The Next Step”

Posted on November 1, 2023 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

Come aboard! They’re expecting you!

Episode 3.14 “The Stimulation of Stephanie/Life Begins at 40/The Next Step”

(Dir by Allen Baron, originally aired on December 1st, 1979)

After being unexplainably absent last week, Vicki returns this week and is once again somehow a member of the Love Boat crew, despite only being 12. Nobody asks where she was last week and certainly, no one asks her how she’s doing in school. In fact, not only the crew but also the passengers seem to be totally accepting of the idea of a 12 year-old working as the assistant to the cruise director. I guess the 70s were a different time.

If I seem to be harping on the strangeness of Vicki living on the boat, that’s because this week’s episode really isn’t that interesting. This week’s episode is a fairly bland one. It’s so bland that it really leaves you with no choice but wonder about the logistics of how the boat works. And really, that’s something that should never happen when you’re watching a show like The Love Boat. If you’re worrying about real-life questions while watching a show like this, it means that you’re watching an episode that just isn’t working. The Love Boat, like Fantasy Island, should be an escape from reality and not an excuse to wonder about how it all works.

As usual, we’ve got three storylines to deal with. Jo Anne Worley plays Dottie Anderson, who is 39 years old and still unmarried. She’s booked herself in the honeymoon suite because she is determined that she is going to meet a man and get married over the course of the cruise. Julie assures Dottie that there’s nothing wrong with being single when you’re 4o, which is easy for Julie to say because someone asks her to get married during almost every cruise. Anyway, Dottie flirts with a lot of men and ultimately, she comes to realize that Julie was right. She embraces being single and leaves the boat happy. Yay! This storyline didn’t add up too much but at least Jo Anne Worley knew how to deliver a joke.

Meanwhile, pro football player Virgil Plummer (Roosevelt Grier) is upset because he’s about to retire from the game that he loves and he doesn’t know what the future holds for him. With the help of his wife (Melba Moore) and Isaac, Virgil realizing that he can pursue a career as a cook. Personally, I’m not sure why he wouldn’t just retire and live off the millions he made as a football player. Or maybe he could become a coach or one of those “fight for every inch” motivational speakers. Grier and Moore had a likable chemistry (even if it did feel more like a close friend chemistry as opposed to a married chemistry) but again, this storyline just didn’t add up too much.

Finally, sex research Norman Bridges (Dick Martin) and his assistant, Stephanie Champman (Char Fontane) board the boat. Bridges wants to research the roots of sexual simulation. Stephanie is in love with Bridges, though you have to wonder why because he’s kind of a boring jerk. Still, when Norman thinks that Doc Bricker is trying to seduce Stephanie, Norman goes down to Bricker’s cabin and punches him. Unfortunately, Norman wasn’t wearing his glasses and didn’t initially realize that the woman in Doc’s cabin was not Stephanie but was instead a passenger named Lena (Judy Landers). Eventually, Norman does figure out that Stephanie loves him and they leave the boat together. Somehow, Norman got away with assaulting the ship’s doctor. This storyline was just dumb. No one in their right mind would fall in love with someone as clueless and self-absorbed as Norman.

This was a less-than-satisfactory cruise. But that’s what happens when you break child labor laws.

Retro Television Reviews: Fantasy Island 3.4 “Baby/Marathon”

Posted on July 4, 2023 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986. The entire show is currently streaming on Tubi!

This week’s episode is saved by the one and only Herve Villechaize.

Episode 3.4 “Baby/Marathon”

(Dir by George McCowan, originally aired on October 5th, 1979)

Fantasy Island is going to be hosting a marathon competition so Tattoo decides to greet Mr. Roarke while carrying a replica of the Olympic Torch.

Tattoo proceeds to light a huge flame in a cauldron. A group of Islanders start trying to splash water on the fire, leading to Tattoo yelling at them to leave the flame alone. Mr. Roarke, who appears to be even more disgusted than usual with Tattoo’s antics, barks at his assistant to put on his tuxedo and head down to the docks so that they can greet their guests.

Bunny Kelly (Barbi Benton), Gretchen Wasserman (Arlene Golanka), and Olaf Olafsen (Peter Isacksen) have all come to the Island so that Olaf can compete in the marathon and hopefully win enough money to keep their barbell factory open. (Don’t blame me, I didn’t write this script.) When Olaf is injured while trying to lift some weights, Bunny enters the marathon in his place! (At first, Bunny tries to disguise herself as Olaf but, when that doesn’t work, Mr. Roarke declares that Bunny can compete as herself.)

Can Bunny defeat the men who have shown up to run the marathon? Well, it won’t be easy. Bruno Glass (Bruce M. Fischer) is so evil that he often stops in the middle of the race so that he can laugh at everyone else’s misfortune. Helping out Bruno is his trainer, Dr. R.M. Funk (Dick Martin). Using techniques that would be more appropriate for a cartoon, Bruno sabotages the other racers. Somehow, Bruno is able to do this despite the fact that the entire race is being televised live to the world. Fear not! With the help of friendly competitor Eugene (Paul Petersen), Kitty makes it to the finish line. When both Kitty and Eugene sprain an ankle towards the finish line, they carry each other to a tied victory! The factory is saved and everyone falls in love!

