Retro Television Review: Sawdust 1.1 “Pilot”

Posted on March 28, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Sawdust, which aired on CBS in 1987. The entire show is currently streaming on YouTube!

From executive producer Ed Zwick, we have a show about a really terrible father.

Episode 1.1 “Pilot”

(Dir by Jeffrey Hornaday, originally aired on July 3rd, 1987)

We bought a circus!

That’s the premise behind Sawdust, in which an accountant named Max Galpin (James Eckhouse) buys a circus after the owner dies. He then pulls his teenage children out of school and, along with his wife, he decides to live with and run the circus.

What!?

Like seriously, why would he do that? Unfortunately, the purchase of the circus and the moment when Max tells his family that he’s ruined their lives all take place off-screen. Max mentions them in his voice-over narration and he says something about how, at an auction of the former owner’s possessions, he bid on the circus but he was surprised when he won. So, I guess maybe Max wasn’t actually planning on buying the circus but he just bid on it to …. what? I mean, as a part of my day job, I have been to auctions before and I’ve bid on stuff for my boss. It was fun and yes, sometimes people do make bids just to run up the price of something. But I still find it hard to believe that someone could 1) accidentally buy a circus and 2) justify uprooting his family to run the circus.

At first, Max’s wife (Marsha Waterbury) and his daughter (Kellie Overbey) and his son (Bradley Gregg) are not happy with him but that changes once they actually arrive at the circus and get caught up in the excitement of putting on a show. Max’s daughter takes the longest to come around, mostly because Max wants her to wear a skimpy outfit while walking across a tight rope that is suspended above the ground. His daughter probably wouldn’t die if she lost her balance but still, it would be embarrassing and what type of father does that to his daughter? I mean, is walking across a tight rope an easy thing to do? Meanwhile, Max gets shot out of a cannon, his wife works with an elephant, and his son dresses up like a gorilla. Max is willing to risk his daughter’s dignity but his son just has to dress up like a gorilla. What the Hell?

Max gets to know the ringmaster, Serge (Elya Baskin), who quits in a huff but then comes back because the circus is all he knows. And Leslie Jordan shows up, not saying a word but playing various musical instruments. We also meet a man who has been hired to serve as the tutor for Max’s kids because again, Max has pulled them out of school so that they can join the circus. Max really is a terrible father. What a jerk. Seriously, his children have not only left behind all of their friends but also whatever hope they may have had of getting into an Ivy League college. Now, they’ll have to settle for a state school. And why? Because their father, despite having no circus experience, decided to run a circus.

This pilot was so weird. There was a laugh track but the show took itself oddly seriously. Max is a character to whom most viewers would have mixed feelings and the rather frantic performance of James Eckhouse does little to make him sympathetic. There would not be a second episode.

Late Night Retro Television Review: Monsters 2.1 “The Face”

Posted on March 27, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire series is streaming on YouTube.

This week, we start the second season of Monsters!

Episode 2.1 “The Face”

(Dir by Allen Coulter, originally aired on October 1st, 1989)

The second season of Monsters opens with two redneck brother, Ray (Gregory Grove) and Clifford (Gary Roberts), breaking into a house that is owned by an old widow (Imogene Coca). Because the woman is known for paying for everything in cash and doesn’t even have a bank account, the brothers suspect that she has a fortune stashed away somewhere in the house. (I’m not really sure how the brothers know that she doesn’t have a bank account and, for that matter, neither one of them really come across like they could open a bank account either. Maybe just don’t judge people on whether or not they have a bank account, you know?) When the dumbass brothers stumble across the woman in her bedroom, a struggle leads to Ray suffocating her but not before she bites a chunk out of his hand.

The wound on Ray’s hand refuses to heal. Instead, it starts to resemble the face of the old woman and soon, Ray is hearing her voice and the wound itself appears to be talking. Yikes! Is Ray being driven mad by his own guilt and paranoia or is the woman’s spirit truly haunting him? And will Ray ever be able to get the voice to stop or will he end up doing something unthinkable to his hand?

Either way, that talking hand wound is not particularly pleasant to look at. The second season premiere of Monsters takes it cue from both the body horror of David Cronenberg and the comedic grotesquerie of Sam Raimi and that means that we get a lot of closeups of Ray’s bloody hand and we also see every detail of the lengths that Ray goes to try to silence the wound. I started this episode cringing and, by the end of it, I had my own hands over my eyes because some of the imagery was just way too …. icky.

