4 Shots From 4 Horror Films: 2019


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, I’m going to be doing something a little bit different with my contribution to 4 (or more) Shots From 4 (or more) Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we take a look at 2019!

4 Shots From 4 Horror Films: 2019

Doctor Sleep (2019, dir by Mike Flanagan, DP: Michael Fimognari)

The Dead Don’t Die (2019, dir by Jim Jarmusch, DP: Frederick Elmes)

Us (2019, dir by Jordan Peele, DP: Mike Gioulakis)

Midsommar (2019, dir by Ari Aster, DP: Pawel Pogorzelski)

6 Horrific Trailers For October 30th, 2022


It’s the day before Halloween.

Are you still struggling to get into the mood?

Well, have no fear!  The latest edition is Lisa Marie’s Favorite Grindhouse Trailers is here to help you out!

Presented without comment, here are 6 classic trailers for the day before Halloween….

  1. Carnival of Souls (1962)

2. Night of the Living Dead (1968)

3. The Texas Chainsaw Massacre (1974)

4. Halloween (1978)

5. Dawn of the Dead (1978)

6. Zombie (1979) (a.k.a. Zombi 2)

Horror Film Review: Planet Dune (dir by Glenn Campbell and Tammy Klein)


Welcome to Planet Dune!

Now, don’t let the name of this 2021 film from the Asylum fool you.  Yes, the planet may be a desert.  And yes, there may be sandworms that burrow under the sand and which attack anyone foolish enough to be caught outside.  And yes, the planet is specifically referred to as being “Dune.”  Well, actually, it’s called Planet Dune but still….

That said, Planet Dune should not be mistaken for any film based on the novels of Frank Herbert.  There’s no spice.  There’s no Fremen.  There’s not intergalactic intrigue or environmental subtext.  There’s none of that nonsense with the Bene Geserits or whatever it is they were called.  There’s no Maud’Dib.  There’s no promised one.  Instead, there’s just a bunch of killer worms.  And really, that’s not so bad.  I mean, the worms are the main reason why people watch Dune, in the first place.  Planet Dune simply removed all of the extra stuff and concentrated on the worms.  Good for the Asylum!  Give the people what they want!

Planet Dune takes place in the far future.  America and Russia are rivals when it comes to conquering space.  After American Lt. Astrid (Emily Killian) defies orders and saves the life of a stranded cosmonaut, she’s put on probation and forced to command a “tug” ship.  She and her new crew are sent to Planet  Dune to rescue a previous expedition to the planet.  At first, Astrid doesn’t get along with her new crew.  They’re especially not happy when Astrid accidentally flies the tug straight into an asteroid field.  Things don’t get any better when, upon arriving on the planet, the crew is promptly attacked by the worms.  Can everyone make it back to the Tug and fly off to safety?  Will Astrid be able to resist her own addiction to — I’m not making this up — her family’s specially-brewed moonshine?  Who will make it back to the ship and what will be left of them?  It would help, of course, if Astrid could get some help but, when she requests backup, she is informed that people on probation are not sent any help, regardless of how bad the situation is.  In the future, the punishment for saving a man’s life is to be sent to a planet inhabited by killer worms.  That’s harsh!

As far as Asylum mockbusters are concerned, Planet Dune isn’t bad.  It’s actually about a hundred times better than anyone would have any reason to expect.  The film makes good use of its low-budget and the special effects are actually a bit charming in their cheapness.  It’s a bit like a live-action comic book and it’s a good deal less portentous than the official Dune movies.  It’s a fun, fast-paced movie about killer sandworms.  Really, what more could you want from a visit to Planet Dune? 

Well, how about a cameo appearance from Sean Young?  Young, of course, appeared in David Lynch’s adaptation of Dune.  In Planet Dune, she plays Astrid’s boss and gets to yell at her for defying the rules.  It’s a nice little inside joke.

The Three Weird Covers Of True Weird


True Weird was a pulp magazine that promised stories that were, “Strange.  Fantastic.  True.”  Unfortunately, it only had a press run of three issues.  The first issue was published in 1955.  The third and last issue came out in 1956.  The public could only handle so much truth.

