Horror On The Lens: The Dead Don’t Die (dir by Curtis Harrington)


Today, we offer up a bonus horror on the lens, a 1975 made-for-television movie called The Dead Don’t Die!

The Dead Don’t Die takes place in Chicago during the 1930s.  George Hamilton is a sailor who comes home just in time to witness his brother being executed for a crime that he swears he didn’t commit.  Hamilton is convinced that his brother was innocent so he decides to launch an investigation of his own.  This eventually leads to Hamilton not only being attacked by dead people but also discovering a plot involving a mysterious voodoo priest!

Featuring atmospheric direction for Curtis Harrington and a witty script by Robert Bloch, The Dead Don’t Die is an enjoyable horror mystery.  Along with George Hamilton, the cast includes such luminaries of “old” Hollywood as Ray Milland, Ralph Meeker, Reggie Nalder, and Joan Blondell.  (Admittedly, George Hamilton is not the most convincing sailor to ever appear in a movie but even his miscasting seems to work in a strange way.)

And you can watch it below!

Enjoy!

Horror On The Lens: The Clones (dir by Lamar Card and Paul Hunt)


 

“Today it is science fiction, tomorrow it will be science fact….”

So declared the trailer from 1973’s The Clones.  

One of the first films to be made about cloning, this movie tells the story of Dr. Gerald Appleby (Michael Greene), who discovers that there’s another version of him living his life.  Dr. Appleby and his clone both find themselves being pursued by two government agents (Gregory Sierra and Otis Brown) and a mad scientist (Stanley Adams).

The Clones requires some patience.  It moves at its own deliberate pace and there’s quite a few scenes of Dr. Appleby running through the desert.  That said, the film builds up to wonderfully twisted conclusion and the final roller coaster shoot-out makes everything more than worth it.

Ever since I first saw this ennui-drenched film in 2012, I’ve been recommending it to people.  I’m happy to share it with you today!

 

Live Tweet Alert: Join #ScarySocial For Piranha II — The Spawning!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #ScarySocial presents Piranha II — The Spawning!

If you want to join us this Saturday, just hop onto twitter, start the movie at 10 pm et, and use the #ScarySocial hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Piranha II is available on Prime!  See you there!

Horror Scenes That I Love: Swimming With The Creature From The Black Lagoon


Today’s horror scene that I love comes from one of my favorite films, 1953’s Creature From The Black Lagoon.  In this scene, Julie Adams goes for a swim.  Little does she realize that, under the water, the Creature is following her every move.  Wonderfully directed by Jack Arnold, this creepy yet oddly lovely scene is one of the best of the 50s.

(Today also would have been the 100th birthday of Julie Adams, one of the best — and in my mind, most underrated — actresses of Hollywood’s Golden Age.)

4 Shots From 4 Horror Films: October 17th


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

4 Shots From 4 Films

Children Shouldn’t Play With Dead Things (1972, dir by Bob Clark, DP: Jack McGowan)

The Last House On The Left (1972, dir by Wes Craven, DP: Victor Hurwitz)

The Killing Kind (1973, dir by Curtis Harrington, DP: Mario Tosi)

The Brood (1979, dir by David Cronenberg, DP: Mark Irwin)

 

 

Coward, Short Film Review by Case Wright


Coward has A LOT going on, but it’s fun! The protagonist is reading the woods next to Baby Yoda (yes, really), Baby Yoda flees, and our protagonist dies.

Hear me out, this story has a beginning, middle, and end. Also, it made me laugh. Kerron Andrews has skills to make a quick compelling story – FOR CHEAP! Industry people – Take Note- If I were looking for a man to make my low budget horror film, I’d DM him right away.

I couldn’t find Kerron Andrews on X, but I left him a kind comment on his YT.

October Positivity: Only One Way (dir by Josiah David Warren)


2014’s Only One Way tells the story of Paul (Josiah David Warren), who is 20 years old and who lives with his parents in Texas.  Paul was home-schooled and now he’s a college student.  He goes to church every Sunday and he and his parents have regular Bible study.