While the imagery was undeniably effective in its nauseating way, the overall story really didn’t carry much of an impact. Ray and Clifford were both such idiots that it was difficult to really care about any story involving them. In the end, they weren’t even interesting enough to make their downfall fun to watch. This episode worked best as an example of gross-out horror and, if I had to guess, I think the episode’s main aim was to let viewers know that season 2 was going to be even more graphic than season one. The episode makes for a fine highlight real for the show’s VFX and makeup teams but, as a story, it just falls flat.

Retro Television Review: The Love Boat 4.9 “She Stole His Heart/Return of the Captain’s Brother/Swag and Mag”

Posted on March 27, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

The Stubing Brothers are together again!

Episode 4.9 “She Stole His Heart/Return of the Captain’s Brother/Swag and Mag”

(Dir by Richard Kinon, originally aired on December 8th, 1980)

This week, Captain Stubing’s no-good brother — Marshall Stubing — returns! That means that it is once again time for Gavin MacLeod to put on a toupee and a fake mustache and to play a dual role. (And, once again, he is credited as O.D. Warbux when playing Marshall.)

This time, Marshall is actually on the boat with the best of intentions. He wants to marry Natalie Martin (Arlene Dahl) and, amazingly enough, Natalie wants to marry him as well. Except — oh no! — it’s Zsa Zsa Gabor! Gabor plays Marshall’s ex-girlfriend. The character has a name but we’ll just call her Zsa Zsa because she’s basically playing herself. Marshall is certainly tempted by Zsa Zsa but, in the end, he does the right thing and he marries Natalie. In fact, the third Stubing brother, Milo Stubing (Sonny Wilde), shows up for the wedding. Wait a minute, Sonny Wilde? OH MY GOD, IT’S GAVIN MACLEOD IN ANOTHER WIG!

Gavin MacLeod plays three characters in this episode and let’s give him some credit. It’s all very, very silly and Zsa Zsa Gabor is not for everyone but Gavin MacLeond pulls it off. (Admittedly, there is one awkward scene where Merill has a conversation with Marshall and it’s obvious that no one told MacLeod where the other version of him would be standing so, as a result, Merrill appears to be looking over Marshall’s head while speaking to him but even that is kind of charming in its low-rent way.) Gavin MacLeod appears to be having fun in this episode and that was definitely the correct approach to take to this show. It keeps the story entertaining, even though not that much really happens with it.

As for the other stories …. eh, who cares? I mean, when you’ve got Gavin MacLeod talking to himself and Zsa Zsa Gabor making a grand entrance into every scene, do you need any other stories? Okay, okay, I’ll still talk about them, even though neither one is really that interesting.

Joan Van Ark plays a kleptomaniac from Oklahoma who falls for a psychologist played by Stephen Keep Mills. Whenever she flirts with him, she ends up walking away with his wallet or his wristwatch. Fortunately, they find romance and good mental health together. The doctor could have just called the police and had her arrested but that would have made for a depressing ending.

Darryl Brewster (Ron Ely) is Vicki’s favorite actor. He plays private detective Steve Swaggart on television. Swaggart can win any fight but when Darryl is challenged to a real fight by another passenger (William Boyett), Darryl ends up trying to pay the guy off. The passenger reveals Darryl is a coward and, for a while, everyone is disillusioned. But then Darryl gives a speech about the difference between playing a brawler and being one and everyone forgives him, including his agent and soon-to-be lover, Maggie (Erin Gray). The big problem here is that we’re asked to believe that Stubing would allow two passengers to schedule a fistfight on his ship without any repercussions. That would be the sort of thing that I think would get most captains fired. Obviously, Merrill was pre-occupied with his brothers but that’s really no excuse for putting the cruise line in legal jeopardy.

In short, it may be time to fire Stubing and let Gopher take over.

We’ll see if Stubing has gotten any better at his job next week.

Late Night Retro Television Review: Baywatch Nights 1.19 “Epilogue”

Posted on March 26, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Baywatch Nights, a detective show that ran in Syndication from 1995 to 1997. The entire show is currently streaming on You tube!

This week, Griff gets a storyline! Who? Oh yeah, Griff! He’s like the photographer who hangs out at the detective agency sometimes. He was played by Eddie Cibrian and he was listed in the opening credits so I guess he was supposed to be a major character, despite never doing or even saying anything.

Anyway, on to this week’s episode….

