Retro Television Review: Baywatch 1.7 “The Cretin of the Shallows”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, there’s a lot happening on the beach!

Baywatch 1.7 “The Cretin of the Shallows”

(Dir by Vern Gillum, originally aired on December 1st, 1989)

Eddie gets his wisdom teeth taken out.  Feverish and on pain-killers, he has a hallucination in which Gina Pomeroy (Holly Gagnier) kisses him.  Eddie spends the entire episode nervous that Craig is going to discover that he’s having an affair with his wife but actually, Eddie isn’t having an affair.  It’s not until the end of the episode that Gina tells Eddie that they never kissed and Eddie finally starts to relax.  Gina promises not to tell Craig because “I think it’s sweet.”  Myself, I’m just curious as to how stupid Eddie actually is.

Shauni and Jill deal with a teenage boy who has made a bet with his friends that he’ll be able to get a kiss from both of them.

And a horrifying serial killer (Robert Trebor) is stalking the night, brutally murdering people on the beach.

One of these storylines is not like the other!

The first season of Baywatch was seriously weird.  Light-hearted lifeguard hi-jinx would be mixed in with scenes of people being murdered.  Mitch and Craig weren’t just lifeguards.  They were also cops who solved mysteries (Kind of like Baywatch Nights!) and they put their lives at risk to do so.  Remember how I mentioned that Gina told Eddie that they never kissed?  She told him that after she had been rescued from the serial killer.  Gina nearly died!  Neither Gina nor Craig seemed to be too upset about that, though.  I would be a little bit traumatized but that’s just me.

This episode really didn’t work for me.  Personally, I like the light-hearted stuff.  It’s dumb but, at heart, Baywatch’s appeal is that it’s a dumb show with nice scenery.  Tossing a serial killer into the mix just made things unpleasant.  It didn’t feel like it belonged on a show about people running on the beach in red bathing suits.

This is my last Baywatch review of 2025.  Retro Television Reviews will be taking a break for the holidays so that I can focus on Awards Season and Christmas movies!  Baywatch will return on January 10, 2026.

Retro Television Review: Baywatch 1.6 “The Sky Is Falling”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, the ocean is full money!

Episode 1.6 “The Sky Is Falling”

(Dir by Kim Manners, originally aired on October 27th, 1989)

Baywatch was a show that was often known for being unintentionally funny.

Of course, it’s open for debate just how self-aware Baywatch may or may not have been.  Some of the show’s writers and directors have claimed that the show was meant to be campy.  At the same time, there are cast members who specifically left because they felt that there was no way to play some of the scenes they were expected to perform.  Professional surfer Kelly Ward left the cast after he read a script that involved him fighting an octopus that tried to steal his surf board.  Jason Momoa has said that appearing on Baywatch Hawaii early in his career made it difficult for him to convince other casting directors to give him a chance.  That said, David Hasselhoff reportedly continues to swear that Baywatch was a sincere tribute to lifeguards and that it was responsible for people learning how to perform CPR and the Heimlich Maneuver.  Once you’ve watched Hasselhoff tear up while talking about a girl who saved her little brother using a technique she saw on Baywatch, you’re left with little doubt that Hasselhoff took the show very seriously.

That said, I do think most of the humor on Baywatch was unintentional.  That’s especially true of the first season, which was about as earnest as a network television show can be.  With this week’s episode, Baywatch tried to be intentionally funny and the results were definitely mixed.

The humor came from Harv (James Sloyan) and Sylvia (Carol Siskind), two frumpy bank robbers who crashed their private plane in the ocean and subsequently lost a suitcase containing thousands of dollars.  Throughout the episode, there are shots of the suitcase floating in the ocean.  Finally, a boat collides with it and money goes flying everywhere.  Soon, everyone is running into the water and getting trapped in a riptide.  Lifeguards to the rescue!  As for Harv and Sylvia, they were meant to be funny but instead, their constant bickering just got annoying.  Watching them, I thought to myself, “If these two idiots can rob a bank, anyone can do it!”  That’s not a Hasselhoff-approved message.

Slightly more successful was a storyline about Captain Thorpe (Monte Markham) deciding that he needed to get back on the beach.  For Thorpe, this meant working a tower with Eddie and Shauni.  For Eddie and Shauni, that meant having to spend hour after hour listening to Thorpe’s long-winded stories.  Billy Warlock and Erika Eleniak actually did a pretty good job portraying the mind-numbing boredom of being stuck with Captain Thorpe.