Paul is a bit easily led.  We discover this when he starts dating Melanie (Erika Alaspa), who is still in high school and who insists that Paul tell her that she’s beautiful whenever he picks her up from her dance class.  Melanie’s father has a devilish beard and a condescending attitude and, when he hears that Paul still lives at home, he says that’s fine except that Paul won’t be a real man until he moves out.  Later Paul gets a text from Melanie telling him that her parents loved meeting him but that they all agree that he needs to become “A REAL MAN” and find a new place to live.

Paul gets his own apartment and soon, he’s struggling in both school and life.  Melanie and her wild friends are always coming over to party.  They introduce Paul to smoking weed.  Paul goes from hacking up a lung to making an apple pipe in record time.  Uh-oh!  His parents stop by the apartment to drop off some groceries and they catch Paul with an apple.

No longer welcome at his parents’s house, Paul tries to make it in the world on his own.  He gets a job delivering fried chicken but he’s not good at it.  You may wonder how any twenty year-old could manage to screw up something as simple a delivering fried chicken.  Well, Paul drops a bucket of KFC on somebody’s lawn and his response it just to brush the grass off the chicken.  Then he drops the bucket for a second time when trying to hand it off to the people who ordered it.

“That’ll be fifteen,” Paul says.

No, Paul, that’ll be free!

To be honest, what Paul is going through is not that unusual.  I think everyone struggles a bit making the transition from being a teenager to being an adult.  The job of a parent is to help the kid prepare for that transition but still, it’s not easy going from living a life with no consequences to living a life where everything has a consequence.  Everyone probably parties too much when they first leave home.  It’s just human nature.

The thing that sets Paul apart is that he really does just seem to be a complete idiot.  Even before he starts dating Melanie, he’s talking about how he’s struggling in college.  The film puts most of the blame on Melanie but Melanie isn’t the one who told Paul to put the chicken back in that bucket.  Melanie may smoke weed but Paul is the one who decides to smoke with her.  Believe me, most people will not be offended if you don’t smoke their weed.  That just means more for them.

Anyway, this film was shot on video with a largely amateur class and it shows.  This is one of those films where you really have to strain to make out the dialogue because the sound recording is so bad.  On the plus side, Paul does own a really cute dog and, by the end of the film he’s found a girlfriend who isn’t trying to destroy his soul.  Good for him!

Brad reviews DEAD TONE (2007), starring Rutger Hauer!


DEAD TONE (2007), also known as 7EVENTY 5IVE, opens with a group of kids playing a prank-calling game called “Seventy-Five,” where the goal is to place a random phone call and tell such a believable story that the person who answers will stay on the line at least 75 seconds. One guy seems upset when they call him. Later that night, while everyone is sleeping, a psycho with an axe comes in and brutally murders all the parents while the kids hide and watch in terror. Jump forward ten years and most of the kids who survived the night of terror are now college students. Invited to a weekend party at a wealthy classmate’s mansion, the group resumes their prank-calling game. Needless to say, when the maniac from ten years earlier answers the phone, the members of the group find themselves being stalked and murdered again. Hopefully Detective John Criton (Rutger Hauer), who worked the original murders 10 years earlier, will figure out who the killer is and stop him before everyone dies!

