Tag Archives: Guy Pearce

Here Are The Nominations of the San Diego Film Critics Society!

Posted on by Lisa Marie Bowman

Yesterday, the San Diego Film Critics Society announced their nominations for the best of 2024!  The winners will be announced on December 9th …. hey, that’s right around the corner!

Here are the nominees:

Best Picture
ANORA
CHALLENGERS
CONCLAVE
DUNE: PART TWO
SING SING

Best Director
Brady Corbet – THE BRUTALIST
Coralie Fargeat – THE SUBSTANCE
Denis Villeneuve – DUNE: PART TWO
Edward Berger – CONCLAVE
Greg Kwedar – SING SING

Best Actor
Adrien Brody – THE BRUTALIST
Colman Domingo – SING SING
Daniel Craig – QUEER
Ralph Fiennes – CONCLAVE
Timothée Chalamet – A COMPLETE UNKNOWN

Best Actress
Amy Adams – NIGHTBITCH
Cynthia Erivo – WICKED
Demi Moore – THE SUBSTANCE
Marianne Jean-Baptiste – HARD TRUTHS
Mikey Madison – ANORA

Best Supporting Actor
Clarence Maclin – SING SING
Denzel Washington – GLADIATOR II
Guy Pearce – THE BRUTALIST
Kieran Culkin – A REAL PAIN
Stanley Tucci – CONCLAVE

Best Supporting Actress
Ariana Grande-Butera – WICKED
Danielle Deadwyler – THE PIANO LESSON
Jessie Buckley – WICKED LITTLE LETTERS
Joan Chen – DÌDI
Natasha Lyonne – HIS THREE DAUGHTERS

Best Comedic Performance
Aubrey Plaza – MY OLD ASS
Channing Tatum – DEADPOOL & WOLVERINE
June Squibb – THELMA
Michael Keaton – BEETLEJUICE BEETLEJUICE
Ryan Gosling – THE FALL GUY

Best Youth Performance (For a performer under the age of 18)
Alisha Weir – ABIGAIL
Alix West Lefler – SPEAK NO EVIL
Elliott Heffernan – BLITZ
Izaac Wang – DÌDI
Katherine Mallen Kupferer – GHOSTLIGHT

Best Original Screenplay
Coralie Fargeat – THE SUBSTANCE
Jesse Eisenberg – A REAL PAIN
Justin Kuritzkes – CHALLENGERS
Rose Glass and Weronika Tofilska – LOVE LIES BLEEDING
Sean Baker – ANORA

Best Adapted Screenplay
Chris Sanders – THE WILD ROBOT
Craig Bentley, Greg Kwedar – SING SING
Denis Villeneuve, Jon Spaihts – DUNE: PART TWO
Malcolm Washington, Virgil Williams – THE PIANO LESSON
Peter Straughan – CONCLAVE

Best First Feature (Director)
Anna Kendrick – WOMAN OF THE HOUR
Dev Patel – MONKEY MAN
Rachel Morrison – THE FIRE INSIDE
Sean Wang – DÌDI
Zoë Kravitz – BLINK TWICE

Best Documentary
DAUGHTERS
MUSIC BY JOHN WILLIAMS
SUGARCANE
SUPER/MAN: THE CHRISTOPHER REEVE STORY
WILL & HARPER

Best Animated Film
FLOW
MEMOIR OF A SNAIL
TRANSFORMERS ONE
WALLACE & GROMIT: VENGEANCE MOST FOWL
THE WILD ROBOT

Best Foreign Language Film
ALL WE IMAGINE AS LIGHT
THE GIRL WITH THE NEEDLE
NO OTHER LAND
THE SEED OF THE SACRED FIG
VERMIGLIO

Best Editing
Hansjörg Weißbrich – SEPTEMBER 5
Joe Walker – DUNE: PART TWO
Kathryn J. Schubert – BLINK TWICE
Marco Costa – CHALLENGERS
Sean Baker – ANORA

Best Cinematography
Alice Brooks – WICKED
Greig Fraser – DUNE: PART TWO
Jarin Blaschke – NOSFERATU
Pat Scola – SING SING
Stéphane Fontaine – CONCLAVE

Best Production Design
Craig Lathrop, Beatrice Brentnerova – NOSFERATU
Judy Becker – THE BRUTALIST
Nathan Crowley – WICKED
Patrice Vermette – DUNE: PART TWO
Suzie Davies – CONCLAVE

Best Visual Effects
ALIEN: ROMULUS
DUNE: PART TWO
KINGDOM OF THE PLANET OF THE APES
NOSFERATU
THE SUBSTANCE

Best Costume Design
Colleen Atwood – BEETLEJUICE BEETLEJUICE
Jacqueline Getty, Rainy Jacobs – THE LAST SHOWGIRL
Jacqueline West – DUNE: PART TWO
Lisy Christl – CONCLAVE
Paul Tazewell – WICKED

