The “This Week in Charles Bronson” podcast interviews Sherman Alexie, writer of SMOKE SIGNALS (1998)!


It’s been fun living life as one of the biggest fans of Charles Bronson in the world going back to around 1984 or 1985 when I first watched DEATH WISH on late night TV with my dad. For most of those years, my positive obsession was just shared with my family and friends. That began to change in 2021 when I met a guy named Eric Todd who ran the Facebook page “This Week in Charles Bronson.” Not only did Eric run the page, but he also hosted a podcast of the same name. I guess through my sheer enthusiasm about finally meeting people who love Bronson like I do, Eric asked me to be part of his show. I can’t tell you how much fun I’ve had joining Eric and his various guests over the last 4 years on the podcast. During that time, I’ve been part of interviews with actors Jordan Rhodes and Robert F. Lyons, actress Jan Gan Boyd, author Paul Talbot, and even Charles Bronson’s niece Lindsay Ireland. Each interview has been special to me, and Lindsay shared with us that her cousin Paul (Bronson’s stepson) listened to the episode that she was on. I never imagined my love of Bronson would afford me the opportunity to meet these kinds of people, and that Charles Bronson’s own family would enjoy our stuff!  

The fun continued this past week when Eric and I interviewed Native American author Sherman Alexie, who wrote the screenplay for the movie SMOKE SIGNALS, starring Adam Beach, Evan Adams, Irene Bedard, Gary Farmer, Tantoo Cardinal, and Tom Skerritt. Sherman loves Charles Bronson, and he told us that his dad even looked like Charles Bronson. We discussed some of his movie work, some of his short stories and novels, and the Bronson film THE WHITE BUFFALO (1977). We spend a lot of time discussing films in general, where Sherman introduced us to the movies REC (2007) and MEKKO (2015). We even spend some time talking about the “awesome” James Woods and the “scary” David Morse, who have both worked with Charles Bronson! If you want to know why I put “quotations” on those words, you’ll have to check us out.

So, if any of this sounds fun to you, I’ve linked to the YouTube video below for your viewing pleasure! If you like it, go back and watch some of our other shows and even subscribe! Some of my personal favorite shows are when us Bronson fans just sit around and talk about one of his movies. You never know where the conversations might end up. Heck, some of my favorites are shows I’m not even on! I do apologize in advance for my accent. What do you expect from a guy from Toad Suck, Arkansas?          

Villain of the Day: Klaus Wortmann (Antropophagus)


Yesterday, it was announced that George Eastman had passed away at the age of 83.

George Eastman was born Luigi Montefiori in Genoa, Italy.  Montefiori began his career by appearing in Spaghetti westerns.  The tall and often bearded Montefiori had the dangerous look that made him a natural for outlaw and henchmen roles.  Like many Italian actors, he took an “Americanized” alias for his acting roles.  He appeared in his share of American and British films (he appeared opposite Charlton Heston in Call of the Wild and played Goliath in King David) but his fans will always remember him best for the work that he did in his native Italy.  Occasionally, he played a hero.  He gave a particularly strong performance in — don’t laugh — Erotic Nights of the Living Dead.  That said, Eastman will always be best remembered for his villians.

Klaus Wortmann is the one who will always give me nightmares.  Eastman played Wortmann in Joe D’Amato’s infamous 1980 film, Antropophagus.  Klaus Wortmann was a wealthy man who lived on a Greek island with his wife, daughter, and his sister.  Unfortunately, when he and his family were shipwrecked, Klaus resorted to cannibalism to survive.  As the movie begins, Klaus is back at his mansion and being sheltered by sister.  He’s also become an obsessive cannibal.  He’s surrendered his humanity.  He can no longer speak and instead just growls.  He attacks everyone that he sees and he does things to his victims that led to this film being banned in several countries.  Also known as The Grim Reaper, Antropophagus is film that delights in showing people being ripped to pieces and George Eastman is right in the middle of it all.

And he’s absolutely terrifying.

In real life, George Eastman was a handsome man.  That’s one of the things that made him such a fascinating villain in countless western and crime films.  He was usually playing a total psycho but there was still something about him that made you want to get to know more about him.  Klaus Wortmann, on the other hand, is a terrifying monster.  Unwashed, bearded, hideously scarred, continually bathed in sweat, growling and howling as he chases his victims, Klaus is a nightmare come to life.  Eastman throws himself into capturing every grimy detail of Wortmann’s twisted existence and he comes across as a creature who seems to have literally jumped out of the shadows of our greatest fears.