Episode 1.19 “Epilogue”

(Dir by Reza Badiyi, originally aired on April 27th, 1996)

Griff is concerned about his old friends, RJ (Jared Murphy) and Rene O’Gill (Julianne Morrs). Their mother has just recently died and Rene suspects that she was murdered by their stepfather, Robert Houston (Ben Murphy). RJ, meanwhile, is a junky for both adrenaline and amphetamines and his girlfriend, Candy (Carmen Electra), seems like she might be a bad influence. Both RJ and Rene are due to receive a good deal of money from their trust funds and, if anything happened to them, that money would go to Robert.

Wanting to learn the truth about her mother’s death, Rene hires Mitch and Ryan to investigate. Because Mitch is a terrible private eye, he decides to have Donna go undercover to discover if Robert is hiding anything. Keep in mind that Donna does not work for the detective agency, has got a club to run, is already training to become a lifeguard, and has absolutely no investigative experience. And, of course, it turns out that there really wasn’t any need to have Donna go undercover because, just as Mitch is terrible at investigating stuff, Robert is terrible at covering up the fact that he’s a murderer.

How does Mitch solve this case? When he discovers that someone has been calling Rene’s answering machine and getting her messages without her knowledge, Mitch says, “Dial Star 69.” That’s the extent of Mitch’s detective work in this episode.

(Answering machines and Star 69, could this show be any more of a product of the 90s?)

The main problem here is that the episode revolves around Griff and his romantic feelings for Rene but since Griff is a character who has only appeared in a handful of episodes and never really made much of an impression, it’s hard to really get either emotionally or mentally involved with his story. When RJ is killed during a jet ski race, Griff gets upset and blames Robert but again, we don’t know Griff, we don’t know RJ, and we don’t know Robert.

The best that can be said about this episode is that it features some fun flirtation between David Hasselhoff and Angie Harmon, though not nearly enough. Probably the most interesting thing about this episode is that it tries to be noticeably more racy than previous episodes and the editing often feels so abrupt that it wouldn’t surprise me to learn that there was a more explicit version of the episode made for Europe. Carmen Electra plays a femme fatale here and she does do a good job of being playfully evil. Later, she would join the cast of regular Baywatch, playing a different character who didn’t murder anyone.

Next week …. oh, who knows? I just want to get to the second season already. That’s when all the aliens and undead Vikings start to show up.

Retro Television Review: Fantasy Island 4.18 “The Searcher/The Way We Weren’t”

Posted on March 26, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. Almost the entire show is currently streaming on Daily Motion.

Oh my God, this week’s episode….

Episode 4.18 “The Searcher/The Way We Weren’t”

(Dir by Leslie H. Martinson, originally aired on March 7th, 1981)

This week’s episode was just silly and it’s going to be a struggle to even come up with the usual 500 words to say about it.

Fred Cooper (Jerry Van Dyke) is worried that married life is losing its spark so he wants to relive the early days of his marriage to Dottie (Laraine Stephens). After going through a magic time travel cloud, Fred and Dottie find themselves living in their old house, which they share with Fred’s aunt. Their neighbors are Vic (Jack Carter) and Myra Fletcher (Dawn Wells). Vic is Fred’s boss. He and Myra are also swingers! Apparently, Fred forgot about that but I have to wonder how anyone would forget that? Anyway, Vic offers Fred a promotion but only if Fred will allow Vic to sleep with Dottie. Fred responds by punching Vic out while Vic is hosting a Swingers Convention on Fantasy Island. (Tattoo must have been very happy this week.) Vic realizes that he was in the wrong and Fred still gets his promotion. But is it a real promotion or just a fantasy promotion? Seriously, what the Hell is going on here?

Meanwhile, young heiress Karen Saunders-Holmes (Laurette Spang) comes to the island with her husband, Brian (James Darren). Brian thinks that they’re just on their honeymoon but Karen actually has a fantasy. She wants to be reunited with her father, a man named Noah who supposedly abandoned her when she was an infant and whom she has never met. Mr. Roarke arranges for Noah (Paul Burke) to be released from prison for the weekend and….

PRISON!? Yep, Noah is a convicted murderer and has spent the last two decades in a prison camp. Noah claims that he was innocent of the crime. Anyway, Mr. Roarke introduces Noah to Karen and Brian and says that Noah will be their guide on the Island….

Brian freaks out! It turns out that Brian is actually the man who Noah was framed for murdering. Brian went off and got plastic surgery after faking his own murder, which is why Noah doesn’t recognize him. But Noah soon learns the truth when Brian tricks him into entering a bog of quicksand!

