Retro Television Review: Crime Story 1.6 “Abrams For The Defense”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Crime Story, which ran on NBC from 1986 to 1988.  The entire show can be found on Tubi!

This week, David Abrams gets his time in the spotlight.

Episode 1.6 “Abrams For The Defense”

(Dir by Aaron Lipstadt, originally aired on October 14th, 1986)

In the slums of Chicago, Hector Lincoln (Ving Rhames) strikes his landlord, Sturkowski (Frederick Nuemann), after one of Hector’s children is bitten by one of the rats that roams freely through the apartment building.  Hector is arrested and facing time in prison.  Public defender David Abrams (Stephen Lang) defends Hector in court, claiming that conditions in the slums were so bad that Hector only struck Sturkowski in self-defense.  Helping David to make his case about the conditions in Sturkowski’s building is a crusader reporter named Suzanne Terry (Pam Grier).

This episode was all about showing us who David Abrams is.  David’s father was a mob lawyer but David has no interest in working with people like Ray Luca and Phil Bartoli.  Instead, he wants to defend the poor and the downtrodden.  Torello and Krychek happen to stop by the trail and they’re impressed with David’s passion.  Krychek is disgusted when Sturkowski says that Hector and his family don’t deserve to live a better life.  Who knew that two Chicago cops would be so liberal?

To celebrate Hector’s acquittal, a block party is held.  David is the guest of honor and, for reasons that aren’t really clear, he decides to invite Torello and Krychek to come celebrate with him.  Everyone at the block party is super excited that two cops are hanging out with them.  But then Sturkowski tries to evict the Lincolns and Hector strikes him again.  This time, he kills Sturkowski.  Torello and Krychek promptly arrest Hector as the episode comes to an end.

(And that is why you don’t invite cops to the block party.)

This episode was well-acted, if a bit heavy-handed.  (To a certain extent, it reminded me of those episodes of Miami Vice where Crockett would certainly start talking like an undergrad who had just read about Marx for the first time.)  It certainly allowed us to get to know more about David Abrams and Stephen Lang and Pam Grier had a good deal of chemistry as two people who appear to be poised on pursuing a relationship that was not all that common in 1963 Chicago.  The block party was where the episode kind of lost me, just because I found it hard to believe that Torello and Krychek would not only show up but be treated as the guests of honor despite the fact that most of the people at the party wouldn’t have the slightest idea who they were.  I can understand Abrams being welcomed because Abrams kept Hector out of prison.  But Torello and Krychek are just two random, middle-aged, white cops.

This episode established David Abrams as being a man caught between two different worlds, the law and lawless.  I can’t wait to see what the show does with him.

 

Late Night Retro Television Review: Baywatch Nights 1.19 “Epilogue”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Baywatch Nights, a detective show that ran in Syndication from 1995 to 1997.  The entire show is currently streaming on You tube!

This week, Griff gets a storyline!  Who?  Oh yeah, Griff!  He’s like the photographer who hangs out at the detective agency sometimes.  He was played by Eddie Cibrian and he was listed in the opening credits so I guess he was supposed to be a major character, despite never doing or even saying anything.

Anyway, on to this week’s episode….

Episode 1.19 “Epilogue”

(Dir by Reza Badiyi, originally aired on April 27th, 1996)

Griff is concerned about his old friends, RJ (Jared Murphy) and Rene O’Gill (Julianne Morrs).  Their mother has just recently died and Rene suspects that she was murdered by their stepfather, Robert Houston (Ben Murphy).  RJ, meanwhile, is a junky for both adrenaline and amphetamines and his girlfriend, Candy (Carmen Electra), seems like she might be a bad influence.  Both RJ and Rene are due to receive a good deal of money from their trust funds and, if anything happened to them, that money would go to Robert.

Wanting to learn the truth about her mother’s death, Rene hires Mitch and Ryan to investigate.  Because Mitch is a terrible private eye, he decides to have Donna go undercover to discover if Robert is hiding anything.  Keep in mind that Donna does not work for the detective agency, has got a club to run, is already training to become a lifeguard, and has absolutely no investigative experience.  And, of course, it turns out that there really wasn’t any need to have Donna go undercover because, just as Mitch is terrible at investigating stuff, Robert is terrible at covering up the fact that he’s a murderer.

How does Mitch solve this case?  When he discovers that someone has been calling Rene’s answering machine and getting her messages without her knowledge, Mitch says, “Dial Star 69.”  That’s the extent of Mitch’s detective work in this episode.

(Answering machines and Star 69, could this show be any more of a product of the 90s?)

The main problem here is that the episode revolves around Griff and his romantic feelings for Rene but since Griff is a character who has only appeared in a handful of episodes and never really made much of an impression, it’s hard to really get either emotionally or mentally involved with his story.  When RJ is killed during a jet ski race, Griff gets upset and blames Robert but again, we don’t know Griff, we don’t know RJ, and we don’t know Robert.

The best that can be said about this episode is that it features some fun flirtation between David Hasselhoff and Angie Harmon, though not nearly enough.  Probably the most interesting thing about this episode is that it tries to be noticeably more racy than previous episodes and the editing often feels so abrupt that it wouldn’t surprise me to learn that there was a more explicit version of the episode made for Europe.  Carmen Electra plays a femme fatale here and she does do a good job of being playfully evil.  Later, she would join the cast of regular Baywatch, playing a different character who didn’t murder anyone.

Next week …. oh, who knows?  I just want to get to the second season already.  That’s when all the aliens and undead Vikings start to show up.