actually kind of fascinating to listen to. His irritation when Karen Black keeps asking him if he knows the name of the actor who played the ghostly chauffeur is truly an amazing thing to here. (For the record, the actor’s name was Anthony James, he also had important supporting roles in two best picture winners — In The Heat of the Night and Unforgiven — and yes, he was one of the best things about Burnt Offerings. Karen Black knew what she was talking about.)

But back to The Norliss Tapes!

Admittedly, this is not the first Halloween in which I’ve shared The Norliss Tapes with our readers. Back in both 2015 and 2021, The Norliss Tapes was one of our “horrors on the lens.” Unfortunately, there’s only so many good quality, public domain horror films available on YouTube so, occasionally, a movie is going to show up more than once over the years. But, as long as it’s good film, who cares?

Enjoy The Norliss Tapes!

Rush Week (1991, directed by Bob Bralver)

Posted on October 28, 2022 by Jedadiah Leland

When campus coeds start to go missing, student journalist Toni Daniels (Pamela Ludwig) investigates. At first, she suspects that a local fraternity is responsible and that all of the disappearances are linked to the college’s notoriously wild rush week. But, after she starts dating Jeff (Dean Hamilton), the president of the fraternity, Toni decides that the killer is probably actually Arnold (John Donavon), a cook in the school’s cafeteria who asked all of the missing girls to model for him. While Toni and Jeff try to prove that Arnold is responsible for all of the recent disappearances, the school’s puritanical Dean (Roy Thinnes), tries to keep rush week under control. Good luck with that because no one controls rush week.

Rush Week is a mixes two genres, the campus comedy and the slasher film and it tries to proves that not even a string of murders can spoil a good frat party. Unfortunately, it doesn’t do a very good job at it. The comedy isn’t funny, the kills aren’t scary, and the identity of the murderer is obvious from the start. (Surprise, it’s not Arnold.) The best performance comes from Roy Thinnes, who gives a performance as the Dean that would make John Vernon proud. (Almost every actor eventually reaches a point where they have to start taking John Vernon roles to pay the bills.) Like a lot of bad 90s slashers, Rush Week used to be show up frequently on Late Night Cinemax. Most people who watched it probably did so because Kathleen Kinmont played the student whose disappearance sets the entire movie in motion. Kinmont plays a character named Julie Ann McGuffin. She’s an actual MacGuffin and that’s about as clever as the script gets.

Horror on the Lens: The Horror at 37,000 Feet (dir by David Lowell Rich)

Posted on October 1, 2022 by Lisa Marie Bowman

Hi there and welcome to October! This is our favorite time of the year here at the Shattered Lens because October is our annual horrorthon! For the past several years (seriously, we’ve been doing this for a while), we have celebrated every October by reviewing and showing some of our favorite horror movies, shows, books, and music. That’s a tradition that I’m looking forward to helping to continue this year.

To start things off, we have the 1973 made-for-TV movie, The Horror at 37,000 Feet. This film starts off like a typical disaster film, with a collection of familiar celebrities catching a flight from Heathrow Airport. What they don’t know is that celebrity is not the only thing flying across the ocean! There’s a sacrificial altar sitting in the baggage hold and soon, all sorts of strange things are happening! Truly, it’s a horror at 37,000 feet!

Happy October and enjoy The Horror at 37,000 Feet!

The TSL’s Grindhouse: Satan’s School For Girls (dir by David Lowell Rich)

Posted on October 31, 2021 by Lisa Marie Bowman

Have you ever wanted to enroll in a private school so that you could investigate a murder and maybe uncover some sort of occult conspiracy? Sure, we all have! Well, don’t worry …. there’s a place for you! Welcome to Salem Academy, an exclusive all-girl’s college where students learn all the basic subjects, along with taking courses in art and human sacrifice!

Salem Academy is overseen by the feared and intimidating Mrs. Williams (Jo Van Fleet), who keeps a close eye on her students and tries to make sure that they aren’t distracted or corrupted by any outside influences. However, not even Mrs. Williams can keep Martha Sayers (Terry Lumley) from fleeing the school and going to her sister’s house in Los Angeles. When Martha’s sister, Elizabeth (Pamela Franklin), returns home, she discovers that Martha has been hanged. The police say that it was suicide. Elizabeth believes that it’s something else.

So, Elizabeth does what any vengeance-seeking sister would do. Using an assumed name, she enrolls in Salem Academy herself. She meets and befriends three other students (played by Kate Jackson, Jamie Smith Jackson, and Cheryl Ladd). She gets to know two rather suspicious teachers, Prof. Delacroix (Lloyd Bochner) and Dr. Clampett (Roy Thinnes). She also manages to raise the concerns of Mrs. Williams, who doesn’t like the fact that the new girl keeps asking so many questions about why so many students at Salem Academy have died recently.

Still, Elizabeth continues to investigate. Perhaps the secret can be found in a mysterious painting that she comes across, one that appears to be of Martha? Perhaps the teachers and the students know more than they’re telling. But who can Elizabeth trust?

A made-for-television film from 1973, Satan’s School For Girls is frequently as silly as its name. Fortunately, the film, which was produced by Aaron Spelling and directed David Lowell Rich, seems to understand just how ludicrous it is and it totally embraces both the melodrama and the silliness of its plot. This film is totally product of the time in which it was made, from the dialogue to the hairstyles to the fashions to the ending that you’ll see coming from a mile away. At the same time, that’s also why this film is a lot of fun. It’s such a product of its time that it doubles as a time capsule. Do you want to go back to 1973? Well, go over to YouTube and watch Satan’s School For Girls. After you’ve watched it, step outside and ask anyone who the president is and they’ll probably say, “Richard Nixon.” And if you ask them who they’re favorite Brady is, they’ll look at you like your crazy because everyone know that Marcia is the best Brady. If you even have to ask, it’s obvious that you don’t really watch the show. After that, you should probably try to find a way to get back to 2021 before you change the future or something. You know how tricky time travel can be.

As for Satan’s School for Girls, it’s just a really fun movie so check it out and be sure not to be late for class!

Horror on the Lens: The Norliss Tapes (dir by Dan Curtis)

Posted on October 4, 2021 by Lisa Marie Bowman

Today’s Horror on the Lens is The Norliss Tapes, a 1973 made-for-TV movie that was also a pilot for a television series that, unfortunately, was never put into production.

But back to The Norliss Tapes!

Admittedly, this is not the first Halloween in which I’ve shared The Norliss Tapes with our readers. Back in 2015, The Norliss Tapes was one of our “horrors on the lens.” Unfortunately, there’s only so many good quality, public domain horror films available on YouTube so, occasionally, a movie is going to show up more than once over the years. But, as long as it’s good film, who cares?

Enjoy The Norliss Tapes!