4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
This October, we’ve been using 4 Shots From 4 Films to pay tribute to some of our favorite horror directors! Today, we recognize the father and master of modern horror, Wes Craven!
4 Shots From 4 Films
The Last House on the Left (1972, dir. by Wes Craven)
Deadly Blessing (1981, dir by Wes Craven)
A Nightmare on Elm Street (1984, dir. by Wes Craven)
There’s really only one lesson to be learned from the 1972’s Night of the Lepus.
There is absolutely no way to make a rabbit look menacing.
Oh sure, you can film them in slow motion. And you can add a lot of weird sound effects and you can do a lot of extreme close-ups to make them look bigger than they actually are. You can do a lot of stuff as a part of your effort to make a rabbit into a scary monster but you’ll pretty much be wasting you time. Rabbits are simply not intimidating. There’s a reason why the idea of a killer rabbit was so funny in Monty Python and The Holy Grail.
Now, don’t get me wrong. I’m enough of country girl that I know the damage that wild rabbits can do. They eat crops. They eat bark. They chew on irrigations lines. If you’re a farmer or even just someone who wants to maintain a nice garden, you know that rabbits can be a nuisance.
However, that doesn’t change the fact that there’s nothing really menacing rabbits. Rabbits are cute and, for the most part, they’re fairly timid. They’re aware that, in the brutal world of nature, they’re designated prey and, as a result, they try to stay out of the way. Rabbits are shy and they hop around and there’s absolutely nothing frightening about them.
(We actually have quite a few rabbits in my neighborhood. It’s not unusual for me to see one hopping through the front yard. Whenever I go for a run in the early evening hours, it’s not unusual for me to see several rabbits hopping through a nearby park.)
Night of the Lepus is a strange film that attempts to make rabbits frightening. It takes place in the southwest and it features a bunch of mutated, giant rabbits who hop around the desert in slow motion and who savagely kill everyone that they meet. The plot makes it sound like a spoof but Night of the Lepus takes itself very seriously, which needless to say is a mistake. It even opens with documentary footage that’s designed to make sure that we understand that rabbits are actually very dangerous. It’s all very odd and you have to wonder why, out of all the wild animals in the southwest, the filmmakers decided to go with the least intimidating creature possible. I mean, there are coyotes and Gila monsters in the desert. Imagine having a giant coyote coming at you. That would be scary!
Instead, we get giant rabbits, attacking a cast of actors who definitely deserved better. Stuart Whitman, Janet Leigh, Rory Calhoun, DeForest Kelly, they’re all talented actors and, in this film, they’re reduced to fighting a bunch of giant rabbits. No one comes across particularly well, though just about everyone in the cast does manage to keep a straight face. Still, the problem is that the rabbits are just too damn cute. Even after they’ve killed half the cast, you still don’t want anything to happen to them. When Whitman and Calhoun opened fire on a group of rabbits and killed a few of them, I actually found myself getting mad at the humans. Leave the rabbits alone! I thought. You humans have had your chance! This the land of rabbits now!
Anyway, Night of the Lepus is silly but it’s kind of fun, just because the giant rabbits are cute. They’re kind of like the giant guinea pigs that attacked South Park a few seasons ago. They’re murderous but they’re adorable!
For today’s horror on the lens, we have a 1973 made-for-TV movie called Satan’s School For Girls.
After her sister turns up dead, Elizabeth (Pamela Franklin) refuses to accept that official conclusion that it was a suicide. Instead, Elizabeth is convinced that it was murder and that it has something to do with the exclusive school that her sister attended, the Salem Academy for Women.
Well, honestly, the Salem part is a dead giveaway. I think we can all agree on that.
Anyway, this movie features a Satanic cult, an old school clique, and plenty of early of 70s fashion choices. It may be silly but it’s also definitely entertaining.
On tonight’s episode of horror on TV, we have an episode of Baywatch Nights that originally aired on February 9th, 1997. In this one, two 900 year-old Vikings are causing chaos in Los Angeles! Who can stop them?
After being a baby during the first Witchcraftand a horny high school student during the secondWitchcraft, William Spanner becomes a public defender in the third Witchcraft movie.
William (Charles Solomon) is still trying to hide from his heritage as a warlock. He refuses to discuss his family with his girlfriend, Charlotte (Lisa Toothman) and instead tries to concentrate on helping underprivileged people who have run afoul of the legal system. His latest client, a teenager named Rubin Carter (Ahmad Reese), claims that he didn’t commit the murder that he’s been accused of. William is determined to make sure that Rubin gets a fair trial, despite the machinations of the ruthless DA, Vivian Hill (Nicole Lauren). William has found a way to be useful to society without having to use his magical powers.