Best Sound Design
A QUIET PLACE: DAY ONE
ALIEN: ROMULUS
CIVIL WAR
DUNE: PART TWO
WICKED

Best Use of Music
A COMPLETE UNKNOWN
CHALLENGERS
DUNE: PART TWO
SING SING
WICKED

Best Stunt Choreography
ALIEN: ROMULUS
DUNE: PART TWO
THE FALL GUY
GLADIATOR II
MONKEY MAN

Best Ensemble
CONCLAVE
DUNE: PART TWO
SEPTEMBER 5
SING SING
WICKED

Here Are The 2024 Nominations of the Michigan Movie Critics Guild!

Posted on by Lisa Marie Bowman

The Michigan Movie Critics Guild have announced their nominations for the best of 2024.  The winners will be announced on December 9th!

Best Picture
Anora
The Brutalist
Dune: Part Two
The Substance
Wicked

Best Director
Sean Baker – Anora
Jon M. Chu – Wicked
Brady Corbet – The Brutalist
Robert Eggers – Nosferatu
Coralie Fargeat – The Substance

Best Actress
Amy Adams – Nightbitch
Cynthia Erivo – Wicked
Nicole Kidman – Babygirl
Mikey Madison – Anora
Demi Moore – The Substance

Best Actor
Adrien Brody – The Brutalist
Timothée Chalamet – A Complete Unknown
Daniel Craig – Queer
Colman Domingo – Sing Sing
Hugh Grant – Heretic

Best Supporting Actress
Ariana Grande-Butera – Wicked
Felicity Jones – The Brutalist
Natasha Lyonne – His Three Daughters
Margaret Qualley – The Substance
Zoe Saldaña – Emilia Pérez

Best Supporting Actor
Yura Burisov – Anora
Kieran Culkin – A Real Pain
Clarence Maclin – Sing Sing
Guy Pearce – The Brutalist
Adam Pearson – A Different Man
Denzel Washington – Gladiator II

Best Animated Film
Flow
Inside Out 2
Piece By Piece
Transformers One
The Wild Robot

Best Documentary
Daughters
Music By John Williams
No Other Land
Piece By Piece
Super/Man: The Christopher Reeve Story
Will & Harper

Best Ensemble
Conclave
Dune: Part Two
Nosferatu
Saturday Night
Wicked

Best Screenplay (Adapted or Original)
Anora
The Brutalist
Challengers
Nosferatu
The Substance
Wicked

Breakthrough Award
Mikey Madison – Actress for Anora
Giovanni Ribisi – Cinematographer for Strange Darling
Jane Schoenbrun – Director for I Saw the TV Glow
Maisy Stella – Actress for My Old Ass
Zelda Williams – Director for Lisa Frankenstein

Stunts
Deadpool & Wolverine
The Fall Guy
Furiosa: A Mad Max Saga
Kill
Monkey Man
Road House

The MMCG Award for Film Excellence (presented to a filmmaker, writer, actor, crew member, etc., who has Michigan ties or to a film made or set in Michigan)
The Fire Inside (Set in Flint, and lead actress Ryan Destiny is a Detroit native)
Francis Ford Coppola (Writer/Director of Megalopolis)
Hundreds of Beavers (Partially filmed in Michigan)
Keegan-Michael Key (Actor in IF, Transformers One & Dear Santa)
J.K. Simmons (Actor in Saturday Night, Red One and Juror #2)

The Seattle Film Critics Society Announced Their Nominees For The Best of 2024

Posted on by Lisa Marie Bowman

The Seattle Film Critics Society has announced their nominations for the best of 2024!  The winners will be announced on December 16th!

BEST PICTURE
Anora – Sean Baker
The Beast – Bertrand Bonello
The Brutalist – Brady Corbet
Challengers – Luca Guadagnino
Conclave – Edward Berger
Dune: Part Two – Denis Villeneuve
Furiosa: A Mad Max Saga – George Miller
I Saw the TV Glow – Jane Schoenbrun
Sing Sing – Greg Kwedar
The Substance – Coralie Fargeat

DIRECTOR
Sean Baker – Anora
Bertrand Bonello – The Beast
Brady Corbet – The Brutalist
Coralie Fargeat – The Substance
Denis Villeneuve – Dune: Part Two

LEAD ACTOR
Adrien Brody – The Brutalist
Colman Domingo – Sing Sing
Ralph Fiennes – Conclave
Keith Kupferer – Ghostlight
George MacKay – The Beast

LEAD ACTRESS
Cynthia Erivo – Wicked
Marianne Jean-Baptiste – Hard Truths
Mikey Madison – Anora
Demi Moore – The Substance
Léa Seydoux – The Beast