As for the serious storyline, Gail has accepted a job in Ohio and wants to move there …. with Hobie!  However, when Mitch helps Gail pack, they both get sentimental and end up sleeping together, leading Hobie to believe that his parents are going to get back together.  Hey, divorced parents — DO NOT DO THIS!  Seriously, divorce is hard enough on a child without giving them false hope.  In the end, Gail decides to let Hobie stay in California after Hobie uses his junior lifeguard training to save the life of a drowned girl.  Hobie’s a hero and his big reward is that he doesn’t have to go to Ohio.  I’m going to say “Ouch!” on behalf of the Buckeye State.

In the end, this episode was pretty uneven.  The thieves weren’t ever a credible threat but I did laugh at everyone running into the ocean to try to grab the stolen money.  The important thing is that the show didn’t have to relocate to Ohio.

Retro Television Review: Baywatch 1.4 “Message In A Bottle”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

Save me!

Episode 1.4 “Message In A Bottle”

(Dir by Kim Manners, originally aired on October 20th, 1989)

Hobie’s such a dumbass.

For the second time in like four episodes (and that’s not counting the pilot), the entire Baywatch team is mobilized to search for him after he goes missing.  This time, Hobie overhears Mitch and his ex-wife arguing over who should have custody of him so Hobie and two of his stupid little friends head off to an island that’s also being used by a couple of murderous modern-day pirates.

Seriously, Hobie — stuff like this isn’t going to look good when Craig is in court and trying to argue that you should stay in California with your Dad.  So far, Hobie has nearly been killed by a collapsing pier, he’s ended up getting chased by a murderer on a jet ski and, in this episode, he’s menaced by two other murderers.  It’s time to send Hobie to Indiana or some place else where there’s no ocean.

In other news, Shauni accidentally drives over Eddie’s foot so Mitch orders them to work the 24-hour shift together so that they can learn how to work as a team.  Truth be told, Eddie is  a bit of whiny punk and he definitely needs to learn how to work with other people.  That said, I think Mitch is overlo0king the fact that Shauni, a trained lifeguard, drove over someone’s foot.  (Shauni was apparently backing out and didn’t realize Eddie was behind her, which is even worse.)  Mitch finds the whole thing to be amusing and, later, Shauni has a good laugh when she nearly runs over Eddie a second time.  I don’t think any of these people should be anywhere near anyone who needs help.  Sometimes, people really should just stand in the darkness.

This episode was supposed to make me appreciate the efforts of the Baywatch lifeguards to protect the beach and to find missing kids like Hobie.  Instead, it just made everyone look incompetent and irresponsible.  Halfway through this episode, I wanted someone to get attacked by a shark.  It hasn’t happened yet but at least the show has given me something to which to look forward.

Retro Television Review: Baywatch 1.3 “Second Wave”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

Trouble comes to Malibu!

Episode 1.3 “Second Wave”

(Dir by Scott Brazil, originally aired on October 13th, 1989)

Jimmy Roche (Daniel Quinn), an old friend-turned-enemy of Eddie’s, is in Malibu and he and his gang are eager to give Eddie a hard time.  When Eddie tries to rescue a man in the water, Jimmy trips him and then plays keep-away with Eddie rescue can.  Dang, these guys are hardcore!

Eddie doesn’t want to tell anyone about his past, even after Jimmy files an assault complaint against him.  (Eddie was provoked into throwing a punch.)  Jimmy threatens to robs Gina and Craig unless Eddie gives him some money.  Eddie agrees to meet with Jimmy but then tells the cops.  Garner Ellerbee decides to set up an undercover sting, which basically means that Garner stands next to Eddie while Eddie waits for Jimmy to show up.  Somehow, Jimmy figures out what’s going on.  Looks like Eddie will just have to beat Jimmy up on the beach and prove that he’s no longer a delinquent from Philadelphia.

