Retro Television Review: Fantasy Island 7.12 “The High Cost of Loving/To Fly With Eagles”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

The Island just hasn’t been the same without Tattoo.

Episode 7.12 “The High Cost Of Loving/To Fly With Eagles”

(Dir by Jerome Courtland, originally aired on January 21st, 1984)

Craig Bradshaw (Doug McClure) is an aging pilot and daredevil who comes to the Island because he wants to compete in one final competition before he gets too old to keep going up in the air.  His girlfriend (Christine Belford) doesn’t want him to keep risking his life.  In the end, Craig finally comes to peace with the idea of getting older and he also gets engaged.

This fantasy felt pretty familiar.  A lot of people have come to the Island over the years with the hope of winning one final competition.  Actually, that’s probably one of the more realistic recurring fantasies that this show employs.  Who wouldn’t want one last chance to win?  If I went to Fantasy Island, I’d probably want to return to my high school years and compete in another speech and debate or drama competition.  As for this specific fantasy, it’s always difficult for me to take Doug McClure seriously and this episode was no different.

As for the other fantasy …. yeesh!  Lynn Redgrave plays Kristen Robbins, a former advertising exec who was fired when she refused her boss’s sexual advances.  Instead of suing the guy, Kristen comes to Fantasy Island and tells Mr. Roarke that her fantasy is to fall in love and get married and start a family because that means she will never be sexually harassed again.  (For a 40-something veteran of the advertising world, Kristen is incredibly naive.)

Kristen meets Paul Horner (Alex Cord) and it’s love at first sight.  Paul is actually on the Island to interview Kristen for a job with his firm but instead, they have a night of passion.  The next morning, Paul tells Kristen that, before they had sex, he recommended her for a job in which she would be working with him in Hawaii!

Kristen asks Roarke to change her fantasy.  She now wants to get that job and work in Hawaii.  Roarke reluctantly agrees.  Kristen does get the job but the company decides that Kristen will be their sole representative in Hawaii and Paul will remain in New York.  Kristen asks Mr. Roarke to change her fantasy once again.  She doesn’t want the job, she just wants Paul.  (Keep in mind that she’s known for Paul for one day.)  Paul overhears and pretends to be a cad so that Kristen will take the job.

Now convinced that Paul is a compulsive womanizer, Kristen tells Roarke to change her fantasy back to taking the job.  Roarke tells Kristen she needs to make up her own damn mind and then tells her that Paul was only pretending to be a womanizing jerk.  In the end, Kristen decides to take the job and marry Paul.  Paul decides to continue working in New York.  As they leave the Island, they assure Mr. Roarke that they’ll make it work.

Yeah, good luck with that.

This fantasy irked me.  Kristen lost her job because she refuses to sleep with her boss.  I would rather have seen her get a revenge fantasy than a love fantasy.  At the very least, Roarke could have introduced her to a good lawyer.  Instead, we got a fantasy in which the main theme was that women are irresponsible and can’t make up their own mind.

This was not my favorite trip to the Island.

I review SHENANDOAH (1965), starring James Stewart! 


Jimmy Stewart plays Charlie Anderson, the patriarch of a large farming family in Virginia during the time of the Civil War. His family doesn’t own slaves, so he doesn’t figure it’s any of their business what all the fighting is about. He wants to keep working the land in hopes that the war will pass them by. Besides, he has six sons, a daughter, and a daughter in law that he wants to keep safe. He’s trying to keep the family together on his own as his beloved Martha had passed away sixteen years earlier giving birth to their youngest son, who we only know as Boy (Phillip Alford). Aside from the war that’s going on all around them, things seem pretty good for the Anderson’s. They all sit down for a big delicious meal every night. They attend Church every Sunday where they’re usually late and given the side-eye by Pastor Bjoerling (Denver Pyle). One of the sons, James Anderson (Patrick Wayne) and his wife Ann (Katharine Ross), have a precious newborn baby to take care of. The beautiful daughter Jennie (Rosemary Forsyth) is being courted by, and eventually marries, a lovestruck confederate officer named Sam (Doug McClure). Unfortunately the war won’t just go away, and when Boy is taken prisoner by Union soldiers, Charlie can’t stand idly by any longer. They head out to find him and bring him home. 

