Battlestar Galactica (1978, directed by Richard A. Colla and Alan J. Levi)


In a distant galaxy, the humans and the robotic Cylons have been at war for a thousand years.  Due to the diplomacy of Count Baltar (John Colicos), it appears that a peace agreement has finally been reached.  On their homeworld, President Adar (Lew Ayres) and the leaders of humanity prepare to welcome to the Cylons to a signing ceremony.  Amongst the commanders of the fleet of ships that orbit and defend the homeworld, only Commander Adama (Lorne Greene) fears that the Cylons may be plotting a sneak attack.

Adama turns out to be correct.  Baldar betrays humanity and the Cylons launch a sudden attack, wiping out the human leadership and almost the entire fleet of Battlestars.  Only Adama’s Galactica survives.  After picking up the refugees who survived the attack, the Galactica sets out to find a legendary planet that might be home to more humans.  With the Cylons pursuing and brave men like Starbuck (Dirk Benedict) and Adama’s son, Apollo (Richard Hatch), fighting to protect the last of the human refugees, the Galactica searches for Earth.

With Star Wars still a cultural phenomenon in 1978, it made sense that a television network like ABC would greenlight a science fiction series.  When producer Glen A. Larson pitched the idea for Battlestar Galactica, ABC was eager to move forward with it.  However, when the pilot cost $8,000,000 to produce (which was then a record-setting amount for a television show), ABC decided to recoup their costs by releasing an edited version of the pilot in theaters.  In Canada and the United States, the “film” hit theaters before it was subsequently aired on television.  The film was then later released in Europe, where it was a huge hit.

In fact, it was such a hit that 20th Century Fox sued Universal Studios, claiming that Battlestar Galactica stole the majority of its ideas from Star Wars.  Universal responded by filing a countersuit, claiming that Star Wars stole the majority of its ideas from Flash Gordon.  The case was eventually settled in 1983, long after the original Battlestar Galactica television series had been canceled.

And while that is all very interesting, it doesn’t answer the question that is probably on your mind right now.  Is the edited theatrical release of the Battlestar Galactica pilot any good?

Yes and no.  The first part of the movie, which deals with the Cylon sneak attack and Starbuck and Apollo rescuing the human refugees is an excellent work of science fiction, a space opera that can stand up with the best of them.  Even after all this time, the special effects are still effective as is Lorne Greene’s authoritative performance as Adama.  Richard Hatch and Dirk Benedict are also strong as the two main fighter pilots, even if both of them are obviously meant to be television versions of Luke Skywalker and Han Solo.  (Benedict’s Starbuck was the coolest character on Battlestar Galactica.  He was the best pilot, he was the best poker player, and he even smoked a cigar.)  The Cylons are chilling victims and the pilot even features some effective human drama along with all of the space battles.  After the Cylon attack, the story follows the Galactica as it makes a stop on a planet that’s also a casino that’s being run by untrustworthy space insects.  That part betrays the film’s television origins and feels like one of those episodes of Dr. Who that people try to forget.  The pilot features everything that made Battlestar Galactica work but, unfortunately, it also features everything that didn’t work.

Watching it today, though, it’s impossible not to feel the welcome pull of nostalgia.  In a time of cynicism, the pure idealism of Battlestar Galactica and its quest for Earth provides a nice and needed relief.  To quote Commander Adama:

“Fleeing from the Cylon tyranny, the last battlestar, Galactica, leads a ragtag fugitive fleet on a lonely quest… a shining planet known as Earth.”

Lisa Cleans Out Her DVR: The Carey Treatment (dir by Blake Edwards)


(Lisa is currently in the process of cleaning out her DVR!  She has got over 170 movies on the DVR to watch and she’s trying to get it done before the start of the new year!  Can she get it done?  Probably not, but she’s going to try!  1972’s The Carey Treatment was recorded off of TCM on July 23rd.)

Dr. Peter Carey (James Coburn) is the epitome of 1970s cool.  He’s got hair long enough to cover the top half of ears.  He’s got a fast car.  He’s got a rebellious attitude and a girlfriend (Jennifer O’Neill) who rarely questions his decisions.  Though you don’t see it in the movie, Dr. Carey probably smokes weed when he’s back at his fashionably decorated apartment.  How do I know this?  Well, he’s played by James Coburn.  Even if some of them are nearly 50 years old, you can still get a contact high from watching any movie featuring James Coburn.

Anyway, what the Hell is The Carey Treatment about?  Dr. Carey has just recently moved to Boston, where he’s taken a job at a stodgy old hospital.  The hospital’s chief doctor, J.D. Randall (Dan O’Herlihy, of Halloween III: Season of The Witch fame), might want Dr. Carey to tone down his free-livin’, free-lovin’ California ways but no one tells Peter Carey what to do.  In fact, the entire city of Boston might be too stodgy and conventional for Dr. Carey.  You see, Dr. Carey not only heals people.  He also beats up people who try to stand in his way.  Peter Carey is a doctor who cares but he’s also a doctor who can kick ass.

And he’s going to have to kick a lot of ass because Dr. Randall’s daughter has just turned up dead.  The police say that she died as the result of a botched abortion and they’ve arrested Carey’s best friend, Dr. David Tao (James Hong).  (The Carey Treatment, it should be noted, was filmed before Roe v. Wade legalized abortion.)  The Boston establishment is determined to use Dr. Tao as a scapegoat but Dr. Carey is convinced that his friend is innocent.  In fact, he doesn’t think that the death was the result of an abortion at all.  Carey sets out to solve the case … HIS WAY!

If it seems like I’m going a little bit overboard with my emphasis on the Dr. Peter Carey character, that’s because this entire movie feels more like a pilot for a weekly Dr. Carey television series as opposed to an actual feature film.  It’s easy to image that each week, James Coburn would drive from hospital to hospital, solving medical mysteries and debating social issues with stuffy members of the Boston establishment.  Henry Mancini would provide the theme music and Don Murray would guest star as Dr. Carey’s brother, a priest who encourages the young men in his parish to burn their draft cards.

It might have eventually become an interesting TV show but it falls pretty flat as a movie.  James Coburn is in nearly every scene, which would usually be a good thing.  But in The Carey Treatment, he gives an incredibly indifferent performance.  He seems to be bored by the whole thing and, as a result, Dr. Peter Carey is less a cool rebel and more of a narcissistic jerk.  The mystery itself is handled rather haphazardly.  On the positive side, Michael Blodgett gives a wonderfully creepy performance as a duplicitous masseur but otherwise, The Carey Treatment is nothing special.

If you want to see a great James Coburn film, track down The President’s Analyst.