SUPPORTING ACTOR
Kieran Culkin – A Real Pain
Chris Hemsworth – Furiosa: A Mad Max Saga
Clarence Maclin – Sing Sing
Josh O’Connor – Challengers
Guy Pearce – The Brutalist

SUPPORTING ACTRESS
Joan Chen – Dìdi (弟弟)
Danielle Deadwyler – The Piano Lesson
Ariana Grande – Wicked
Margaret Qualley – The Substance
Isabella Rossellini – Conclave

ENSEMBLE
Anora – Sean Baker
Conclave – Nina Gold and Martin Ware
Dune: Part Two – Dixie Chassay and Francine Maisler
His Three Daughters – Nicole Arbusto
Sing Sing – Greg Kwedar

PACIFIC NORTHWEST FILM
All We Carry – Cady Voge
Fish War – Jeff Ostenson, Charles Atkinson, and Skylar Wagner
Gasoline Rainbow – Bill Ross IV and Turner Ross
Rainier: A Beer Odyssey – Isaac Olsen
Strange Darling – J.T. Mollner

INTERNATIONAL FILM
The Beast – Bertrand Bonello
Evil Does Not Exist – Ryûsuke Hamaguchi
Flow – Gints Zilbalodis
Red Rooms – Pascal Plante
The Seed of the Sacred Fig – Mohammad Rasoulof

DOCUMENTARY FILM
Dahomey – Mati Diop
No Other Land – Basel Adra, Hamdan Ballal, Yuval Abraham, and Rachel Szor
Sugarcane – Julian Brave NoiseCat and Emily Kassie
Super/Man: The Christopher Reeve Story – Ian Bonhôte and Peter Ettedgui
Will & Harper – Josh Greenbaum

ANIMATED FILM
Flow – Gints Zilbalodis
Inside Out 2 – Kelsey Mann
Transformers One – Josh Cooley
Wallace & Gromit: Vengeance Most Fowl – Merlin Crossingham and Nick Park
The Wild Robot – Chris Sanders

CINEMATOGRAPHY
The Brutalist – Lol Crawley
Dune: Part Two – Greig Fraser
Furiosa: A Mad Max Saga – Simon Duggan
Nickel Boys – Jomo Fray
Nosferatu – Jarin Blaschke

EDITING
Anora – Sean Baker
The Brutalist – Dávid Jancsó
Dune: Part Two – Joe Walker
Furiosa: A Mad Max Saga – Eliot Knapman and Margaret Sixel
The Substance – Coralie Fargeat, Jérôme Eltabet, and Valentin Feron

SCREENPLAY
Anora – Sean Baker
The Brutalist – Brady Corbet and Mona Fastvold
Conclave – Peter Straughan
A Real Pain – Jesse Eisenberg
The Substance – Coralie Fargeat

PRODUCTION DESIGN
The Brutalist – Judy Becker (Production Design)
Conclave – Suzie Davies (Production Design) | Cynthia Sleiter (Set Decoration)
Dune: Part Two – Patrice Vermette (Production Design) | Shane Vieau (Set Decoration)
Furiosa: A Mad Max Saga – Colin Gibson (Production Design) | Katie Sharrock (Set Decoration)
Wicked – Nathan Crowley (Production Design) | Lee Sandales (Set Decoration)

COSTUME DESIGN
Conclave – Lisy Christl
Dune: Part Two – Jacqueline West
Furiosa: A Mad Max Saga – Jenny Beavan
Nosferatu – Linda Muir
Wicked – Paul Tazewell

ORIGINAL SCORE
The Brutalist – Daniel Blumberg
Challengers – Trent Reznor and Atticus Ross
Conclave – Volker Bertelmann
Evil Does Not Exist – Eiko Ishibashi
The Wild Robot – Kris Bowers

ACTION CHOREOGRAPHY
Dune: Part Two – Lee Morrison (Stunt Coordinator) | Roger Yuan (Fight Choreographer)
The Fall Guy – Chris O’Hara and Keir Beck (Stunt Coordinator) | Jonathan Eusebio (Fight Choreographer)
Furiosa: A Mad Max Saga – Tim Wong (Stunt Coordinator) | Richard Norton (Fight Choreographer)
Monkey Man – Udeh Nans (Stunt Coordinator) | Brahim Achabbakhe (Fight Choreographer)
Twilight of the Warriors: Walled In – Kenji Tanigaki (Stunt Coordinator)

