This video was directed by Diane Keaton, who would have turned 80 today.
Enjoy!
This video was directed by Diane Keaton, who would have turned 80 today.
Enjoy!
Probably much like you, I skipped the Critics Choice Awards this year. That said, here’s what won. (Winners are listed in bold.)
BEST PICTURE
Bugonia
Frankenstein
Hamnet
Jay Kelly
Marty Supreme
One Battle After Another
Sentimental Value
Sinners
Train Dreams
Wicked: For Good
BEST ACTOR
Timothée Chalamet – Marty Supreme
Leonardo DiCaprio – One Battle After Another
Joel Edgerton – Train Dreams
Ethan Hawke – Blue Moon
Michael B. Jordan – Sinners
Wagner Moura – The Secret Agent
BEST ACTRESS
Jessie Buckley – Hamnet
Rose Byrne – If I Had Legs I’d Kick You
Chase Infiniti – One Battle After Another
Renate Reinsve – Sentimental Value
Amanda Seyfried – The Testament of Ann Lee
Emma Stone – Bugonia
BEST SUPPORTING ACTOR
Benicio del Toro – One Battle After Another
Jacob Elordi – Frankenstein
Paul Mescal – Hamnet
Sean Penn – One Battle After Another
Adam Sandler – Jay Kelly
Stellan Skarsgård – Sentimental Value
BEST SUPPORTING ACTRESS
Elle Fanning – Sentimental Value
Ariana Grande – Wicked: For Good
Inga Ibsdotter Lilleaas – Sentimental Value
Amy Madigan – Weapons
Wunmi Mosaku – Sinners
Teyana Taylor – One Battle After Another
BEST YOUNG ACTOR / ACTRESS
Everett Blunck – The Plague
Miles Caton – Sinners
Cary Christopher – Weapons
Shannon Mahina Gorman – Rental Family
Jacobi Jupe – Hamnet
Nina Ye – Left-Handed Girl
BEST DIRECTOR
Paul Thomas Anderson – One Battle After Another
Ryan Coogler – Sinners
Guillermo del Toro – Frankenstein
Josh Safdie – Marty Supreme
Joachim Trier – Sentimental Value
Chloé Zhao – Hamnet
BEST ORIGINAL SCREENPLAY
Noah Baumbach, Emily Mortimer – Jay Kelly
Ronald Bronstein, Josh Safdie – Marty Supreme
Ryan Coogler – Sinners
Zach Cregger – Weapons
Eva Victor – Sorry, Baby
Eskil Vogt, Joachim Trier – Sentimental Value
BEST ADAPTED SCREENPLAY
Paul Thomas Anderson – One Battle After Another
Clint Bentley, Greg Kwedar – Train Dreams
Park Chan-wook, Lee Kyoung-mi, Don Mckellar, Jahye Lee – No Other Choice
Guillermo del Toro – Frankenstein
Will Tracy – Bugonia
Chloé Zhao, Maggie O’Farrell – Hamnet
BEST CASTING AND ENSEMBLE
Nina Gold – Hamnet
Douglas Aibel, Nina Gold – Jay Kelly
Jennifer Venditti – Marty Supreme
Cassandra Kulukundis – One Battle After Another
Francine Maisler – Sinners
Tiffany Little Canfield, Bernard Telsey – Wicked: For Good
BEST CINEMATOGRAPHY
Claudio Miranda – F1
Dan Laustsen – Frankenstein
Łukasz Żal – Hamnet
Michael Bauman – One Battle After Another
Autumn Durald Arkapaw – Sinners
Adolpho Veloso – Train Dreams
BEST PRODUCTION DESIGN
Kasra Farahani, Jille Azis – The Fantastic Four: First Steps
Tamara Deverell, Shane Vieau – Frankenstein
Fiona Crombie, Alice Felton – Hamnet
Jack Fisk, Adam Willis – Marty Supreme
Hannah Beachler, Monique Champagne – Sinners
Nathan Crowley, Lee Sandales – Wicked: For Good
BEST EDITING
Kirk Baxter – A House of Dynamite
Stephen Mirrione – F1
