Spielberg delves into Sci-Fi again with the Disclosure Day Teaser


Spielberg. Williams. Koepp. Kaminski. What the heck is Disclosure Day?

The teaser trailer for Steven Spielberg’s Disclosure Day hit my phone via Letterbox’d. This is connected to those weird X-Files looking posters I’ve been seeing as of late. It looks like another film with aliens, similar to Close Encounters of the Third Kind with a dash of Zemekis’ Contact or sprinkle of Villeneuve’s Arrival. The film stars Josh O’Connor (Wake Up Dead Man: A Knives Out Mystery), Emily Blunt (Jungle Cruise), Colin Firth (Kingsman), Coleman Domingo (The Running Man), Wyatt Russell (Marvel’s Thunderbolts), and Eve Newson (Robin Hood).

Spielberg and Koepp have a good track record together with the Jurassic Park films, and it’a always good to see a pairing with John Williams. Still, this all looks really weird. Either way, we’ll find out when the film is released next June.

Enjoy!

Here Are The 2025 Nominations of the Las Vegas Film Critics Society


Here are the 2025 nominations of the Las Vegas Film Critics Society.

BEST PICTURE
Frankenstein
Marty Supreme
One Battle After Another
Sinners
Train Dreams

BEST ACTOR
Timothée Chalamet – Marty Supreme
Leonardo DiCaprio – One Battle After Another
Joel Edgerton – Train Dreams
Michael B. Jordan – Sinners
Jesse Plemons – Bugonia

BEST ACTRESS
Jessie Buckley – Hamnet
Rose Byrne – If I Had Legs I’d Kick You
Renate Reinsve – Sentimental Value
Amanda Seyfried – The Testament of Ann Lee
Emma Stone – Bugonia

BEST SUPPORTING ACTOR
Benicio del Toro – One Battle After Another
Jacob Elordi – Frankenstein
Delroy Lindo – Sinners
Sean Penn – One Battle After Another
Stellan Skarsgård – Sentimental Value

BEST SUPPORTING ACTRESS
Emily Blunt – The Smashing Machine
Elle Fanning – Sentimental Value
Ariana Grande – Wicked: For Good
Amy Madigan – Weapons
Teyana Taylor – One Battle After Another

BEST DIRECTOR
Guillermo del Toro – Frankenstein
Josh Safdie – Marty Supreme
Paul Thomas Anderson – One Battle After Another
Ryan Coogler – Sinners
Clint Bentley – Train Dreams

BEST ORIGINAL SCREENPLAY
Marty Supreme
Sentimental Value
Sinners
Sorry, Baby
Weapons

BEST ADAPTED SCREENPLAY
Bugonia
Frankenstein
No Other Choice
One Battle After Another
Train Dreams

BEST CINEMATOGRAPHY
F1: The Movie
Frankenstein
One Battle After Another
Sinners
Train Dreams

BEST FILM EDITING
F1: The Movie
Marty Supreme
One Battle After Another
Sinners
Train Dreams

BEST SCORE
F1: The Movie
Frankenstein
One Battle After Another
Sinners
Tron: Ares

BEST SONG
Clothed by the Sun – The Testament of Ann Lee
Drive – F1: The Movie
Golden – KPop Demon Hunters
I Lied to You – Sinners
Train Dreams – Train Dreams

BEST DOCUMENTARY
The Alabama Solution
Come See Me in the Good Light
Cover Up
John Candy: I Like Me
The Perfect Neighbor

BEST ANIMATED FILM
Arco
Demon Slayer: Kimetsu no Yaiba The Movie: Infinity Castle
In Your Dreams
KPop Demon Hunters
Zootopia 2

BEST INTERNATIONAL FILM
It Was Just an Accident
Left-Handed Girl
No Other Choice
Sentimental Value
The Secret Agent

BEST COSTUME DESIGN
Frankenstein
Hamnet
Kiss of the Spider Woman
Sinners
Wicked: For Good

BEST ART DIRECTION
Avatar: Fire and Ash
Frankenstein
Marty Supreme
Sinners
Wicked: For Good