VISUAL EFFECTS
Dune: Part Two – Paul Lambert, Stephen James, and Rhys Salcombe
Furiosa: A Mad Max Saga – Andrew Jackson and Dan Bethell
Kingdom of the Planet of the Apes – Erik Winquist and Sean Noel Walker
The Substance – Bryan Jones and Guillaume Le Gouez
Wicked – Anthony Smith, Jonathan Fawkner, Pablo Helman, and Robert Weaver

YOUTH PERFORMANCE
Alyla Browne – Furiosa: A Mad Max Saga
Katherine Mallen Kupferer – Ghostlight
Izaac Wang – Dìdi (弟弟)
Alisha Weir – Abigail
Zoe Ziegler – Janet Planet

VILLAIN OF THE YEAR
Count Orlok – Nosferatu (as portrayed by Bill Skarsgård)
Dementus – Furiosa: A Mad Max Saga (as portrayed by Chris Hemsworth)
Feyd-Rautha Harkonnen – Dune: Part Two (as portrayed by Austin Butler)
Longlegs – Longlegs (as portrayed by Nicolas Cage)
Macrinus – Gladiator II (as portrayed by Denzel Washington)

Lisa Marie’s Oscar Predictions For November

Posted on by Lisa Marie Bowman

It’s that time of the month again!

December brings us to Awards Season so the Oscar race is about to become much clearer.  Until the precursors start pouring in, here are my current predictions!

Be sure to check out my predictions for April, May, June, July, August,  September, and October!

Best Picture

Anora

Blitz

The Brutalist

Conclave

Dune Part II

Emilia Perez

Gladiator II

Saturday Night

September 5

Wicked

Best Director

Sean Baker for Anora

Edward Berger for Conclave

Jon M. Chu for Wicked

Brady Corbett for The Brutalist

Ridley Scott for Gladiator II

Best Actor

Adrien Brody in The Brutalist

Timothee Chalamet in A Complete Unknown

Daniel Craig in Queer

Colman Domingo in Sing Sing

Ralph Fiennes in Conclave

Best Actress

Pamela Anderson in The Showgirl

Cynthia Erivo in Wicked

Karla Sofia Gascon in Emila Perez

Angelina Jolie in Maria

Mickey Madison in Anora

Best Supporting Actor

Yura Borslav in Anora

Kieran Culkin in A Real Pain

Samuel L. Jackson in The Piano Lesson

Guy Pearce in The Brutalist

Denzel Washington in Gladiator II

Best Supporting Actress

Danielle Deadwyler in The Piano Lesson

Selena Gomez in Emilia Perez

Saoirse Ronan in Blitz

Isabella Rossellini in Conclave

Zoe Saldana in Emilia Perez

Here Are The 2024 AARP Movies For Grown-Ups Nominations

Posted on by Lisa Marie Bowman

The awards precursor season is getting started …. kinda.

The AARP Movies For Grown-Ups Nominations were announced last week, on the 20th.  I’m only now getting around to sharing them because I’m not a member of AARP and therefore, I had no idea these nominations had even been announced.  It seems a bit earlier than usual, for them.  Then again, you know how retired folks are about getting up early.

How influential are the AARP nominations?  Not very.  These nominations were not made being film critics or people who work in the industry.  They were made by the editors of AARP’s magazine.  That said, it’s always good to get mentioned somewhere.  If nothing else, this list might indicate which films are resonating with the over-5o set.

Or maybe I just like long lists.

Anyway, here are the nominations!  The winners will be announced on January 11th, during the Denny’s breakfast special.

Best Picture/Best Movie for Grownups
A Complete Unknown
Conclave
Emilia Pérez
Gladiator II
September 5

Best Actress
Pamela Anderson (The Last Showgirl)
Marianne Jean-Baptiste (Hard Truths)
Nicole Kidman (Babygirl)
Demi Moore (The Substance)
June Squibb (Thelma)

Best Actor
Adrien Brody (The Brutalist)
Daniel Craig (Queer)
Colman Domingo (Sing Sing)
Ralph Fiennes (Conclave)
Jude Law (The Order)

Best Supporting Actress
Joan Chen (Didi)
Aunjanue Ellis-Taylor (Nickel Boys)
Lesley Manville (Queer)
Connie Nielsen (Gladiator II)
Isabella Rossellini (Conclave)

Best Supporting Actor
Clarence Maclin (Sing Sing)
Guy Pearce (The Brutalist)
Peter Sarsgaard (September 5)
Stanley Tucci (Conclave)
Denzel Washington (Gladiator II)

Best Director
Pedro Almodóvar (The Room Next Door)
Jacques Audiard (Emilia Pérez)
Edward Berger (Conclave)
James Mangold (A Complete Unknown)
Ridley Scott (Gladiator II)

Best Screenwriter
Jacques Audiard, Thomas Bidegain, Nicolas Livecchi (Emilia Pérez)
Jay Cocks and James Mangold (A Complete Unknown)
Winnie Holzman (Wicked)
Peter Straughan (Conclave)
Denis Villeneuve and Jon Spaihts (Dune: Part Two)

