Late Night Retro Television Review: Check It Out! 3.10 “Shrink from Sendrax”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988.  The entire show is currently streaming on Tubi and Peacock!

This week, corporate sends a visitor to Cobb’s for reasons that are never exactly clear.

Episode 3.10 “Shrink From Sendrax”

(Dir by Jayne Schipper, originally aired on November 15th, 1987)

I’m just going to do a mini-review of this episode because I’m busy working on our big St. Patrick’s Day extravaganza here at the Shattered Lens!

  1. Remember that new company that bought out Cobb’s?  It can be easy to forget about them.  Well, in this episode, they send a psychiatrist named Dr. Matthews (Graham Harley) to check on everyone’s mental health.  Why would they do that?  I mean, is Cobb’s grocery store really that important to them?  It seems like a lot of money to spend on checking whether or not the cashiers are feeling good about themselves.
  2. Admittedly, I haven’t had that many jobs and I’ve never worked in a grocery store.  If you told me that I had no choice but to sit down and talk about my life with a psychiatrist as a condition of my employment, I would probably quit.  It’s not that I have anything against psychiatrists.  It’s just that I believe therapy should always be voluntary.
  3. The episode’s highlight was Leslie wanting to spend hours talking to the psychiatrist about the party that was thrown when he turned two years old.  Aaron Schwartz, who is often underused on this show, really got a chance to show off his comedic skills in this episode.
  4. Gordon Clapp’s Viker also got a few good scenes.  In general, any episode that features Clapp is, at the very least, going to make me smile.
  5. Howard freaks out over the psychiatrist and the questionnaire that he’s forced to fill out.  He gets some advice from 14 year-old stockboy Brad, played by T and T‘s Sean Roberge.  This is Brad’s third appearance on the show and I get the feeling that he was originally meant to be a major character but the show’s writers couldn’t figure out what to do with the character.
  6. This third season has had a lot of weird detours and characters.  We haven’t heard anything else about Howard’s brother.  The corporate liaison, TC Collingwood (Elizabeth Hanna), is occasionally pictured in the opening credits and occasionally not.  What happened to the stockboy who had a crush on Marlene?
  7. Anyway, to prove that he’s not crazy, Howard dresses up like a clown because he knows that only way to prove he’s not crazy is to act crazy while realizing that he’s acting crazy or something.
  8. Marlene and Christian, the two most consistently interesting characters on the show, were not in this episode and that kind of made the whole psychiatry angle feel useless.  The idea of Marlene and Christian reacting to ink blots is such a good one that I personally would have delayed production on this episode until Kathleen Laskey and Jeff Pustil were available to appear in it.

Gordon Clapp and Aaron Schwartz were great but, overall, this was pretty dumb episode.

Late Night Retro Television Review: Check It Out! 3.5 “Not For Commercial Use”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988.  The entire show is currently streaming on Tubi!

This week, the news comes to Cobb’s!

Episode 3.5 “Not For Commercial Use”

(Dir by Alan Erlich, originally aired on October 18th, 1987)

The local news station is coming down to Cobb’s to do a story on how things have changed at the store now that the company is under new management.

Really?

Is it just a super slow news day or something?  The insinuation is that it’s actually going to be a 30-minute news special, all about an obscure grocery store in the suburbs of Ontario.  (In this episode, Check It Out! finally admits that the show is taking place in Canada.)  I mean, even if it is a slow news day, I just can’t imagine that a thirty-minute story about Cobb’s would be a huge ratings grabber.

Howard is excited about the idea of being on television.  He calls his Aunt Lil and promises to tug on his ear so that she’ll know that he’s thinking of her.  Howard imagines himself as a TV star.  There’s Howard hosting a talk show!  There’s Howard as a tough detective.  It’s all kind of silly but, in its way, kind of cute.  Howard is a lot more likable this season than he was during the previous two seasons.  And Don Adams, who can sometimes seem a bit indifferent when it comes to playing Howard, actually gave a lively performance in this episode.