Ronald Bronstein, Josh Safdie – Marty Supreme
Andy Jurgensen – One Battle After Another
Viridiana Lieberman – The Perfect Neighbor
Michael P. Shawver – Sinners
BEST COSTUME DESIGN
Kate Hawley – Frankenstein
Malgosia Turzanska – Hamnet
Lindsay Pugh – Hedda
Colleen Atwood, Christine Cantella – Kiss of the Spider Woman
Ruth E. Carter – Sinners
Paul Tazewell – Wicked: For Good
BEST HAIR AND MAKEUP
Flora Moody, John Nolan – 28 Years Later
Mike Hill, Jordan Samuel, Cliona Furey – Frankenstein
Siân Richards, Ken Diaz, Mike Fontaine, Shunika Terry – Sinners
Kazu Hiro, Felix Fox, Mia Neal – The Smashing Machine
Leo Satkovich, Melizah Wheat, Jason Collins – Weapons
Frances Hannon, Mark Coulier, Laura Blount – Wicked: For Good
BEST VISUAL EFFECTS
Joe Letteri, Richard Baneham, Eric Saindon, Daniel Barrett – Avatar: Fire And Ash
Ryan Tudhope, Nikeah Forde, Robert Harrington, Nicolas Chevallier, Eric Leven, Edward Price, Keith Dawson – F1
Dennis Berardi, Ayo Burgess, Ivan Busquets, José Granell – Frankenstein
Alex Wuttke, Ian Lowe, Jeff Sutherland, Kirstin Hall – Mission: Impossible – The Final Reckoning
Michael Ralla, Espen Nordahl, Guido Wolter, Donnie Dean – Sinners
Stephane Ceretti, Enrico Damm, Stéphane Nazé, Guy Williams – Superman
BEST STUNT DESIGN
Stephen Dunlevy, Kyle Gardiner, Jackson Spidell, Jeremy Marinas, Jan Petřina, Domonkos Párdányi, Kinga Kósa-Gavalda – Ballerina
Gary Powell, Luciano Bacheta, Craig Dolby – F1
Wade Eastwood – Mission: Impossible – The Final Reckoning
Brian Machleit – One Battle After Another
Andy Gill – Sinners
Giedrius Nagys – Warfare
BEST ANIMATED FEATURE
Arco
Elio
In Your Dreams
KPop Demon Hunters
Little Amélie Or The Character Of Rain
Zootopia 2
BEST COMEDY
The Ballad of Wallis Island
Eternity
Friendship
The Naked Gun
The Phoenician Scheme
Splitsville
BEST FOREIGN LANGUAGE FILM
Belén
It Was Just an Accident
Left-Handed Girl
No Other Choice
The Secret Agent
Sirāt
BEST SONG
“Drive” – Ed Sheeran, John Mayer, Blake Slatkin – F1
“Golden” – Ejae, Mark Sonnenblick, Ido, 24, Teddy – KPop Demon Hunters
“I Lied to You” – Raphael Saadiq, Ludwig Göransson – Sinners
“Clothed by the Sun” – Daniel Blumberg – The Testament of Ann Lee
“Train Dreams” – Nick Cave, Bryce Dessner – Train Dreams
“The Girl in the Bubble” – Stephen Schwartz – Wicked: For Good
BEST SCORE
Hans Zimmer – F1
Alexandre Desplat – Frankenstein
Max Richter – Hamnet
Daniel Lopatin – Marty Supreme
Jonny Greenwood – One Battle After Another
Ludwig Göransson – Sinners
BEST SOUND
Al Nelson, Gwendolyn Yates Whittle, Gary A. Rizzo, Juan Peralta, Gareth John – F1
Nathan Robitaille, Nelson Ferreira, Christian Cooke, Brad Zoern, Greg Chapman – Frankenstein
Jose Antonio Garcia, Christopher Scarabosio, Tony Villaflor – One Battle After Another
Chris Welcker, Benny Burtt, Brandon Proctor, Steve Boeddeker, Felipe Pacheco, David V. Butler – Sinners
Laia Casanovas – Sirāt
Mitch Low, Glenn Freemantle, Ben Barker, Howard Bargroff, Richard Spooner – Warfare
Here are the 2025 nominations of the Columbus Film Critics Association.