That would be an intense storyline, if not for the fact that Jimmy himself comes across as being kind of a wimp.  I mean, a young David Spade is a member of his gang!  Eddie allows himself to be intimidated by a young David Spade!  Think about that.  This storyline just made Eddie seem  kind of dumb,

Meanwhile, a young Mariska Hargitay gave a terrible performance as Lisa (hey!), the daughter of the head of the country club.  Lisa (!) decided to pursue a romance with the country club’s lifeguard, Trevor, as a way of upsetting her father.  When Lisa (!) jumped into the ocean to make a point (though I’m not sure what point), Trevor rescued her.  However, Lisa (!) later went into shock because she still had water in her lungs.  Trevor was able to get her to the hospital in time but he learned an important lesson about not being a cocky lifeguard.

“The county lifeguards know about secondary drowning,” he’s told.

Okay, so why wouldn’t Trevor know about that?  The whole idea behind Trevor’s character is that he was a hotshot lifeguard in Australia before he came to California.  So, is the show implying that he wasn’t trained in lifeguard basics in Australia because given how famous Australia is for its beaches, I find that hard to believe.

Anyway, after she recovers Lisa (!) announces that she’s going back to New York and Trevor realizes that she was only using him to make her father angry.  Trevor stops by Baywatch HQ and talks to Mitch and admits that he doesn’t enjoy working as a lifeguard.  Lifeguard Jill Riley gives him a sympathetic look.  It looks like they’re falling in love but I’ve seen this series before so I already know that Jill is going to get eaten by a shark and Trevor is going to vanish after a few more episodes.

This episode could have used a shark.

We love you, Roboshark!

Retro Television Review: Baywatch 1.1 “In Deep”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be purchased on Tubi.

This week, Hobie’s a snitch!

Episode 1.1 “In Deep”

(Dir by Peter H. Hunt, originally aired on September 22nd, 1989)

Hobie, you idiot!

Mitch’s young son is spending the summer with his father and he’s supposed to be concentrating on summer school.  Instead, he hanging out with two older guys, Scott (Christopher Murphy) and Ron (Lance Gilbert), and basically letting himself be used as a slave in return for jet ski lessons.

Mitch is not a fan of jet skis.  They’re unregulated and they’re dangerous, he says.  As if to prove Mitch’s point, Scott collides with a windjammer!  The woman on the windjammer is killed.  (Craig and Eddie pull her body out of the ocean, which is the type of sad thing that Baywatch would eventually stop featuring.)  Hobie, realizing Scott is guilty, tries to find the evidence to prove it and nearly gets himself killed as a result.  Fortunately, Mitch is able to save him and Scott is arrested.  I have to say that, after this episode, I kind of found myself agreeing with Mitch’s ex-wife.  The beach is too dangerous!

Meanwhile, Craig caught Eddie sleeping in his lifeguard tower and realized that Eddie, who I assume is getting paid to be a lifeguard, doesn’t have a home.  Did he ever have a home?  Has he been sleeping on the beach all this time?  How did he apply for Lifeguard School without an address?  Anyway, Craig takes Eddie back to his Venice loft, where Craig’s wife (now played by Holly Gagnier, replacing the pilot’s Gina Hecht) decides that they should let Eddie rent their storage room.  It’s even got a view of the beach, if you ignore all the other buildings in the way and instead just find that one unobstructed alley to look down.  (Actually, Eddie finding and looking down that alley was cute and likable.  He was so excited!)  I have to say that, for a lawyer, Craig’s loft really sucked.  It was pretty impressive for a lifegaurd, though.

The other big development this week is that Garner Ellerbee (Gregory Alan Williams) made his first appearance as the beach cop who hates sand.  (Then why become a beach cop?)  He and Mitch appear to be old friends.  Little do they know that they will eventually open up a detective agency together.

This episode was predictable but the cast was super likable.  The earnestness of it all carried the day.

Late Night Retro Television Review: Baywatch Nights 2.22 “A Thousand Words”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Baywatch Nights, a detective show that ran in Syndication from 1995 to 1997. The entire show is currently streaming on YouTube!

This week, we wrap up Baywatch Nights.

Episode 2.22 “A Thousand Words”

(Dir by Tracy Lynch Britton, originally aired on May 16th, 1997)

After two seasons of gangsters and monsters, Baywatch Nights ends with yet another haunted house story.

Well, technically, it’s actually a haunted restaurant.  Diamont drags Ryan and Mitch to an abandoned restaurant that is said to be haunted.  Accompanying them is a researcher into the paranormal, Sarah (Kathy Tragesar).  Sarah explains that the restaurant has a long history of strange occurrences.  Diamont explains that, recently, two women have been killed and a man left in a coma after entering the restaurant.  Diamont thinks that it’s a poltergeist.  Mitch, as usual, is skeptical.