Best Ensemble
A Complete Unknown
Beetlejuice Beetlejuice
His Three Daughters
September 5
Sing Sing

Best Actress (TV)
Jennifer Aniston (The Morning Show)
Jodie Foster (True Detective: Night Country)
Jean Smart (Hacks)
Meryl Streep (Only Murders in the Building)
Sofia Vergara (Griselda)

Best Actor (TV)
Billy Crudup (The Morning Show)
Idris Elba (Hijack)
Jon Hamm (Fargo)
Gary Oldman (Slow Horses)
Hiroyuki Sanada (Shōgun)

Best TV Series or Limited Series
The Crown
Hacks
Palm Royale
Shōgun
Slow Horses

Best Intergenerational Film
Didi
Here
His Three Daughters
The Piano Lesson
Thelma

Best Time Capsule
A Complete Unknown
The Brutalist
Here
Maria
September 5

Best Documentary
I Am: Celine Dion
Luther: Never Too Much
Piece by Piece
Super/Man: The Christopher Reeve Story
Will & Harper

Lisa Marie’s Early Oscar Predictions For October

Posted on by Lisa Marie Bowman

It’s that time of the month again!

While the rest of us were watching horror movies, the Oscar race was finally starting to take shape.  It’s a race that still doesn’t have any frontrunners but which does now have some definite contenders.

Be sure to check out my predictions for April, May, June, July, August, and September!

Best Picture

Anora

Blitz

The Brutalist

Conclave

Dune Part II

Emilia Perez

Gladiator II

The Piano Lesson

Saturday Night

September 5

Best Director

Jacques Audiard for Emilia Perez

Sean Baker for Anora

Edward Berger for Conclave

Brady Corbett for The Brutalist

Ridley Scott for Gladiator II

Best Actor

Adrien Brody in The Brutalist

Timothee Chalamet in A Complete Unknown

Daniel Craig in Queer

Colman Domingo in Sing Sing

Ralph Fiennes in Conclave

Best Actress

Pamela Anderson in The Showgirl

Karla Sofia Gascon in Emila Perez

Angelina Jolie in Maria

Mickey Madison in Anora

Demi Moore in The Substance

Best Supporting Actor

Yura Borslav in Anora

Kieran Culkin in A Real Pain

Samuel L. Jackson in The Piano Lesson

Guy Pearce in The Brutalist

Denzel Washington in Gladiator II

Best Supporting Actress

Danielle Deadwyler in The Piano Lesson

Selena Gomez in Emilia Perez

Saoirse Ronan in Blitz

Isabella Rossellini in Conclave

Zoe Saldana in Emilia Perez

Here Are The 2024 Gotham Nominations

Posted on by Lisa Marie Bowman

Awards season began this morning, with the announcement of the Gotham nominations!

Now, to be clear, the Gotham Awards are not exactly the best precursor when it comes to predicting the Oscars.  The Gothams are designed to honor independent films and, as a result, a lot of Oscar contenders are not even eligible for the Gothams.  Dune 2, for instance, is definitely not a Gotham film.

That said, every little bit helps and, since we’ve got a whole month before the rest of precursors start weighing in, the producers of Anora have to be happy that today’s headlines have all basically been a variation of “ANORA LEADS THE GOTHAMS.”  If you’re going to build momentum on the way to the Oscars, it’s important to stay in the conversation.  Today, Anora is dominating that conversation.

Here are the Gotham nominations!

Best Feature

Anora
Sean Baker, director; Sean Baker, Alex Coco, Samantha Quan, producers (NEON)

Babygirl
Halina Reijn, director; David Hinojosa, Julia Oh, Halina Reijn, producers (A24)

Challengers
Luca Guadagnino, director; Luca Guadagnino, Rachel O’Connor, Amy Pascal, Zendaya, producers (Amazon MGM Studios)

A Different Man
Aaron Schimberg, director; Gabriel Mayers, Vanessa McDonnell, Christine Vachon, producers (A24)

Nickel Boys
RaMell Ross, director; Joslyn Barnes, Dede Gardner, Jeremy Kleiner, David Levine, producers (Orion Pictures/Amazon MGM Studios)

Best International Feature

All We Imagine as Light
Payal Kapadia, director; Julien Graff, Thomas Hakim, producers (Sideshow and Janus Films)

Green Border
Agnieszka Holland, director; Fred Bernstein, Agnieszka Holland, Marcin Wierzchoslawski, producers (Kino Lorber)

Hard Truths
Mike Leigh, director; Georgina Lowe, producer (Bleecker Street)

