Today’s horror on the lens is 1974’s The Cloning of Clifford Swimmer.
This short but entertaining sci-fi film may be a bit obscure but it’s a personal favorite of mine. Check out my review here and then be sure to enjoy the show!
Today’s horror on the lens is 1974’s The Cloning of Clifford Swimmer.
This short but entertaining sci-fi film may be a bit obscure but it’s a personal favorite of mine. Check out my review here and then be sure to enjoy the show!
And now, we take a short break from TSL’s annual horrorthon to bring you Lisa Marie’s Oscar predictions for October!
Be sure to check out my predictions for January, February, March, April, May. June. July, August and September!
Best Picture
Boy Erased
Can You Ever Forgive Me?
First Man
Green Book
If Beale Street Could Talk
The Mule
Roma
A Star is Born
Vice
Best Director
Damien Chazelle for First Man
Bradley Cooper for A Star Is Born
Alfonso Cuaron for Roma
Peter Farrelly for Green Book
Barry Jenkins for If Beale Street Could Talk
Best Actor
Christian Bale in Vice
Bradley Cooper in A Star is Born
Clint Eastwood in The Mule
Robert Redford in Old Man and the Gun
John C. Reilly in Stan & Ollie
Best Actress
Glenn Close in The Wife
Lady Gaga in A Star is Born
Felicity Jones in On The Basis of Sex
Nicole Kidman in Destroyer
Melissa McCarthy in Can You Ever Forgive Me?
Best Supporting Actor
Mahershala Ali in Green Book
Timothee Chalamet in Beautiful Boy
Bradley Cooper in The Mule
Sam Elliott in A Star is Born
Michael B. Jordan in Black Panther
Best Supporting Actress
Claire Foy in First Man
Nicole Kidman in Boy Erased
Regina King in If Beale Street Could Talk
Sissy Spacek in Old Man and the Gun
Michelle Yeoh in Crazy Rich Asians
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.
Today, we celebrate witches everywhere with….
4 Shots From 4 Witchy Films

Burn, Witch, Burn (1962, dir by Sidney Hayers)

Season of the Witch (1973, dir by George Romero)

The Craft (1996, dir by Andrew Fleming)

Maleficent (2014, dir by Robert Stromberg)
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.
Over the past few years, the idea of this planet being invaded by aliens has suddenly gotten very popular. Now, I know that some films continue to suggest that the aliens would actually be benevolent explorers or that they would land here and order us to protect the environment. However, I don’t really buy the whole idea of friendly aliens. (Actually, I don’t really buy the idea of alien visitors in general but that’s something was can discuss in anothe post….)
So, in order to keep our readers from getting complacent, here are….
4 Shots From 4 Evil Alien Invasions

Cloverfield (2008, dir by Matt Reeves)

Battle Los Angeles (2011, dir by Jonathan Liebesman)

Skyline (2011, dir by The Brothers Strause)