Does Noah survive the quicksand? He does but we’re never told how. Does Brian then freak out and run into the quicksand as well? Of course. Fantasy Island is such a dangerous place!

This was a silly episode. Brian apparently not only had plastic surgery to change his face but also to reduce his age because there was no way he was old enough to a contemporary of Noah’s. And for the swinger’s convention on Fantasy Island …. I mean, what? Mr. Roarke is suddenly okay with a big key party on his Island? How do you forget that you used to live next door to a swinging couple? Like I said, this was just silly. One fantasy features Jerry Van Dyke being way too goofy and the other features James Darren being way to obviously sinister. Neither worked.

So far, the fourth season has really been a mixed bag, hasn’t it? Hopefully, things will improve next week.

Late Night Retro Television Review: CHiPs 1.19 “Crash Diet”

Posted on March 25, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Freevee!

This week, Ponch gets to be a hero! Take that, Baker!

Episode 1.19 “Crash Diet”

(Dir by Don McDougall, originally aired on February 23rd, 1978)

There’s a madman on the freeway and his name is Leonard!

Leonard (Herman Poppe) is a veteran who suffered a traumatic brain injury while serving in Vietnam. He returned home and was making good progress until his wife was killed in a car accident. (Leonard was the one driving.) Leonard now hates cars and, after running away from both his sister’s house and the VA hospital, Leonard sets up camp off the highway. Occasionally, he’ll jump out of the shadows and throw dirt at a motorist. Leonard isn’t trying to hurt anyone but those big clumps of dirt take people by surprise. When he throws a clump of dirt at Ponch, the cops get involved.

Ponch makes it his mission to find Leonard and help him get the help that he needs. And, for once, Ponch manages to do just that. Yay Ponch! Yet, it seems odd that Baker would not be more involved with this case, as it has previously been established that Baker is also a vet and that he also served in Vietnam. One would think that Baker would be somewhat invested in helping Leonard but, in this episode, Baker is mostly along for the ride.

Maybe Baker is preoccupied with the nude volleyball team that he met at the start of the episode. When he and Ponch pulled over a van to give the driver a ticket, they were shocked to discover that the van was full of naked women. It turns out that the local naturalist community has their own volleyball league and the women are all players. Later, Baker and Ponch come across the now-clothed women playing in the park. Ponch and Baker play a game and totally get their asses kicked. That was satisfying to watch.

Meanwhile, Division wants each precinct to lost a total of 1,000 pounds by the end of the week. (It’s like the Weight Loss episode of The Office.) Officer Grossman (Paul Linke) worries that he won’t be able to lose 18 pounds in time. Baker and Ponch each agree to lose an extra five pounds so Grossman will only have to lose 8. Awwww! Then they pull a prank that makes Getraer think that he’s gained 10 pounds. That was kind of mean but I guess Getraer deserved it for …. for what? Trying to make everyone eat healthy and take care of their bodies?

This episode was a mixed bag. The show’s trademark chases were pretty lackluster this week. But I thought Leonard’s story was well-handled, well-intentioned, and sensitively acted. (Yes, even by Erik Estrada.) As well, Paul Linke had some funny moments as Grossman. This episode may not have been CHiPs at its best but it was still an entertaining 40 minutes.

Retro Television Review: Miami Vice 2.7 “Junk Love”

Posted on March 25, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989. The entire show can be purchased on Prime!

This week, Sonny and Rico somehow still manage to work undercover.

Episode 2.7 “Junk Love”

(Dir by Michael O’Herlihy, originally aired on November 8th, 1985)

“What’s a four letter word for dirt?” Switek asks, while on a stakeout.

“Mud,” Zito offers before correcting himself, “I mean …. sand!”

However, according to Switek, the correct answer is Vice!

And indeed, there’s a lot of dirt to be found in this week’s rather sordid episode of Miami Vice. A raid on a brothel leads the Vice Squad to arrest a notorious smuggler and pimp named Ivory Jones (legendary Jazz musician, Miles Davis) and one of Ivory’s girls, a strung-out junkie named Rosella (Ely Pouget). When they find out that Rosella is apparently the girlfriend of a notorious dealer named Juan Carlos Silva (Jose Perez), they decide to use her and Ivory to take Silva down. While Tubbs is convinced that Rosella will say anything get her next fix, Crockett is convinced that Rosella is someone who truly wants to change her life. Hmmm …. isn’t Crockett usually the cynical one?