BEST VISUAL EFFECTS
Avatar: Fire and Ash
F1: The Movie
Mission: Impossible – The Final Reckoning
Superman
The Fantastic Four: First Steps

BEST ACTION FILM
From the World of John Wick: Ballerina
Mission: Impossible – The Final Reckoning
Predator: Badlands
Superman
The Running Man

BEST COMEDY
Eternity
Friendship
The Ballad of Wallis Island
The Naked Gun
One of Them Days

BEST HORROR / SCI-FI
28 Years Later
Bring Her Back
Frankenstein
Sinners
The Long Walk

BEST FAMILY FILM
How to Train Your Dragon
KPop Demon Hunters
Lilo & Stitch
The Legend of Ochi
Zootopia 2

BEST ANIMAL PERFORMANCE
Bing, the Great Dane – The Friend
Hercules, the Dog – Marty Supreme
Indy – Good Boy
Olga, the Cat – Sorry, Baby
Richard and Baba – The Penguin Lessons

BEST ENSEMBLE
Jay Kelly
Marty Supreme
One Battle After Another
Sentimental Value
Sinners

BREAKOUT FILMMAKER
Clint Bentley – Train Dreams
Drew Hancock – Companion
Emilie Blichfeldt – The Ugly Stepsister
Eva Victor – Sorry, Baby
James Sweeney – Twinless

BEST STUNTS
F1: The Movie
From the World of John Wick: Ballerina
Mission: Impossible – The Final Reckoning
Predator: Badlands
The Running Man

YOUTH MALE PERFORMANCE (UNDER 21)
Christian Convery – Frankenstein / The Monkey
Jacobi Jupe – Hamnet
John Wren Phillips – Bring Her Back
Mason Thames – How to Train Your Dragon
Miles Canton – Sinners

FEMALE YOUTH PERFORMANCE (UNDER 21)
Helena Zengel – The Legend of Ochi
Maia Kealoha – Lilo & Stitch
Nina Ye – Left-Handed Girl
Shannon Mahina Gorman – Rental Family
Sora Wong – Bring Her Back

WILLIAM HOLDEN LIFETIME ACHIEVEMENT AWARD
Kathryn Bigelow
Barbara Broccoli
Kathleen Kennedy
Delroy Lindo
Sigourney Weaver

Here Are The 2025 Golden Globe Nominations


Does anyone care about the Golden Globes any more?  I remember that there was a feeling of relief when it looked like we would finally be free from having to worry about them.  Of course, the Globes are back and under new management.  They’re clawing their way back to relevancy, or at least they’re trying.

To be honest, I don’t trust the nominations below.  I think it’s all about getting people to watch their ceremony again.  Still, the Golden Globes are a thing and here are the film nominations for this year.  The winners will be revealed on January 11th.

BEST MOTION PICTURE, DRAMA
Frankenstein
Hamnet
It Was Just an Accident
The Secret Agent
Sentimental Value
Sinners

BEST MOTION PICTURE, MUSICAL OR COMEDY
Blue Moon
Bugonia
Marty Supreme
No Other Choice
Nouvelle Vague
One Battle After Another

BEST DIRECTOR, MOTION PICTURE
Paul Thomas Anderson – One Battle After Another
Ryan Coogler – Sinners
Guillermo del Toro – Frankenstein
Jafar Panahi – It Was Just an Accident
Joachim Trier – Sentimental Value
Chloe Zhao – Hamnet

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE, DRAMA
Jessie Buckley – Hamnet
Jennifer Lawrence – Die, My Love
Renate Reinsve – Sentimental Value
Julia Roberts – After the Hunt
Tessa Thompson – Hedda
Eva Victor – Sorry, Baby

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE, MUSICAL, OR COMEDY
Rose Byrne – If I Had Legs I’d Kick You
Cynthia Erivo – Wicked: For Good
Kate Hudson – Song Sung Blue
Chase Infiniti – One Battle After Another
Amanda Seyfried – The Testament of Ann Lee
Emma Stone – Bugonia

