Battlestar Galactica (1978, directed by Richard A. Colla and Alan J. Levi)


In a distant galaxy, the humans and the robotic Cylons have been at war for a thousand years.  Due to the diplomacy of Count Baltar (John Colicos), it appears that a peace agreement has finally been reached.  On their homeworld, President Adar (Lew Ayres) and the leaders of humanity prepare to welcome to the Cylons to a signing ceremony.  Amongst the commanders of the fleet of ships that orbit and defend the homeworld, only Commander Adama (Lorne Greene) fears that the Cylons may be plotting a sneak attack.

Adama turns out to be correct.  Baldar betrays humanity and the Cylons launch a sudden attack, wiping out the human leadership and almost the entire fleet of Battlestars.  Only Adama’s Galactica survives.  After picking up the refugees who survived the attack, the Galactica sets out to find a legendary planet that might be home to more humans.  With the Cylons pursuing and brave men like Starbuck (Dirk Benedict) and Adama’s son, Apollo (Richard Hatch), fighting to protect the last of the human refugees, the Galactica searches for Earth.

With Star Wars still a cultural phenomenon in 1978, it made sense that a television network like ABC would greenlight a science fiction series.  When producer Glen A. Larson pitched the idea for Battlestar Galactica, ABC was eager to move forward with it.  However, when the pilot cost $8,000,000 to produce (which was then a record-setting amount for a television show), ABC decided to recoup their costs by releasing an edited version of the pilot in theaters.  In Canada and the United States, the “film” hit theaters before it was subsequently aired on television.  The film was then later released in Europe, where it was a huge hit.

In fact, it was such a hit that 20th Century Fox sued Universal Studios, claiming that Battlestar Galactica stole the majority of its ideas from Star Wars.  Universal responded by filing a countersuit, claiming that Star Wars stole the majority of its ideas from Flash Gordon.  The case was eventually settled in 1983, long after the original Battlestar Galactica television series had been canceled.

And while that is all very interesting, it doesn’t answer the question that is probably on your mind right now.  Is the edited theatrical release of the Battlestar Galactica pilot any good?

Yes and no.  The first part of the movie, which deals with the Cylon sneak attack and Starbuck and Apollo rescuing the human refugees is an excellent work of science fiction, a space opera that can stand up with the best of them.  Even after all this time, the special effects are still effective as is Lorne Greene’s authoritative performance as Adama.  Richard Hatch and Dirk Benedict are also strong as the two main fighter pilots, even if both of them are obviously meant to be television versions of Luke Skywalker and Han Solo.  (Benedict’s Starbuck was the coolest character on Battlestar Galactica.  He was the best pilot, he was the best poker player, and he even smoked a cigar.)  The Cylons are chilling victims and the pilot even features some effective human drama along with all of the space battles.  After the Cylon attack, the story follows the Galactica as it makes a stop on a planet that’s also a casino that’s being run by untrustworthy space insects.  That part betrays the film’s television origins and feels like one of those episodes of Dr. Who that people try to forget.  The pilot features everything that made Battlestar Galactica work but, unfortunately, it also features everything that didn’t work.

Watching it today, though, it’s impossible not to feel the welcome pull of nostalgia.  In a time of cynicism, the pure idealism of Battlestar Galactica and its quest for Earth provides a nice and needed relief.  To quote Commander Adama:

“Fleeing from the Cylon tyranny, the last battlestar, Galactica, leads a ragtag fugitive fleet on a lonely quest… a shining planet known as Earth.”

Retro Television Reviews: The Love Boat 3.5 “The Scoop/The Audit Couple/My Boyfriend’s Back”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Today, the IRS takes a cruise.  Agck!

Episode 3.5 “The Scoop/The Audit Couple/My Boyfriend’s Back”

(Dir by Jack Arnold, originally aired on October 6th, 1979)

Captain Stubing is being audited!

Damn the IRS!  What a bunch of money-obsessed fascists!

The IRS agent, Viola Penny (Phyllis Diller), has booked a room on the cruise so that she can look through Captain Stubing’s records and….

Wait a minute.  If you’re an IRS agent, you get to go on a luxury cruise and also look through someone’s private information?  That sounds like fun!  Sign me up!

Anyway, Viola originally seems to be tough-minded and determined to toss Capt. Stubing in jail.  But then she gets drunk at dinner and, when she wakes up in the captain’s cabin, she’s convinced that she and Stubing are now lovers.  She decides to go easy on the audit but then she comes across $50,000 hidden in an ice bucket and she becomes convinced that Stubing is cheating the government and that he seduced her to keep her from finding out.  But then she discovers that the money is actually the crew emergency fund and she falls in love with Stubing again….

Yeah, it’s hard to keep track of how Viola feels from scene to scene.  At the end of the episode, she declares her love for the captain and leaves the boat.  Stubing realizes that he forgot to ask her what the results of his audit were but he also orders Gopher not to call her back to the boat.  If there’s a new captain next week, I’ll just assume Stubing’s in USP Marion.

Meanwhile, caddish Jay Cavanaugh (Lyle Waggoner) is really excited when he sees his ex-girlfriend, Patricia Lucas (Jennifer Salt), on the boat.  Jay is determined to get back together with Patricia, despite the fact that Patricia is on her honeymoon with her new husband, Danny (Richard Kline).  Danny is instantly jealous of Jay, who has a perfect smile and a perfect tan.  However, he needn’t be insecure because Patricia is totally in love with him.  Still, Danny keeps walking in on Jay flirting with Patricia and soon, he declares that the marriage is over.

Patricia tricks Jay into stepping up on a stage in the Acapulco Lounge and announcing that he’s in love with Patricia.  Patricia then announces that Jay has no idea what love is and declares, in front of all the crew and passengers, that she’s in love with Danny.  Danny and Patricia’s marriage is saved but seriously, Danny was kind of wimpy about the whole thing.  It seems like Patricia deserved better than both Jay and Danny.

Finally, Simon Scott (Ray Buktenica) is a tabloid reporter who is on the cruise because he’s been assigned to discover who the famous actress, Jackie Landers (Joyce Dewitt), is traveling with.  It turns out that Jackie is not traveling with a romantic partner but instead with her autistic son.  At first, Jackie pretends to be in a relationship with Doc Bricker but eventually, Simon discovers the truth.  However, Simon refuses to write a tabloid-style story about her child so Jackie falls in love with him and hires him to help her write her own non-tabloidy story about her son.

This episode was a mixed bag.  The IRS storyline was frustrating, largely because it featured a lot of complications that could have been prevented by people just not jumping to conclusions.  The newlyweds story felt anticlimactic because there was never any question about who Patricia would choose to be with.  But the storyline with Jackie, Simon, and Jackie’s son was actually pretty sweet.  Ultimately, this was a pleasant but forgettable cruise.