Retro Television Review: Fantasy Island 7.4 “God Child/Curtain Call”

Posted on August 5, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. Unfortunately, the show has been removed from most streaming sites. Fortunately, I’ve got nearly every episode on my DVR.

This week, the curse of Lawrence continues.

Episode 7.4 “God Child/Curtain Call”

(Dir by Ted Lange, originally aired on October 29th, 1983)

Tori Spelling is in this episode. She was only ten years old at the time but she was already a terrible actress. In the role of Laurie, a poor little rich girl whose fantasy is to ask God why her parents died in a crash, Spelling gives a performance that is overly cutesy. There’s nothing authentic about her or her delivery. Her role on the show was obviously a result of her father being the producer.

Laurie doesn’t find God. (At first, she assumes Roarke is God but he assures her that he is not, despite the fact that he has God-like powers. Ricardo Montalban, for his part, said that he always felt that Roarke was a fallen angel who was doing penance on Fantasy Island.) Laurie does however find Adam Cobb (George Kennedy), a former circus clown-turned-alcoholic who briefly pretends to be God. At first, Laurie hates Adam for lying about being God. Then Mr. Roarke explains that Adam’s wife died in a circus fire and that his own daughter was adopted by another family. Laurie feels sorry for him and invites Adam to come live in her mansion with her aunt. Adam considers it but ultimately decides that he needs to instead search for his own daughter. In a rather bizarre turn of events, he dances with Laurie while singing Funny Face to her.

As for Laurie meeting God, Adam suggests that maybe there’s a bit of God in everyone and therefore, we’re all God. Whatever, you hippie.

This storyline was ugh. Like seriously, just ugh. Laurie didn’t get her fantasy. She just met some old alcoholic who spouted a bunch of a Unitarian mumbo jumbo at her. As for Adam leaving the Island to find his own daughter …. well, did he? This episode doesn’t tell us. How exactly is he going to find her? Does she want anything to do with him? How was the penniless Adam able to afford a trip to Fantasy Island in the first place?

AND WHERE THE HELL IS TATTOO!?

Meanwhile, Milton Berle played an old comedian who wanted his former partners (Imogene Coca and Howard Morris) to forgive him so that they could perform together one last time. This storyline felt very familiar and it featured a lot of singing. Even Mr. Roarke sang a song. It’s actually kind of strange how many songs were sung in this episode because this wasn’t a musical episode. This wasn’t like that musical episode of The Love Boat where the songs were evenly distributed across the program. Instead, towards the end of the episode, people just started singing. It was weird.

Speaking of The Love Boat, this episode was directed by Isaac himself, Ted Lange. Lange keeps the action movie but I just wish this episode had been better written. This is another episode where it’s easy to imagine how much better it would have been with Tattoo than with Lawrence. Tattoo would have definitely gotten emotionally involved with Laurie’s search for God. Lawrence, on the other hand, is just a stiff upper lip butler whose main concern is making sure everyone gets their drink order. It’s nothing against Christopher Hewett, who I have read was a good Catholic. It’s just that he’s stuck playing a character who does not belong on the Island.

This was a pretty desultory trip to the Island.

The History of the World, Part I (1981, directed by Mel Brooks)

Posted on June 28, 2025 by Jedadiah Leland

Overlong, wildly uneven, gimmicky too a fault, and often laugh out loud funny with a mix of jokes that range from the crude to the sublimely clever to the surprisingly sentimental, The History of the World, Part I is the ultimate Mel Brooks films.

Narrated by Orson Welles and featuring five historical stories and a collection of coming attractions, The History of the World Part I follows man from his caveman origins to the French Revolution and the thread that ties it all together is that humanity always screws up but still finds a way to survive. Moses (Mel Brooks) might drop and break one of the three tablets listing the 15 Commandments but he’s still able to present the other ten. Stand-up philosopher Comicus (Mel Brooks) might make the mistake of poking fun at the weight of Emperor Nero (Dom DeLuise) but he still makes his escape with Josephus (Gregory Hines), Swiftus (Ron Carey), and Miriam the Vestal Virgin (Mary-Margaret Humes) and ends up serving as the waiter at the Last Supper. (“Jesus!”) The Spanish Inquisition may have been a catastrophe but it also gave Torquemada (Mel Brooks) a chance to show off his performance skills. The French Revolution may have been a bloodbath but the future still held promise. Ask for a miracle and he’ll show up as a white horse named Miracle, no matter what era of history you’re living in.