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN ANY MOTION PICTURE
Emily Blunt – The Smashing Machine
Elle Fanning – Sentimental Value
Ariana Grande – Wicked: For Good
Inga Ibsdotter Lilleaas – Sentimental Value
Amy Madigan – Weapons
Teyana Taylor – One Battle After Another

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE, DRAMA
Joel Edgerton – Train Dreams
Oscar Isaac – Frankenstein
Dwayne Johnson – The Smashing Machine
Michael B. Jordan – Sinners
Wagner Moura – The Secret Agent
Jeremy Allen White – Springsteen: Deliver Me from Nowhere

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE, MUSICAL, OR COMEDY
Lee Byung-hun – No Other Choice
Timothee Chalamet – Marty Supreme
George Clooney – Jay Kelly
Leonardo DiCaprio – One Battle After Another
Ethan Hawke – Blue Moon
Jesse Plemons – Bugonia

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN ANY MOTION PICTURE
Benicio Del Toro – One Battle After Another
Jacob Elordi – Frankenstein
Paul Mescal – Hamnet
Sean Penn – One Battle After Another
Adam Sandler – Jay Kelly
Stellan Skarsgård – Sentimental Value

BEST SCREENPLAY, MOTION PICTURE
Hamnet
It Was Just an Accident
Marty Supreme
One Battle After Another
Sentimental Value
Sinners

BEST ORIGINAL SCORE, MOTION PICTURE
F1: The Movie
Frankenstein
Hamnet
One Battle After Another
Sinners
Sirat

BEST ORIGINAL SONG, MOTION PICTURE
Avatar: Fire and Ash – “Dream as One”
KPop Demon Hunters – “Golden”
Sinners – “I Lied to You”
Train Dreams – “Train Dreams”
Wicked: For Good – “No Place Life Home”
Wicked: For Good – “The Girl in the Bubble”

BEST MOTION PICTURE, ANIMATED
Arco
Demon Slayer: Kimetsu No Yaiba The Movie
Elio
KPop Demon Hunters
Little Amelie or the Character of Rain
Zootopia 2

BEST MOTION PICTURE, FOREIGN LANGUAGE
It Was Just an Accident
No Other Choice
The Secret Agent
Sentimental Value
Sirat
The Voice of Hind Rajab

GOLDEN GLOBE FOR CINEMATIC & BOX OFFICE ACHIEVEMENT
Avatar: Fire and Ash
F1: The Movie
KPop Demon Hunters
Mission: Impossible — The Final Reckoning
Sinners
Weapons
Wicked: For Good
Zootopia 2

The Films of 2025: The Smashing Machine (dir by Benny Safdie)


As a film lover, there are three letters that strike fear in my heart.  U.  F.  C.

Seriously, directors — especially male directors — love the UFC and Mixed Martial Arts in general.  If I had to guess, I would say that in another few years, there will be no more boxing movies.  Sorry, Balboa.  Sorry, Creed.  You’re going to be replaced by movies that are exclusively about men kicking each other in a cage and then pounding on each other once they’re down.  I’m not even saying that’s a bad thing.  Obviously, the sport has a lot of fans.  In the future, when Conor McGregor is doing double duty as both the President of Ireland and the Pope, a lot it will be due to the popularity of MMA.  I have to say, though, that I almost always seem to find films about MMA and cage matches to be a little bit boring, unless they star Jean-Claude Van Damme or, in some cases, Lou Ferrigno.  I prefer boxing movies.  I guess I like my fights without the little kicks.

The Smashing Machine is a biopic of Mark Kerr (played by Dwayne Johnson), an MMA fighter who, the film tells us, was one of the early pioneers of the sport.  When he’s first seen in the film, he’s being interviewed about his success in the UFC.  We see a few clips of him fighting and watching his fists fly, we understand why he’s known as The Smashing Machine.  He’s known for his ability to end fights quickly.  He assures the interviewer that he doesn’t hate any of the men that he fights.  (“Is he okay?” Mark asks about an opponent after one particularly brutal beat down.)  Mark leaves the United States for Pride, which is Japan’s version of UFC.  Not long after arriving in Japan, he discovers that Pride has changed its ruled to disallow almost all of Mark’s techniques because Mark was ending the fights too quickly.

