4 Shots From 4 Films: Special Michele Soavi Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

This October, I am going to be using our 4 Shots From 4 Films feature to pay tribute to some of my favorite horror directors, in alphabetical order!  That’s right, we’re going from Argento to Zombie in one month!

Today’s director: the brilliant Michele Soavi!

4 Shots From 4 Films

Stage Fright (1987, dir by Michele Soavi)

The Church (1989, dir by Michele Soavi)

The Sect (1991, dir by Michele Soavi)

Dellamorte Dellamore (1994, dir by Michele Soavi)

 

Horror on the Lens: Track of the Moon Beast (dir by Richard Ashe)


When it comes to bad movies from the 70s, you have to love a movie like 1976’s Track of the Moonbeast.  This film takes place in New Mexico and tells the story of Paul (Chase Cordel), a slow-talking mineralogist who gets a chunk of moon rock lodged into his brain.  As a result, he turns into a gigantic lizard and goes around killing people.  His only hope appears to be his old friend, the stoic Profession Johnny Longbow (Gregorio Sala), who knows all sorts of indian lore.  He also knows how to make stew and early on in the film, he gives a world-weary monologue about what ingredients he puts in his stew.  (Onions, mostly).  Anyway, this is an awful, awful film that’s full of bad acting, bad special effects, and dumb dialogue.  It’s also a lot of fun and it features the guy pictured below singing a song called California Lady that totally got stuck in my head.  I loved Track of the Moon Beast.

Enjoy!

Music Video of The Day — Burn The Witch by Radiohead (2016, dir by Chris Hopewell)


Hi!  Lisa here with today’s music video of the day!

Today, we have the video for Radiohead’s Burn the Witch.  Through the use of stop motion animation, Burn the Witch tells a disturbing little story, one that deals with an inspector who comes to a seemingly idyllic English village and who eventually ends up getting trapped in a wicker man.  If any of this sounds familiar, it’s probably because you’ve seen either the original Wicker Man or the remake starring Nicolas Cage.  The video for Burn the Witch is actually a bit more positive than the film that inspired it.   In the video, the inspector escapes at the end.  Neither Edward Woodward nor Nic Cage were quite as lucky.

As for the song itself, it deals with the dangers of groupthink and blind obedience to authority.  Since Radiohead’s music has always possessed a libertarian streak, that’s certainly not a shock.  The video condemns not only those who would demand blind obedience but also on those who are foolish enough to give it.

Of course, with The Wicker Man theme, it’s also perfect for October!

Enjoy!

Horror on TV: Thriller 2.4 “The Weird Tailor” (dir by Herschel Daugherty)


On tonight’s episode of Thriller, we see what happens when an aspiring sorcerer (George MacReady) accidentally kills his son.  In order to brings his son back to life, he has to have a special suit made by the weird tailor of the title (played by Henry Jones).

This is one of the better episode of Thriller.  For once, the use of the word “weird” in the title is not a misnomer!  This one was written by Robert Bloch, who adapted his own short story.  It originally aired on October 16th, 1961.

A Movie A Day #289: Night Visitor (1989, directed by Rupert Hitzig)


Billy Colton (Derek Rydall) is a teenager who has a reputation for exaggeration.  Lisa Grace (Shannon Tweed) is his next door neighbor, a high-priced prostitute who does not mind if Billy spies on her.  When Billy tries to tell everyone about his wild new neighbor, no one believes him.  Billy decides to prove his story by grabbing his camera and sneaking next door.  Instead of getting proof that she’s a prostitute, Billy witnesses his neighbor being murdered by a robed Satanist, who just happens to be Zachary Willard (Allen Garfield), Billy’s hated science teacher!  Billy goes to the police with his camera but Captain Crane (Richard Roundtree) points out that Billy forgot to take off the lens cap.

What can Billy do?  He knows that Zachary and his strange brother, Stanley (Michael J. Pollard), are sacrificing prostitutes to Satan but he can’t get anyone to believe him.  Working with his best friend (Teresa Van der Woude) and a burned out ex-cop (Elliott Gould), Billy sets out to stop the Willard Brothers.