The humor is very Mel Brooks. During the Roman Empire sequence, Madeline Kahn plays Empress Nympho. Jackie Mason, Harvey Korman, Cloris Leachman, Spike Milligan, Jan Murray, Sammy Shores, Shecky Greene, Sid Caesar, Henny Youngman, and Hugh Hefner all make cameo appearances. Carl Reiner is the voice of God. John Hurt plays Jesus. The film ends with the promise of a sequel that will feature “Jews in Space.” Not every joke lands. The entire caveman sequence feels forced. But when the film works — like during The Inquisition production number — it’s hard not get caught up in its anything-goes style. The entire Roman Empire sequence is probably more historically accurate than the typical Hollywood Roman epic. That’s especially true of Dom DeLuise’s naughty performance as Emperor Nero.

Mel Brooks is 99 years old today and he says that he has at least one more film to give us, a sequel to Spaceballs. I’m looking forward to it! I’m also looking forward to rewatching and enjoying all of the films that he’s already given us. The History of the World, Part I may not have initially enjoyed the critical acclaim of his earlier films but, in all of its anarchistic glory, it’s still pure Mel Brooks.

Retro Television Review: The Love Boat 5.17 “The Return of the Captain’s Lady/Love Ain’t Illegal/The Irresistible Man”

Posted on February 12, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

It’s time for another trip on The Love Boat! We’re a little late setting sail today but it happens. Let’s see what’s happening on this cruise….

Episode 5.17 “The Return of the Captain’s Lady/Love Ain’t Illegal/The Irresistible Man”

(Dir by Howard Morris, originally aired on February 6th, 1982)

This week’s cruise is all about people being stupid.

For instance, George Boggs (Dick Martin) wants to embezzle some money from his company but he can’t run the risk of his business partner, Irwin (Robert Mandan), finding out. So, George tells his secretary, Marge (Phyllis Davis), to keep Irwin distracted while George steals the money. However, Marge really does fall for Irwin. This was a very predictable storyline and it suffered from Dick Martin continually mugging for the camera and acting so obviously guilty that there was no way that the entire world wouldn’t have noticed what he was doing. Still, if you’re a fan of sitcoms from the 70s and 80s, it’s always interesting to see Robert Mandan playing a sympathetic character for a change.

Things get even dumber when Doug Bridges (Linwood Boomer) decides that the best way to get Pam (Lydia Cornell) to notice him would be to fake being pulled into a broom closet and kissed by an amorous woman who then, in Doug’s telling of the story, runs off and disappears. Soon, the entire ship is looking for Doug’s mystery woman. Why this would get Pam to like Doug, I’m not sure. Pam’s best friend (Pat Klous) does like Doug so she pretends to be the mystery woman. Of course, Doug can’t reveal that she’s lying because that would mean revealing that he was lying and …. as I said, this story was dumb. Dumb, dumb, dumb!

Finally, Captain Stubing’s ex-fiancé, Linda (Pat Crowley) boards the ship and the Captain is super excited! He starts to rekindle their relationship and soon, he’s even thinking of proposing. Yay! Vicki’s finally going to have a stepmom …. oh wait. Hold on. It turns out that Linda’s married and she just boarded the boat and allowed herself to be romanced by the Captain without telling him any of this because …. reasons, I guess? I mean, don’t get me wrong. Linda is not happy with her marriage and is in the process of getting a divorce but she doesn’t tell any of that to the Captain. Merrill thinks that Linda is single and ready to get married. Nope, Linda was just looking for a fling and is not ready to get married again. Poor Merrill! At least he has the crew looking out for him….

Ugh. This episode. Listen, I am more than willing to suspend my disbelief when it comes to this show. Usually, I absolutely love The Love Boat. But usually there’s at least one sort of funny or sweet story to go along with the ones that are less memorable. None of the stories worked on this cruise and that’s a shame. That said, I’ll be back next week. The Love Boat promises something for everyone, afterall.