One thing that we notice about Mark is that he’s always smiling and that he seems to have a rather low-key personality for someone who makes his living as a fighter.  It’s easy to see that he’s holding back a lot of his emotions and that he gets those emotions out in the ring.  When he’s not fighting, he’s living in a nice home with his girlfriend, Dawn (Emily Blunt).  He’s a bit of a control freak, worrying about the cat getting on his couch, telling Dawn exactly how to make his protein shakes, and obsessing over the way a cactus is growing outside.  Mark may be a fighter but he also constantly worries about his “tummy,” which is apparently overly sensitive.  Mark is also a drug addict, popping painkillers like candy and shooting up in his bathroom.  When Mark and Dawn argue, his temper can flare and he can go from being soft-spoken Mark to the someone who can tear a door off of its hinges.  After Mark loses his first fight, he sinks deeper into depression and then tries to get clean.  Complicating things is that Dawn is still using and Mark is preparing for his next fight in Japan.

For all the anticipation and the hype that surrounded its release, The Smashing Machine is an uneven film.  It’s not necessarily a bad film but it is a film that leaves the viewer feeling somewhat detached from the action, on the outside looking in.  Dwayne Johnson gives a good performance as Mark and Emily Blunt gives a good performance as Dawn but they’re never quite believable as a couple.  (In fact, I would argue that Johnson’s best dramatic performance remains his nearly silent but physically powerful turn in the unfairly overlooked Faster.)  Because the film is based on a true story and, I imagine, also because the film was directed by Benny Safdie, The Smashing Machine avoids a lot of the traditional cliches of the sports film.  It’s very much an A24 film, wearing it’s indie aesthetic like a chip on its shoulder.  I have to admit though that, while watching the film, I missed a lot of those cliches.  There are some good scenes scattered throughout The Smashing Machine but there’s also not much narrative momentum.

That said, I do have to say that the film’s ending, which feature the real Mark Kerr shopping for groceries, did bring a smile to my face.  He’s someone who has been through a lot so seeing him smiling and debating which cut of beef to purchase was definitely something of a relief.

 

Lisa Marie’s Oscar Predictions For October


Really?  Oscar predictions on Halloween night?

Eh.  Why not?

Click here for my April and May and June and July and August and September predictions!

Best Picture

Hamnet

It Was Just An Accident

Jay Kelly

Marty Supreme

One Battle After Another

Sentimental Value

Sinners

The Smashing Machine

Train Dreams

Wicked For Good

Best Director

Paul Thomas Anderson for One Battle After Another

Ryan Coogler for Sinners

Benny Safdie for The Smashing Machine

Joachim Trier for Sentimental Value

Chloe Zhao for Hamnet

Best Actor

Timothee Chalamet in Marty Supreme

Joel Edgerton in Train Dreams

Ethan Hawke in Blue Moon

Dwayne Johnson in The Smashing Machine

Wagner Moura in The Secret Agent

Best Actress

Jessie Buckley in Hamnet

Cynthia Erivo in Wicked For Good

Kate Hudson in Song Sung Blue

Renate Reinsve in Sentimental Valure

Sydney Sweeney in Christy

Best Supporting Actor

Benicio del Toro in One Battle After Another

Jacob Elordi in Frankenstein

Paul Mescal in Hamnet

Adam Sandler in Jay Kelly

Stellan Skarsgard in Sentimental Value

Best Supporting Actress

Emily Blunt in The Smashing Machine

Elle Fanning in Sentimental Value

Ariana Grande in Wicked For Good

Regina Hall in One Battle After Another

Amy Madigan in Weapons

Lisa Marie’s Oscar Predictions For September


As September comes to a close, the Oscar picture is clearing up a bit.  The early word on some films is very strong.  The new Paul Thomas Anderson film is being massively hyped online, though I get a Killers of the Flower Moon/Brutalist vibe from a lot of the coverage.  Meanwhile, films that were once seen as surefire contenders are falling to the wayside.