In the guise of an entertaining semi-western, SHENANDOAH does a great job of illustrating how futile and randomly tragic war can be. The movie starts out lighthearted and fun as the family goes about its normal life, with Jimmy Stewart’s Charlie Anderson giving his homespun advice and rolling his cigars. This is a self-sufficient family that loves, respects and enjoys each other even if they don’t agree on everything. But the war keeps inching its way into their lives. First in the form of small group of confederate soldiers who come by to get some water and try to convince the boys to join up. None of the boys will join up, but they do help bury the soldiers when they’re ambushed and killed just down the road. Next a group of men come to the ranch to try to confiscate their horses for the Union army. Of course, Charlie Anderson isn’t going to let that happen and this turns into the type of brawl that seems to come right out of John Wayne western comedy like MCLINTOCK. Everybody joins in with the participants punching and being punched repeatedly, while Boy keeps getting knocked into the horse trough. This shouldn’t be a surprise because Director Andrew V. McLaglen directed MCLINTOCK and many other John Wayne films. Finally, Boy is taken prisoner because he is wearing a confederate cap that he found floating down the steam while he was out fishing one day. Once Charlie and most of his family head out to search for Boy, the movie begins a turn into tragedy. I won’t give the specifics away, but some members of the family will die, and not a single one of their deaths will be based on the actual fighting of a war. Rather, their deaths will be based on the chaos and depravity that surrounds the war. It’s tough to see, especially when they were all so happy just a little bit earlier. For me, the movie’s changes in tone make the tragedy more powerful and really drive home its message about the futility of war. But the Anderson family, like the United States of America after the Civil War, is made up of tough, resilient folks, and the movie ends on a hopeful note that definitely brought some extra moisture to my eyes. 

Jimmy Stewart commands the screen in SHENANDOAH. You simply can’t take your eyes off of him, and his performance alone would make the movie worth watching. But with its powerful message, excellent cast, and solid direction, the movie is much more than just Stewart’s strong performance. I highly recommend it. 

Retro Television Review: Fantasy Island 6.4 “The Angel’s Triangle/Natchez Bound”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

This week, an angel comes to the Island.

Episode 6.4 “The Angel’s Triangle/Natchez Bound”

(Dir by Bob Sweeney, originally aired on November 6th, 1982)

Death takes a holiday!

Well, not literally.  The Angel of Death, Michael Eden (played by Gary Collins), does come to Fantasy Island but he’s working.  Years ago, he was meant to take soul of Catharine Harris (Carol Lynley), a woman who was in a car accident with her husband, Brent Harris (Doug McClure).  Michael could not bring himself to allow Catharine to die.  So, she miraculously survived.  But now, years later, Michael has been sent to collect the soul of Brent.  Brent and Catharine have come to Fantasy Island to have the honeymoon they missed out on due to the car accident.  Michael has come to make sure that the honeymoon is a tragic one.

Michael very much wants to take Brent’s soul.  If Brent’s dead than maybe Michael and Catharine could (somehow) be together.  But when Brent is taken ill and sent to the Fantasy Island hospital, Michael sees how much Catharine loves her husband.  And he allow Brent to live, which seems a bit unfair to …. well, like anyone.  Or at the very least, anyone who has ever died or lost a loved one.

The interesting thing about this fantasy was that it established that Roarke is apparently not an angel.  When Roarke introduces Tattoo to Michael, Roarke says that Michael “is not like us.”  This leads to a funny moment in which Tattoo, upon hearing that Michael is the angel of death, announces that he some work to catch up on.  I always like it when Tattoo gets to do more than just wave at the airplane.  As for the rest of this fantasy, it wasn’t bad.  Carol Lynley did a good job as Catharine.  Gary Collins was a bit stiff but it kind of worked for his character.  Doug McClure was as goofy as ever.

The other fantasy features Jennilee Harrison as Jenny Ryan, a Vegas card dealer who wants to work on a Mississippi steamboat.  She gets her wish and promptly gets involved with helping a writer named Samuel Clemens (Stephen Shortridge, a.k.a. Beau on Welcome Back Kotter) and a kid named Huck Finn (Adam Rich) hide an escaped slave (Sam Scarber) from a dastardly gambler and slave hunter (Roddy McDowall).  Did I mention that Clemens is having trouble coming up with a plot for his new book?  Jenny inspires Mark Twain, helps Jim get to safety, and returns to the present with a pet frog.  Sure, why not?  This storyline was predictable, largely because I read Huckleberry Finn in high school.  However, Stephen Shortridge was, somewhat surprisingly given his work on Kotter, perfectly charming as Mark Twain and Roddy McDowall obviously enjoyed hamming up his villainy.  (To be honest, when I saw Roddy’s name in the opening credits, I was hoping he’d be returning as Satan.)