Life Stinks (1991, directed by Mel Brooks)

Posted on January 29, 2025 by Jedadiah Leland

Goddard Bolt (Mel Brooks), the massively wealthy CEO of Bolt Enterprises, wants to buy up a huge area of Los Angeles’s slums and tear them down, transforming the area into a chic neighborhood and moving all of the poor residents and street people out. Rival businessman Vaughn Craswell (Jeffrey Tambor), who grew up in the slum and dreams of destroying it himself, has the same plan. He and Bolt make a bet. If Bolt can survive for 30 days on the streets, Craswell will allow Bolt to have the property. Bolt agrees and soon, he is penniless and sleeping in alleys. While Bolt befriends Sailor (Howard Morris) and Fumes (Theodore Wilson) and falls in love with a former dancer named Molly (Lesley Ann Warren), Craswell schemes to take over Bolt’s company and keep Bolt on the streets permanently.

Life Stinks was one of Mel Brooks’s attempts to make a straight comedy that wasn’t a parody and which had a serious message underneath the laughs. The mix of comedy and drama doesn’t really gel, because the drama is too dark and the comedy is too cartoonish. Life Stinks is often guilty of romanticizing living on the streets. With the exception of two muggers, everyone whom Bolt meets is a saint. It is still interesting to see Brooks creatively at his most heartfelt and humanistic.

Life Stinks does feature some of Mel Brooks’s best work as an actor and it’s also features an excellent turn from Lesley Anne Warren. At first, I thought Warren would be miscast as a woman who spent her days in a soup kitchen and her nights sleeping in an alley. But she actually gives a very sweet and believable performance.

No matter what else, Mel Brooks is a true mensch.

Retro Television Review: The Love Boat 5.4 “The Incredible Hunk/Isaac, the Marriage Counselor/Jewels & Jim”

Posted on November 6, 2024 by Lisa Marie Bowman

This week, The Love Boat sets sail without a laugh track and things get awkward.

Episode 5.4 “The Incredible Hunk/Isaac, the Marriage Counselor/Jewels & Jim”

(Dir by Howard Morris, originally aired on October 24th, 1981)

Julie has hired a new entertainer for this cruise. His name is Hank Austin (Brian Kerwin) and he’s a teacher-by-day and a dancer-by-night. Julie has never actually seen Hank perform but Hank’s agent assured Julie that he’s amazing. How will Julie (and Captain Stubing) react when Hank turns out to be a …. STRIPPER!?

Even more importantly, how will the head of Hank’s PTA react? Shelley (Christopher Norris) is also a passenger on the boat and she and Hank take an immediate liking to each other. Fortunately, for Hank, Shelley does not see his performance but afterwards, she tells Hank that she’s heard a lot of people talking about how there’s a male stripper on the ship. Hank laughs it off. But then Julie walks up to Shelley and starts to complain about Hank’s act, which is seriously immature of her. I mean, Julie doesn’t even know Shelley but Julie still acts like she’s morally offended that Shelley would associate with someone with whom Julie is upset. It’s seriously out-of-character for Julie and it made me wonder if maybe Julie picked up some coke when the ship was docked at Acapulco.

Don’t worry, though. Julie eventually apologizes for lashing out and Shelley and Hank leave the ship together. From now on, the only stripping that Hank will be doing will be at PTA meetings.

Things also work out for Frank Dalton (Flip Wilson). Frank boards the ship and tells Isaac that he changed Frank’s life. Isaac has no idea who Frank is. Frank explains that he took the same cruise last year. He had a fight with his wife and went into the Pirate’s Cove for a drink. Frank told Isaac his problems. Isaac told him that sometimes, a man just has to put his foot down. Frank took Isaac’s advice and, as a result, his wife left him. Now, Frank is single and suicidal. Isaac tries to set Frank up with some other passengers. When that doesn’t work, Isaac calls Frank’s ex-wife and convinces her to board the boat in Acapulco and take him back. Frank and Janet (Marla Gibbs) are reunited. Good work, Isaac!

Finally, a jewel thief named Jim Pickett (Michael Zaslow) boards the boat. He just wants to steal a valuable necklace but instead, he ends up falling in love with Lilia Chandler (Joan Van Ark). When Jim does steal a necklace from Mrs. Landers (Henny Backus), he gives it to Lila. However, when it looks like Jim’s going to get caught by the Captain, Lila gives the necklace back to Mrs. Landers. It turns out that Lila is a jewel thief as well! She was going to let Jim steal the necklace for her but then she fell in love with him. The two reformed thieves leave the ship as a couple.