And, with that inspiring introduction out of the way, here are my predictions for September.

Click here for my April and May and June and July and August predictions!

Best Picture

Hamnet

Jay Kelly

Marty Supreme

One Battle After Another

The Secret Agent

Sentimental Value

Sinners

The Smashing Machine

Springsteen: Deliver Me From Nowhere

Wicked For Good

Best Director

Paul Thomas Anderson for One Battle After Another

Ryan Coogler for Sinners

Benny Safdie for The Smashing Machine

Joachim Trier for Sentimental Value

Chloe Zhao for Hamnet

Best Actor

Daniel Day-Lewis in Anemone

Leonard Di Caprio in One Battle After Another

Dwayne Johnson in The Smashing Machine

Wagner Moura in The Secret Agent

Jeremy Allen White in Springsteen: Deliver Me From Nowhere

Best Actress

Jessie Buckley in Hamnet

Cynthia Erivo in Wicked For Good

Jennifer Lawrence in Die My Love

Renate Reinsve in Sentimental Valure

Julia Roberts in After The Hunt

Best Supporting Actor

Paul Mescal in Hamnet

Sean Penn in One Battle After Another

Adam Sandler in Jay Kelly

Stellan Skarsgard in Sentimental Value

Jeremy Strong in Springsteen: Deliver Me From Nowhere

Best Supporting Actress

Emily Blunt in The Smashing Machine

Zooey Deutch in Nouvelle Vague

Elle Fanning in Sentimental Value

Ariana Grande in Wicked For Good

Emily Watson in Hamnet

Lisa Marie’s Way Too Early Oscar Predictions For August


As August comes to a close, the Oscar picture is clearing up a bit due to the festivals.  The early word on some films is very strong.  Meanwhile, films that were once seen as surefire contenders are falling to the wayside.

And, with that inspiring introduction out of the way, here are my predictions for August.

Click here for my April and May and June and July predictions!

Best Picture

After the Hunt

F1

Hamnet

Jay Kelly

Marty Supreme

Sentimental Value

Sinners

The Smashing Machine

Springsteen: Deliver Me From Nowhere

Wicked For Good

Best Director

Ryan Coogler for Sinners

Benny Safdie for The Smashing Machine

Josh Safdie for Marty Supreme

Joachim Trier for Sentimental Value

Chloe Zhao for Hamnet

Best Actor

Will Arnett in Is This Thing On?

Daniel Day-Lewis in Anemone

Ethan Hawke in Blue Moon

Dwayne Johnson in The Smashing Machine

Jeremy Allen White in Springsteen: Deliver Me From Nowhere

Best Actress

Jessie Buckley in Hamnet

Cynthia Erivo in Wicked For Good

Jennifer Lawrence in Die My Love

Renate Reinsve in Sentimental Valure

Julia Roberts in After The Hunt

Best Supporting Actor

Paul Mescal in Hamnet

Adam Sandler in Jay Kelly

Andrew Scott in Blue Moon

Stellan Skarsgard in Sentimental Value

Jeremy Strong in Springsteen: Deliver Me From Nowhere

Best Supporting Actress

Emily Blunt in The Smashing Machine

Zooey Deutch in Nouvelle Vague

Elle Fanning in Sentimental Value

Ariana Grande in Wicked For Good

Gwyneth Paltrow in Marty Supreme

Lisa Marie’s Way Too Early Oscar Predictions For July


As July comes to a close, the Oscar picture is still pretty fuzzy.  To be honest, it’s hard to get that excited about any of the contenders that have been mentioned.  It all pretty much sounds like more of the same, with the exception of Sinners.

Anyway, with that inspiring introduction out of the way, here are my predictions for July.

Click here for my April and May and June predictions!