10 Cloverfield Lane (2016, dir by Dan Trachtenberg)

Welcome to the second day of October!!! Woohoo! There are a lot of great horror movies to watch and this is not one of them! HERE WE GO! I will only refer to this movie as I AM because the above is too much to write unless I create some shortcut key and I am NOT doing that….EVER!
This film is a sloooooow paced artsy haunted house film directed by Oz Perkins the son of Anthony Perkins of Psycho. The concept is that people die in homes and if they don’t have any outdoorsy interests, they remain in the domicile for eternity and mope about and not do much. Therefore, if you’re an introvert like a political activist on twitter who always takes offense, your spirit will NEVER leave your home and your wifi service will be cancelled….BWAHAHAHAHA!
The story revolves around Lily who is a scaredy cat hospice nurse who is assigned to take care of the dying formerly famous author Iris Blum. Iris calls Lily by the name of Polly throughout the film? Why? Because she was a terrible author. All she ever did was listen to this weird murder victim ghost name Polly and type out what she told her. I couldn’t live with myself if everyone thought I was a great writer, when I was actually just a stenographer.
In any case, Polly was murdered and put in the wall of the house back in the 1800s and ever since she kinda hangs out for no particular reason except to give hack-writers storylines. Why does Polly do this? I’m guessing because she lacked hobbies. There’s a lesson here…get outside! If you’re going to haunt something, do the Appalachian Trail or a library at least; otherwise, you have a very boring eternity ahead of you! Lily continues to take care of this dying author and she just doesn’t want to die. Iris does chit-chat A LOT and Lily is introvert enough to quietly listen. Honestly, Lily going into the great hereafter will likely not be a huge transition except for no copays for dental.
I would put this film in the elliptical watching category except it’s so quiet that you might need really good headphones. It does have Bob Balaban in the film who must’ve believed that he was auditioning to play a lamppost, but with less feeling. Of course, it’s hard to say if boredom wasn’t intentional! Maybe this was a brave choice on the part of Oz Perkins? For far too long, we, the viewer, have expected to be entertained or even have our attention captured. I would find some pharmaceutical or extra coffee to focus you while watching this or you’ll be looking up possible deductions for 2018 and miss some critical scene with an actor wandering around aimlessly.
I hope you are having a wonderful October. Stay Spooky, My Friends!
It’s that time again!
It’s time for my somewhat random Oscar predictions!
Judging from the reactions at Venice Film Festival, Bradley Cooper’s A Star is Born would appear to be the current Oscar front runner. At the very least, it seems destined to be nominated. Personally, I still wonder if a remake of A Star is Born is going to have enough political cachet in a year that, so far, has been dominated by Hollywood virtue signaling.
Anyway, it’s a bit of a cliché to say the Oscar race is wide open but, despite all of the buzz around A Star is Born, it still feels as if it is. That said, it’s also becoming a bit more clear. Former front runners like Mary, Queen of Scots have fallen off the radar. It seems likely the Martin Scorsese’s The Irishman will not be released until next year. There are rumors that Clint Eastwood’s The Mule might get a December qualifying run but, for now, those are just rumors.
Below are my predictions for this month. The usual caveats about wishful thinking and wild guesses apply. To be honest, we won’t know anything for sure until the critics and the guilds make their voices heard in December and January.
Be sure to check out my predictions for January, February, March, April, May, June, July, and August!
Best Picture
Beautiful Boy
BlackKklansman
Crazy Rich Asians
The Favourite
First Man
Green Book
If Beale Street Could Talk
Roma
A Star is Born
Best Director
Damien Chazelle for First Man
Jon M. Chu for Crazy Rich Asians
Bradley Cooper for A Star is Born
Alfonso Cuaron for Roma
Spike Lee for BlackKklansman
Best Actor
Steve Carell in Beautiful Boy
Bradley Cooper in A Star is Born
Ryan Gosling in First Man
Rami Malek in Bohemian Rhapsody
Robert Redford in Old Man and the Gun
Best Actress
Glenn Close in The Wife
Olivia Colman in The Favourite
Nicole Kidman in Destroyer
Melissa McCarthy in Can You Ever Forgive Me?
Julia Roberts in Ben Is Back
Best Supporting Actor
Mahershala Ali in Green Book
Timothee Chalamet in Beautiful Boy
Sam Elliott in A Star is Born
Ben Foster in Leave No Trace
Michael B. Jordan in Black Panther
Best Supporting Actress
Claire Foy in First Man
Regina King in If Beale Street Could Talk
Sissy Spacek in Old Man and the Gun
Rachel Weisz in The Favourite
Michelle Yeoh in Crazy Rich Asians
It’s time once again for my monthly attempt to predict next year’s Oscar nominations!
As always, these predictions should be taken with a grain of salt. BlackKklansman has emerged as a contender and there’s a few impressive trailers out there. If the Academy goes through with this stupid Best Popular Film Oscar, I’m going to assume that’ll knock Black Panther out of contention for Best Picture. For now, I’m going to hope that the backlash will cause the Academy to abandon the idea.
(For the record, it now appears that the whole Best Popular Film fiasco was due more to pressure from ABC than from actual members of the Academy. And, let’s just be honest — Best Popular Film sounds just stupid enough to be the idea of a television executive.)
So, as usual, these nominations are a combination of wishful thinking, wild guesses, and sincere intuition. If nothing else, they should be amusing to look back upon when the actual nominations are announced.
Be sure to check out my predictions for January, February, March, April, May, June, and July!
Best Picture
Beautiful Boy
BlackKklansman
Boy Erased
First Man
Green Book
If Beale Street Could Talk
Old Man and the Gun
Roma
Widows
Best Director
Damien Chazelle for First Man
Alfonso Cuaron for Roma
Barry Jenkins for If Beale Street Could Talk
Spike Lee for BlackKklasman
Steve McQueen for Widows
Best Actor
Christian Bale in Backseat
Steve Carell in Beautiful Boy
Ryan Gosling in First Man
Rami Malek in Bohemian Rhapsody
Robert Redford in Old Man and the Gun
Best Actress
Glenn Close in The Wife
Viola Davis in Widows
Felicity Jones in On The Basis of Sex
Keira Knightley in Colette
Saoirse Ronan in Mary, Queen of Scots
Best Supporting Actor
Mahershala Ali in Green Book
Timothee Chalamet in Beautiful Boy
Russell Crowe in Boy Erased
Adam Driver in BlackKklansman
Michael B. Jordan in Black Panther
Best Supporting Actress
Claire Foy in First Man