Combine Rear Window with late 80s Satanic conspiracy theories and this is the result.  Not as bad as it sounds, Night Visitor is an unfairly obscure movie about Satanism in suburbia. While it has its share of dumb moments (like when Billy uses a watermelon to end a car chase), it also has enough good moments that suggest that Night Visitor is deliberately satirizing the excesses of the Satanic panic that, at the time of filming, was sweeping across the nation.  It also has a once in a lifetime cast.  Along with those already mentioned, keep an eye out for character actor extraordinaire Henry Gibson and future adult film star Teri Weigel.  Allen Garfield is especially good as the evil Mr. Willard.  Any actor can say, “I sacrifice you in the name of Satan.”  It takes a good actor like Allen Garfield to say it without making anyone laugh.

One final note: this movie was originally called Never Cry Devil, which is a much better title than Night Visitor.

Horror Scenes I Love: What Happens When You Summon Candyman


Today’s horror scene that I love is from 1992’s Candyman.

For the record, after watching this film, I stood in front of a mirror and I said Candyman three times.  I’m waiting until I have something to be mad about before I say it two more times.

Jedadiah Leland’s Horrific Adventures In The Internet Archive #12: Voodoo Island (1985, Angelsoft, Inc)


For my next adventure in the scary part of the Internet Archive, I played Voodoo Island (1985, Angelsoft, Inc.).

Voodoo Island is an early text adventure from Angelsoft, Inc.  Angelsoft was Infocom’s only serious competitor when it came to creating challenging and rewarding text adventures.  Typically, both an Angelsoft and an Infocom game would require the player to solve puzzles and search for clues.  What made Angelsoft unique was that the results of solving the puzzles were frequently randomized.  You could solve a puzzle and still die, just due to the luck of the draw.  That may be why Infocom outlasted Angelsoft by several years.

In Voodoo Island, you are the sole survivor of a shipwreck.  You wake up on the beach, confused but with the feeling that someone has been watching you.  The game’s introduction establishes Voodoo Island‘s tone early:

Spend enough time exploring the island and eventually, you will find a hotel.  Exploring the hotel leads to scenes like this:

The first time I tried to play the game, it took me a while to make it to the top floor of the hotel.  That is where I discovered not only Doctor Beauvais but also Sharleen, who the game describes as being “buxom” and “blonde.”  Considering the target audience of this game, I assumed that buxom and blonde was going to be a good thing.  I turned out to be wrong:

Your goal is to get off the island and avoid joining the living dead.  It is not easy but I have discovered a few things that might help: examine everything, grab everything that you can, and remember that just because you don’t see something the first time you look, that doesn’t mean you won’t see something the second time.

Good luck!

 

4 Shots From 4 Films: Special George Romero Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

This October, I am going to be using our 4 Shots From 4 Films feature to pay tribute to some of my favorite horror directors, in alphabetical order!  That’s right, we’re going from Argento to Zombie in one month!

Today’s director is one of the most important names in the history of American horror cinema, George Romero!

4 Shots From 4 Films

Night of the Living Dead (1968, dir by George Romero)

Dawn of the Dead (1978, dir by George Romero)

Day of the Dead (1985, dir by George Romero)

Land of the Dead (2005, dir by George Romeo)

Horror on the Lens: Monster A Go Go (dir by Bill Rebane and Herschell Gordon Lewis)


Can you figure out what’s going in today’s horror on the lens, the 1965 film Monster A Go Go?

This sci-fi/horror hybrid details what happens when an astronaut lands on Earth and promptly disappears.  Much like The Creeping Terror, this film makes frequent use of a narrator.  I always appreciate it when movies like this come with a narrator.

Anyway, Monster A Go Go was reportedly started by Bill Rebane in 1961.  When he ran out of money, the film sat unfinished for four years.  That’s when Herschell Gordon Lewis bought the film, added some additional scenes, and then released it on a double bill with one of his own films.  Hence, if Monster A Go Go seems like two different movies crammed together … well, that’s pretty much what it is.

Along with its interesting production history, Monster A Go Go is also well-remembered for its amazingly nonsensical ending.  I imagine that this film led to a few drive-in riots.

Enjoy!