Best Picture

F1

It Was Just An Accident

Jay Kelly

Nouvelle Vague

Nuremberg

The Secret Agent

Sentimental Value

Sinners

The Smashing Machine

Wicked For Good

Best Director

Jon M. Chu for Wicked For Good

Ryan Coogler for Sinners

Richard Linklater for Nouvelle Vague

Jafar Panahi for It Was Just An Accident

Joachim Trier for Sentimental Value

Best Actor

George Clooney in Jay Kelly

Dwayne Johnson in The Smashing Machine

Michael B. Jordan in Sinners

Wagner Moura in The Secret Agent

Jeremy Allen White in Deliver Me From Nowhere

Best Actress

Cynthia Erivo in Wicked For Good

Jennifer Lawrence in Die My Love

Renate Reinsve in Sentimental Valure

Julia Roberts in After The Hunt

June Squibb in Eleanor The Great

Best Supporting Actor

Miles Caton in Sinners

Russell Crowe in Nuremberg

Adam Sandler in Jay Kelly

Stellan Skarsgard in Sentimental Value

Christoph Waltz in Frankenstein

Best Supporting Actress

Emily Blunt in The Smashing Machine

Ayo Edebiri in After The Hunt

Elle Fanning in Sentimental Value

Ariana Grande in Wicked For Good

Jennifer Lopez in Kiss of the Spider Woman

The Films of 2024: The Fall Guy (dir by David Leitch)


In The Fall Guy, Ryan Gosling plays Colt Seavers.

When we first meet Colt, he’s a legendary and rather cocky stuntman.  While movie star Tom Ryder (Aaron Taylor-Johnson) takes all the credit and brags about doing his own stunts, Colt is the one who is actually jumping off of buildings and surviving car crashes.  Every day, Colt risks his life to make Tom look good and, even though Tom is a bit of a tool, Colt loves every minute of it.  Why shouldn’t he?  He’s good at his job and he’s in love with aspiring director Jody Moreno (Emily Blunt).

Or, at least, that’s case until one stunt goes mysteriously wrong and Colt ends up breaking his back.  Colt eventually recovers but he’s no longer willing to be a stuntman and he and Jody break up.  Colt ends up working as a parking valet in Los Angeles, retrieving cars and hoping that no one recognizes him.

When Colt gets a call from producer Gail Meyer (Hannah Waddingham) asking him to fly down to Australia and once again act as Tom’s stunt double in a science fiction epic called Metalstorm, Colt refuses.  But then Gail tells him that Jody is directing the film and the production is running behind schedule.  Jody herself wants Colt to come work on the film.  Colt finally agrees.  However, when he arrives in  Australia, he discovers that Gail lied.  Jody definitely does not want Colt working on the movie and, in fact, Metalstorm is her way of getting out all of her negative feelings about their relationship.

Gail explains that Tom is missing.  Colt agrees to track him down while working on both the film and his relationship with Jody.  However, it soon turns out that Tom isn’t just off on a drunken binge somewhere.  Colt soon finds himself caught up in a murder investigation, one in which Colt himself is the top suspect!

I liked The Fall Guy a lot more than I thought I would.  From the trailer and the commercials, I was expecting it to just be another dumb Hollywood action film.  And, indeed, there is a lot of action in The Fall Guy.  Appropriately enough for a film about stuntmen, the stunts in The Fall Guy are often spectacular to watch and the film serves as a tribute to the unnamed stunt players who make us believe that film stars can do just about anything.  I’m not going to speculate about who Tom Ryder might have been based on but it’s easy to see him as a stand-in for any number of spoiled movie stars who get all the credit for what we see onscreen despite the fact that it’s usually their stunt doubles doing the thing that we really remember.  The Fall Guy is also a surprisingly funny movie.  It’s smart enough not take itself too seriously and there’s a bit with a unicorn that made me laugh out loud.  As always, Ryan Gosling and Emily Blunt are charming and fun to watch.  I’ve been pretty critical of Aaron Taylor-Johnson in the past but I have to admit that he did a really good job as Tom.  The Fall Guy kept me entertained and there’s definitely something to be said for that.