This was not a bad episode, especially compared to the previous season 6 episodes.  Both fantasies held me attention and apparently, the Angel of Death will leave you alone if he thinks you’re cute.  That’s good to know!

Retro Television Review: Playmates (dir by Theodore J. Flicker)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1972’s Playmates!  It  can be viewed on YouTube.

Playmates tells the story of two divorces.

Marshall Barnett (Alan Alda) is an attorney.  He went to Yale and Harvard.  He has a successful career.  He has rich and educated friends.  He has a nice bachelor pad.  He also pays hundreds of dollars in alimony.  He and Lois (Barbara Feldon) got divorced 3 years ago and Marshall is still bitter.  He’s bitter that he has to pay her so much money.  He’s bitter that he only gets to see his son on the weekends.  He’s bitter that he can’t seem to start a new, meaningful relationship with anyone.  He’s bitter that his wife still asks him to critique her modernist paintings.

Kermit Holvey (Doug McClure) is a blue collar welder.  He has only been divorced for a few months and his relationship with ex-wife Patti (Connie Stevens) is nowhere near as contentious as Marshall’s relationship with Lois.  Still, Kermit is struggling to adjust to being single and to only seeing his son on the weekends.

Marshall and Kermit meet one weekend while they are both taking their sons to the Kiddieland Amusement Park.  Marshall is so overjoyed to meet someone else who is dealing with divorce that he comes on a bit strong in trying to get to know Kermit.  Kermit, however, does eventually get over his initial weariness and soon, he and Marshall are best friends.  It doesn’t matter that Marshall has a tendency to be a little bit condescending and that Kermit often can’t follow what Marshall is talking about.  They spend most of their time talking about their ex-wives.

But then Kermit meets Lois and he discovers that her paintings really aren’t as bad as Marshall made them out to be.  And Marshall meets Patti and he discovers that she’s not as dumb as Kermit made her out to be.  Soon, Kermit is secretly dating Lois and Marshall is secretly dating Patti and anyone who has ever watched a comedy before knows that there is a big mess waiting in the future.

Playmates was one of those films that pretended to be a lot naughtier than it actually was.  For all the winking and the occasional sly smiles, all that happens is that Kermit and Marshall both end up going out with women with whom they really don’t have much in common.  And while it’s tempting to read a lot into how quickly Kermit and Marshall become friends and how they both end up dating the other’s female equivalent, I think that might be giving this film too much credit.  (If it were made today, things might be different.)  In the end, the film really has more to say about class than it does marriage, as both Marshall and Lois obviously view spending time with Kermit and Patti as being a way of slumming and building up some working class bona fides without actually having to be working class.  Patti, to her credit, calls Marshall out on this.  Marshall admits that she has a point but he still come across as if he’s talking down to her, largely because he’s played by Alan Alda, an actor who is a master at being somehow both likable and condescending at the same time.

Playmates is a well-acted film and there are some funny lines.  The four main characters are all ultimately likable, even if they all have their moments where you can tell why they would be difficult to live with.  It deserves some credit for following its story through to its natural conclusion, with one couple realizing that they still love each other while the other realize that they are better off divorced.  The film may not be as radical as it pretends to be but it still doesn’t cop out on the ending.  In the end, Playmates is probably best watched as a time capsule.  It’s here if you ever want to experience 1972 firsthand.

Retro Television Review: The Death Of Me Yet (dir by John Llewellyn Moxey)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1971’s The Death Of Me Yet!  It  can be viewed on YouTube.

Welcome to Middletown!

Middletown is a nice, comfy, and friendly little town.  As you might guess from the name, it seems just like the type of town that you would expect to find in the middle of the country.  Edward Young (Doug McClure) is a friendly and popular citizen of the town.  Everyone loves to see Edward walking around Middletown with his girlfriend, Alice (Meg Foster, of the otherworldly eyes).  But one day, Edward comes home to find a message waiting for him.  He has been “activated” and it’s time for him to leave Middletown and head to …. THE UNITED STATES!

You see, Middletown is in the middle of a country.  It’s in the middle of Russia, to be exact.  It’s a KGB training center, where sleeper agents learn how to pass for Americans.

Edward heads to America, where he takes on the name of Paul Towers.  Over the years, Paul settles in a town that looks a lot like Middletown.  Paul becomes a newspaper publisher and he comes to love America.  He also marries Sibby (Rosemary Forsyth), the sister of defense contract Hank Keller (Dana Elcar).  When one of Hank’s executives dies under mysterious circumstances, Hank offers to bring Paul into the business.