TC Collingwood (Elizabeth Hanna), who I guess is supposed to be the liaison between the store and the corporate offices, does not want Howard to appear on TV.  She feels that Howard is a bit too …. I guess “dorky” would be the right term to use here.  She thinks that Howard is going to embarrass the store with his bad jokes and his Bogart impersonation.  TC would rather focus on employees like Leslie, who now wears a chef’s hat and who has apparently transferred from working as a cashier to working in the deli.

(One thing that I’ve noticed is that, during season 3, the show finally hired enough extras to make the store seem like a real place.  There are now employees and shoppers all over the place.  Marlene is no longer the only cashier and Leslie appears to have a good crew working with him at the deli)

As for Howard, he does manage to get on television.  He simply cannot be stopped!  He wanders in front of the camera.  He tells bad jokes.  He does even worse impersonations.  TC ends up locking him in a meat locker but it turns out that the CEO of the company really enjoyed Howard and his antics.  Good for Howard, I guess.

This episode continued this season’s pattern of being far better than the two that came before it.  For once, every member of the cast was allowed a chance to shine.  This episode was worth watching for Viker’s attempt to tell a knock knock joke alone.  Check It Out! was a deeply silly show but at least in the third season it’s finally got consistently funny.

Late Night Retro Television Review: Check It Out! 3.4 “I’m Okay, You’re A Spy”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988.  The entire show is currently streaming on Tubi!

This week, Howard’s paranoid and with good reason!  They are all out to get him….

Episode 3.4 “I’m Okay, You’re A Spy”

(Dir by Alan Erlich, originally aired on October 17th, 1987)

After the new stockboy, 12 year-old Brad (played by T and T‘s Sean Roberge), shows Howard a newspaper article about how the company that purchased Cobb’s has been sending corporate spies into its stores to evaluate management, Howard gets extremely paranoid.  He becomes convinced that there must be a spy in the store.  He gathers Brad, Leslie, Christian, Viker, and Marlene into the stockroom and asks them if they’ve noticed anyone strange in the store.  He also suggests that any one of them could possibly be the spy.

Or maybe — just maybe — the spy is the new butcher who keeps asking Howard all sorts of questions about the other employees.  He would seem to be the most likely suspect and we know it’s him because the episode opens with him getting his assignment and talking about how he can’t wait to get Howard Bannister fired.  Howard, of course, is so paranoid about the possibility of there being a spy in the store that he expresses all of his fears and frustrations to the spy.  In other words, this is yet another episode episode where Howard is a complete moron.  The previous season was split evenly between episodes where Howard was competent and episodes where Howard was an idiot.  The episodes featuring stupid Howard were always funnier than the episodes featuring smart Howard so I think the showrunners made the right decision to focus o Howard’s stupidity in the third season.  No one wants to watch a show about a good boss.  What fun is that?

(It’s kind of like how we loved The Office when it was all about Michael screwing up but, when it became about new boss Andy proving himself, we all tuned out.)

It turns out that not everyone at the new corporation is supportive of the whole spy thing.  T.C. Collingwood comes to the store and informs Howard that his butcher is the spy.  Howard replies by giving the spy a lot of work to do.  I guess that’s one way to handle it but it doesn’t change the fact that Howard told the spy that everyone at the store was incompetent and should be fired.  This episode makes less and less sense the more that I think about it.  Can’t corporate just look at whether or not the store had made any money and use that to determine whether or not Howard’s doing a good enough job?  This episode didn’t make much sense.

Incidentally, Edna was on vacation during this episode.  How many vacation does Edna get in the year?  It seems like she’s never at the store.  I have a feeling that Howard is going to run off with T.C. Collingwood at some point in the new future.  Maybe that’s for the best.  At least then Edna wouln’t have to flee to Florida every month.

Next week ….  Howard wants to be a TV star!  We’ll see what happens.

 

Late Night Retro Television Review: Check It Out 3.2 “Hey, Take Me Over”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988.  The entire show is currently streaming on Tubi and Peacock!

This week, Howard continues to dream of a better job.  Good luck with that, Howard.