Inside the Yellow Cocoon Shell
Thien An Pham, director; Jeremy Chua, Tran Van Thi, producers (Kino Lorber)

Vermiglio
Maura Delpero, director; Francesca Andreoli, Maura Delpero, Santiago Fondevila Sance, Leonardo Guerra Seràgnoli, producers (Sideshow and Janus Films)

Best Documentary Feature

Dahomey
Mati Diop, director; Mati Diop, Judith Lou Lévy, Eve Robin, producers (MUBI)

Intercepted
Oksana Karpovych, director; Darya Bassel, Olha Beskhmelnytsina, Rocío B. Fuentes, Giacomo Nudi, Lucie Rego Pauline Tran Van Lieu, producers (Grasshopper Film)

No Other Land
Yuval Abraham, Basel Adra, Hamdan Ballal, Rachel Szor, directors; Fabien Greenberg, Bård Kjøge Rønning, producers (Antipode Films)

Soundtrack to a Coup d’Etat
Johan Grimonprez, director; Rémi Grellety, Daan Milius, producers (Kino Lorber)

Sugarcane
Julian Brave NoiseCat, Emily Kassie, directors; Emily Kassie, Kellen Quinn, producers (National Geographic Documentary Films)

Union
Stephen Maing, Brett Story, directors; Samantha Curley, Mars Verrone, producers (Self-Distributed)

Best Director

Payal Kapadia, All We Imagine as Light (Sideshow and Janus Films)
Sean Baker, Anora (NEON)
Guan Hu, Black Dog (The Forge)
Jane Schoenbrun, I Saw the TV Glow (A24)
RaMell Ross, Nickel Boys (Orion Pictures/Amazon MGM Studios)

Best Screenplay

Between the Temples, Nathan Silver, C. Mason Wells (Sony Pictures Classics)
Evil Does Not Exist, Ryûsuke Hamaguchi (Sideshow and Janus Films)
Femme, Sam H. Freeman, Ng Choon Ping (Utopia)
His Three Daughters, Azazel Jacobs (Netflix)
Janet Planet, Annie Baker (A24)

Breakthrough Director

Shuchi Talati, Girls Will Be Girls (Juno Films, Inc)
India Donaldson, Good One (Metrograph Pictures)
Alessandra Lacorazza, In the Summers (Music Box Films)
Vera Drew, The People’s Joker (Altered Innocence)
Mahdi Fleifel, To a Land Unknown (Watermelon Pictures)

Outstanding Lead Performance

Pamela Anderson, The Last Showgirl (Roadside Attractions)
Adrien Brody, The Brutalist (A24)
Colman Domingo, Sing Sing (A24)
Marianne Jean-Baptiste, Hard Truths (Bleecker Street)
Nicole Kidman, Babygirl (A24)
Keith Kupferer, Ghostlight (IFC Films)
Mikey Madison, Anora (NEON)
Demi Moore, The Substance (MUBI)
Saoirse Ronan, Outrun (Sony Pictures Classics)
Justice Smith, I Saw the TV Glow (A24)

Outstanding Supporting Performance

Yura Borisov, Anora (NEON)
Kieran Culkin, A Real Pain (Searchlight Pictures)
Danielle Deadwyler, The Piano Lesson (Netflix)
Brigette Lundy-Paine, I Saw the TV Glow (A24)
Natasha Lyonne, His Three Daughters (Netflix)
Clarence Maclin, Sing Sing (A24)
Katy O’Brian, Love Lies Bleeding (A24)
Guy Pearce, The Brutalist (A24)
Adam Pearson, A Different Man (A24)
Brian Tyree Henry, The Fire Inside (Amazon MGM Studios)

Breakthrough Performer

Lily Collias, Good One (Metrograph Pictures)
Ryan Destiny, The Fire Inside (Amazon MGM Studios)
Maisy Stella, My Old Ass (Amazon MGM Studios)
Izaac Wang, Dìdi Y(Focus Features)
Brandon Wilson, Nickel Boys (Orion Pictures/Amazon MGM Studios)

Lisa Marie’s Early Oscar Predictions For September

Posted on by Lisa Marie Bowman

It’s that time of the month again!

It’s time for me to share my latest round of Oscar predictions.  Thanks to the summer festival season, the Oscar race is starting to become a bit clearer.  That said, there really don’t seem to be any overwhelming favorites right now.  There are contenders but there are no front runners.  So, I imagine we’ll see some surprise contenders emerge as the precursor season approaches.