*sigh*

Seriously, why is Mitch still a skeptic?  I’ve gone into this before but it continues to bother me.  After everything that Mitch had seen and experienced over this season, why does he still refuse to believe in the supernatural?  Even Agent Scully eventually admitted that Mulder had a point.

Anyway, Ryan vanishes and finds herself in another dimension where she’s menaced by the knife-wielding murderer (John Snyder).  The murderer is driven by his relationship with his mother, whose portrait hang around the restaurant and whose painted facial expression changes depending on how determined her son is to kill.  (That was actually a nice touch.)  Mitch puts a call into his old friend (and season one co-star), Garner Ellerbee.  Garner shows up with psychic named Kira (Jazmin Lewis) and soon, Kira is in the other dimension as well….

Long story short, the poltergeist is eventually defeated.  Kira and Ryan come back to our world.  Mitch says that he loves Ryan.  He and Ryan share an embrace and start in on some really passionate kissing.  (Woo hoo!)  The show ends.

The main problem with this episode is that Mitch and Ryan didn’t really get to do that much.  For the most part, Kira did all the work and the episode so focused on her that I wouldn’t be surprised if it was meant to be a sort of backdoor pilot for a proposed series about Kira.  As well, the killer poltergeist is scary when he first appears but he becomes progressively less scary as the episode goes on.  By the end of the episode, he’s just kind of whiny.  As a series finale, this was definitely a bit underwhelming.

That said — hey, Mitch and Ryan kissed!  Seriously, I’ve been waiting for that moment ever since I first started reviewing this show.  No matter what else one might say about Baywatch Nights, David Hasselhoff and Angie Harmon had great chemistry together.  I won’t necessarily miss reviewing this show but I will miss seeing the two of them together.

In the end, Baywatch Nights was a pretty uneven show but it was definitely fun.  I think it had potential but I’m going to guess it was doomed by being a part of the Baywatch franchise.  People who didn’t like Baywatch weren’t going to watch a version of the show that took place at night.  People who did like Baywatch were undoubtedly disappointed by the lack of red swimsuits.  The ratings went down.  Judging from the final few episodes, the production budget got seriously cut.  The Hoff and Harmon were fun to watch but their chemistry couldn’t save the show.

Well, that completes Baywatch Nights!  Retro Television Reviews is going on a holiday break but, on January 7th, I will start reviewing a new show in this timeslot!  Until then, happy holidays to all the lifeguards out there.

Late Night Retro Television Review: Baywatch Nights 1.22 “Heat Rays”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Baywatch Nights, a detective show that ran in Syndication from 1995 to 1997.  The entire show is currently streaming on You tube!

This week, season one comes to a close.

Episode 1.22 “Heat Rays”

(Dir by Peter Roger Hunt, originally aired on May 18th, 1996)

The first season wraps up with an episode that doesn’t really add up too much.

As was typical of the latter half of this show’s first season, this episode actually tells two separate stories.  In the first one, Donna is stopped while driving at night by three panicked people on a bridge.  They say that their friend is in the water below.  Donna jumps into the ocean, just to discover that it was all a trick to steal her car.

Donna floats around for a while.  She passes the time by talking to herself.  To be honest, she holds up surprisingly well for someone who is stranded in the middle of the ocean.  Eventually, a boat stops to help her.  Unfortunately, the two men on the boat are drug dealers and, when they’re both shot by a bunch of guys on a bigger boat, it’s up to Donna to save them and get them to dry land.

That may sound like an intriguing storyline but, oddly enough, it gets abandoned fairly quickly.  I kept waiting for Donna’s storyline to somehow intersect with the other storyline but it never did.  No one even thought to say, “Hey, where’s Donna?”  If I was Donna, I would be pretty mad about that.

As for the other storyline, it features Mitch, Garner, and Ryan investigating a series of murders and attempted murders that all involve the members of an old surf band called The Heat Rays.  It ultimately turns out that they’re being targeted by the daughter (Christa Sauls) of a woman (played by Judy Geeson) who was raped by several members of the band.