Episode 3.2 “Hey, Take Me Over”

(Dir by Alan Erlich, originally aired on  October 10th, 1987)

Cobb’s has been sold!  Because the new owner is a huge corporation that owns several luxury resorts, Howard convinces himself that he’s going to be promoted to running a hotel in Tahiti.  (Howard’s background in hotel management has been one of the few consistent things in Check It Out.)  Instead, corporate vice president T.C. Collingwood (Elizabeth Hanna) comes down to the store and tells Howard that he needs to start wearing a smock that says “Howie, Store Manager” on it.

Howard does what any reasonably immature, 50ish man would do.  He quits.  But then Edna explains that Howard will lose his pension if he quits so Howard decides that maybe wearing the smock won’t be so bad.  “You’re throwing away your future,” Edna says at one point, as if Howard isn’t clearly approaching the age when most people retire.

This episode really drove home one of the biggest issues with Check It Out!, which is that Howard was written to be an ambitious man in his 40s but he was played by Don Adams who, when the show began, was already in his 60s.  Now, it should be admitted that Adams looked about ten years younger than his actual age but still, Howard comes across as a bit too old to still be fantasizing about suddenly changing careers.  There’s a principle that everyone rises to their level of incompetence.  They keep getting promoted until they reach a job they can’t do and then, they get stuck there.  Howard’s level of incompetence appears to be working as a general manager of a grocery store.

Howard eventually does put on the smock and agrees to keep working at his job.  What’s odd about this is that Howard was already wearing the smock during the previous episode.  Obviously, the episodes that made up the final season of Check It Out! were not aired in their intended order.

For all of the flaws to be found in this episode, it was still better than the majority of the second season.  It would appear that, with season 3, the show’s producers and writers finally settled on Howard being an incompetent manager and the store being a mess.  That’s definitely the right way to go.  When it comes to workplace sitcoms, incompetence is always funnier than hypercompetence.  (Just consider the U.S. version of The Office, in which the funniest episodes featured the office in chaos and the cringiest episodes were always the ones the centered on how good Jim was at selling paper.)  No one respects Howard and Howard has no idea how to do his job.  That’s a lot funnier than whatever the second season was trying to do.

Finally, I should mention that T and T‘s Sean Roberge has a small role in this one, playing the new bagboy.  If I’ve learned anything from doing these retro television reviews, it’s that, in the late 80s, syndicated Canadian television shows really did seem to share the same small pool of actors.

Retro Television Review: T and T 2.20 “A Natural Death”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990.  The show can be found on Tubi!

This week, the second season comes to an end!

Episode 2.20 “A Natural Death”

(Dir by Patrick Loubert, originally aired on May 22nd, 1989)

When a patient nearly dies at a hospital, the blame is placed on a nurse named Eloise (Elizabeth Hanna).  Eloise is accused of falling asleep at her station.  However, Eloise has never fallen asleep at her station in the past and she has a reputation for being a good nurse.  Eloise retain Amy Taler to defend her at a board hearing and Amy sends T.S. to the hospital to investigate.

T.S. discovers that the patient is a retired gangster and he starts to suspect that maybe Eloise was set up by someone who wants him dead.  But when Eloise herself announces that she no longer wants to to work at the hospital, T.S. comes to suspect that there’s even more to the story.

Oddly enough, there isn’t more to the story.  A doctor who owes money to the mob drugged Eloise’s coffee and caused Eloise to fall asleep.  The doctor then agreed to help Eloise find work at another hospital in return for dropping her appeal.  When the gangsters shows up and demand that the doctor personally kill the patient, he agrees but — surprise! — he was just pretending to agree until T.S., Amy, and the cops could show up.

What a weird episode with which to end the second season.  The mystery isn’t much of a mystery.  T.S. Turner doesn’t beat anyone up.  For whatever reason, both Amy and T.S. appear to be annoyed with the world in general for much of this episode.  Amy rolls her eyes when Decker says that he wants to become a better businessman so his gym doesn’t go bankrupt.  Turner rolls his eyes when Amy tells him that she wants him to investigate the hospital.  Joe, the orphan who Amy and Turner more-or-less adopted at the start of the second season, is nowhere to be seen.  This does not, in any way, feel like a season finale and it wouldn’t surprise me to discover that it had been meant to air earlier in the season.