Best Film
Bugonia
Frankenstein
It Was Just an Accident
Marty Supreme
No Other Choice
One Battle After Another
Sentimental Value
Sinners
Train Dreams
Wake Up Dead Man
Weapons
Best Director
Paul Thomas Anderson, One Battle After Another
Ryan Coogler, Sinners
Rian Johnson, Wake Up Dead Man
Jafar Panahi, It Was Just an Accident
Josh Safdie, Marty Supreme
Best Lead Performance
Jessie Buckley, Hamnet
Rose Byrne, If I Had Legs I’d Kick You
Timothée Chalamet, Marty Supreme
Leonardo DiCaprio, One Battle After Another
Joel Edgerton, Train Dreams
Ethan Hawke, Blue Moon
Chase Infiniti, One Battle After Another
Michael B. Jordan, Sinners
Wagner Moura, The Secret Agent
Jesse Plemons, Bugonia
Renate Reinsve, Sentimental Value
Emma Stone, Bugonia
Best Supporting Performance
Benicio Del Toro, One Battle After Another
Jacob Elordi, Frankenstein
Inga Ibsdotter Lilleaas, Sentimental Value
Delroy Lindo, Sinners
Amy Madigan, Weapons
Wunmi Mosaku, Sinners
Sean Penn, One Battle After Another
Adam Sandler, Jay Kelly
Stellan Skarsgård, Sentimental Value
Teyana Taylor, One Battle After Another
Best Ensemble
It Was Just an Accident
Marty Supreme
One Battle After Another
Sinners
Wake Up Dead Man
Actor of the Year (For an Exemplary Body of Work)
Josh Brolin, The Running Man, Wake Up Dead Man, and Weapons
Benicio Del Toro, One Battle After Another and The Phoenician Scheme
Josh O’Connor, The History of Sound, The Mastermind, Rebuilding, and Wake Up Dead Man
Amanda Seyfried, The Housemaid and The Testament of Ann Lee
Emma Stone, Bugonia and Eddington
Breakthrough Film Artist
Odessa A’zion, Marty Supreme (Acting)
Miles Caton, Sinners (Acting)
Chase Infiniti, One Battle After Another (Acting)
Carson Lund, Eephus (Directing and Screenwriting)
Eva Victor, Sorry, Baby (Acting, Directing, and Screenwriting)
Best Cinematography
Autumn Durald Arkapaw, Sinners
Michael Bauman, One Battle After Another
Dan Laustsen, Frankenstein
Claudio Miranda, F1
Adolpho Veloso, Train Dreams
Łukasz Żal, Hamnet
Best Film Editing
Ronald Bronstein and Josh Safdie, Marty Supreme
Andy Jurgensen, One Battle After Another
Stephen Mirrione, F1
Joe Murphy, Weapons
Michael P. Shawver, Sinners
Best Adapted Screenplay
Paul Thomas Anderson, One Battle After Another
Clint Bentley and Greg Kwedar, Train Dreams
Guillermo Del Toro, Frankenstein
Park Chan-Wook, Lee Kyoung-Mi, Don McKellar, and Jahye Lee, No Other Choice
Will Tracy, Bugonia
Chloé Zhao and Maggie O’Farrell, Hamnet
Best Original Screenplay
Ryan Coogler, Sinners
Zach Cregger, Weapons
Jafar Panahi, It Was Just an Accident
Josh Safdie and Ronald Bronstein, Marty Supreme
Eskil Vogt and Joachim Trier, Sentimental Value
Best Score
Alexandre Desplat, Frankenstein
Ludwig Göransson, Sinners
Jonny Greenwood, One Battle After Another
Daniel Lopatin, Marty Supreme
Max Richter, Hamnet
Best Documentary
Cover-Up
Orwell: 2+2=5
The Perfect Neighbor
Predators
Seeds
Best Foreign Language Film
It Was Just an Accident
No Other Choice
The Secret Agent
Sentimental Value
Sirât
Best Animated Film
Arco
The Bad Guys 2
Elio
KPop Demon Hunters
Little Amélie or the Character of Rain
Predator: Killer of Killers
Zootopia 2
Frank Gabrenya Award for Best Comedy
The Baltimorons
Friendship
The Naked Gun
One of Them Days
Splitsville
Best Overlooked Film
The Ballad of Wallis Island
The Baltimorons
The Mastermind
Peter Hujar’s Day
Springsteen: Deliver Me From Nowhere
Warfare
Today’s song of the day was memorably heard in George Pan Cosmatos’s 1986 film, Cobra. Here is Angel of the City by Robert Tepper!
Today’s scene that I love comes from the 1985 film, Rambo: First Blood Part II. In this scene, Sylvester Stallone’s John Rambo — having survived being abandoned yet again in Vietnam — let’s the CIA knew exactly what he thinks about their operation. As directed by George Pan Cosmatos and performed by Stallone, this scene is pure 80s action.