Nicole Kidman in Boy Erased
Regina King in If Beale Street Could Talk
Margot Robbie in Mary, Queen of Scots
Sissy Spacek in Old Man and the Gun
Today, we learned some news about the future of the Academy Awards and it was pretty much all bad.
First off, here’s the message that was issued earlier today:
Dear Member,
Last night, the Board of Governors met to elect new board officers, and discuss and approve significant changes to the Oscars telecast.
The Board of Governors, staff, Academy members, and various working groups spent the last several months discussing improvements to the show.
Tonight, the Board approved three key changes:
1. A three-hour Oscars telecast
We are committed to producing an entertaining show in three hours, delivering a more accessible Oscars for our viewers worldwide.
To honor all 24 award categories, we will present select categories live, in the Dolby Theatre, during commercial breaks (categories to be determined). The winning moments will then be edited and aired later in the broadcast.
2. New award category
We will create a new category for outstanding achievement in popular film. Eligibility requirements and other key details will be forthcoming.
3. Earlier airdate for 92nd Oscars
The date of the 92nd Oscars telecast will move to Sunday, February 9, 2020, from the previously announced February 23. The date change will not affect awards eligibility dates or the voting process.
The 91st Oscars telecast remains as announced on Sunday, February 24, 2019.
We have heard from many of you about improvements needed to keep the Oscars and our Academy relevant in a changing world. The Board of Governors took this charge seriously.
We are excited about these steps, and look forward to sharing more details with you.
John Bailey and Dawn Hudson
Let’s take this point-by-point.
Number one: the three-hour telecast.
Who cares? I mean, yes, the Oscars always run long. But really, that’s part of the charm of the whole ceremony. It never runs as smoothly as it’s supposed to and it’s a reminder that, as smug as Hollywood can be, they have as difficult a time meeting deadlines as the rest of us.
But, even if you do think that the length of the ceremony is really a big issue, is the solution really to punish the winners? For me, one of the good things about the Oscar ceremony is that it acknowledges what is too often forgotten. Film is a collaborative medium. People like Roger Deakins, Colleen Atwood, Joi McMillon, and Carter Burwell are just as important to the overall quality of a film as Ryan Gosling or Jennifer Lawrence. Giving them their awards during a commercial break is not only insulting on a personal level but it also goes against everything that the Oscars should stand for.
Plus, I happen to love it when a previously unknown filmmaker wins the Oscar for Best Live Action Short Film and then totally geeks out about it on the stage. I mean, that’s the magic of the movies right there. At that moment, you’re sharing the best moment of this person’s life. If I have to choose between listening to Chris Overton and Rachel Shelton talk about winning the Oscar for their short film, The Silent Child, or listening to Meryl Streep insist that she’s actually just a working mom from New Jersey, I’m going with Overton and Shelton every time.
If you want to cut down on the length of the ceremony, how about not opening with the host giving a 10-minute monologue? How about not wasting time with those always cringe-worthy segments where stars visit the theater next door or the host insists that everyone buy his daughter’s girl scout cookies?
(I know that everyone loved the Oscar selfie but seriously, every ceremony now feels the need to try to top it and it’s just annoying.)
How about not even having a host? Or at the very least, how about a host who will just introduce the presenters without bring their own time-consuming schtick to the stage? I mean, Jimmy Kimmel has a show of his own to have celebrities read mean tweets on. There’s no need to bring the Oscar ceremony to a halt for it.
Number Two: Best Achievement In Popular Film
Eh. You might as well just call this the Christopher Nolan Trophy or maybe the MCU Award. Though the details aren’t clear yet, it basically sounds like a participation trophy.
Basically, this award says, “We’re not willing to seriously consider a film like Black Panther for any of the major awards but we’re freaking out about the ratings so here’s an honorable mention.” It’s kinda like in high school, when someone would really debase themselves to get the popular kids to come to their party and you ended up losing respect for them regardless of whether the party was good or not.
We all know that the Academy needs to open its mind and, at the very least, give some consideration to films like Wonder Woman, The Dark Knight, Skyfall, and Black Panther. But this isn’t the way to do it. If anything, this award just gives the Academy even more of a excuse to ignore those “popular” films when it comes time to select the nominees for Best Picture.
Add to that, what does popular mean anyway? Why not just give a trophy to the producer of the film that made the most money at the box office?
Number Three: The new dates
To be honest, this upset me more than anything. This doesn’t take effect until 2020 but, if the ceremony is moving to February 9th, then when are the nominations going to be announced? Considering that most Oscar contenders get a limited release before going wide in January, this is going to create a situation where people like me, who don’t live in Los Angeles and New York and who don’t want to move, aren’t going to be able to see the majority of the nominees before the nominations are announced. It’s interesting that, in their attempt to appeal to a wider audience, the Academy is basically embracing elitism like never before.
Here’s the thing: the Oscars are never going to be cool. They’re just not. Nobody — not even the biggest Oscar fanatics — believe that the Oscars ever truly honors the best films of the year. The Oscars have been around forever and they’re always going to be viewed as being a bit stodgy. If giving best picture to Moonlight couldn’t change that perception, nothing ever will. The more the Oscars try to change, the more they’re like Steve Buscemi carrying a skateboard and saying, “Greetings, fellow kids.”
There may be a solution to the Academy’s woes but this isn’t it.
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.
104 years ago today, the most important Italian filmmaker of all time was born. Today is Mario Bava’s birthday! And, as we often do here at the Shattered Lens, it’s time to celebrate with…
4 Shots From 4 Films

Black Sunday (1960, dir by Mario Bava)

Kill, Baby, Kill (1966, dir by Mario Bava)

Lisa and the Devil (1972, dir by Mario Bava)

Shock (1977, dir by Mario Bava)