But the fantastically weird covers of True Weird live on!  All three of these covers were done by Clarence Doore.

Horror On The Lens: Carnival of Souls (dir by Herk Harvey)


Well, we’re nearly done with October and, traditionally, this is when all of us in the Shattered Lens Bunker gather in front of the television in Arleigh’s penthouse suite, eat popcorn, drink diet coke, and gossip about whoever has the day off.

Of course, after we do that, I duck back into my office and I watch the classic 1962 film, Carnival of Souls!

Reportedly, David Lynch is a huge fan of Carnival of Souls and, when you watch the film, it’s easy to see why.  The film follows a somewhat odd woman (played, in her one and only starring role, by Candace Hilligoss) who, after a car accident, is haunted by visions of ghostly figures.  This dream-like film was independently produced and distributed.  At the time, it didn’t get much attention but it has since been recognized as a classic and very influential horror film.

This was director Herk Harvey’s only feature film.  Before and after making this film, he specialized in making educational and industrial shorts (some of which we’ve watched on this very site), the type of films that encouraged students not to cheat on tests and employees not to take their jobs for granted.  Harvey also appears in this film, playing “The Man” who haunts Hilligoss as she travels across the country.

Enjoy Carnival of Souls!

And remember, don’t stop for any hitchhikers!

And now, a word from Doc Bowman concerning cats and Halloween….


Hi, everyone!

Doc Bowman here with a very special holiday message!

Tomorrow is Halloween, which my owners — the flame-haired one and the nice one — says is the greatest time of the year!  It’s the time when kids get candy, horror movies are on TV, and my owners get to play dress up or, if it’s anything like last year, barely get dressed at all.

But it’s also a time when stupid people do bad things.  I’m a black cat so both the flame-haired and the nice-one say that I’m not going to be allowed go outside at all tomorrow.  They say it doesn’t matter how much I beg, I’m staying inside.  I know they’re doing the right thing but I’m still going to beg and knock things off of tables and counters because I’m a cat and that’s what I do.  And they’re going to hopefully give me a lot of treats and pet me to keep me happy, even though they’ll probably have to lock me in the flame-haired one’s room to keep me from running for the front door every time they open it for a trick or treater.  That’s just the way thing go at the cat’s house.

Tomorrow night, please make sure that all your pets are safely inside.  It may sound like a silly concern but not everyone out there is as nice and wonderful as my owners and the people who read this site!

Have a safe and happy Halloween everyone!

Icarus File No. 8: Plan Nine From Outer Space (dir by Edward D. Wood, Jr.)


I know, I know.

We’ve all heard the accusation.

Ed Wood’s Plan 9 From Outer Space is the worst film of all time.

Everyone says it’s true

Well, you know what? Everyone is wrong! Plan 9 From Outer Space may be a low-budget film with some …. well, awkward performances. And the script may have some odd lines. And the story might not make any sense. And yes, there’s a scene in an airplane where the doorway to the cockpit is clearly a shower curtain. And yes, the spaceships are paper plates with strings attached. And Criswell’s campy narration makes no sense. And the guy that they brought in to serve as a stand-in for Bela Lugosi was clearly too tall and too young to be credible in the role. And the whole thing about bringing the dead back to life to keep Earthlings from developing the Solarnite bomb …. well, who knows where to even start with that? And….

Wait, where was I?

Oh yeah. Plan 9 From Outer Space. It’s not that bad, I don’t care what anyone says.

Here’s the thing with Plan 9. It’s about as personal an expression of an American director’s vision as we’re ever likely to get. Ed Wood was a pacifist who wanted to end the arm races. His way of trying to spread world peace was to make a movie about aliens so concerned about mankind’s warlike tendencies that they raised the dead. Somewhat subversively, Ed Wood makes it clear that he’s on the side of the aliens from the beginning. When the alien Eros explains that humans are about to build a bomb that can blow up sunlight and destroy the universe, the humans aren’t horrified. Instead, they’re intrigued. Eros says that humans are stupid and immature. The hero of the film promptly proves Eros to be correct by punching him out.