If you ever meet James Cameron, remind him that he wrote the script for this film and see how he reacts.
Here’s a scene that I love:
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, we celebrate the birth of director George Pan Cosmatos! It’s time for….
4 Shots From 4 George Pan Cosmatos Films
This music video was directed by Harmony Korine, to whom the Shattered Lens wishes a happy birthday.
Enjoy!
Oh, how I have struggled with Tapestry.
Seriously, I have lost track of the number of times that I’ve tried to watch 2019’s Tapestry, just to give up on it as I realized that it was next to impossible to actually follow the film’s story. Earlier today, I tried to watch it again and I finally made it all the way to the end.
It’s the story of a family. Ryan (Stephen Baldwin) is an executive who loses his job but doesn’t tell his wife about it. She doesn’t find out until his former place of employment calls the house. “He’s at work,” she says. “Oh, he got another job already?” is the response. Awkward! What’s even more awkward is that Ryan is eventually hired back at his company but now he’s just a lowly salesman, with a boss who is several years younger than him.
Throughout this, we hear narration from his mother (Tina Louise) and the first part of the film is so haphazardly edited that I have to admit that I was frequently confused as to whether or not his mother was dead or alive. Having now watched the entire film, I now know that his mother was alive but dying for the majority of the film, though her narration was still coming from beyond the grave. Ryan’s father was played by Burt Young and I’ll say right now that I am a Burt Young fan. I’ve seen the Rocky movies. Burt Young’s performance as the always-drunk Paulie was always spot on, even if Paulie himself wasn’t always the most likable character. That said, I also spent the first part of the movie confused as to whether or not the father was meant to be alive or not. The film is so weirdly edited that it’s hard to keep track of who anyone is or where they are at any particular moment.
As Ryan, Stephen Baldwin mopes through the film, which I guess is understandable considering that his parents may or may not have been dead. I mean, if it was confusing to me as a viewer, I can only imagine what it was like for him as a child. It’s hard to really get a handle on who Ryan is supposed to be as a person or how we’re supposed to feel about him. In many ways, he seems as depressed when his life is going well as he is when his life is falling apart. Baldwin seems to be disconnected from the film, which is a polite way to say that he doesn’t really seem to be making much of an effort.
And that’s a shame because Stephen Baldwin is actually not a bad actor. Back in the day, when he was actually invested in a role and making an effort, he was a consistently good actor, even if he did have a tendency to appear in terrible movies. Like Alec, he could do both comedy and drama but he didn’t have Alec’s tendency to overact. With this film, Stephen just glumly goes through the motions. It’s a bit boring to watch.
That said, I will say that, now that I’ve actually seen it, the end of the film is effective. Maybe it’s because I’ve lost both my parents but I did find the film’s final thought — that Ryan’s mother was heading to a better place even as she kept an eye on her family — to be a comforting one.
Bar Rescue (Fave TV, weeknights and weekends)
I watched two episodes on Friday night. One took place at a champagne bar in Philadelphia. The other was at a Detroit jazz club. I’m never surprised to learn that most of these places ended up closing, even after Jon Taffer’s makeover. Would you want to eat or drink at a place that was featured as being incredibly dirty and vermin-infested on television?
On Saturday, I watched an episode in which Jon Taffer helped out a surly sports bar owner. Why are the owners of sports bars always so surly? I then watched another episode featuring a bar that was home to a wild racoon. After that episode, I then discovered that Fave TV was doing a Bar Rescue marathon and I ended up watching several episodes that followed. As I watched, I was reminded that I would be both a terrible bartender and a terrible waitress. It’s a good thing that I decided to spend my life watching movies instead.
Dallas Cowboy Cheerleaders: Making The Team (Fave TV, weeknights)
After Erin and I finished watching one of the Perry Mason movies on Friday, we watched an episode of this reality show on Fave TV. Everyone was very smiley. I was just happy because it was filmed in Dallas so I could spend the whole show going, “Hey, I was right outside that building earlier today!”
The Danny Thomas Show (MeTV+, Weekend Afternoons)
I watched an episode of this show on Saturday, largely because I was trying out the new remote control for the TV in my home office. Danny Thomas was about to go on tour in Europe so comedian Jack Carter agreed to cover Danny’s nightclub show in the states. Danny got jealous when he saw how much the audience loved Jack. It made me laugh.