DEAD TONE is directed by Brian Hooks and Deon Taylor, who also star in the film. They’ve created a gory, low-budget slasher that blends elements of ‘80s and ‘90s horror films with an urban twist. For a guy who did his share of prank calls as a kid, I think the “psycho on the receiving end of a prank call” storyline is pretty cool. And the opening scene where the kids watch as their parents are killed because of their phone calls is horrific and pulls you right into the story. Unfortunately, once we get past the interesting open, there’s nothing that special about the rest of the movie. The characters aren’t particularly memorable or likable, and they sure as hell aren’t very smart. Call me crazy, but I’m thinking that I would never make another prank call again if I survived a mass murder event that was brought on by prank phone calls. These folks have no such qualms, which may not make any sense in the real world, but I guess is necessary if you need more axe murders for your plot. I will admit that there are a few awesome kills in the film, especially if you enjoy a good beheading. I won’t spoil the scenes, but the ones I’m specifically thinking of are both surprising and jarring at the same time. I’m also the kind of guy who will watch anything featuring Rutger Hauer. DEAD TONE’s Detective John Criton isn’t a character highlight of his career, but I still enjoy watching him go through the motions of investigating the crimes both in the present and in the past. It’s a part that he could have completed in his sleep, but this movie would have benefited from more “Hauer time.”

Overall, DEAD TONE is the kind of movie to watch with little to no expectations. It’s not great, but if you’re in the mood for a slasher movie with jump scares, silly characters, some decent gore, and even an acting legend thrown in for good measure, you could do a lot worse than DEAD TONE!

Bonus Horror On The Lens: Not Of This Earth (dir by Roger Corman)


 

Today, we have a bonus horror on the Lens, the 1957 Roger Corman-directed, sci-fi “epic,” Not of this Earth.

Paul Johnson (Paul Birch) may seems like a strange character, with his stilted way of speaking and his sunglasses and his overdramatic reaction to any and all loud noises.  Paul could us be an eccentric.  Or, he could be …. NOT OF THIS EARTH!  Actually, his habit of draining people of their blood and sending weird, umbrella-like creatures out to attack his enemies would seem to suggest that the latter is probably true.

Listen, it’s not easy being a blood-sucking alien.  I mean, sure, there’s always seems to be people stupid enough to show up at your mansion so that you can drain their bodies.  Paul is lucky that he doesn’t exactly seem to be surrounded by brain surgeons.  But sometimes, things happen.  For instance, someone might show up from your home planet and demand an immediate transfusion!  What is an alien to do?

Watch this low-budget but undeniably entertaining film to find out!  And be sure to especially keep an eye out for the great Dick Miller, who reportedly improvised his role as a vacuum cleaner salesman.  (Before going into acting, Miller actually did sell vacuum cleaners door-to-door.)

 

Horror On The Lens: The Terror (dir by Roger Corman, et al)


 

Today, we’ve got a treat!

Who wouldn’t love to see a movie where a youngish Jack Nicholson played a French soldier who, while searching for a mysterious woman, comes across a castle that’s inhabited by both Dick Miller and Boris Karloff?

In Roger Corman’s 1963 film The Terror, New Jersey-accented Jack Nicholson is the least believable 19th century French soldier ever.  However, it’s still interesting to watch him before he became a cinematic icon.  His performance here is rather earnest, with little of the sarcasm that would later become his trademark.  Boris Karloff is, as usual, great and familiar Corman actor Dick Miller gets a much larger role than usual.  Pay attention to the actress playing the mysterious woman.  That’s Sandra Knight who, at the time of filming, was married to Jack Nicholson.

Reportedly, The Terror was one of those films that Corman made because he still had the sets from his much more acclaimed film version of The Raven.  The script was never finished, the story was made up as filming moved alone, and no less than five directors shot different parts of this 81 minute movie.  Boris Karloff’s scenes were filmed first, with the other actors performing in front of a body double during their scenes.  Among the many directors who filmed bits and pieces of The Terror: Roger Corman, Jack Hill, Monte Hellman, Francis Ford Coppola, Coppola’s roommate Dennis Jakob, and even Jack Nicholson himself!  (Despite this number of directors involved, Corman received the sole directorial credit.)  Perhaps not surprisingly, the final film is a total mess but it does have a definite historical value.

(In typical Corman fashion, scenes from The Terror were later used in the 1968 film, Targets.  In that film, Karloff plays a version of himself, an aging horror actor who watches The Terror and dismisses it as being “terrible.”)

Check out The Terror below!