In many ways, Antropophagus is not a particularly good film.  Not even the notoriously shameless Joe D’Amato appeared to think much of it.  The story drags because there aren’t enough victims and therefore there’s a lot of travelogue padding, especially early on in the film.  Along with Eastman, there are some recognizable people in the cast — Tisa Farrow, Zora Kerova, Serena Grandi (who would later co-star with Eastman in Delirium) — both most of them come across like they’d rather be anywhere but there.  But when George Eastman is on-screen, the film become horrifying.  No one — not the pregnant woman and her husband, not the innocent blind girl, not even the flakey card reader — is safe.  By the end of the movie, Klaus is literally eating pieces of himself.  It takes a talented actor to pull that off.

That actor was George Eastman.

Villain of the Day

Join #TubiThursday For Brotherhood of Justice!


 

Hi, everyone!  Tonight, on Mastodon, I will be hosting the #TubiThursday watch party!  Join us for 1986’s Brotherhood of Justice!

You can find the movie on Tubi and you can join us on Mastodon at 9 pm central time!  (That’s 10 pm for you folks on the East Coast.)  We will be using #TubiThursday hashtag!  See you then!

Scenes That I Love: George Bailey Tells Off Mr. Potter In It’s A Wonderful Life


Since today is James Stewart’s birthday, it seems appropriate that our scene should be from one of my favorite films of all time, 1946’s It’s A Wonderful Life. In this wonderfully acted and directed scene, George Bailey tells off Mr. Potter, for the first but certainly not the last time:

4 Shots From 4 Films: Special James Stewart Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we celebrate the birthday of one of the greatest American actors of all time, the wonderful James Stewart!  It’s time for….

4 Shots From 4 James Stewart Films

Mr. Smith Goes To Washington (1939, dir by Frank Capra, DP: Joseph Walker)

It’s A Wonderful Life (1946, dir by Frank Capra, DP: Joseph Walker and Joseph Biroc)

Rear Window (1954, dir by Alfred Hitchcock, DP: Robert Burks)

The Man Who Shot Liberty Valance (1962, dir by John Ford. DP: William H. Clothier)

Scenes That I Love: Pete Townshend and The Who at Woodstock


Today is Pete Townshend’s 79th birthday and today’s scene that I love features Pete Townshend (as a member of The Who) performing at Woodstock in 1969.

Roger Daltrey later said that this was the worst gig that they ever played and The Who did end up going on stage early in the morning, with the sun rising as they performed See Me, Feel Me.  The majority of The Who’s performance was not included in the initial release of the Woodstock documentary but the noticeably grainy footage would later be included in various rereleases.

Unfortunately, no cameras recorded the moment when Pete Townshend became the hero that 1969 needed by kicking a ranting Abbie Hoffman off of the stage.  But, audio of the incident survived.

Here is The Who at Woodstock:

4 Shots From 4 Films: Special Albert Pyun Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, on what would have been his 73rd birthday, we celebrate filmmaker Albert Pyun!

It’s time for….

4 Shots From 4 Albert Pyun Films

The Sword and the Sorcerer (1982, dir by Albert Pyun, DP: Joseph Margine)

Cyborg (1989, dir by Albert Pyun, DP: Philip Alan Waters)

Captain America (1990, dir by Albert Pyun, DP: Philp Alan Waters)

Kickboxer 2 (1991, dir by Albert Pyun, DP: George Mooradian)

6 Shots From 6 Films: Special Chow Yun-Fat Birthday Edition!


Chow Yun-Fat is one of the great international movie stars, and he’s my favorite living actor. Today is his 71st birthday, and I’ve been watching and reviewing his movies like crazy this month. I’ve had a ball. I’ll have new reviews to share soon, but today I’m sharing six fun screen images featuring the Hong Kong legend!

John Woo’s ONCE A THIEF (1991), laughing with Cherie Chung & Leslie Cheung!
THE CORRUPTOR (1998), with a chokehold on Byron Mann!
ANNA AND THE KING (1999), dancing with Jodie Foster!
CURSE OF THE GOLDEN FLOWER (2006), in a toxic relationship with Gong Li!
Letting the Bullets Fly in LET THE BULLETS FLY (2010)!
Looking debonair in Johnnie To’s OFFICE (2015)!

Join #MondayMania For A Teacher’s Obsession


Hi, everyone!  Tonight, on twitter, I will be hosting one of my favorite films for #MondayMania!  Join us for 2015’s A Teacher’s Obsession!

You can find the movie on Prime and then you can join us on twitter at 9 pm central time!  (That’s 10 pm for you folks on the East Coast.)  See you then!