Again, that may sound like a storyline that has the potential to be intriguing.  And there is an interesting subtext to the story, as Mitch and Garner are forced to admit that their favorite band wasn’t as innocent and wholesome as they chose to remember.  But, in typical Baywatch Nights fashion, the story was a bit too predictable to really work.  It was easy to figure out who the murderer was because there was really only one suspect from the start.

This episode had a violent streak just felt out of place.  Baywatch Nights, in both its first season and its supernatural-themed second season, was essentially a goofy detective show starring David Hasselhoff.  Having multiple people die over the course of one episode just didn’t feel right for such a lightweight show.  Some shows are meant to be violent.  Some shows are at their best when they embrace their inherent silliness.  Baywatch Nights is the latter type of show.

So much for the first season.  Unfortunately, the show never really found a consistent identity or style during the first season.  However, that would change with the second season.

We’ll find out how next week!

Late Night Retro Television Review: Baywatch Nights 1.20 “Rendezvous”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Baywatch Nights, a detective show that ran in Syndication from 1995 to 1997.  The entire show is currently streaming on You tube!

This week, Mitch and the Gang screw up another easy case.

Episode 1.20 “Rendezvous”

(Dir by Georg Fenady, originally aired on May 4th, 1996)

Mitch, Ryan, and Garner are hired to track down Bradley Thurman (John Sanderford), a former top executive who embezzled over twenty million dollars and then, with the help of plastic surgery, went into hiding.  Thurman has come to California to track down his wife and child, both of whom are in the witness protection program.  They are told that, if they help to capture Bradley, they will be entitled to 20% of whatever money is recovered.

“20% of 20,000,000,” Mitch says, dreamily.

“Or 20% of nothing,” Ryan adds, revealing that she at least understands that both this show and presumably Baywatch would be over if Mitch ever became independently wealthy.

Donna and and Griff help out with the case, despite the fact that neither one of them is a detective and they both already have jobs that should presumably keep them busy.  I mean, Donna owns a bar and it seems like that would require a lot of work on her part.  Instead, she’s always either training to become a life guard, pursuing a modeling career, and trying to help Mitch solve a case.  If I was Donna, I would be concerned about the fact that I’m always being told to go flirt with the bad guys.  It seems like a dangerous assignment to give to someone who isn’t actually a detective.  Griff, as a professional photographer, at least has a skill that is regularly used in actual detective work.

Even though this episode’s story felt like a return to the type of plots that Baywatch Nights featured when it first premiered, it was still a rather inconsequential episode.  Bradley Thurman was hardly a clever or even a menacing villain and the fact that he got as close to his wife and his child as he did had less to do with any skill on Thurman’s part and everything to do with Mitch just not being very good at his job.

Actually, why are Mitch, Ryan, and Garner such terrible detectives?  Mitch’s problem is that he never seems to focus on the case at hand.  Instead, he’s always trying to flirt with Ryan or looking out at the ocean to see if anyone’s drowning.  Being a detective requires concentration and that seems to be something that Mitch struggles with.  Garner, meanwhile, is a bit too cocky for someone who, despite appearing in the open credits, hardly ever actually appears on the show.  But still, Ryan seems like she should have everything that it takes to be a good detective but, every show, she makes the same mistakes as Mitch and Garner.  I think Ryan actually is a good detective.  She’s just being dragged down by Mitch’s incompetence.  I think if Ryan went off on her own, she’d have a lot more success.

Next week, Mitch helps an old friend who thinks his wife is an imposter!

Late Night Retro Television Review: Baywatch Nights 1.18 “Vengeance”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Baywatch Nights, a detective show that ran in Syndication from 1995 to 1997.  The entire show is currently streaming on You tube!

This week, Baywatch Nights get uncomfortably violent as a crazed killer escapes from prison and targets everyone responsible for putting him away in the first place.

Episode 1.18 “Vengeance”

(Dir by Georg Fenady, originally aired on April 20th, 1996)

A psycho murderer named Johnny Larkin (Robert Dryer) escapes from prison and kills everyone who he blames for his conviction.  He shoots a bailiff in the head.  He beats the judge to death with his own gavel.  He shoots the jury foreman and dunks his dead body into a fish tank.  His latest target?  The cops who arrested him, Lea Broussard (Dominique Jennings) and her former partner, Garner Ellerbee.  It falls to Garner, Mitch, and Ryan to stop him.