This was a weird episode because there was no laugh track. There was several moments where it was obvious that a laugh track was meant to be heard but instead of canned laughter, there was only dead air. It made the entire episode feel a bit awkward. Laugh tracks are definitely dork and corny but then again, so is The Love Boat. If anything, The Love Boat is one of the rare shows that benefitted from having a laugh track. It’s absence made the entire cruise feel weird.

As for the guest stars and their stories, I liked Michael Zaslow and Joan Van Ark. They had an enjoyable chemistry. The other two stories weren’t that interesting. The male stripper story only succeeded in making Julie look totally incompetent at her job. She got mad at Hank for being a stripper but did it seriously not occur to her to ask what type of dancing he actually did before booking him? As for the other story, it was just depressing. A laugh track would have helped….

This was just not a very good cruise, I’m afraid. It happens. Hopefully, next week will be better.

Retro Television Review: The Love Boat 4.27 “Maid for Each Other/Lost and Found/Then There Were Two”

Posted on October 9, 2024 by Lisa Marie Bowman

This week, a baby is abandoned, an aunt visits, and for some reason, Joe Namath is on the boat.

Episode 4.27 “Maid for Each Other/Lost and Found/Then There Were Two”

(Dir by Howard Morris, originally aired on May 9th, 1981)

Ted Harper (Joe Namath) boards the boat with his best friend, Richard Henderson (Fred Willard). Ted and Richard were fraternity brothers. While in college, the members of the frat decided that, whenever one of them got married, some money would be contributed to a pot. The last single member of the frat would end up getting all of the cash, which is now up to $60,000. Ted and Richard are the last two single members of the frat and they’re competing to see who can hold out the longest.

(Can we just agree that guys are weird?)

Ted has a plan to get the money. He’s gotten his ex-girlfriend, Paula (Karen Grassle), to agree to trick Richard into falling in love with and marrying her, in exchange for some of the money. However, Richard is smarter than Ted realizes and instead offers Paula even more of the money to get Ted to marry her. However, Karen falls for Ted for real. Karen and Ted do get married when the ship docks in Mexico. When Richard announces that he paid Karen to marry Ted, Ted is hurt at first but then he realizes that he was willing to do the same thing to Richard and nothing matters more than love. Awwww!

Now, it may seem strange to cast Joe Namath and Fred Willard as friends. To me, it’s even stranger that this was not the first time that Joe Namath, who was not much of actor, appeared on The Love Boat. Just as he did the last time he was on the boat (and also just as he did when he last visited Fantasy Island), Namath wanders through the story with a goofy grin on his face.

Speaking of goofy, Gopher is super-excited when his wealthy aunt Loretta (Jane Powell) boards the boat. Loretta, however, is scared to tell Gopher that she has lost all of her money and is now working as a maid. Loretta need not have worried. I mean, it’s not as if Gopher has a particularly glamorous job. Plus, Loretta’s not going to be poor for long, not after she meets and falls in love with wealthy Duncan Harlow (Howard Keel).

Finally, Eddie Martin (Gary Burghoff) is a mechanic on the Love Boat who decides to abandon his baby with the captain. The captain, who apparently doesn’t know much about the people who work for him, has no idea who the baby’s father is. But when the baby is taken ill and needs a transfusion of super-rare AB blood, Eddie is forced to stand up and accept the responsibility of being a father. Good for him, I guess. Personally, I like fathers who don’t abandon their babies in the first place.

This was a fairly bland episode. The fourth season is nearly over and, with this cruise, everyone seemed to mostly be going through the motions. This episode seemed like a collection of stories that the show had already handled (and handled better) in the past.

Next week …. season 4 comes to an end!

Retro Television Review: The Love Boat 4.15 “The Trigamist/Jealousy/From Here To Maternity”

Posted on May 8, 2024 by Lisa Marie Bowman

This week, both Doc and Captain Stubing try to get out of doing their jobs.

Episode 4.15 “The Trigamist/Jealousy/From Here To Maternity”

(Dir by Howard Morris, originally aired on January 17th, 1981)

Finally, Captain Stubing has found love!