Paul is reluctant, both because he doesn’t know if he could pass the background check that the FBI is going to run on him and also because he suspects that someone is trying to kill him!  When he sees Alice and his former KGB handler (Richard Basehart) in town, Paul realizes that he’s going to have to pick a side and face the consequences of all of his actions.

The Death of Me Yet is an enjoyably twisty thriller, one that embraces the melodrama while having some fun with the idea of a bunch of sleeper agents doing business in a generic American town.  Doug McClure’s natural earnestness makes him an odd choice for the role of a lifelong spy but the casting works in that it explains why no one has ever suspected Paul in the past.  As always, Darren McGavin is a welcome presence as the FBI agent who assures Paul that he will be doing a thorough background check.  Richard Basehart makes for a good villain and Meg Foster’s enigmatic screen presence keeps the viewer guessing as to what her ultimate goal may be.

The film ends with the hint of continued adventures for Paul.  It wouldn’t surprise me if this movie was made with an eye on turning it into a weekly series.  As far as I know, that series never happened, though The Americans would later feature many of the same themes and ideas found in The Death of Me YetThe Death of Me Yet holds up as an entertaining espionage thriller.

Retro Television Review: The Judge and Jake Wyler (dir by David Lowell Rich)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1972’s The Judge and Jake Wyler!  It  can be viewed on YouTube.

Judge Meredith (Bette Davis) is a retired criminal court judge who has developed a severe case of hypochondria.  She lives in a mansion that she never leaves.  Anyone who comes to see her must be personally vacuumed by her butler before they can be allowed to stand in her presence.  She hates people who take too long to get to the point and she also has little use for people who are rude on the phone.  She especially dislikes cigarettes and refuses to have even an unlit one in her presence.

Jake Wyler (Doug McClure) is an ex-con who is currently on supervised probation.  Despite his criminal past, he’s a likable and amiable guy and, every morning, he wakes up with a new woman in his bed.  Jake enjoys tweaking authority and he always has a pack of cigarettes on him somewhere.

Together, they solve crimes!

They actually do!  The judge is dealing with retirement by running her own detective agency, one that is exclusively staffed by people that she previously sentenced to prison.  Jake does most of the leg work as far as the agency is concerned.  The Judge calls him every morning and demands to know why he’s not working harder.  Jake would rather just sleep-in but working for the judge is a part of his parole.  She could easily send him and everyone else working for her back to prison.  This sounds like a pretty unfair situation to me and the Judge is so demanding that I think it could be argued that she’s an abusive boss.  But, because this is a pilot for a TV show and the Judge is played by Bette Davis, everyone is very loyal to her.

At the start of the film, Jake reveals to Robert Dodd (Kent Smith) that his wife, Caroline (Lisabeth Hush), has been cheating on him with Frank Morrison (Gary Conway).  When Robert is later found dead in a hospital room, the official verdict is that he committed suicide.  However, his daughter, Alicia (Joan Van Ark), claims that her father was murdered.  At first, both Jake and the Judge suspect that Alicia just wants to collect a bigger life insurance settlement but it turns out that Dodd’s beneficiary wasn’t even Alicia.  The money is going to his second wife, the one who was cheating on him.  While the Judge yells at people on the phone, Jake investigates the death of Robert Dodd.

The Judge and Jake Wyler is a mix of comedy and mystery.  Jake has a way with a quip and the majority of the suspects, including John Randolph and Eric Braeden, all have their own eccentricities.  Director David Lowell Rich does a good job of keeping the action moving and the mystery itself is actually pretty interesting.  Surprisingly, the show’s only real flaw is Bette Davis, who seems to be rather bored in the role of Judge Meredith.  Even though the character seems to have been specifically written for her trademark caustic line delivery, Davis delivers her lines with little enthusiasm.  One gets the feeling that she wasn’t particularly happy about the idea of having to do a television pilot.

Davis need not have worried.  The Judge and Jake Wyler did not turn into a series.  That said, the movie is an entertaining and diverting murder mystery.

Retro Television Reviews: Terror In The Sky (dir by Bernard L. Kowalski)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1971’s Terror In The Sky!  It  can be viewed on YouTube.

On a flight heading from Minneapolis to Seattle, several passengers suddenly start to get ill.

