Retro Television Review: Decoy 1.35 “Tin Pan Payoff”

Posted on June 18, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958. The show can be viewed on Tubi!

This week, Casey goes undercover!

Episode 1.35 “Tin Pan Payoff”

(Dir by David Alexander, originally aired on June 9th, 1958)

After songwriter Chick Williams is found murdered in his apartment, the only clue that the police have going for them is a vinyl record spinning on Chick’s record player. (Welcome to 1958!) The singer on the record is Sally Masters (Ellen Parker), a local nightclub performer. The police figure out that it’s a “demo record.” Sally is the number one suspect so Casey goes undercover as a music agent and discovers just how cutthroat the business can be.

This episode was a whodunit. It turns out that Chick cheated and betrayed a lot of people in his life. It seems like the entire city of New York has a motive but, since this is Decoy, Casey quickly narrows it down to four suspects. Casey going undercover as a music agent was actually more interesting than the mystery itself, if just because Casey got to dress up and hang out in one of those wonderfully atmospheric New York nightclubs. She also learned about how DJs like Jerry Lynch (Lee Bergere) can make someone a star and also how even successful songwriters like Chick Williams occasionally employed “a ghost writer.” Watching Decoy, it’s hard not to feel that the best thing about Casey’s job is that she has an unlimited wardrobe and she gets to investigate every single facet of New York society.

Like a lot of the later Decoy episodes that I’ve seen, this episode isn’t quite as gritty as the earlier episodes. There’s less emphasis on Casey as a tough cop and more on Beverly Garland looking glamorous undercover. That said, Casey still gets the job done and takes a few minutes to speak directly to the audience. One thing I appreciate about Casey is that she doesn’t let her own feelings get in the way of doing her job. At a time when women were often portrayed being too flighty or emotional to be trusted in a position of authority, Casey always got results.

Brad takes on THE MOB (1951), starring Broderick Crawford!

Posted on April 25, 2026 by Bradley Crain

In my quest to see every movie and TV show that Charles Bronson ever appeared in, I finally decided to take on THE MOB this morning. I’ve held off for years because this early, uncredited role as a dockworker only gives Bronson a couple of lines. He looks like a natural fixture on the docks, but his screen time only adds up to a minute or two in total.

With Bronson being little more than some temporary dockside scenery, I settled in for a story about Johnny Damico (Broderick Crawford), a tough, no-nonsense cop who’s doing some rainy night ring-shopping for his girlfriend when a man is killed just outside the store. He bungles up the whole situation, and the killer gets away. It turns out the killing was a mob hit and soon Damico is going undercover as Tim Flynn from New Orleans so he can infiltrate and bust the organized crime ring operating on the waterfront.

Broderick Crawford is so good in this role. His Damico / Flynn has a cynical sense of humor that I enjoyed. He thinks fast, he’s rough around the edges, and he even gets to slap some bad guys around a time or two. He’s one of those characters whose mouth should probably get him in more trouble. Well, now that I think about it, his mouth does almost get him killed a couple of times. Crawford and Bronson would work again together a few years later in the prison film BIG HOUSE USA (1955).

With Crawford’s performance anchoring the movie, Director Robert Parrish delivers a tight, efficient and entertaining crime story that clocks in at just under an hour and a half. One of the things that made the film enjoyable for me is the interesting and recognizable supporting cast of actors who pop up throughout the film. I’ve already mentioned Bronson, but actors like Ernest Borgnine, Neville Brand and Frank DeKova all show up to torment our undercover cop at various points throughout the film. It’s always fun for me to see a cast full of familiar faces!

At the end of the day, I enjoyed THE MOB. It doesn’t try to be anything more than a good crime film, and with Broderick Crawford’s excellent performance, it does its job well.

Retro Television Review: Decoy 1.12 “Queen of Diamonds”

Posted on November 20, 2025 by Lisa Marie Bowman

Casey goes undercover at nightclub.

Episode 1.12 “Queen of Diamonds”

(Dir by Teddy Sills, originally aired on December 30th, 1957)

Casey is working undercover, pretending to be a photographer named Judy. She’s been working at a run-down nightclub for two months, trying to find evidence that the club’s owner, Frank (James Mitchell), was responsible for a payroll theft. Frank has an alibi but Casey is able to get her man when she convinces Frank’s second-in-command, Chi Chi (Al Lewis), to turn on him. Chi Chi is in love with Frank’s girlfriend, Georgia (Kay Medford).

This was not a bad episode. Casey got to wear a pretty dress and Beverly Garland got to show off her acting skills as she flirted with Frank and worked to turn Chi Chi against him. Interestingly enough, this episode ended on something of a melancholy note. Casey managed to send Frank to jail and Chi Chi and Georgia left for France together but the night club closed and blind pianist Alex (Richard Ward), the only truly decent person in this episode, ended up out of a job. In the end, Casey looked almost as if she was about to cry. It’s not easy, working undercover.