However, events are conspiring to force William to embrace his warlock heritage. Louis (Dominic Luciana) is hitting the bar scene and picking up women so he can give them the “kiss of death” and transfer their lifeforce to his girlfriend, Roxy (Lena Hall). After Louis arranges to befriend William, he focuses his attentions on Charlotte. In order to save his girlfriend, William is going to have use the same powers that he’s spent years trying to deny.
Particularly when compared to some of the films that would come after it, Witchcraft III isn’t bad. William’s motivations for hiding from his past actually make sense and Louis is an enjoyably cheesy villain. The film features William getting advice from a witch doctor, which introduces the idea that there’s all sorts of different magic in the world. It’s an intriguing idea, or at least it is when compared with what usually passes for a deep thought in a Witchcraft movie. That’s the whole key to enjoying Witchcraft III. Don’t compare it to a real movie. Compare it to the other Witchcraft films.
I like the idea of a warlock lawyer. It seems like it could have been a good TV show. Instead, it would just be a part of horror’s longest-running franchise. Witchcraft III was enough of a direct-to-video success that Witchcraft IV soon followed.
In this game, you are Lightbearer, Garden City’s greatest hero. And you are also Promethium, Garden City’s most nefarious villain. You play both roles in this unusual text adventure. When Lightbearer finally defeats Promethium, it might mean that she’ll have to leave Garden City and, for a lot of reasons, she’s not ready to uproot her family and make that move. So, Lightbearer and Promethium make a deal. Lightbearer will let Promethium go free on the condition that they continue to have regular “staged” battles. Lightbearer and Promethium meet regularly at a coffeeshop to choreograph their fights ahead of time. Depending on the choices that the player makes, the hero and the villain can bond over their unexpected similarities or, as the title suggests, trying to trust your enemy can be a complete disaster.
I enjoyed this game. It took me by surprise and both Lightbearer and Promethium were interesting and well-written characters. This game explored why a hero needs a villain and vice versa and the story led to some very unexpected places. It’s not a short game but it is a rewarding one. It’s well worth the time required to play it.
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
This October, we’ve been using 4 Shots From 4 Films to pay tribute to some of our favorite horror directors! Today, in honor of Canadian Thanksgiving, we recognize the talents of the one and only David Cronenberg!
The Cabinet of Dr. Caligari is a film that I’ve shared four times previously on the Shattered Lens. The first time was in 2011 and then I shared it again in 2014, 2015, 2016, 2017, 2018, and 2019! Well, you know what? I’m sharing it again because it’s a classic, it’s Halloween, and everyone should see it! (And let’s face it — it’s entirely possible that some of the people reading this post right now didn’t even know this site existed in any of those previous years. Why should they be deprived of Caligari just because they only now arrived?)
Released in 1920, the German film The Cabinet of Dr. Caligari is one of those films that we’ve all heard about but far too few of us have actually seen. Like most silent films, it requires some patience and a willingess to adapt to the narrative convictions of an earlier time. However, for those of us who love horror cinema, The Cabinet of Dr. Caligari remains required viewing. Not only did it introduce the concept of the twist ending (M. Night Shyamalan owes his career to this film) but it also helped to introduce German expressionism to the cinematic world.
My initial reaction to The Cabinet of Dr. Caligari was that it simply wasn’t that scary. It was certainly interesting to watch and I was happy that I was finally experiencing this film that I had previously only read about. However, the film itself was obviously primitive and it was difficult for my mind (which takes CGI for granted) to adjust to watching a silent film. I didn’t regret watching the film but I’d be lying (much like a first-year film student) if I said that I truly appreciated it after my first viewing.
But you know what? Despite my dismissive initial reaction, the film stayed with me. Whereas most modern films fade from the memory about 30 minutes after the end credits,The Cabinet of Dr. Caligari has stuck with me and the night after I watched it, I even had a nightmare in which Dr. Caligari was trying to break into my apartment. Yes, Dr. Caligari looked a little bit silly staring through my bedroom window but it still caused me to wake up with my heart about to explode out of my chest.
In short, The Cabinet of Dr. Caligari passes the most important test that a horror film can pass. It sticks with you even after it’s over.
For the curious with an open mind to watch with, here is Robert Wiene’s The Cabinet of Dr. Caligari!