He is totally smitten with passenger Linda Bradley (Pat Crowley) and Linda seems to like him as well. (Why wouldn’t she? He’s the Captain. No one wants to date the people who are in the bottom of the boat and shoveling coal in the furnace. The Captain is the one who has his own special table.) Stubing is soon spending all of his time with Linda. Vicki gets jealous. Myself, I’m wondering who is steering the boat.

Vicki gets so jealous that Linda eventually picks up on it and breaks things off with the Captain. The Captain is heart-broken but, when a contrite Vicki explains that Linda was just trying to protect her feelings, the Captain cheers up, Vicki agrees to accept Linda as a possible stepmother, and Linda promises to return for another cruise as soon as possible. Will we ever see Linda again? I doubt it. Charo seems to be the only performer who regularly returns to the Love Boat as the same character. We might see Pat Crowley again but she probably won’t be playing Linda.

This storyline, I could relate to. I’m a child of divorce and I’ll just say that I was Hell on anyone who I thought was trying to be either a new father or a new mother to me. So far, at least, the stories about the Captain and Vicki have always been handled well. Gavin MacLeod is always at his best when he’s playing the fatherly side of Stubing.

Captain Stubing is not the only person trying to get laid on this cruise. Doc Bricker — of course! — is eager to spend time with his latest girlfriend, Mona (Rebecca Holden), but he keeps getting summoned by the Talmadges. Betty Talmadge (Murphy Cross) is pregnant and her husband, Arthur (Michael Young), is worried that she’s going to give birth on the cruise event though she’s not due for another 9 weeks. “I was born on airplane!” Arthur yells at one point. Eventually, Doc tells Arthur that he should take up jogging to deal with his nervousness. Arthur ends up breaking his leg as a result. That, at the very least, confines him to his cabin but Doc is now so worried about him that he still can’t find time for Mona. Finally, as the ship docks in Los Angeles, Betty goes into labor.

Finally, Judge Joanne Atkinson (Nancy Walker) boards the ship and is surprised to see that Harrison Harper (George Gobel, who is an even less convincing womanizer than Doc Bricker) is also taking a cruise. The judge previously sentenced Harrison to probation for being a bigamist. The Judge and Harrison fall in love and get engaged. Of course, Harrison is also engaged to five other women. I’m sure it’ll all work out.

This was a weird cruise. The main theme seemed to be that both Doc and the Captain will do anything to avoid actually doing their jobs. Meanwhile, the Judge and Harrison’s relationship appears to be doomed from the start. Getting arrested and being sentenced to probation has done nothing to dissuade Harrison from getting engaged to everyone he meets. Julie looks worried as Harrison and the Judge leave the ship together and I don’t blame her!

As always, the ocean scenery was pleasant and I appreciated the sincerity of the scenes that Gavin MacLeod and Jill Whelan performed together. Still, I was kind of happy when the boat docked this week.

Retro Television Reviews: Fantasy Island 3.19 “The Swinger/Terrors of the Mind”

Posted on October 17, 2023 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986. Almost entire show is currently streaming is on Youtube!

This week, Fantasy Island swings!

Episode 3.19 “The Swinger/Terrors of the Mind”

(Dir by Cliff Bole, originally aired on February 9th, 1980)

This week, we have one fun fantasy and one fantasy that’s a bit less interesting.

The less interesting fantasy features Herman Dodge (Howard Morris), a middle-aged man who is upset because he feels that he was too old to take part in the sexual revolution of the 60s and 70s. Having just gotten a divorce from Maxine (Anne Francis), Herman comes to the Island with his best friend, Stan (Jack Carter). Herman wants to be a swinger so Mr. Roarke makes him look a few years younger and then he takes him to the “Fantasy Island Mariana, where all the swingers hang out.”

Looks like a happening place!

Herman is soon the most popular guy at the marina and he even has a new girlfriend named Peggy (Judy Landers). Unfortunately, Duke (Lou Richards) and his friend, Hot Dog (Ed Ruffalo), are threatened by Herman’s sudden popularity. Herman is challenged to various “water sports,” (yes, I snickered) and Herman manages to hold his own but he’s not sure if he’ll be able to jump over a speedboat while on skis. Fortunately, Maxine shows up on the Island and Herman realizes that he not only loves her but he also enjoys being a part of the older, more conservative generation.