You’ll notice that, unlike a lot of Oscar bloggers, I don’t have Gladiator II amongst my predictions.  That’s based on the fact that, every year, there’s a new Ridley Scott film that everyone predicts will be a contender and, with the exception of The Martian, it never happens.  The Academy just does not seem to have the burning desire to honor Ridley Scott that a lot of film bloggers do.  As well,  I’m just not convinced that a sequel starring an actor who has yet to prove he can shoulder the weight of a blockbuster is going to be the film that’s going to win Ridley Scott a Best Director statuette.  Remember that a few years ago, those same Oscar bloggers were insisting that Martin Scorsese’s Silence was going to be not only a contender but also the winner up until the end of November.

(For that matter, let’s not forget that Scorsese’s Killers of the Flower Moon was expected to be a winner as opposed to an also-ran.  Fact of the matter is that, as much as I hate to resort to that overused quote from William Goldman, no one knows anything.)

Do I really think that Pamela Anderson is going to receive a Best Actress nomination?  She’s receiving a lot of acclaim for her role in The Showgirl but, at the same time, she’s Pamela Anderson.  There’s maybe a 2% chance that she’ll get nominated but I always like to throw in a few candidates who go against the conventional wisdom.  So — what the Hell?  Why not?  Pamela Anderson for Best Actress!

Be sure to check out my predictions for April, May, June, July, and August!

Best Picture

Anora

The Apprentice

The Brutalist

A Complete Unknown

Dune Part Two

Emilia Perez

Maria

The Piano Lesson

Saturday Night

Sing Sing

Best Director

Jacques Audiard for Emilia Perez

Sean Baker for Anora

Brady Corbett for The Brutalist

Jason Reitman for Saturday Night

Denis Villeneuve for Dune Part Two

Best Actor

Adrien Brody in The Brutalist

Timothee Chalamet in A Complete Unknown

Daniel Craig in Queer

Colman Domingo in Sing Sing

Ralph Fiennes in Conclave

Best Actress

Pamela Anderson in The Showgirl

Karla Sofia Gascon in Emila Perez

Angelina Jolie in Maria

Mickey Madison in Anora

Demi Moore in The Substance

Best Supporting Actor

Yura Borslav in Anora

Kieran Culkin in A Real Pain

Samuel L. Jackson in The Piano Lesson

Guy Pearce in The Brutalist

Jeremy Strong in The Apprentice

Best Supporting Actress

Monica Barbaro in A Complete Unknown

Danielle Deadwyler in The Piano Lesson

Selena Gomez in Emilia Perez

Felicity Jones in The Brutalist

Zoe Saldana in Emilia Perez

The Films of 2024: Sunrise (dir by Andrew Baird)

Posted on by Lisa Marie Bowman

In the Pacific Northwest, animals are being killed and their blood is being drained.  Some of the locals theorize that it’s the work of the Red Coat, a legendary creature that demands constant sacrifices to keep it at bay.

Reynolds (Guy Pearce, with a wild preacherman beard) doesn’t care about the Red Coat.  He’s more upset about the fact that he and his buddies are feeling displaced in America.  He’s been driven to rage by the fact that there’s a family named Loi living in his community.  He hates immigrants.  He blames minorities for every problem that America is facing.  He says “ain’t” instead of “is not” because that’s the way this film lets us know that its characters are supposed to be blue collar.

Reynolds has murdered Mr. Loi (Chike Chin) and he’s targeting Yan Loi (Crystal Yu) and her teenage son, Edward (William Gao).  Fortunately, the Loi Family has a protector.  Fallon (Alex Pettyfer) wanders through the misty countryside with a grim look on his face and a darkly-colored wardrobe that is designed to let us know that he’s seeking vengeance.  Along with defending the Loi Family, Fallon has a personal reason for seeking vengeance on Reynolds.  Fallon also has an insatiable need for blood….

Sunrise is a somber, slowly-paced, and rather shallow-minded film.  It takes itself very seriously and it definitely wants you to know that it has important stuff on its mind, unlike those other vampire films that just seek to be entertaining.  Of course, as any student of the grindhouse knows, an entertaining film can often be the most effective form of propaganda around.  People aren’t going to think about your message is they’re bored out of their mind.

At times, Sunrise seems to think that it’s the first film to ever use vampirism as a way to comment on current events, which I’m sure would be news to Bram Stoker, Jean Rollin, Anne Rice, Stephen King, Kim Newman, John Carpenter, Werner Herzog, Francis Ford Coppola, Spike Lee, Abel Ferrara, Guillermo del Toro, Kathyrn Bigelow, David Conenberg, Bill Gunn, Dan Curtis, and just about anyone else who has ever written or directed anything that involved a vampire.  Reynolds rants and rave about his hated of immigrants in speeches that are so overwritten and so florid that they verge on parody.  (At one point, he saps at a deputy for not drinking an American beer.)  His character is a fever dream of what Leftists think blue collar workers sound like when they’re not cheering their favorite football team or laughing about climate change.  I suppose the filmmakers deserve some credit for having enough discipline to realize that having Reynolds shout, “This is MAGA country!” would be a bit too heavy-handed for even this film but one can tell that the temptation was definitely there.