Yikes!  My main thought on this episode of Baywatch Nights was that it was unusually violent for the show.  The episode opens with Johnny beating the judge to death and then its followed by a lengthy scene of Lea staring at the blood-drenched blanket covering the judge’s body and it just keeps going from there.  The jury foreman begs for his life and says that he was just doing his civic duty and, as he died, it occurred to me that no one volunteers for jury duty.  The man’s life is ended because he was randomly selected to serve.  By the time Johnny was attempting to drown Lea, I found myself wondering about the families of all the people who had been killed and how their lives would be forever changed.  It didn’t make for very pleasant viewing and it made the scenes of Mitch and Ryan flirting feel very awkward and out-of-place.  I know that I’ve complained about Baywatch Nights leaving behind its noir inspirations to become an imitation of Baywatch but this episode goes too far in the other direction.  Baywatch Nights should be a fun detective show, not a disturbing hour of televised horror.

I will give the show some credit for making Johnny Larkin into a genuinely scary villain.  Robert Dryer played Johnny with just the right of amount of ruthless madness.  That said, how stupid was Johnny to leave a newspaper clipping about his trial with the judge’s dead body?  Basically, Johnny announced his guilt and that he was seeking to kill everyone who had anything to do with him getting convicted the first time.  Way to lose the element of surprise, Johnny.

Anyway, this episode just wasn’t any fun and, as a result, I really don’t have much to say about it.  If there’s anything that a show like Baywatch Night should never do, it’s taking itself seriously.  This is a series that was made to be parodied and it is at its best when it hints that it’s in on the joke.  Hopefully, next week’s episode will be better!

Late Night Retro Television Review: Baywatch Nights 1.17 “Code of Silence”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Baywatch Nights, a detective show that ran in Syndication from 1995 to 1997.  The entire show is currently streaming on You tube!

This week, the stars align and David Hasselhoff finally meets …. THE YAKUZA!

Episode 1.17 “Code of Silence”

(Dir by Charles Bail, originally aired on March 16th, 1996)

While her mother has a desperate conversation on a nearby payphone, young Mariko (Nicole Iiada) wanders onto the beach and spots a sea gull who has gotten tangled up in a fishing net.  Fortunately, Mitch Buchannon drives up in his red Baywatch jeep and is able to set the sea gull free.  Unfortunately, no sooner has the sea gull flown away then a bunch of Yakuza pull up and promptly kidnap Mariko’s mom.

Is there a detective in the house?

Why, yes, there is!

Well, kinda….

This is yet another episode of Baywatch Nights in which Mitch gets involved in a case as a result of being a lifeguard as opposed to being a private investigator.  Indeed, if not for the presence of Angie Harmon, there would be little to distinguish this from an episode of Baywatch.  While watching the last few episodes of Baywatch Nights‘s first season, you really can tell that the producers were desperate to bring over the audience that was watching just plan Baywatch.  If the first half of the first season was all about David Hasselhoff wearing suits and providing hard-boiled narration, the second half is more about getting everyone onto the beach as quickly as possible.

As for this week’s case, it turns out that the kidnapped woman is a geisha who has a computer disk that the Yakuza wants.  While the members of the Yakuza are busy threatening her with all sorts of violence, Mitch is teaming up with her grandfather (played by Soon-Tek Oh) and trying to discover where she’s being held.  When Garner and Mitch find out about the Yakuza’s secret headquarters, they launch an assault.  You might think that this would be difficult, seeing as how the members of the Yakuza are all ruthless martial artists.  Well, it turns out that karate is no match for Mitch’s fists.  The ancient art of combat falls before the power of the Hoff.

Somewhat inevitably, the episode ends with Mitch being given two samurai swords by Soon-Tek Oh.  When Mitch says that he can’t accept such an expensive gift, Soon-Tek Oh says that no one gets the swords as a gift.  Instead, they must be earned by truly displaying the spirit of the samurai.  Mitch looks truly touched while Angie Harmon suppresses a laugh.

David Hasselhoff vs. The Yakuza!  Well, we all knew it was going to have to happen at some point.  That said, I don’t think the Hoff was dealing with first-grade Yakuza.  It seems like the Yakuza sent the B-team to California.  Well, that was their mistake.  It didn’t take much effort for the Hoff to track them down and defeat them and in fact, it felt almost too easy.  The Yakuza probably thought the Hoff would be too busy recording a new album to care.  Again, their mistake.

Never underestimate the Hoff!