Luckily, there’s a doctor on the plane.  Sporting sideburns and wearing a turtleneck, Roddy McDowall is quite chic in the role of Dr. Baird, the dedicated medical professional who comes to realize that the passengers are suffering from food poisoning.  As Dr. Baird explains it to head flight attendant Janet Turner (Lois Nettleton), everyone who had the chicken for dinner is about get severely ill.  Uh-oh …. both of the pilots had the chicken!

Is there anyone on the plane who has any flying experience?  George Spencer (Doug McClure) flew a helicopter in Vietnam but, as George explains, it’s an entirely different type of flying all together.  George has no confidence about his ability to land the plane but he’s the only chance the passengers have.

On the ground, gruff Marty Treleavan (Leif Erickson) has been summoned to the airport so that he can help to talk George through the landing.  Marty explains what all of the instruments do to George.  He tells George that he needs to stay in the air for a few hours so that he can get comfortable with the plane.  But the people on the plane are getting more ill and George says that he might be ding things up a little but he’s going to land this plane!

Does this sound familiar to anyone?

As I watched this film last night, I found myself saying, “Oh my God, this is just a serious version of Airplane!”

And actually, it is.  Terror In The Sky was based on Zero Hour, the 1957 film that also served as the basis for Airplane!  (The directors of Airplane! even bought the rights to Zero Hour so that they freely borrow whatever they wanted to from the film.)  Indeed, much of the dialogue in both Zero Hour and Terror In The Sky also shows up in Airplane!  Even the musical cues in Terror In The Sky and Airplane! are similar.

Terror In The Sky is not a bad film.  It’s an efficient made-for-TV film that features several made-for-television veterans, including Keenan Wynn and Kenneth Tobey.  Doug McClure grimaces heroically in the role of George Spencer and Roddy McDowall is as likable as ever as the doctor who hates to fly.  It’s a very earnest movie about a group of people doing everything that they can to save hundreds of lives.  They’re doing the right thing!

But it’s also totally impossible to take the film seriously because you spend the entire movie waiting for Roddy McDowall to say, “Don’t call me Shirley,” or for Leif Erickson to say that he picked the wrong week to stop sniffing glue.  Every moment and every line makes the viewer think of something funny from Airplane!

Personally, I think they bought their tickets.  They knew what they were getting into.  I say …. well, you get the idea.

And yes, I did rewatch Airplane! as soon as I finished up Terror In The Sky.

Retro Television Reviews: The Master 1.11 “Failure to Communicate”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing The Master, which ran on NBC from January to August of 1984.  The show can be found on Tubi!

This week, we meet Max Keller’s father!

Episode 1.11 “Failure to Communicate”

(Dir by Sidney Hayers, originally aired on May 4th, 1984)

This week’s episode of The Master opens with McAllister (Lee Van Cleef) teaching Max (Tim Van Patten) how to fight even while blindfolded.  McAllister explains that, when one’s sight is taken away, the other senses become even stronger.  Hmmm…. I wonder if this will prove to be relevant to their next adventure?

Having apparently given up on trying to find McAllister’s daughter (not that they ever seemed to be trying that hard to begin with), Max and McAllister head to Los Angeles so that Max can visit his father.  Max’s father, Patrick (Doug McClure), has been estranged from Max ever since the death of Max’s mother and older brother.  However, under McAllister’s guidance, Max has learned the importance of forgiveness.

However, before Max can drop in on his father, he and McAllister have to rescue Kathy Hunter (Ashley Ferrare), who is being chased by three men in a cemetery.  McAllister is impressed when Kathy uses some martial arts skills of her own to fight off the men.  (Kathy explains that she has been in training for six years.)  McAllister takes Kathy home to her father, a wealthy bunker named Jason Hunter (J.D. Cannon).  Max, meanwhile, goes to his father’s law office.

However, Patrick is not at his office.  Instead, Max meets Patrick’s administrative assistant, Laura Crane (Rebecca Holden).  Laura is blind but, as we saw at the start of the program, that just means that all of her other senses are now superhuman.  As soon as she meets Max, she knows that he recently stopped off at a gas station and that he drives a van.  All it takes is for her to touch his face for her to realize that she is Patrick’s son.

Patrick, unfortunately, is not doing too well.  He is now an alcoholic and he’s more likely to be found in the local cocktail lounge than in court.  He’s in danger of losing his license and he’s also struggling financially.  In fact, at the cocktail bar, Patrick is meeting with Straker (Marc Alaimo), one of the men who previously tried to abduct Kathy in the cemetery.  Straker is blackmailing Patrick into helping with Staker’s next attempt to kidnap Kathy.  Of course, when Max arrives at the bar looking for his father, all Hell breaks loose when Max sees the men from the cemetery.  Patrick can only watch as Max and a late-arriving McAllister chase the men out of the bar.