It’s a typical Fantasy Island fantasy, designed to appeal to the older viewers who weren’t sure what was going on with those wild and crazy kids. It was okay but it wasn’t particularly interesting.

Far more interesting was the other fantasy, in which Sharon Sanders (Lisa Hartman) comes to the Island from a small town and asks to be given the chance to see the future. Mr. Roarke gives her a diamond ring. When she concentrates on the diamond, she gets a vision of the future. Her first vision is of Martin Ward (Frankie Avalon) getting run over by a drunk driver. Sharon saves Martin’s life and the two of them fall in love. The Fantasy Island casino makes one of its rare appearances as Sharon uses the ring to win a lot of money at Roulette. But then Sharon sees a vision of an older man (Stephen McNally) strangling her and the fantasy is no longer fun.

Sharon wants to leave the Island and end her fantasy. Mr. Roarke replies that he cannot cancel a fantasy once it has begun, despite the fact that he’s done or offered to do that many times in the past for other guests. (I sometimes suspect that Mr. Roarke makes things up as he goes along.)

Anyway, the older man turns out to be the owner of the casino. He wants to murder Sharon because he can’t afford to pay her gambling winnings. Fortunately, when he does attack Sharon, Martin pops up out of nowhere and saves her life. Yay!

(So, I guess the casino is going to be closed now? And I thought Mr. Roarke owned the casino. Who knows? The Island is a confusing place.)

Sharon, having learned that the world is a dangerous place, returns to her hometown with Martin. Martin says they’re going to settle down together. Mr. Roarke says that he hopes Sharon has learned a lesson about taking fate into her own hands and not worrying about what the future holds, which doesn’t make much sense considering that Sharon’s future would have included being murdered if she hadn’t worried about it.

Though the fantasy becomes less logical the more I think about it, it was still an enjoyable one. Lisa Hartman and Frankie Avalon had a surprising amount of chemistry and the scene where the killer chased Sharon into a cemetery was well-done. I’m just happy that Martin was there to save Sharon, as opposed to hanging out at the Fantasy Island Marina.

That’s where all the swingers hang out, you know.

Let’s Talk About Sex: BOYS’ NIGHT OUT (MGM 1962)

Posted on June 19, 2018 by gary loggins

cracked rear viewer

“Sex farces” were extremely popular during the late 50’s/early 60’s. They were filled with martinis, smarmy innuendoes, and smutty jokes, though no sex ever really happens. The comedies of director Frank Tashlin and the Doris Day/Rock Hudson teamings helped popularize this rom-com subgenre. A good example is BOYS’ NIGHT OUT, a humorous take on suburban mores starring James Garner and Kim Novak.

The premise is pretty simple: four friends commute every day from suburban Connecticut to New York City. They are divorced Garner and his married buddies Howard Duff , Howard Morris , and the ubiquitous Tony Randall, who made a career appearing in these type of films. When the “boys” catch Garner’s boss out with his mistress, they start to daydream what it would be like to get their own love shack going, away from their wives and equipped with a beautiful blonde to do their bidding. Garner balks…

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Egging The McGufffin: HIGH ANXIETY (20th Century Fox 1977)

Posted on May 17, 2016 by gary loggins

cracked rear viewer

Mel Brooks loves films as much as the rest of us do. After skewering Westerns in BLAZING SADDLES and horror movies in YOUNG FRANKENSTEIN, Mel set his satirical sights on Alfred Hitchcock in HIGH ANXIETY. The result is a film biff’s dream, with the gags coming fast and furious as Mel and his band of merry pranksters pay a loving but hysterical homage to the films of the Master of Suspense.

Mel takes the lead here as Dr. Richard Thorndyke, the new head of the Psycho Neurotic Institute for the Very, Very Nervous. Thorndyke’s aide, the inept Brophy, thinks the former director was “a victim of foul play”. At the Institute, he meets oily Dr. Montague and starched Nurse Diesel, whose S&M/B&D relationship isn’t their only secret. Thorndyke has an ally in his mentor, Prof. Lilloman (say it slowly). The professor works as a consultant, and tries to help Thorndyke conquer his own…

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