Silva is sexually obsessed with Rosella, to the extent that he’ll even kill the members of his own organization if he thinks they’re interested in her. The episode’s twist comes towards the end, when Gina does some research and discovers that Silva is not only Rosella’s lover but also her …. ick! …. father! Ewwwww! As with so many episodes of Miami Vice, Junk Love ends with Sonny watching helplessly as a victimized woman throws away her freedom so that she can shoot her tormenter. Miami Vice was a show that always managed to be downbeat, even when the bad guys met a deserved end.

This episode felt like an attempt to recreate the emotional drama of the season one episode that featured Bruce Willis as an arms dealer with an abused wife. Both episodes even feature the same basic ending, just with the setting moved from the courthouse steps to a yacht. Unfortunately, this episode doesn’t work anywhere half as well as any of the episodes that aired during the first season. Jose Perez may be playing an evil character but he simply does not have an intimidating enough screen presence to be convincing in the role. Miles Davis, meanwhile, delivers his lines convincingly enough but his character disappears in such a way that it almost feels as if he left the set before all of his scenes were filmed.

The main thing that I found myself thinking about, as I watched this episode, was how could Sonny Crockett and Rico Tubbs still convincingly go undercover after two years of busting drug kingpin after drug kingpin. You would think the entire Miami underworld would be on the lookout for them. Instead, Sonny is still somehow convincing everyone that he’s actually “Sonny Burnett,” aspiring drug dealer. I’m starting to think the criminals in Miami might not be that smart.

Late Night Retro Television Review: Degrassi Junior High 2.10 “Censored”

Posted on March 24, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sunday, I will be reviewing the Canadian series, Degrassi Junior High, which aired on CBC and PBS from 1987 to 1989! The series can be streamed on YouTube!

This week, Degrassi tackles freedom of the press and freedom of lockers.

Episode 2.10 “Censored”

(Dir by Mike Douglas, originally aired on March 7th, 1988)

The inside of Joey’s locker is covered with pin-ups. When L.D. and Alexa walk by and see Joey, Wheels, and Snake rating the pin-ups, L.D. is offended while Alexa is amused. (Alexa, I have to admit, has become the character to whom I relate on this show.) When Joey the announces that he would only rate L.D. “a four,” L.D. responds by covering the inside of her locker with pictures of half-naked men. L.D. then goes to the principal to complain about Joey’s pin-ups. When Joey gets in trouble, he complains about L.D.’s locker. In the end, both Joey and L.D. end up in school suspension together. Awwwwww!

However, that’s not the only case of censorship in this episode! When Caitlin overhears the principal talking to two parents who want Spike to be forbidden to attend school until she gives birth, Caitlin decides to use the power of the press. She writes an editorial called “Keep Spike At Degrassi,” in which she announces that everyone knows that Spike is pregnant and that Spike should be allowed to continue to go to class. Everyone who reads it says that it’s the best thing that Caitlin has even written but Mr. Radish, the faculty advisor to the school newspaper, announces that it is a violation of school policy and that it can’t be published. So, Caitlin decides to print up several copies of the editorial and then just hand them out to students in the hallway.

Now, you may have noticed that Caitlin did not talk to Spike before writing or printing up her editorial. And, to Caitlin’s shock, Spike is not at all happy about the editorial, explaining that she’s under enough stress without everyone at the school reading about her life. Spike feels that Caitlin used her and Spike is totally correct. Everyone tells Caitlin that she’s a great writer and she’s a hero for standing up to the school administration but Spike is still pretty much alone and isolated at school. The episode ends with a classic depressing Degrassi freeze frame, this time of Spike walking up the school’s front steps and looking totally alone.

With this episode, Caitlin becomes the first of many crusading journalists to pass through the halls of Degrassi. What sets this story apart from future episodes about the school newspaper is its willingness to admit that not all issues are as a simple as they originally appear. I appreciated the fact that Spike was given a chance to call out Caitlin for essentially using Spike’s problems to promote herself and I liked the fact that the show didn’t pretend like there was some sort of easy or perfect solution for any of the issues that both Spike and Caitlin were dealing with.

Degrassi Junior High has often been called the most realistic and honest teen show ever made and episodes like this one show why.

Retro Television Review: In Broad Daylight (dir by Robert Day)

Posted on March 24, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay. Today’s film is 1971’s In Broad Daylight! It can be viewed on YouTube.