What to say about the second season?  It definitely wasn’t as good as the first season.  If the first season was fun and energetic, the second season often felt dour.  The cast often seemed to just be going through the motions and there was little of the intentional humor that occasionally distinguished the first season.  Turner’s quips were a bit less amusing and the show didn’t seem to have the slightest idea what to do with Amy.

Speaking of Amy, this episode was also the finale for her character.  Season 3 finds Tuner working for a new lawyer.  We’ll find out more next week when we start looking at the final season of T and T.

Here Are The Nominations From The Houston Film Critics!


This year, Houston proved once again that Texas is better than the upper 48.  In the face of adversity, Texans came together and helped each other out and basically but the rest of America to shame.

Then to top it all off, The Houston Film Critics got together and came up with an intriguing list of the films and performances that they consider to be the best of 2017!

Love you, Houston!

Here are their nominations:

Picture:
The Big Sick
Call Me By Your Name
Dunkirk
The Florida Project
Get Out
Lady Bird
Logan
The Post
The Shape of Water
Three Billboards Outside Ebbing, Missouri

Director:
Guillermo del Toro, “The Shape of Water”
Greta Gerwig, “Lady Bird”
Christopher Nolan, “Dunkirk”
Jordan Peele, “Get Out”
Steven Spielberg, “The Post”

Actor:
Timothee Chalamet, “Call Me By Your Name”
James Franco, “The Disaster Artist”
Daniel Kaluuya, “Get Out”
Robert Pattinson, “Good Time”
Andy Serkis, “War for the Planet of the Apes

Actress:
Sally Hawkins, “The Shape of Water”
Frances McDormand, “Three Billboards Outside Ebbing, Missouri”
Brooklyn Prince, “The Florida Project”
Margot Robbie, “I, Tonya”
Saoirse Ronan, “Lady Bird”

Supporting Actor:
Willem Defoe, “The Florida Project”
Richard Jenkins, “The Shape of Water”
Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”
Patrick Stewart, “Logan
Michael Stuhlbarg, “Call Me By Your Name”

Supporting Actress:
Holly Hunter, “The Big Sick”
Allison Janney, “I, Tonya”
Dafne Keen, “Logan
Laurie Metcalf, “Lady Bird”
Octavia Spencer, “The Shape of Water”

Screenplay:
“The Big Sick,” Emily V. Gordon and Kumail Nanjiani
“Get Out,” Jordan Peele
“Lady Bird,” Greta Gerwig
“The Post,” Elizabeth Hanna and Josh Singer
“Three Billboards Outside Ebbing, Missouri,” Martin McDonagh

Cinematography:
Blade Runner 2049,” Roger Deakins
“Call Me By Your Name,” Sayombhu Mukdeeprom
“Dunkirk,” Hoyte van Hoytema
“The Shape of Water,” Dan Laustsen
“Wonder Wheel,” Vittoria Storaro

Animated Film:
“The Breadwinner”
“Coco”
“Despicable Me 3”
The Lego Batman Movie
“Loving Vincent”

Original Score:
Blade Runner 2049,” Ben Wallfisch and Hans Zimmer
“Dunkirk,” Hans Zimmer
“The Post,” John Williams
“The Shape of Water,” Alexandre Desplat
War for the Planet of the Apes,” Michael Giacchino

Best Original Song:
“Evermore” (“Beauty and the Beast”)
“I Get Overwhelmed” (“A Ghost Story”)
“Never Forget” (“Murder on the Orient Express”)
“Remember Me” (“Coco”)
“Visions of Gideon” (“Call Me By Your Name”)

Foreign Language Film:
“BPM”
“Blade of the Immortal”
“First They Killed My Father”
“The Square”
“Thelma”

Documentary Feature:
“Faces Places”
“Jane”
“Kedi”
“Step”
“The Work”

Visual Effects:
Blade Runner 2049
“The Shape of Water”
War for the Planet of the Apes

Poster:
Baby Driver
It
“Logan Lucky”
“Mother”
“The Shape of Water”

Texas Independent Film Award:
A Ghost Story
“Mr. Roosevelt”
“Mustang Island”
“The Secret Life of Lance Letscher”
Song to Song