Scenes That I Love: Cleopatra


1963’s Cleopatra is a guilty pleasure of mine.

On the one hand, it’s a historically inaccurate portrayal of the events leading to the transformation of the Roman Republic to the Roman Empire.  The pace is often slow.  Some of the performances are regretful.  It’s a film that was first envisioned as being a cheap B-picture but ended up nearly bankrupting 20th Century Fox.  Of all of the movies released in 1963, it sold the most tickets and yet, because of the films huge production costs, it still lost money.

On the other hand, it’s a truly gigantic film, one that recreates the perhaps imagined splendor of the ancient world and which does it without the use of CGI.  The film may not exactly embrace historical accuracy but it does embrace the melodrama.  And, finally, you have scenes like the one below, in which it was obvious that Elizabeth Taylor and Richard Burton couldn’t wait for the cameras to stop rolling so they could toss off the costumes and make some history of their own.

4 Shots From 4 Films: Special Cleopatra Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Let’s celebrate the end of the month with four shots from four films about Caesar’s one true love, Cleopatra!

4 Shots From 4 Films

Cleopatra (1917, dir by J. Gordon Edwards)

Cleopatra (1934, dir by Cecil B. DeMille)

Cleopatra (1963, dir by Joseph L. Mankiewicz )

Cleopatra (1970, dir by Osamu Tezuka and Eiichi Yamamoto)

Monday Live Tweet Alert: Join Us for Circuitry Man 2!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be Circuitry Man 2!

If you want to join this watch party, just hop onto Mastodon, pull up Circuitry Man 2 on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!

Enjoy!

Charles Bronson passed away 23 years ago, today…


I remember where I was when I heard the news that Charles Bronson passed away on August 30, 2003. I was standing outside of my parents’ cabin watching the South Fourche River roll by, when my sister came out and told me that a news report had just come across the TV. My family was there celebrating the Labor Day holiday. The cabin has always been my place of peace, and I guess you can say it was the perfect place to get the news.

In honor of the importance of this day in my life, I thought I would share a couple of scenes that I love from my two favorite Bronson films.

First comes a scene from MR. MAJESTYK where Al Lettier’s mobster tries to bully Majestyk. It doesn’t work out so well for the bully.

Next comes an early scene from HARD TIMES where a smirking opponent underestimates Bronson’s seasoned character of Chaney. Once again, things don’t go well for the smartass.

I’ll never be able to fully explain why I developed a healthy obsession for Charles Bronson when I was a kid growing up in the 1980’s and why that obsession still persists to this day. I may try to put that down on paper someday before I die, but today is not that day. Today, I just want to celebrate my movie hero with some of my favorite films and moments.

Scenes That I Love: Elsa Lanchester as Mary Shelley in Bride of Frankenstein


The writer Mary Shelley was born on this date in 1797.  Shelley, of course, is best-known for writing Frankenstein, a book that some claim is the first science fiction novel.  (That’s debatable but it was still a major literary achievement.)

In this scene from 1936’s Bride of Frankenstein, Elsa Lanchester appears as Mary Shelley, continuing her story.  (Of course, Lanchester also played the Bride herself.)

4 Shots From 4 Films: Special Maureen O’Hara Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

These 4 Shots From 4 Films are dedicated to the memory of the great Maureen O’Hara.

4 Shots From 4 Maureen O’Hara Films

The Hunchback of Notre Dame (1939, dir by William Dieterle)

The Hunchback of Notre Dame (1939, dir by William Dieterle)

Dance, Girl. Dance (1940, dir by Dorothy Arzner)

Dance, Girl. Dance (1940, dir by Dorothy Arzner)

Miracle on the 34th Street (1947, dir by George Seaton)

Miracle on the 34th Street (1947, dir by George Seaton)

The Quiet Man (1952, dir by John Ford)

The Quiet Man (1952, dir by John Ford)

Sláinte!

Live Tweet Alert: Watch The Cat O’Nine Tails With #ScarySocial!


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting Dario Argento’s The Cat O’Nine Tails!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime!   I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy!

 

Scenes That I Love: The Car Chase From The French Connection


Today, the Shattered Lens observes what would have been the birthday of the great William Friedkin.  As a director, William Friedkin revolutionized both the horror genre and the crime genre.  The car chase from 1971’s The French Connection has been much imitated but rarely equaled.

A few years ago, I attended a showing of The French Connection at the Alamo Drafthouse.  As exciting as this chase is, it’s even more amazing when viewed on a big screen.

4 Shots From 4 Films: Special William Friedkin Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we honor director William Friedkin on what would have been his birthday.

4 Shots From 4 William Friedkin Films

The French Connection (1971, dir by William Friedkin, DP: Owen Roizman)

The Exorcist (1973, dir by William Friedkin, DP: Owen Roizman)

Sorcerer (1977, dir by William Friedkin, DP: Dick Bush and John M. Stephens)

To Live And Die In L.A. (1985, dir by William Friedkin, DP: M. Scott Smith)