After the bar fight, Max and Patrick have a tense meeting at Patrick’s office.  Max accuses his father of being a bitter drunk.  Patrick says that Max is irresponsible.  Patrick tells Max to get out of his life.  Meanwhile, McAllister escorts Laura back to her apartment.  Okassa (Sho Kosugi) shows up and we get yet another fight, this time between Sho Kosugi and Lee Van Cleef’s very busy stunt double.

The next day, Patrick, Laura, McAllister, and Max all end up at a reception for Kathy.  Patrick spots the three kidnappers at the reception and, having had a change of heart, attempts to lead Kathy outside to safety.  However, this just leads to both Patrick and Kathy being kidnapped.  Straker calls Kathy’s father and demands a $3,000,000 ransom but, fortunately, Laura smelled cemetery dirt on the men who grabbed Kathy so Max and McAllister head back to the cemetery, break into a church, and manage to rescue both Kathy and Patrick!

Yay!  I guess the episode’s over, right?

Nope, not even close.

While Max and McAllister are rescuing Patrick and Kathy, Straker is busy kidnapping Laura.  Straker then calls Kathy’s father and announces that he still expects to get his 3 million or “your lawyer’s secretary gets it!”  Kathy’s father is like, “Why would I pay 3 million dollars for someone who I don’t even know?,” which is kind of a fair question even if it’s not a popular one.  McAllister, however, tells Kathy’s father that it’s important to take care of everyone, even the strangers.

Patrick finally breaks down and admits that he was a part of the plot to kidnap Kathy.  He tells Max and McAllister that the man behind the plot is actually Paul Stillwell (Mark Goddard), who is Jason Hunter’s head of security.  (This seems familiar….)  Patrick also explains that Stillwell is holding Laura prisoner on the Princess Louise, a decommissioned cruise ship that has been turned into a floating restaurant.

Accompanied by Patrick, Max and McAllister go to the ship.  Unfortunately, Okassa pops up out of nowhere and gets into another fight with Lee Van Cleef’s stunt double so it falls to Patrick and Max to rescue Laura.  (Patrick suddenly turns out to have some martial arts skills as well, which is a bit odd considering that Patrick is a middle-aged, overweight, out-of-shape, alcoholic attorney.)  The bad guys try to outsmart Max by turning out all the lights on the boat but Laura is able to use her supersenses to help Max beat up Straker’s men in the dark.  Laura is rescued and the bad guys are sent to prison!

As for Patrick, the Hunter family decides not to press charges because they understand that Patrick was being blackmailed.  Swearing that he’s going to live his life the right way from now on, Patrick pours out his last remaining liquor bottle.  Hooray!

This was one of those episodes that was a bit too busy for its own good.  Rather than have Max and McAllister fight against worthy opponents, this episode just had Max and McAllister continually defeat the same three idiots over and over again and you have to wonder why it never seemed to occur to the bad guys to change their strategy when it came to whole kidnapping thing as opposed to repeating the same thing over and over again.  With all of those kidnappings and rescues, there really wasn’t much time left for the emotional heart of the story, which should have been Max mending his relationship with his father.  Considering how much of this series has focused on Max and McAllister’s family issues, it was a bit anti-climatic that Max’s real father just turned out to be some drunk who was being blackmailed.  At least some of the fight scenes were well-choreographed and Rebecca Holden did a good job as Laura Crane, even if the character herself was occasionally too flawless and perfect to be believed.

Next week, maybe McAllister will finally remember that he’s supposed to be looking for his daughter.  We’ll see!

Retro Television Reviews: Half Nelson Episodes 1 & 2 “The Pilot”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Half Nelson, which ran on NBC from March to May of 1985. Almost all nine of the show’s episodes can be found on YouTube!

The year was 1985 and actor/singer Joe Pesci was at an interesting place in his film career.

In 1980, Joe Pesci was nominated for Best Supporting Actor for his performance as Robert De Niro’s brother in Raging BullRaging Bull was Pesci’s second film and he earned critical acclaim for his performance as the second most angry member of the LaMotta family.  In the years immediately following his first Oscar nomination, Pesci went on to play character roles in a handful of other films, including Dear Mr. Wonderful, Easy Money, Once Upon A Time In America, and Eureka.  While no one could deny Pesci’s talent or his unique screen presence, it was also obvious that Hollywood wasn’t quite sure what to do with him.  While Pesci was apparently high on everyone’s list when it came to playing gangsters with hair-trigger tempers, no one was willing to give Pesci a starring role.