Dirty Pair Flash (Night Flight Plus)
On Friday night, I watched an episode of this often baffling anime. The episode was about the pair playing beach volleyball. I’m not sure why. There was a lot of yelling involved.
Murder, She Wrote (Start TV, Weekend Mornings)
I woke up on Saturday and watched two episodes of this old show. The first episode featured Elliott Gould arresting the wrong person and Angela Lansbury setting him straight. The second episode featured Angela Lansbury speaking straight to the camera and telling us about some other detective, who was played by Ken Howard and who solved a murder involving a former football player.
New Year’s Eve Celebrations (Everywhere, Wednesday Night)
At my BFF Evelyn’s New Year’s Eve party, we flipped through and past many different televised celebrations. We stopped to watch Andy Cohen and Anderson Cooper get drunk on CNN. For the most part, though, we didn’t stick with anything for very long. We had celebrating of our own to do!
Rose Bowl Parade (NBC, Thursday Morning)
I watched a bit of the Rose Bowl parade. Watching a parade on television is never as much fun as watching it in person.
Saved By The Bell: The New Class (Prime)
Seriously, this show is perfect for my insomnia. It lulls me to sleep.
The National Society of Film Critics have announced their picks for the best of 2025. And here they are:
Best Picture
Winner: ONE BATTLE AFTER ANOTHER (57 points)
Runners-up: SINNERS (29 points) & THE SECRET AGENT (27 points)
Best Director
Winner: Paul Thomas Anderson, ONE BATTLE AFTER ANOTHER (54 points)
Runners-up: Jafar Panahi, IT WAS JUST AN ACCIDENT (48 points) & Richard Linklater, BLUE MOON and NOUVELLE VAGUE (39 points)
Best Actress
Winner: Kathleen Chalfant, FAMILIAR TOUCH (45 points)
Runners-up: Rose Byrne, IF I HAD LEGS I’D KICK YOU (39 points) & Renate Reinsve, SENTIMENTAL VALUE (37 points)
Best Actor
Winner: Ethan Hawke, BLUE MOON (57 points)
Runners-up: Wagner Moura, THE SECRET AGENT (43 points) & Michael B. Jordan, SINNERS (36 points)
Best Supporting Actress
Winner: Teyana Taylor, ONE BATTLE AFTER ANOTHER (56 points)
Runners-up: Inga Ibsdotter Lilleaas, SENTIMENTAL VALUE (47 points) & Wunmi Mosaku, SINNERS (41 points)
Best Supporting Actor
Winner: Benicio del Toro, ONE BATTLE AFTER ANOTHER (54 points)
Runners-up: Delroy Lindo, SINNERS (37 points) & Stellan Skarsgård, SENTIMENTAL VALUE (30 points)
Best Screenplay
Winner: Jafar Panahi, IT WAS JUST AN ACCIDENT (53 points)
Runners-up: Robert Kaplow, BLUE MOON (50 points) & Kleber Mendonça Filho, THE SECRET AGENT (40 points)
Best Cinematography
Winner: Autumn Durald Arkapaw, SINNERS (50 points)
Runners-up: Adolpho Veloso, TRAIN DREAMS (36 points) & Michael Bauman, ONE BATTLE AFTER ANOTHER (29 points)
Best Nonfiction Film
Winner: MY UNDESIRABLE FRIENDS: PART I — LAST AIR IN MOSCOW (56 points)
Runners-up: THE PERFECT NEIGHBOR (22 points) & ORWELL: 2+2=5 (18 points)
Best Film Not In The English Language
Winner: THE SECRET AGENT (58 points)
Runners-up: IT WAS JUST AN ACCIDENT (57 points) & SENTIMENTAL VALUE (38 points)
Best Experimental Film: MORNING CIRCLE (Basma al-Sharif)
Film Heritage Award: The late Ken and Flo Jacobs, an irreplaceable, gravitational center of the American avant-garde, with a shared artistic sensibility that helped define experimental cinema.
Film Heritage Award: The Film Desk, for releasing key movies from all over the world, in 35mm prints and on home video, and publishing books that have enriched the public’s knowledge of cinema.
Film Heritage Award: Cinema Tropical, for its tireless efforts to distribute, program and promote Latin American cinema in the U.S.
Special Citation for a Film Awaiting U.S. Distribution: LANDMARKS (Lucrecia Martel)