At first, I thought that the film’s cinematography would be its saving grace but eventually, I got bored with all of the artfully composed shots of the misty northwest.  There’s really not much difference between Sunrise‘s visuals and the visuals of the Twilight films.  Then I thought that Guy Pearce’s intensity might elevate the film but then I realized that Pearce has played this same character several times and he’s been more interesting in other films.  As for Alex Pettyfer, he’s just as boring here as he was in Magic Mike.  In Magic Mike, he at least danced.

Interestingly, this film — with its portrayal of rampant racism in the American northwest — is an Irish production that was shot not in Washington or Oregon but instead in Belfast.  That perhaps explains why the characters often sound like they learned how to speak by watching American cop shows on television.  Personally, I am not amongst those who feels that people should only be allowed to make movies about their own countries.  I don’t believe in limiting the imagination in that style.  As an American of Irish (and Italian and Spanish) descent, I think that an American filmmaker would be totally justified in directing a film about Ian Paisley’s followers terrorizing the Catholic minority in Northern Ireland.  (They could even shoot it around Austin, Texas.)  Or maybe someone could make a movie about that Irish basketball team who refused to shake hands with an opposing team because the team was from Israel.  All’s fair.

The Films of 2020: Bloodshot (dir by David S. F. Wilson)

Posted on by Lisa Marie Bowman

As a result of the COVID-19 pandemic, 2020 is the first year since 2008 not to feature any new Marvel films.  Despite the fact that Wonder Woman 1984 still has a Christmas release date, it wouldn’t surprise me if it still got moved back into 2021.  With the exception Tenent, 2020 has been the year of the anti-blockbuster.

I have to admit that, at first, it really bothered me that I was going to have to wait to see both Black Widow and the new Wonder Woman film but, as more time has gone by, the less I actually care about either one of them.  I think one reason why comic book films have been so popular over the past few years is because they were relentless.  There was always a new one coming out.  If you were disappointed with Captain Marvel, you could still say that the trailer for Endgame looked really good.  If you were less than thrilled with Batman v Superman, you could at least look forward to Wonder Woman.  Now that we’re no longer being inundated on a daily basis with new MCU trailers and DCEU gossip. it’s a lot easier to realize that a few of those films were surprisingly good (and I stand by my declaration that Guardians of the Galaxy was the best film of 2014) and some of them were notably bad but the majority of them were entertaining without being particularly memorable.

That bring us to Bloodshot.  Depending on whether or not Wonder Woman 1984 holds onto that Christmas release date and if The New Mutants are forgotten about, Bloodshot could down in history as the only major comic book film released in 2020.  It stars Vin Diesel as Ray Garrison, a dead Marine who is revived and turned into an invulnerable super soldier.  Dr. Emil Harting (Guy Pearce) sends Ray after the people who previously killed him and his wife, Gina (Talulah Riley).  Ray kills a lot of people over the course of Bloodshot.  He also continually wakes up in that laboratory, with no memory of who he is.  Could Harting just be using Ray to kills own enemies?  It’s possible, if just because I don’t think there’s been a heroic character named Emil in a comic book movie.

As a film, Bloodshot is …. well, it’s okay.  If you’re going to make a movie about a relentless super soldier who can’t be killed, Vin Diesel is probably the best actor that you could get to star in it.  (Yes, Dwayne Johnson could play the physical aspect of the role but his natural likability would go against the whole relentless killer thing.  Diesel, on the other hand, can actually convince you that he’s planning on murdering everyone that he sees.)  And if you need someone to play a smarmy mad scientist named Emil Harting, Guy Pearce seems like the obvious choice.  The action scenes are well-done, even if they do go a bit overboard on the slow motion.  The CGI is convincing.  When Ray gets a bit of his face blown off, it legitimately looks like a chunk of his face is breaking off of him.  (Fear not, Ray has super healing.)  Much like Ray, the film has a job to do and it doesn’t let much get in the way of doing that job.

And yet, the film itself is never exactly memorable.  There’s none of the little quirks or unexpected moments that distinguish the better comic book films.  Instead, Bloodshot feels like a throwback to the days before comic book films became a big deal.  We know that Guy Pearce is evil from the minute he shows up, just as we know that the film is going to end with a battle the involves a lot of flashy CGI.  No effort is really made to take anyone by surprise.  Bloodshot goes through the paces and hits all of the expected notes but it’s never really lively enough to be engaging on anything more than a “Hey, did you just see Vin Diesel kill that guy!?” sort of way.  Bloodshot is a film that’s just there.  Occasionally, it’s entertaining but ultimately, it’s rather forgettable.