And so, the aliens fail. Even though they brought Tor Johnson, Bela Lugosi, and Vampira back from the dead, they still fail to change the terrible path of human history. Plan 9 From Outer Space is not just a weird sci-fi film. It’s a sad-eyed plea for peace and understanding. It’s a film that possesses it’s own unique integrity, one that sets it apart from all other cheap sci-fi films.

Of course, it’s also a lot of fun to watch on Halloween. Watch it, won’t you? And remember that Ed Wood, above all else, tried his best.  Ed Wood wanted to save the world on a budget and, to do so, he made a science fiction film with his friends and he put a bunch of homemade UFOs on a string.  He also wanted to give Bela Lugosi one great role and, indeed, Plan 9 would go on to become one of Lugosi’s best-known, non-Dracula films.  Ed Wood had a lot of ambition and, in pursuing that ambition, he flew straight for the sun and dared the Solarnite bomb to take him down.  Ed may have crashed into the sea but his vision will never be forgotten.

Plan 9 From Outer Space (1956, dir by Edward D. Wood, Jr)

Previous Icarus Files:

  1. Cloud Atlas
  2. Maximum Overdrive
  3. Glass
  4. Captive State
  5. Mother!
  6. The Man Who Killed Don Quixote
  7. Last Days

Cleaning out the DVR: Anna to the Infinite Power (dir by Robert Wiemer)


Curious film, this one.

In this 1983 film (which was based on a book), Anna Hart (played by Martha Byrne, a child actress who later grew up to star on a few soap operas) is a 12 year-old musical prodigy who has a hard time fitting in with normal children. She suffers from frequent headaches, especially whenever she’s near an open flame. She loses her temper quickly. She has disturbing nightmares about World War II, an event that occurred long before she was even born. Perhaps most alarmingly, she’s a compulsive shoplifter.  (Admittedly, when I was in high school, it was rare that I paid for all of the makeup that I slipped into my purse whenever I skipped school at Target.  But, then again, I was kind of a brat….) When a music teacher named Michaela DuPont (Donna Mitchell) moves in next door, she takes a curiously intense interest in Anna. She starts to give Anna lessons

Anna just happens to see a story on the news about another 12 year-old musical prodigy. She’s named Anna Smithson and, like Anna Hart, she’s the daughter of a musician and a scientist. Anna Smithson also just happens to look just like Anna Hart!

Can we say cloning?

It turns out that Anna Hart is one of five Annas, a part of an experiment to clone Anna Zimmerman. Anna Zimmerman was a musical prodigy who spent her childhood in a Nazi concentration camp and who died in a mysterious fire 20 years earlier. All five of the Annas are being raised by similar families and under similar circumstances, all in an attempt to bring Anna Zimmerman back to life. Shocked by the news, Anna struggles to figure out who she is — is she Anna Hart or is destined to grow up to be Anna Zimmerman? And, if she decides that she wants to live her own life, will she allowed to do so? How far will the scientist who cloned Anna go to protect their secrets?  And why was Anna cloned to begin with?

Anna To The Infinite Power is an odd little film. It has got more than enough conspiracies and traumatic flashbacks to qualify as a hybrid of the horror and science fiction genres but it’s also a rather unconventional coming-of-age story. Anna has to decide whether or not she’s okay with the idea of her entire life having been plotted out for her. Can Anna escape destiny?  Even if she can escape it, should she do it? It is an intriguing question and the film’s intelligent script quickly grabs your interest.

Unfortunately, the film’s direction is not as strong as the script. Visually, Anna to the Infinite Power has a bland and rather flat look. It would be easy to mistake it for a special, extended episode of an 80s television show.  (In fact, I assumed that the movie was a pilot until I looked it up on the imdb.) Still, Martha Byrne is sympathetic as the multiple Annas while character actor Jack Gilford does a good job as the scientist responsible for the experiment. It’s an intriguing film and one to keep an eye out for.