Fortunately, television always has room for an Oscar nominee and, in 1985, Half Nelson came calling.  Created by veteran television producers Glen A. Larson and Lou Shaw, Half Nelson was a detective show.  Joe Pesci starred as Rocky Nelson, a tough New York cop who relocated to Los Angeles to pursue his acting career.  While waiting for his big break, Rocky worked for Beverly Hills Security and lived in Dean Martin’s guest room.  And when I say that Rocky was living in Dean Martin’s guest house, what I mean is that Dean Martin actually appeared on the show, playing himself.

NBC liked the idea enough to air the pilot film and then schedule the show as a mid-season replacement.  Audiences were a bit less interested in the show and Half Nelson was canceled after only 8 weeks.  Pesci went on to win an Oscar for Goodfellas and he never starred in another television show.  Half Nelson would probably be forgotten if not for the fact that someone recently came across the opening credits on YouTube.  When shared on Twitter, this video went viral as “the most 80s thing” ever created.

After I watched that video, I knew I simply had to review Half Nelson as soon as I finished up The Brady Bunch Hour.  Fortunately, almost all of the episodes have been uploaded to YouTube so, for the next few weeks, I’ll be taking a look at Half Nelson, starring Joe Pesci!

Episodes 1 & 2 “The Pilot”

(Dir by Bruce Bilson, originally aired on March 24th, 1985)

Half Nelson begins in New York City, with NYPD’s finest, Detective Rocky Nelson (Joe Pesci), disguising himself as a waiter and sneaking into a mafia-owned restaurant.  After punching out two guards, Rocky enters a backroom and discovers a group of guys with a lot of heroin.  Rocky arrests them and becomes a hero.  As Rocky explains in a voice-over, it’s the biggest drug bust in history.  When Hollywood asks for the rights to the story, Rocky insists that he be allowed to audition for the lead role.  Rocky quits the NYPD and heads out to Los Angeles.  Rocky’s going to be a star!

And, at first, it seems like Rocky’s dream might actually come true.  The film’s director (played by the veteran TV character actor, George Wyner) watches Rocky’s audition and announces that Rocky has the screen presence and talent of Al Pacino.  Unfortunately, Rocky is also only 5’3.  “You’re too short to play Rocky Nelson,” the director explains.

“But I am Rocky Nelson!” Rocky exclaims.

Despite the fact that Rocky’s telling the truth, it doesn’t matter.  A tall British actor is cast in the film.  As a dejected Rocky leaves the audition, he’s approached by a security guard who offers Rocky a job with Beverly Hills Patrol, a private security firm.  Rocky’s skeptical until the security guard mentions that Rocky will get to live in Dean Martin’s guest house.

We jump forward six months.  Rocky is now a trusted employee of Beverly Hills Patrol.  When he’s not working as a bodyguard, he’s auditioning for roles.  At the office, his boss is Chester (Fred Williamson) and the office manager is Annie O’Hara (Victoria Jackson).  Chester is cool and all-business.  Annie is flighty and has an obvious crush on Rocky.  She also gives Rocky a pit bull named Hunk.  Hunk is very loyal but also very quick to attack anyone who isn’t Rocky.  I don’t know if a show could get away with a comic relief pit bull today but whatever.  Hunk is a cute dog with a ferocious bark.

In just six months, Rocky has become surprisingly well-known in L.A.  Some of that might be because he lives with Dean Martin.  Martin appears in three scenes of the pilot and, to be honest, he definitely looks and sounds a bit worse for wear.  Half Nelson was Dean’s final acting role.  (He died ten years after the show was canceled.)  But even though Dean was clearly not in the best shape when he appeared in the pilot, his natural charisma still shines through and there’s a lot of pleasure to be found in his scenes with Joe Pesci.  For one thing, Pesci himself seems to be genuinely excited about acting opposite Martin.

Along with becoming friends with Dean Martin, Rocky has also befriended Parsons (George Kennedy), a Los Angeles police chief who is eager for Rocky to quit the Beverly Hills Patrol and to join the LAPD.  Rocky turns down the offer, however.  Rocky is done with police work.  He’s going to be a star!

Of course, he’ll also find time to solve some crimes along the way.