As you have probably already guessed, the whole marathon was pretty stupid. There really didn’t seem to be any sort of set rules as to how the marathon would be run. Olaf and Gretchen grabbed a car and drove alongside Kitty for most of the race. Meanwhile, Dr. Funk was somehow able to commit numerous acts of open sabotage without anyone noticing. Because Dr. Funk and Bruno were so cartoonish, it made it difficult to take seriously the possibility that they might win. There was no suspense whatsoever, which made for a pretty boring fantasy.

I preferred the episode’s other story, in which Tattoo was placed in charge of finding a family to adopt an orphaned baby. At first, Tattoo wanted to adopt the baby himself but eventually, he realized that the child would be better off with Thomas (Joshua Gallegos) and Mary (BarBara Luna), two Islanders who already had a large family and who had more experience taking care of babies. There was nothing surprising about the story but seriously, Herve Villechaize’s portrayal of Tattoo’s dilemma was surprisingly touching. While Villechaize was notoriously difficult on the set of Fantasy Island, he also used his fame to speak out in support of abused and neglected children and he really seemed to be put his heart into this episode of Fantasy Island. When Tattoo said that he wanted to make sure the baby had the best and most loving home possible, one got the feeling that he was speaking for Villechaize as well.

So, this was yet another mixed episode of Fantasy Island. Ultimately, it was saved by the sincerity of Herve Villechaize.

Retro Television Reviews: The Love Boat 2.1 and 2.2 Marooned / The Search / Issac’s Holiday: Parts 1 & 2

Posted on February 22, 2023 by Lisa Marie Bowman

This week, the second season begins with a super-sized episode!

Episodes 2.1 & 2.2 “Marooned / The Search / Issac’s Holiday”

(Dir by Paul Stanley, originally aired on September 16th, 1978)

The second season of The Love Boat started with double-sized episode, promising twice the romance, twice the comedy, and twice the running time!

(Subsequently, this episode was split in two for syndication, hence the double numbering.)

Among the passengers on this cruise is none other than Isaac Washington (Ted Lange)! The Love Boat’s iconic bartender has decided to spend his vacation where he works and he’s bought a ticket to sail on the Pacific Princess. It might seem strange to want to spend your vacation at the office but in Isaac’s case, I can see the appeal. As we saw during the first season, no one works harder than Isaac. He somehow always manages to be behind every single bar on the ship and it often appears that he’s the only bartender on the boat! To top it off, he’s always on call. He’s earned a vacation and he’s earned the right to be served for once. From the minute Isaac boards the boat, he’s playfully asking the crew to do things for him and none of them mind because he’s their friend Isaac. One of the key reasons why The Love Boat worked was that the friendships between the members of the crew felt very real. As such, there’s never any doubt that Isaac would want to spend his vacation with Gopher, Doc, and Julie.

(Interestingly enough, the Captain doesn’t seem to realize that Isaac’s on the boat until Isaac takes his seat at the captain’s table.)

Of course, there are some problems with Isaac’s vacation. Isaac quickly notices that the substitute bartender, Wally (played by Norm Crosby), is a bit sullen and not very knowledgeable about his drinks. As well, Isaac has lied to a passenger named Mara (Lola Falana), telling her that he’s a wealthy race car driver. Bitter old Wally just can’t wait to tell Mara the truth.

Even worse, when Captain Stubing goes to visit a nearby island, Deputy Captain Cunningham (Dick Martin) is left in charge and he quickly proves himself to be thoroughly incompetent. (The show makes a point of assuring viewers that Cunningham actually works for a different cruise line and is just training on the Pacific Princess.) Cunningham ignores the news that a hurricane is on the way. When the hurricane hits, it’s falls on Isaac to take charge and make sure the passengers are safe. Of course, to do this, he has to admit that he’s not a race car driver. He’s just a bartender who, in a just world, would probably be a captain.

Meanwhile, Stubing, Doc, Gopher, Julie, and a group of passengers (Avery Schreiber, Barbi Benton, Edie Adams, and Audra Lindley) are all being held captive on that nearby island. Their captor is an eccentric hermit named David Crothers (played by John Astin, who was often cast as eccentric hermits). David has a gun, one that later turns out to be full of not bullets but dirt. Unfortunately, the hurricane that threatens the Pacific Princess also maroons everyone else on the island and they have to wait for someone to rescue them. Injured by a falling tree, Gopher spends his time deliriously speaking to imaginary women in foreign accents. Doc, for once, actually gets to do some medical stuff and assures everyone that Gopher will be fine. Interestingly enough, no one seems to be that worried about being captured by a crazed hermit. Perhaps that’s because John Astin is just too naturally friendly to be viewed as a threat.

Finally, Jeannie Carter (Donna Mills) is on the boat because she’s been told that one of the passengers is her long-lost mother. Soap opera actor Mike Adler (David Birney) offers Jeannie the moral and emotional (and romantic) support to confront the woman but the woman (Laraine Day) turns out to be Mike’s mother as well! Agck!

The 2nd season premiers, with its mix of melodrama, broad comedy, romance, and hurricane-strength winds, is pretty much exactly what most viewers would want out of a show like The Love Boat. Isaac gets to save the day while John Astin hams it up and David Birney, Donna Milles, and Laraine Day wring every emotion that they can out of their soap opera-style storyline. It’s a fun and undemanding show, one that gets by on its breezy style and the likable chemistry between the cast.

This episode is also important because it was the second episode (after the first season’s supersized episode) in which the opening credits featured video images of the guest stars as well as their names. This would continue in every subsequent episode and eventually become of the show’s trademarks.

Next week: Julie’s parents board the boat!