Tony Chappel (Richard Boone) is an actor who has just recently lost his sight as a result of an accident. Released from the hospital, Tony struggles to adjust to living in a world without his vision. When one cab driver says to him, “Didn’t you used to be Tony Chappel?,” he flinches as he realizes that his career as a famous actor is now considered to be over. One day, he comes home early and overhears his wife (Stella Stevens) fooling around with his lawyer and “best friend” (Fred Beir). Tony promptly decides to murder his wife and frame his friend for the crime.

Tony decides to use his acting skills to his advantage. He memorizes the the area around him so that he can make his way through it by memory. He puts on a fake beard, speaks with Greek accent, and makes a point of carrying a camera with him. He starts taking public transportation and going out of his way to be talkative and social Everyone that he meets, he tells them about how he’s been taking pictures of the city and how he can’t wait to see how they come out. When his wife is eventually murdered, the police receive a reports of a mysterious Greek man, one who was definitely not blind, in the area. However, Lt. Bergman (John Marley) has his doubts and comes to suspect that Tony is the killer.

In Broad Daylight was made from an early script written by Larry Cohen, who would later go on to direct films like God Told Me To. It’s a clever script, one that sets up an intriguing premise and which ends on a properly twisty and satisfactory note. The film works because it is as much of a character study as a thriller. Tony’s wife not only cheats on him but also betrays him at the moment when he needs her and his friends the most. Tony has gone from being a movie star to being a man who can barely walk from one room to another. He’s already angry. Discovering that his wife is laughing at him behind his back is the last straw.

Larry Cohen reportedly felt that Richard Boone was miscast as Tony. I felt that Boone did a pretty good job, even if he did overact a bit while Tony was trying to convince everyone that he was a Greek tourist. Stella Stevens is perfectly cast as his wife and Suzanne Pleshette is sympathetic as his nurse. Godfather fans will be happy to see John Marley not having to deal with a horse’s head but instead playing the clever detective who attempts to solve the murder.

In Broad Daylight is a clever and entertaining thriller and character study.

Late Night Retro Television Reviews: Check It Out! 2.21 “Jack Be Numbskull”

Posted on March 23, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988. The entire show is currently streaming on Tubi!

This week’s episode defies description. Read on.

Episode 2.21 “Jack Be Numbskull”

(Dir by Alan Erlich, originally aired on March 5th, 1986)

Awwww, look how cute these two are!

After an office party, Marlene and Christian go home together. The next morning, Christian has decided that he is totally in love with Marlene while Marlene will do just about anything to get Christian to stop bothering her with his romantic declarations. (In real life, Kathleen Laskey and Jeff Pustil have been married since 1990.)

Marlene’s solution to her Christian problem is to invite her ex-boyfriend, the brutish Bruno (Eric Keenleyside), to the store and to tell him to threaten to beat up Christian, just to scare him off. Marlene doesn’t want Bruno to actually hurt anyone, of course.

Bruno, however, mistakes Howard for Christian and threatens him. When Howard makes a sarcastic comment about how he is going to fight Bruno in the alley, a visiting Mrs. Cobb (Barbara Hamilton) overhears and decides that sponsoring a boxing match between Bruno and an employee will be the perfect way to advertise Ka-Blam, a vitamin supplement that is so powerful that it’s sold in a container that looks like a hand grenade. Mrs. Cobb also decides that Bruno will be Mr. Ka-Blam.

So, to make clear:

Mrs. Cobb thinks it will be a good idea to have a fight in one of her stores
Mrs. Cobb thinks hiring a violent criminal to be a store mascot is a good idea
Mrs. Cobb wants to have Bruno beat up one of her store managers
Mrs. Cobb wants the manager to get beaten up while the customers watch.

Yeah, it doesn’t make much sense to me, either.

A few hours before the boxing match, Howard breaks his hand so he has to find a replacement to fight Bruno. Christian volunteers.

Christian is not much of a fighter but he impresses everyone with his refusal to surrender or throw in the towel. However, after an illegal blow sends Christian to the canvas, Howard rushes into the ring and punches Bruno in the stomach and then knocks him out with an uppercut. Wait a minute, I thought Howard’s hand was broken….

This episode was just silly. It was so silly that it almost worked, just on the basis of weirdness alone. The action played out like a fever dream and logic was abandoned early on and perhaps that was for the best. This episode was so strange that it defies a traditional review but I will say that Christian and Marlene did make for a cute couple so I hope this is something that the show continued to explore.

Next week, the first season comes to a close!