For instance, in the pilot, Rocky investigates the death of his best friend and co-worker, Jerry (Nicholas Surovy).  Parsons insists that all the evidence shows that Jerry murdered his girlfriend, Monika (Morgan Brittany), and then shot himself.  However, Rocky doesn’t think Jerry would do something like that.  When Jerry’s father (veteran screen actor Rory Calhoun) asks Rocky to find the people who killed his son, Rocky doesn’t have to be asked twice.

It turns out that Jerry and Monika were taking money from a tabloid magazine publisher (Terry Kiser).  They had a video tape that would have been very embarrassing to some prominent Angelinos, including a businessman (Rod Taylor), a restauranter (Tony Curtis), a general (Mills Watson), an astronaut (Gary Lockwood), and a television executive (Bernie Kopell).  Rocky assumes that the people on the tape ordered the murders but then he learns that, while the general did send two government agents to find the tape, he also made clear that no one was supposed to be killed.  Instead, someone else who wanted the tapes committed the murders on his own.

Searching for the killer means that Rocky will have to assume many disguises and show off his acting skills.  As an actor, he’s able to wander into the local movie studio and not only raid their wardrobe department but also borrow their cars.  Over the course of the film, Rocky disguses himself as both a cowboy and a traffic cop.  He also drives a Ferrari, a Cadillac, a jeep, a motorcycle, and KITT, the talking car from Knight Rider.  (KITT, unfortunately, does not talk in Half Nelson.)  On the one hand, the use of disguises is a little bit silly because Joe Pesci is always going to be Joe Pesci regardless of what costume he is wearing.  The pilot’s silliest scene involves Rocky dressed up like a cop to confront two men who have been following him.  Somehow, they fail to pick up on the fact that the 5’3 cop with the New York accent is the same 5’3 New Yorker who they’ve been tailing for the last few days.  And yet, it’s one of those things that’s so ludicrous that you can’t help but think that the show was showing a bit of self-awareness and commenting on just how ludicrous most television shows tend to be.

Eventually, Rocky figures out that the killer is …. SPOILER ALERT …. Parsons!  That’s right.  The same police chief who kept offering Rocky a job with the LAPD turned out to be the murderer for whom Rocky was looking.  What’s interesting is that, after realizing that Parsons is the killers, Rocky doesn’t arrest Parsons or attack him or do any of the other things that a typical TV detective might.  And Parsons doesn’t try to flee or fight.  Instead, the two men take a leisurely drive and talk about life, morality, and regret.  Parsons talks about how he was once an honest cop but Los Angeles corrupted him.  Rocky expresses some sympathy and says that he hates that he discovered that Parsons was the murderer.  It’s a well-acted and surprisingly well-written scene.  When Rocky asks Parsons about the murders, Parsons replies, “I had to empty my gun, just to drown out their screams.”  (Yikes!)  Parsons lets Rocky out of the car and tells him, “Don’t let them get to you, kid.”  Parsons then drives the car over a cliff as Roberta and Chester (who have been tailing Parsons) run up to Rocky.

“Hard to believe that a man like that would kill himself!” Roberta says.

“That’s just the funeral,” Rocky replies as Parsons car explodes, “He died a long time ago.”

Wow, that’s dark!  Fortunately, the mood is lightened during the show’s final scene, in which Rocky’s pit bull attacks boxer Larry Holmes.

The pilot for Half Nelson was nicely done.  It set up the series and it gave us an introduction to the characters, which is exactly what a pilot is supposed to do.  The cast showed off their chemistry and the final scene between Parsons and Rocky indicated that the show had the potential to be something more than just another mid-80s detective show.  The pilot’s greatest strength, not surprisingly, was Joe Pesci.  Pesci has played so many mobsters and crooked lawyers that it’s easy to forget what a likable actor he can be.  The pilot featured Pesci at his most amiable and it also gave him a chance to show off his comedic timing.  All-in-all, the pilot was a success and I could understand why NBC would have ordered more episodes after watching it.

But what about the series?  Would the series live up to the promise of the pilot or would it just become another generic detective show?  We’ll find out over the next 8 weeks!

Horror On TV: Ghost Story 1.9 “Cry of the Cat” (dir by Arnold Laven)


On tonight’s episode of Ghost Story, a rodeo is terrorized by a series of cougar attacks.  Could it have anything to do with the cat-like wife of rodeo star Doug McClure?

This episode originally aired on November 24th, 1972 and it is kind of silly but …. hey, it’s Doug McClure.  It doesn’t get more early 70s than Doug McClure.

Enjoy!